A group of English delftware, 18th century, comprising; a Liverpool tile painted in manganese with a recumbent leopard, a blue and white shipping subject tile, probably London, two manganese landscape tiles, probably Liverpool, a Liverpool blue and white small plate painted with horses, 21cm diameter; and a manganese plate painted with a church, 19cm diameter. (a.f)
We found 510 price guide item(s) matching your search
There are 510 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
510 item(s)/page
A delftware plate 1st half 18th century, perhaps London, decorated in blue, green, red and manganese with a leaping stag to the well, within two bands of stylized swags, minor damages, 23.2cm. Cf. Bonhams, The Sampson and Horne Collection: Defining the Vernacular, 28th April 2010, lot 115 for a blue and white Farmhouse dish with a similar scene.
A rare delftware lobed tray or stand c.1710-30, possibly London, each of the eight lobes painted in blue with a spray of Oriental flowers, around a central well with an applied frieze, the raised rim decorated with blue dashes, the whole raised on four bun feet, some damages, 34.2cm dia. Cf. The Victoria and Albert Museum, Accession No. 3864-1901, for a six-lobed tea tray of similar form and size, derived from silver examples of the early 18th century.
A LONDON DELFTWARE BOTTLE OR GUGLET, C1770-80 attractively painted with two Chinese figures in a landscape, 23cm h For a similar example attributed to Lambeth High Street, see Archer (M) Delftware, 1997, fig E21, p276-7. ++The lower part of the body cleanly broken out and restuck, chip on rim and small flaking but the painting particularly attractive
A London delftware plate mid 18th century, painted in a palette of red, yellow, green and blue with a seated Chinaman in a landscape scene, the border with a floral garland, 22.5cm. Cf. Michael Archer, Delftware, p.235, colour plate 160 for a similar example made in Lambeth. Provenance: from the estate of the late Peter James Rankin.
A London delft blue, green and manganese commemorative plate for the balloon ascent of Vincenzo Lunardi , circa 1785, the ballon depicted ascending above buildings and trees and with a 'V' formation of birds beneath , withina swag border, 35cm diameter Cf. Michael Archer, Delftware ( V. & A. Museum 1997), p. 124 for two examples of similar plates in the collection of the Victoria and Albert Museum, South Kensington. Note: Vincenzo Lunardi (1759-1806). Pioneering ballonist born in Lucca, Tuscany, famous for his balloon flights in England and Scotland which did much to engage the public. After initial favourable acclaim he left Britain in 1786 when one of his balloon flights caused a fatality . Monuments to his various landing spots can be seen in both England and Scotland.
A rare Dutch Delft blue and white chinoiserie barrel-shaped spirit bottle, ca. 1720 H: 16 cm. Examples in Dutch Delftware are extremely rare. The shape is derived from Chinese export porcelain examples, dating back to the Kangxi period. See for example: Christie's, London South Kensington, Sale 10636, Lot 517, for "A matched pair of Chinese blue and white spirit bottles"
A rare Worcester blue and white bowl c.1755, painted with the Squirrel and Vine pattern, the exterior with two of the stylized animals romping through fruiting vine tendrils, a further creature perched on a bunch of grapes to the interior, workman's mark, 14.9cm dia. This pattern derives from Chinese porcelain of the 17th century, but probably came to Worcester via the delftware painters in Bristol and London.
An early English delftware dry drug jar dated 1663, simply painted in blue with a ribboned banner bearing the inscription 'DIASCORDIUM' and the date 1663, a clean repair, some chipping, 20cm. Diascordium is a preparation using the dried leaves of teucrium scordium (water germander) as the primary ingredient. It had a variety of uses including the promotion of sleep and the treatment of the plague. In his London Dispensatorie of 1654, Nicholas Culpeper wrote, "it is a well composed Electuary, a something appropriate to the nature of women, for it Provokes the Terms, hastens their Labor, helps their usual sickness at the time of their Lying-in, I know nothing better... It may be safely given to young children ten grains at a time, ancient people may take a dram or more".
An English dated delftware plate: painted in blue with a Chinese vase of flowers and a flower table by a trellis fence and inscribed 'Ann Pearson Born 17th May 1732', within a blue ground floral and scrollwork border reserved with three panels depicting Chinese river landscapes, probably London, 23 cm diameter. *See: Louis Lipski and Michael Archer 'Dated English Delftware' page 86 plate 362 for a plate from the same series dated 1730.
A rare English delftware blue-dash charger: painted in blue, yellow, iron-red and green with a figure representing Pulcinella, wearing his jester's costume with sugar loaf hat and striding between trees with sponged leaves, holding a large sword in his left hand and smoking a pipe, within yellow line and blue-dash rim, the reverse tin glazed, probably Lambeth, circa 1720-40, 32 cm diameter [some damage]. *Provenance: Acquired, together with the following lot, by the present owner's grandmother in Scarborough in the mid 20th century. *Notes. This charger is part of a small but distinctive group of early 18th century delftware chargers boldly painted with a variety of bird, animal and figure subjects, possibly by the same hand, as discussed by Tristram Jellinek in articles for the 'Antique Collector' magazine in 1970 and 1973. The figure of Pulcinella, anglicized to Punchinello/Mr Punch was first recorded in England in the 1660's and was derived from the Italian Commedia dell'Arte. In the early 18th century, the marionette theatre starring Mr Punch was popular in London and provincial theatres. He usually carries a stick or slapstick, not a sword or smoking a pipe as with the present dish.
A London delftware teapot stand, c.1720, painted in blue with a small figure fishing from rocks in a river landscape, with small buildings on a rocky island, within a stiff leaf border, raised on three shaped feet, a little rim chipping, 13cm. Cf. John C. Austin, British Delft at Williamsburg, p.115 for similar examples.
DELFT AND ENGLISH POTTERY:1. Lipski & Archer: Dated English Delftware. Sotheby Publications, 1984, 401/1000, DJ;2. Luxmoore, Chas F C: English Saltglaze Earthenware. William Pollard & Co, 1924, 1st Edn.;3. Ray, Anthony: English Delftware Pottery. Faber & Faber, undated, DJ;4. Garner & Archer: English Deltware. Faber & Faber, 1972, DJ;5. Rackham, Bernard: Medieval English Pottery. Faber & Faber, 1972, DJ;6. Towner, Donald: The Leeds Pottery. Cory, Adam & McKay, 1963, DJ;7. Barker, David: William Greatbach. Jonathan Horne, 1991, DJ;8. Britton, Frank: London Delftware. Jonathan Horne, 1987, DJ;9. Lewis, J & G: Prattware. Acc, 1984, DJ;10. Hobson, R L: Catalogue of the Collection of English Pottery in the British Museum. BM 1903 (10)
L ENGLISH PORCELAIN: A collection of 7 reference books, all with dust jackets, comprising English Porcelain of the 18th Century by Dixon [Faber, London, 1st ed., 1952]; Dictionary of Marks - Pottery and Porcelain by Kovel [Crown, New York, 1953 1st ed.]; English Porcelain Figures of the 18th Century by Lane [Faber, London, 1st ed., 1961]; The Illustrated Guide to Worcester Porcelain by Sandon [Herbert Jenkins, London, 1st ed., 1969]; New Hall & Its Imitators by Holgate [Faber, London, 1st ed., 1971]; English Delftware by Garner & Archer [Faber, London, 2nd ed., 1972]; English Blue & White Porcelain of the 18th Century by Watney [Faber, 2nd ed., 1973].
AN ENGLISH DELFTWARE BOWL, CHARGER AND TWO PLATES, LONDON AND PROBABLY LIVERPOOL all painted in cobalt, the bowl with a landscape and diaper border to the interior and large rose and peony sprays to the exterior, the dish and plates with chinoiserie landscapes, the former with an angler, dish 34cm diam, c1770 A plate of the same pattern as one in the present lot, tentatively attributed to Liverpool is illustrated Britton (F), English Delftware in the Bristol Collection, 1982, fig 12.37. That example is marked with the figure 11 within the footrim; the present plate is similarly marked but with the numeral 5. ++Apart from a spot of flaking on the rim of the dish at 9 o`clock, all in very good condition, free from cracks, chips or extensive flaking
An English Delft Flower Brick, probably London, circa 1740, of rectangular form, the top with three rows of seven holes, the sides painted in blue with vases of flowers in circular panels on a trellis and flowerhead ground, 15.5cm wide See Grisby (Leslie) The Longridge Collection of English Slipware and Delftware, pg.414 for a similar flower brick dated 1737 and attributed to London 3cm by 1cm flat chip to one upper corner. Typical minor glaze flakes to angles. 220513
Grigsby (Leslie) The Longridge Collection of English Slipware and Delftware, 2 vols, slip cased; Archer (Michael) Delftware, The Tin Glazed Earthenware of the British Isles, slip cased; Lipski & Archer Dated English Delftware; Austin (John) British Delft at Williamsburg; Britton (Frank) London Delftware; Britton (Frank) English Delftware in the Bristol Collection; and Ten Other Volumes and One Sale Catalogue, relating to English pottery (qty) The books appear to have been stored in damp conditions with some rippling to the paper and some sticking between pages. 190613
An English delftware 'Chinaman in Grasses' press moulded lobed dish, London, Brislington or Bristol, circa 1680-1700, washed in tones of blue and delineated in manganese-purple with a figure seated in an Oriental landscape, two corresponding figures within the border, 22cm diameter See Michael Archer, Delftware, p. 204, no. B192, for a blue and white platter in the Victoria and Albert Museum with the exact same design.
A pair of English delftware plates, probably Bristol, circa 1730, each naively painted with stylised tulips within a formal border, 21cm diameter (2) Footnote: A stylistically similar plate dated 1733 was sold in the Longridge Collection, Christie's, London, 25th May 2011, lot 200. Another, dated 1734, is illustrated in Louis L. Lipski & Michael Archer, Dated English Delfware, p.92, no. 392
A London delftware blue and white dish, circa 1730, painted with an urn full of flowers within formal borders, after a Kangxi period Chinese porcelain original, 25cm diameter Footnote: A plate of similar inspiration, dated 1733, is illustrated in Louis L. Lpski & Michael Archer, Dated English Delftware, p. 88, no. 372. Another in illustrated in Michael Archer, Delftware in the Fitzwilliam Museum, p. 119, no. B61
A PAIR OF DATED DUTCH DELFTWARE PLATES painted in cobalt with the initials B/ME and 1697 in a scrolling cartouche with demi dragons^ crown and swagged apron with mask and three tassels^ 25cm diam^ dealer~s label Provenance: Robinson & Williams^ London (early 20th century) where probably purchased by Lt Col Leonard Messel for Nymans^ Susex; sourced by Oliver Messel (1904-1978) for Mr & Mrs F B Watkins of Flaxley Abbey^ c1967; thence by descent to the present vendor. ++One with localised flaking around the rim; the other with old restoration
An English delftware tulip charger, c.1660, probably London, boldly painted with three large flowers in shades of yellow, ochre, manganese, blue and green, with further flowers and foliage inbetween, with a blue dash rim, two rim sections broken and cleanly restored, 37cm.Cf. Michael Archer, The Dating of Delftware Chargers, ECC Transactions Vol. 11 part 2, pp.118-9 and pl.53b, and Delftware in the Fitzwilliam Museum by the same author, p.30 for a very similar example attributed to Rotherhithe.
-
510 item(s)/page