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QUEEN ANNE A London delftware plate, c.1702-14, painted in blue with a half-length crowned portrait flanked by the initials 'AR', within a banded and looped border, extensively restored, 22cm. Provenance: sold Christie's, 27th April 1998, lot 4.

English 18th Century Delftware Posset Pot C1730 London or Bristol

Grigsby (Leslie B.). The Longridge Collection of English Slipware and Delftware, with contributions by Michael Archer, etc., 2 volumes, Jonathan Horne Publications, 2000, numerous colour illustrations, original brown cloth in dust wrappers, with publisher's cloth slipcase, 4to, VG, together with:Lipski (Louis L.), Dated English Delftware, Tin-glazed Earthenware 1600-1800, edited and augmented by Michael Archer, 1st edition, Sotheby, 1984, some colour plates, numerous monochrome illustrations, original dark blue cloth gilt in dust wrapper, 4to, limited edition 716/1000, additionally signed by Victor Chinnery and dated 1984 to title, plus:Archer (Michael). Delftware, The Tin-glazed Earthenware of the British Isles, A Catalogue of the Collection in the Victoria & Albert Museum, 1st edition, V&A Museum/Stationery Office, 1997, numerous colour and monochrome illustrations, original blue cloth gilt in dust wrapper, with matching slipcase, thick 4to, and:Gaimster (David). German Stoneware 1200-1900, Archaeology and Cultural History, British Museum, 1997, numerous colour and monochrome illustrations, original black cloth gilt in dust wrapper, 4to, plus other ceramics reference, including Ronald G. Cooper, English Slipware Dishes 1650-1850, Alec Tiranti, 1968, Leonard N. Amico, Bernard Palissy, In Search of Earthly Paradise, Flammarion, 1996, Frank Britton, London Delftware, Jonathan Horn, 1987, David Gaimster and Mark Redknap, editors, Everyday and Exotic Pottery from Europe c. 650-1900, Studies in honour of John G. Hurst, Oxbow Books, 1992, John G. Hurst, David S. Neal, & H.J.E. Van Beuningen, Pottery Produced and Traded in North-west Europe 1350-1650 (Rotterdam Papers VI), 1986, related auction catalogues, including The Longridge Collection, 6 volumes, Christie's, 2010-11, etc. (approximately 30)Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.Qty: (3 shelves)

English Delft plate, London c1750, decorated with a chinoiserie garden scene within a border of four fish against a manganese ground, D22.5cmFor other Delft ware decorated with fish / manganese ground, see Michael Arches "Delftware, The Glazed Earthenware of the British Isles"

English Delft plate, London c1750, decorated with a chinoiserie garden scene of two figures at a table, within a border of three fish against a manganese ground, D22cmFor other Delft ware decorated with fish / manganese ground, see Michael Arches "Delftware, The Gazed Earthenware of the British Isles"

English Delft large plate, London c1750, decorated with a scene of a lady feeding a bird before a lake or river, within a border of four fish against a manganese ground, D26cmFor other Delft ware decorated with fish / manganese ground, see Michael Arches "Delftware, The Glazed Earthenware of the British Isles"

English Delft large pedestal bowl, London c 1750, the exterior decorated with three fish against a manganese ground, the interior with a floral cartouche and border, H11 x D26cmFor other Delftware decorated with fish / manganese ground, see Michael Arches "Delftware, The Glazed Earthenware of the British Isles"

An 18th century delftware bowl and three plates, the bowl and a plate similarly decorated, painted with bamboo, rockwork and peony, a London decorated plate with figures and sponge work foliage, a further plate with Chinese fenced garden decoration, diameters 19cm - 23cm; and a Geo III japanned cylindrical spice box with sectioned interior, 19cm dia

A near pair of English delftware blue and white chargers, circa 1760, London or Bristol, painted with chinoiserie shrubs and rockwork, (repairs) 34.7 cm diameter (2)

A very rare and unrecorded London delftware puzzle jug, Pickleherring Quay Pottery, Southwark, circa 1650Of globular form with a spreading foot, the narrow swelling neck pierced with geometric motifs, the hollow rim applied with three nozzles and a hollow strap handle, painted in blue with an almost continuous landscape depicting distinctive striped hills densely populated with a variety of curious houses and spired buildings amongst bushy trees, twin-masted ships between the buildings to each side, initialled 'P T.A' above, all within a series of concentric bands, 18.2cm highFootnotes:Delftware puzzle jugs of this early date are incredibly rare. A jug of similar form dated 1653 is illustrated by Lipski and Archer, Dated English Delftware (1984), p.229, fig.1009. A few slightly later examples of this shape survive from the last quarter of the 17th century, including a jug from the Glaisher Collection in the Fitzwilliam Museum (acc. no. C.2862-1928). Michael Archer first suggested that a small number of dishes, jugs and caudle cups form a distinctive group attributable to a single maker in his Rijksmuseum exhibition catalogue in 1973. Lionel Burman took up this idea in two papers read to the English Ceramic Circle, see ECC Trans, Vol.14, Pt.3 (1992) and Vol.15, Pt.1 (1993). Burman discussed three dishes bearing the initials 'R.E.N', identified as Richard Newnham and his wife Elizabeth. Significantly, Newnham was proprietor of the Pickleherring Pottery in Southwark. In his Victoria and Albert Museum catalogue of Delftware (1997), pp.104-5, Michael Archer expanded on his research and discussed characteristics that link the landscape painting found on pieces belonging to this group.The ships and distinctive buildings seen on the present lot are closely related to those found in the border panels of a moulded dish bearing the arms of Markham impaling Faringe, sold by Bonhams on 10 December 2008, lot 14 and another in Brighton Museum bearing the arms of the Worshipful Company of Parish Clerks, illustrated in Archer's Rijksmuseum catalogue (1973), no.26. A further armorial dish with panels of related buildings is in the Glaisher Collection (acc. no. C.1309-1928). This style of painting ultimately derives from Dutch 'maiolica' of circa 1620-40. The London delftware painters were clearly influenced by Dutch Delft and they chose to include typically Dutch ships in their landscapes. Burman discusses these ships in his ECC papers, identifying the vessels seen on the Markham dish as a Dutch long-distance cargo vessel known as a 'Fluit' or 'Flute'. He suggests that these may have been intended as symbols of commercial success and fortune.Five boats of a different type, identified by Burman as a Dutch 'Buss', occur on the border of an English delftware plate dated 1649 in the Glaisher Collection (acc. no. C.1308-1928) illustrated by Lipski and Archer, p.130, fig.127. The style of painting on this 1649 plate is very close to the landscape on the present lot, featuring a building in the centre, similar trees and a distinctive curved picket fence. These recurring features can be noted on other delftware almost certainly made at the Pickleherring Pottery. A posset pot dated 1651 with related buildings, ships and similar trees is also illustrated by Lipski and Archer (1984), p.201, fig.891. A caudle cup in the British Museum inscribed 'EDWARD:SEARLE:AND:ELIZABETH 1650' (acc. no. 1952,0402.1) bears a continuous landscape with buildings, ships and similar trees. Perhaps the most impressive piece belonging to this group is the large jug in the Glaisher Collection (acc. no. C.1311-1928) illustrated by Lipski and Archer (1984), p.219, fig.969. This bears the arms of the Apothecaries Society and is dated 'E.V 1650'. The British Museum caudle cup, the Apothecaries Society jug and the puzzle jug in the present lot are all painted with virtually identical buildings on striped mounds with similar trees and picket fences flanked by ships.For further information on this lot please visit Bonhams.com

A good English Delftware model of a cat, mid-18th centuryPossibly London, modelled seated and painted in blue with its striped tail curled around its haunches, the fur denoted with ermine-like markings, delicate whiskers on a mournful face and a chain collar around its neck, the hollow mound base washed in blue, 10.3cm highFootnotes:ProvenanceA private collection of British ceramic catsA closely related model is illustrated by Jonathan Horne, A Collection of Early English Pottery, Part V (1985), fig.118. Another similar example painted with a chain around its neck was bequeathed by Liane Richards to the Victoria and Albert Museum (acc. no. C.13-2016). See also the model illustrated by Leslie B Grigbsy, The Longridge Collection (2000), p.388, no.D352.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A English delftware mug or tankard, dated 1767Probably London, of large cylindrical shape with a strap handle, painted in blue with a chinoiserie scene of pavilions and trees separated by a tall rock, all within a narrow ribbon cartouche, further trees sprouting by rocks and fences flanking a handle punctuated with abstract motifs, the date '1767' inscribed on the terminal, 16cm highFootnotes:ProvenanceT Murray Ragg Collection, Sotheby's sale, 23 March 1954, lot 33Illustrated by Lipski and Archer, Dated English Delftware (1984), p.190, fig.851.For further information on this lot please visit Bonhams.com

A RARE LONDON DELFT SACK BOTTLE, DATED 1648, of globular shape, the loop handle with heart-shaped lower terminal, inscribed in blue 'SACK 1648', above a curlicue. 16cm high Provenance: Bonhams, New Bond Street, The Contents of Harveys Wine Museum, Fine Glass and Delft, 1 October 2003, lot 32. D. M. and P. Manheim.  Illustrated by Lipski and Archer, Dated English Delftware, fig. 1357. The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Glaze chips to rim, handle with hairline cracks in two places, body with many and various star hairlines, usual pops and frits and surface scratching reflecting age and use.

Two delftware tiles c.1700, probably London, painted in blue with figures standing between sponged trees within a double ringed circle, the corners with stylized flower motifs, 13cm. (2)

Five delftware tiles c.1720-60, one possibly Vauxhall and painted with an eight-pointed star on a powdered manganese ground, another Bristol and decorated with a marbled slip ground, a London Biblical tile painted in manganese with Lot and his daughters, one painted in blue with a figure seated beneath a bower, the last with an octagonal panel of birds flanking a vase on a manganese ground with carnation corners, 13.4cm max. (5)

A large delftware charger c.1720, London or Bristol, painted with Ceres holding a tall cornucopia in one hand and a single flower in the other, flanked by flowering branches, within a wide floral panel border, some restoration to the rim, 35cm.

A large delftware dish c.1720-30, London or Bristol, painted in blue, red and green with insects in flight around flowering plants, the rim with a continuous foliate scroll border, the underside with an II and X border in blue, 29.7cm.

Two delftware plates c.1720-30, one London or Bristol and painted in blue, green and red with Ceres seated among flowering plants and holding a cornucopia within a floral panelled border, the other painted in blue with three travellers looking towards a church on a hill beneath sponged trees, the first cracked, the latter broken and restuck, 22.5cm max. (2)

An early London delftware charger c.1660, painted in blue with a stylized flower to the well within a panelled border of five further flowers, the underside with a thin blue lead glaze, broken and riveted, 30cm.

An English delftware blue and white charger, circa 1760, probably London or Bristol, painted with bamboo and chinoiserie shrubs, within arched and dotted border, 35.5 cm diameter

A very rare set of five Delftware blue and white marriage plates, possibly London, dated 1690, each painted on the rim with a large cartouche formed by griffins, a coronet and a grotesque head issuing tasselled swags and enclosing the inscription "E.R.C 1690", 22cm dia.(some damage)

Delftware posset pot and cover circa 1720, probably London or Bristol, with panels of bird and foliate designs, 24.5cm high Condition: old repairs, large chips and loose handle, 26cm across overall for width.

A RARE LONDON DELFT SACK BOTTLE, DATED 1648, of globular shape, the loop handle with heart-shaped lower terminal, inscribed in blue 'SACK 1648', above a curlicue. 16cm highProvenance:Bonhams, New Bond Street, The Contents of Harveys Wine Museum, Fine Glass and Delft, 1 October 2003, lot 32. D. M. and P. Manheim.  Illustrated by Lipski and Archer, Dated English Delftware, fig. 1357.

Deydier (Christian). Les Bronzes Archaiques Chinois, Archaic Chinese Bronzes, I, Xia & Shang, Paris, Les Editions d'Art et d'Histoire, 1995, colour and monochrome illustrations, original green cloth in dust wrapper, 4to, VG, together with: Salter (John). Wine Labels 1730-2003, A Worldwide History, Antique Collectors' Club in Association with the Wine Label Circle, 2004, several colour plates, numerous monochrome illustrations, original blue cloth gilt in dust wrapper, 4to, VG, plus: White (George). English Lantern Clocks, 1st edition, Antique Collectors' Club, 1989, 8 colour illustrations and numerous monochrome illustrations, original blue cloth gilt in dust wrapper, 4to, and other art and antiques reference, history of map making, etc., including Ashley and Miles Baynton-Williams, New Worlds, Maps from the Age of Discovery, Quercus, 2006 & Maps of War, Quercus, 2007, Louis Lawrence and Shep Brozman, Japanese Inro from the Brozman Collection, 1993, London Delftware, by Frank Britton, 1987, Antique Medical Instruments, by Elisabeth Bennion, Sotheby/University of California Press, 1979, The Brass Book by Peter, Nancy and Herbert Schiffer, 1978, etc., mostly original cloth, many in dust wrappers, mainly 4toQty: (6 shelves)

A Dated English Delft Puzzle Jug, London or Brislington, 1670, of ovoid form, the knopped pierced neck with three spouts and loop handle, painted in blue with chinoiserie figures in landscape and with the date 1670 flanking the initials H/ I. F, 18.5cm high See illustration This form of English delft puzzle jug, with its distinctive knopped neck, seems to be peculiar to the second half of the 17th century. An example dated 1653 is illustrated in Archer (Michael) Delftware, pg.192, item D8. A similar undated example, with related decoration, is illustrated in the same publication, pg.194, item D10, which is dated to circa 1669-1675 due to the Ming Transitional style of decoration of parallel appearance on a mug in the Fitzwilliam Collection, dated 1669, and a jug in the Longridge Collection, dated 1674. An example of the same shape in the Maidstone Museum is dated 1675. For a similar undated example see Christie's, New York, 24 January 2011, The Cyd Levethan Longridge Collection, lot 86.. Broken into several pieces and restuck, one piece being a third of the rim and one spout, another piece being the remaining rim, neck and handle. Body broken in half around waist and with a related extended hairline crack running around half of the upper part of the body. Another hairline crack just above foot extending around approximately one third of the body. Typical minor losses related to breaks. Base terminal of handle lacking. Small area of body at break missing. Other typical minor losses.

A group of mid-18th century delftware plates,Comprising three London (Lambeth High St, William Griffith), polychrome plates with flowers issuing from lozenge rockwork, 34cm, 30cm and 23cm, a small plate painted in blue with a woman by a tree, 22.5cm, another with two Chinese figures, 22cm, and seven others various, (12)For further information on this lot please visit Bonhams.com

A London Delftware Queen Anne charger, circa 1702-14Possibly Norfolk House, painted with a full length portrait of the Queen, holding the orb and sceptre, inscribed 'AR', flanked by sponged trees and standing on a turquoise ground with simply painted vegetation, edged with blue and yellow concentric lines and a blue dash border, with a lead-glazed back 34.8cm diamFootnotes:A similar charger was sold by Bonhams on 8 September 2004, lot 51, with minor differences including the orb and sceptre being held in different hands. The current lot is most like two chargers illustrated by Leslie B Grigsby, The Longridge Collection (2000), p.67, D33 and by Michael Archer, Delftware in the Fitzwilliam Museum (2013), p.13, A.15. The suggested attribution to Norfolk House is based on a fragment with a similar distinctive setting excavated by Garner in Lambeth.For further information on this lot please visit Bonhams.com

A good English Delftware pomegranate charger, circa 1670-90London or possibly Brislington, boldly painted with three orange stylised fruit on a bed of turquoise leaves and formal blue bud motifs, the rim with a yellow line and blue dash border, with a lead-glazed back, the footrim pierced, 34.5cm diamFootnotes:ProvenanceSyd Levethan: The Longridge Collection, Christie's New York, 24 January 2011, lot 12Illustrated by Leslie B Grigsby, The Longridge Collection (2000), p.181, D155. A very similar charger is discussed by Michael Archer, Delftware in the Fitzwilliam Museum (2013), p.55, A.82. This charger has the same turquoise green leaves as the present lot, a pigment which seems to replace the grassier green used on earlier chargers of this type in the latter part of the 17th century.For further information on this lot please visit Bonhams.com

A delftware spirit flask mid 18th century, London or Bristol, of barrel shape with concentric moulded rings to each end, the middle with a single bung hole, decorated all over in a powdered blue glaze, 12.5cm. Cf. Frank Britton, English Delftware in the Bristol Collection, p.253 for three similar examples decorated in powdered manganese.

Two delftware tiles c.1720-40, one Bristol and painted in blue with a figure between sponged trees, the other London and painted with a running dog, each with scroll motifs to each corner, minor faults, 13cm. (2)

A London delftware two-handled vase possibly dated 1716, the baluster form painted in underglaze blue with flower sprays, applied with two scroll handles and raised on a circular foot with a stylized stiff leaf design, inscribed to the underside with '17 / 16' in blue enamel, 17cm. Cf. Woolley and Wallis, The Warner Collection of English Delftware, 17th September 2019, lot 90 for a vase of the same shape.

A small London delftware vase c.1700-20, the bottle-shaped body painted in underglaze blue with stylized flower sprays within small scattered sprigs, a small footrim chip, 12.2cm.

An unusual delftware charger c.1750-60, probably London, decorated to the well and rim with a cracked ice design in blue and manganese, some restoration to the rim, 30.4cm. Provenance: the John Black Collection.

A delftware charger c.1700, probably London, decorated in underglaze blue with a geometric leaf design around a central swirl, the rim with a band of interlocking crescents, broken and riveted, 35.5cm. Cf. Frank Britton, English Delftware in the Bristol Collection, p.52, no.3.2.

A delftware plate c.1720, probably London, painted with a dog or fox raised on its back legs beneath a yellow bird perched on flowering branches, the rim with a band of stylized flowerheads on a red dash ground, some rim chipping, 23cm.

A delftware plate c.1740, probably London, painted in iron red with a hexagonal panel containing flowering branches and an ornamental fence, the rim with small floral panels reserved on a powdered manganese ground, 22.2cm.

Michael Archer: 'Delftware', V&A, 1997, 1st edition, original cloth gilt, dust wrapper, original slipcase; plus Frank Britton: 'London Delftware', London, 1987, 1st edition, original cloth, dust wrapper (2)

A London delft blue and white punch bowl, circa 1760, painted and sponged with a rustic with a cow and calf and a goat, within an Italianate landscape, 31cm diameter; and another English delft blue and white punch bowl, 26cm diameterCf. Michael Archer, Delftware (V. & A. 1997), p. 299, F.29 for a similarly sponged London punch bowl.Provenance: Property of a private family collection.Condition Report: The London sponged bowl has brown staining to the interior and crazed. It is also craacked through the bowl. The other bowl has cracks leading from the rim.Condition Report Disclaimer

A pair of London delftware plates, dated 1724Probably Vauxhall, of plain profile without footrims, painted in red and blue with three stylised flowers divided by long foliage and flanked by slender leaves, surmounted by the initials 'I B A', the date '1724' below, within blue concentric lines and a distinctive formal border, 21.3cm diam (2)Footnotes:A very similar plate is illustrated by Lipski and Archer, Dated English Delftware (1984), p.82, fig.328 and another by Ross E Taggart, Catalogue of the Burnap Collection (1967), p.56, fig.153.For further information on this lot please visit Bonhams.com

A very rare delftware charger, dated 1703Probably London, with an everted rim and turned foot, painted in blue and yellow outlined in black with a windmill, the stone tower inscribed with the date '1703', before three cottages with distinctive fenestrated gable ends, smaller buildings and tall green sponged trees in the distance, similarly sponged bushes in the foreground, a blue line inside the 'blue dash' border around the rim, the back with a lead-tin glaze wash, 35cm diamFootnotes:A very similar charger decorated with a virtually identical scene dated 1704, no doubt from the same workshop, is in the Colonial Williamsburg Collection (accession no. 1937-200) and is illustrated by Lipski and Archer, Dated English Delftware (1984), p.36, no.88. Lipski and Archer note that this charger bears a number of similarities to two groups of English chargers - those painted with full-length portraits of William III similarly outlined in manganese with similar sponged tress in bright green, and 'blue dash' chargers painted with portraits of Queen Anne seated with her generals. It is interesting to note that, in common with the William III chargers, both the present charger and that in the Colonial Williamsburg Collection have tin-glaze washes to the back.A 'blue dash' dish attributed to London painted in a very similar palette and style with a figure on horseback is illustrated by Leslie B Grigsby, The Longridge Collection of English Slipware and Delftware (2000), Vol.2, p.64, no.D31 where it is suggested that this distinctive group may have been produced by a single individualistic workshop in England for a short period during the first decade of the 18th century.For further information on this lot please visit Bonhams.com

A London delftware drug jar,18th centuryOf ovoid form, painted in blue with a label inscribed 'E.THER.ANDR', within an elaborate cartouche decorated with flowers and cherubs, 20cm highFor further information on this lot please visit Bonhams.com

A pair of London delftware tiles, c.1710, painted in manganese, each with an octagonal panel, one of two figures dancing beneath a tree, the other of travellers meeting, the corners with angel motifs, 12.8cm. (2)

A delftware plate, dated 1742, probably London, painted in blue with a Chinese lady holding a fan and standing between a large vase of flowers and a pagoda by a fence, inscribed with the letter T above R E and the date 1742, 21.8cm. Provenance: a private collection from the West Country.

A delftware plate, c.1750, probably London, painted in manganese, red and blue with a small hut flying a long pennant, within a hexagonal husk swag border, 23.3cm. Provenance: a private collection from the West Country. Purchased from The Warner Collection of British Delftware, 17th September 2019, lot 7 (part).

A London delftware Royal dish, c.1690, painted in blue with a double head and shoulders portrait of William and Mary, each crowned, William wearing an ermine-lined robe, within narrow blue line borders, broken and riveted, 22cm. Provenance: a private collection from the West Country. William and Mary were proclaimed King and Queen as joint sovereigns in 1689 and reigned together until Mary's death in 1694. A number of fragments found by Garner in Lambeth correspond with this design. See Michael Archer, Delftware, item B2, p 115.

A small delftware octagonal plate, c.1690, probably London, painted in blue with a Chinese figure seated in a landscape, the scene echoed to the rim, 21.7cm. Provenance: a private collection from the West Country.

A London delftware apothecary or pill slab, c.1785, possibly Mortlake, the elongated octagonal form painted in blue with the arms of the Worshipful Society of Apothecaries above the motto 'Opiferque Per Orbem Dicor', the sides glazed manganese, the top pierced with two suspension holes, 30.4cm. Provenance: a private collection from the West Country. Bonhams, The Sampson and Horne Collection, 28th April 2010, lot 182. Paper label for the Charles J Lomax Collection.

Four delftware plates, mid 18th century, one Bristol and painted with a fisherman in a typical landscape within a bianco-sopra-bianco border, another painted in blue, green, yellow and manganese with flowering branches within a scalloped rim, one London and painted in blue with a Chinese lady beneath a gnarled tree, the last painted with a hut beside rockwork and trees, some damages, 22.5cm. (4) The first plate with a paper label for the Warren Collection.

A pair of delftware plates, c.1710-20, possibly London, painted in blue, green, red and manganese, each with a bird perched on branches of flowering Oriental plants, within a border of five stylized flowerhead panels reserved on a trellis ground, 22cm. (2)

A London delftware bottle or vase, c.1700-20, painted in blue and black with a dense floral design, the tall neck with stylized leaf motifs and differing stripes, some chipping, the base drilled, 18.5cm.

A delftware charger, c.1750, probably London, painted to the well with a bird perched on reeds amidst flowering plants, the rim with incised yellow stylized flower sprays on a powdered manganese ground, and a large Delft charger, painted in blue with fronting birds beneath tall flowering plants, the rim with stylized panels in the Kraak manner, rim cracks, one riveted, 35.3cm max. (2)

A delftware polychrome plate, c.1710, probably London, painted with a parrot perched on a low fence beside a pagoda, with an insect in flight behind, the rim with tied kite panels alternating with formal leaf motifs, 22.5cm.

A London delftware fuddling cup, c.1710, formed of three thistle-shaped cups joined by interlocking handles, the bodies painted with a continuous stylized flower design, the handles with dense blue dashes, restoration to two handles, 11cm high.

"Fayencen von Gert NagelMuseo De Ceramica - Palacio De Pedralbes Barcelona Paperback – January 1, 1993 by Trinidad Sanchez-Pacheco (Author), M. Antonia Casanovas (Author), Maria Dolors Giral (Author)B.C. Koekkoek 1803-1862, Friedrich GorissenKlášterecký porcelán, 1794-1994, Dagmar Hejdová, Jan MerglUna farmacia preindustriale in Valdelsa, Citta di San GimignanoI Ceramisti, Artisti Botteghe Simboli dal Medioevo al Novecento, Aurelio MinghettiCeramiche Orientali A Firenze Nel Rinascimento, Cassa Di Risparmio di FirenzeLa Ceramica a Bassano e Nove dal XIII al XXI secolo, Katia Brugnolo e Giuliana EricaniKeramikmuseum Schloß Obernzell bei Passau an der Donau, Zweigmuseum des Bayerischen NationalmuseumsLe Ceramics, SillabeLe Zuppiere dal XVIII al XX secolo, Collezione Paolo ZuccariSammlergluck, Fayencen der Sammlung Wolf-D. 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MassinEskaf, Eerste Steenwijker Kunst-Aardewerk Fabriek, Princessehof LeeuwardenEskaf, Eerste Steenwijker Kunst-Aardewerk Fabriek, Princessehof LeeuwardenPortugal and Porcelain, the Metropolitan Museum of ArtJan van der Vaart, Multipels, 1967-1997, Allaard HiddingCeramiche, Le Guide del Museo Poldi Pezzoli Di Milano, Maria Teresa Balboni BrizzaTerre Cuite et Porcelaine, Etienne HajduGesellschaft der Keramikfreunde e.V. Grassi Museum fur angewandte kunst leipzig, Richard Bampi, Preis 2013Winterthurer Keramik, Robert L. WyssLes Faiences Anciennes, Maurice AllinneIranian Ceramics, Charles K. WilkinsonLes Faiences Anciennes, Collection D'un Amateur LilloisBlue Delftware, 1680-1720, Salomon Stodel AntiquitesFaience de Delft, meubels, bronzes, etc., Collection L..... A AmsterdamPorzellane, Sammlung Dr. Paul von OstermannSammlungen Rüttgers, München und Sönksen, London, Plön, Hugo Helbing, MünchenSammlung Gieldzinski Danzig. - Berlin, Rudolph Lepke's Kunst-Auctions-Haus 1912Fayencen-Sammlung, E. de Terra, Zollikon, Grosse Auktionen 8-22 November und 2 December 1967, Galerie Jurg Stuker BernSammlung Tony Straus - NegbaurSammlung W. Von DirksenLa maiolica italiana del Cinquecento. Capolavori di maiolica della collezione Strozzi Sacrati. Atti del Convegno di studi, Museo internazionale delle Ceramiche... (Italien) Broché – 1 janvier 2001de G. C. Bojani (Sous la direction de)Vitalità perenne del lustro, CATALOGHI Centro Di, A cura di G.C. BojaniCeramica nell'architettura in Persia (Album Cantini) (Italian Edition) (Italian) Paperback – January 1, 1992 by Fatteneh Naraghi Mirfendereski (Author)Fábrica de Louça de Miragaia, Museu Nacional de Soares dos Reis de 2009Faianças Portuguesas – Colecção António Espírito SantoCeramiche Museo Nazionale di CapodimonteLa Terraglia Napoletana (1782-1860), Guido DonatoneMaioliche settecentesche: Milano e altre fabbriche (Ceramiche della Collezione Gianetti), Museo Giuseppe Gianetti (Author)Ceramica del' 600 e Farmacia, Guiliani S.p.A.La ceramica dell' Ottocento nel Veneto e in Emilia RomagnaCeramiche nel Ducato Estense dal XVI al XIX secoloDa Guiseppe a Leopoldo Finck, Maioliche Bolognesi del SettecentoCeramica Pesarese nel XVIII secolo, La Manifattura Casali e Callegari (1763-1816), Claudio GiardiniStampe del XV e del XVI secolo, Umberto Allemandi & C.250 Jahre Friedberger Fayencen (1754-1768), Museum im Wittelsbacher Schloss FriedbergRakouské malíérstvi 19. 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XIV-XV), Ricerche di Archeologia Altomedievale e MedievaleCeramica e Farmacia di San San Salvatoer a Gerusalemme, Guido Farris & Albert StormeAromatari, Speziali, e Farmacisti, Le antiche farmacie di Siena e della sua provincia, Letizia Galli e Laura VigniAromatari, Speziali, e Farmacisti, Le antiche farmacie di Siena e della sua provincia, Letizia Galli e Laura VigniAlfred Breslauer, Ausgefuhrte Bauten (1897-1927), Julius Bard VerlagKunstgewerbemuseum Zurich, Sammlungs - Katalog 3 KeramikFliesen, Sammlung Johann Keller & Munchen, Altonaer Museum in Hamburg 1965Fliesen, Sammlung Johann Keller & Munchen, Altonaer Museum in Hamburg 1965Immagini, personaggi ed Emblemi Cavallereschi Sulla Maiolica Italiana, Faenza EditriceSchatze in Fayence, HusumWinterthurer Keramik, Schweizerisches LandesmuseumAmstelhoek (1897-1910), Museum het Princesshof-LeeuwardenMuseo Stibbert Firenzem No.10 Polistampa, Il Salone Delle FesteMuseo Stibbert Firenzem Polistampa No. 2Museo Stibbert Firenzem Polistampa No. 4Loza Dorada a Palazzo Venzia, Le ceramiche ispano-moresche della collezione Corvisieri, Maria Selene Sconci e Paola TorreDe 20 eeuw Keramiek als Spiegel van de tijd, Museum het PrincesshofGeschirr fur Stadt und Land, Glandzlichter aus dem Bernischen Historischen MuseumSecesni KeramiksKeramik + email aus ItalienJunge Kunstszene Finnland, Keramische Skulpteren und Installationen, Hetjens - Museum, Deutsches Keramikmuseum"

A collection of reference books relating to Tiles and tile collecting. To include: English Delftware Tiles (Ray), Tiles and Tilework (Graves), Minton Tiles (Minton), History of Decorative Tiles (Riley), Pottery Tiles of the Severn Valley (Messenger), Decorative Tiles (Van Lemmen), Delftware Tiles (Van Lemmen), Dutch Tiles (Korf), The Decorated Tile (Austwick), English Tin-glazed Tiles (Horne). Tin-glazed Tiles from London (Betts & Weinstein), Dutch Tiles (de Jonge) and Deltfware Tiles (Van Lemmen). (13)Condition: In good overall condition. 

A LONDON OR BRISTOL DELFTWARE WET DRUG JAR, C1710-20 of inverted onion shape with flanged spout and almost conical foot, painted in blue with a strapwork label inscribed S: CROCI. beneath a basket of flowers flanked by two cherubs with trumpets, a winged cherub's head below, tassel and floral swags,  18.5cm h Minor ascending hairline crack in foot; localised small flaking, no restoration

A LONDON DELFTWARE WET DRUG JAR, C1700   of globular shape with flanged spout, on flared foot, painted in dark blue with strapwork label inscribed S: ROS: SOL: beneath a basket of flowers flanked by two songbirds, a shaded, winged cherub's head looking slightly to left, tassels and floral swags, the underside of the foot glazed, the handle an early tinplate replacement, 19.6cm hRos Solis, common or round leaved sundew, droesea rotundifolia Localised flaking around rims and on flange of spout, no restoration

A RARE LONDON DELFTWARE BOTTLE SHAPED DRUG JAR, C1740-50  cylindrical with slightly waisted neck and prominent rim, painted in blue with a strapwork label inscribed S: PAPAVER. AL beneath a shell and two flowers and cherubs, each holding a flower, a cherub's head and tassel beneath flanked by floral swags, the underside of the base glazed, 19cm h, painted 4Provenance: Jonathan Horne, from whom purchased by the previous vendorPapaver Album, the opium poppy, Papaver Somniferum var. album Good condition with minor flaking around the foot, no restoration

A LONDON DELFTWARE DRUG JAR OF UNUSUALLY LARGE SIZE, C1750-70  of ovoid shape painted in blue with a strapwork label inscribed  E: LENITIV. beneath a shell flanked by flowers and two cherubs each holding a flower, a cherub's head and folded wings below with tassel and two floral swags, the underside of the base glazed, with early scratched ounce weight, 26cm hLenitivum, an electuary made from senna, tamarind pulp, prunes, liquorice and other ingredients.  It had a mild purgative effect Chip on rim; localised flaking on rims, minor star crack in base; minor surface scratches, no restoration detected

A LONDON DELFTWARE DRUG JAR OF UNUSUALLY LARGE SIZE, C1740  of ovoid shape, painted in blue with a label inscribed  THER: AND beneath a shell flanked by flowers and two cherubs, each holding a flower, a shaded cherub's head and folded wings below  with tassel and floral sprays, the underside of the base glazed, 28cm hTheriac of Andromachus is thought to have been introduced by Nicander of Colophon, the 2nd century Greek poet and priest of Apollo.  A universal remedy, it contained seventy three ingredients in particular the flesh of vipers and was used as an antidote against poisons, especially snake bites Two chips on rim, small chip on footrim, minor descending hairline crack in rim, both rims with slight flaking, no restoration