We found 349 price guide item(s) matching your search

A white mohair Knickerbocker Teddy Bear, 1930/40s, with orange and black glass eyes, black stitched nose and mouth, swivel head, jointed limbs with velvet pads ad inoperative squeaker - 18in (46cm) high (some slight wear, wear to nose and one repair to hand pad); and a Hermann Teddy Bear with brown tipped beige mohair, orange and black glass eyes and growler - 16in (41cm) high (slight general wear)

A Knickerbocker Teddy Bear, 1930s, with brown mohair, orange and black glass eyes, black stitched nose and mouth, inset short mohair muzzle, swivel head, jointed limbs with replaced pads and growler - 17in (44cm) high (some slight wear)

Knickerbocker Toy Walt Disney Snow white composition doll with painted hair and features. Circa 1930`s. Height 12" approx.

NY. Attractive New York City Scrip Note Assortment. 1) American Exchange Co. 1837. 25 Cents. Spanish coin. VG, edge splits, repairs. 2) Economical Exchange Co. 10 Cents. 1849. (H468). About Fine. 3) C. Delmonico. Beaver House. 25 Cents. (H421). Fine. 4) Similar. South William St. 5 Cents. (Like H426 but signed). About Fine. 5) Similar. 25 Cents. (H429). Fine. 6-8) Manchester & Mackeller - Chatham Bank. 3 Cents. VG, minor repairs; 5 Cents. PROOF. AU, mounting remnants; 10 Cents. VF, embossed seal. 9-12) Mathews & Brother - Druggists. Good Fors on yellow cards. 1, 2 and 3 Cents. Fine. Also Knickerbocker Market, Fair. 13) New-York Rice Mill. 25 Cents. 1837. Fine. 14-15) Rushton's Drugs. 5 Cents. (H916). Both Fine. [15]

Civil War. Chamberlain, Joshua L.: The Passing of the Armies. New York, G.P. Putnam's Sons (Knickerbocker Press), 1915. 8vo, blue cloth covers, photo plates and folding maps, 392pp. An account of the last campaign of the Army of the Potomac, this book was published a year after the death of Chamberlain, famed defender of Little Round Top, Brevet Major-General, later Governor of Maine and President of Bowdoin College. Penned inscription on front endpaper. Fine.

Knickerbocker Bank, New York, proof $5 on card, 18- (1851-1854), black and white, maidens and arms at left, man with pipe at right, Dutch style houses at top centre (Haxby G8), The Empire City Bank, New York, proof $2 on card, 18-, black and white, paddle steamer top centre, maidens and arms at left, Fox at right (Haxby G4), ex ABNC with purple handstamp. Ex Early American History Auctions, September 1997. A Bald.Adams & Co. engraving, perforated, good extremely fine and rare VAT Status: Margin Scheme View Terms & Conditions

An Art Nouveau silver fronted twin photograph frame and a Chinese export silver knickerbocker glory spoon (2)

A Knickerbocker Glory tall Glass and an antique Pharmaceutical hand blown Bottle

Whitman, Walt (1819-1892) Leaves of Grass [and] Prose Works. New York: G.P. Putnam`s Sons/Knickerbocker Press, 1902. Ten volume set, the Book-Lover`s Camden limited edition, this copy numbered 387 of 500, in publisher`s half-vellum and tips, blue paper boards, spines elaborated blocked in gilt, t.e.g., illustrated, uncut edges throughout the set, 9 x 6 in. (10).

A Knickerbocker Teddy Bear in olive green with tin plate nose, 17" (43cms) tall.

COLMAN SAMUEL. Natures Harmonic Unity, A Treatise on Its Relation to Proportional Form. Ed. by C.A. Coan. Illus. Quarto. Orig. cloth gilt, worn cond. The scarce 1st ed., The Knickerbocker Press, 1912.

Derek Clarke RWS RSA (b.1912) Connemara Family Oil on canvas, 91.5 x 122cm (36 x 48") Signed and dated 1946 Exhibited: The Royal Hibernian Academy, London 1947, Cat. No. 335; The Royal Scottish Academy 1948; "Derek Clarke - Paintings and Drawings in Connemara 1938, 1939, 1946" Exhibition, The Frederick Gallery, September 2004, Cat. No. 41, where purchased by current owner Derek Clarke wrote for the Frederick Gallery about his time in Ireland and how this painting came about: "I am one of those artists who, having completed their Art School training by 1935, only had four years in which to establish themselves before war put an end to their careers - in many cases forever. In those days there were few travelling scholarships bursaries or prizes: those who could went off to Paris to further their development. My main influences were Cézanne and Van Gough, but I had no desire to be an adherent of any art movement. Instead I wished to find out whether I had a voice of my own. In 1937 I was in Ireland, carrying out commission portraits in Co. Tipperary and Co. Donegal. My patrons suggested that the place I was seeking might very well be Connemara, and a visit was arranged. The following year I set off on my bike across Ireland, travelling over the Burren to Galway, then along the coast road until I came across the village where the greatest number of red petticoats could be seen among the white or blue-washed houses, Rossaveel. Surely this must be the heart and centre of the Gaeltacht! The lodgings in which I settled provided a room in which to paint, but I was deprived of this facility on the arrival of a young man, Brian MacLochlainn, sent by the Irish Folklore Commission to discover whether there were any seanachaís (Gaelic storytellers) still in the district. He was a great help to me. I accompanied him on his evening sessions, equipped with his clockwork waxed drum recorder. Next day he would write the stories out in longhand, explaining obscure passages and obsolete words. He suggested that I would be considered very stand-offish if I went knocking on people's doors. So this set a pattern of my visiting. I would enter their houses, out would come The Chair and be dusted for me; I would decline and sit on the bench or stool. There ensued lengthy apologies that I regretted I had no Irish, and that they had no English. None of the children had any English, but usually some older person could speak it, having returned from America to get married or to claim some property. Then I would ask them whether I might make a drawing of them or their children. Apart from the women's paisley shawls, all clothes were made in the village; wool was carded and spun in the cottages, woven by the village weaver into all-purpose cloth, and made into clothes by the village tailor. All the young children wore the petticoat and had cropped heads with a small fringe or forelock. I was given to understand that the inability to tell the difference between the girls and the boys was to safeguard against losing the boys for changelings. When the children first went to school the mother was given 'the boot money', but the children continued to pad to school on their beautifully shaped feet. The older boys wore knickerbocker suits, and the older lads, like the men folk, wore the banín, a coat without lapels or buttons, made from white wool. After Christmas I moved to nearby Carraroe, where I was given a large white-washed bedroom and my own turf fire. So at last I had the facilities to do more painting. Unfortunately war was declared in September of that year. Having been wounded in Tunisia during the war, I was fortunate to be given a whole year's sick leave, which gave me the opportunity to do some painting based on my Connemara experience. In 1946 I returned to Carraroe with my wife, and was given the same large whitewashed room. To start painting again from scratch was like starting a new life. Post-impressionism was now history, American and International Art has not yet taken over. Some artists turned to abstraction, others to surrealism. Others, like me, felt the need to go back to nature and start learning again. One hot Sunday afternoon, I was painting a watercolour and ran out of water. I went into the nearest house to ask for more. The whole family stood around the fireplace, staring at me exactly as for the desired painting; the composition was already completely determined for the painting 'Connemara Family'. Father was at home dandling the baby. Mother was baking the daily loaf of soda bread in the pot oven. Best of all, they agreed to let me paint them in their house, and to pose for me whenever I wanted. I could not possibly have carried this out, if it had not been for the kindness of a young couple who lived a hundred yards down the road, and allowed me to leave the painting overnight, or contemplate it, or work on it on stormy days. My canvas and the sitters were lit by the window on the left, and the door open on the right. This interest in a double source of light is an important feature of this painting, and has stayed with me in all my paintings of people. When painting this picture, I usually started by asking two of them to pose together, before concentrating on one. I kept a strict record of the number of hours that each posed for me. The eldest girl (on the far right) worked in a knitting 'factory' which employed a few girls, learning to knit jerseys in imitation of the ingenious Aran Island patterns. Her sister wears a dress sent by her cousin in America. The little boy in the foreground wears the petticoat. Those worn by the two sisters in the centre had been improved by their mother, who added collars and dyed them blue. The elder of the two had the reddest hair that I have ever seen, yet as dark as the sooty fireplace behind her. The image of the Sacred Hear above the mantelpiece, which was a feature of every house, was the apex of the composition. Thanks to their co-operation I was able to complete this painting in circumstances which I doubt if another artist has experienced."

Irving (W) Rip van Winkle and the Legend of Sleepy Hollow, Knickerbocker Papers, Philip Lee Warner 1914, Nos 497 and 667 of a limited edition of 1000 copies on hand made paper, two copies, both with dust jackets

A knickerbocker style Teddy Bear with golden mohair and felt pads, 17" (43cms) and a Chiltern type Bear.

A George VI Silver Hip Flask, Asprey & Co Ltd, Chester 1939, rectangular with engine tuner decoration and bayonet action lid, 9.5cm, 2oz 8dwt; Another, William Neale & Son Ltd, Chester 1924, with pull off base, 2oz 7dwt; An Edward VII Silver Card Case; and A Telescopic Knickerbocker Glory Spoon, stamped 800 (4)

59. FRANCIS WILLIAM EDMONDS (American 1806-1863) "The Knickerbocker" Oil on Panel. Measuring 8 ½ by 6 ¾ inches. Provenance: Private Collection Starting Price: $4,000

Penn (William) Some Fruits of Solitude fine green morocco with gilt floral decoration by G.P. Putnam`s Sons for the Knickerbocker Press, c.1920 § Maeterlinck (Maurice) The Treasure of the Humble, red morocco gilt for Hatchards, cup mark to upper board, 1905 § Dyce (Alexander, Rev.) Specimens of English Sonnets, later full tan calf by Zaehnsdorf, 1833; and 3 others, 8vo (6)

SIX STERLING BIRMINGHAM HALLMARKED KNICKERBOCKER SPOONS STAMPED P A T 911 - APPROX. 30gm

An Armand Marseille bisque head doll with blue glass sleeping eyes, open mouth, brown mohair wig, jointed composition limbs and body, in boy`s felt and velvet knickerbocker suit and hat, 14" high, marked "Floradora A 30 M"

Dagley Takings; or the Life of a Collegian first edition 26 etched plates tissue guards contemporary diced calf rubbed rebacked with cloth 1826 § Knickerbocker Gallery (The): a Testimonial to the Editor of the Knickerbocker Magazine from its Contributors portraits contemporary pictorial morocco gilt g.e. New York 1855 § [Hughes (Thomas)] The Scouring of the White Horse first edition double-page wood-engraved pictorial title and 18 illustrations and initials by Richard Doyle original pictorial cloth gilt g.e. Cambridge 1859; and another French language text 8vo(4)

A yellow metal slim line pocket watch, by Knickerbocker; a micro mosaic type brooch; a yellow metal bracelet; various other dress jewellery etc.

JOHN BIGGIN LTD.A PAIR OF MODERN SILVER HANDLED FISH SERVERS each having vine and scallop hallmarked handles and plated blade and tines, and SIX FOREIGN WHITE METAL KNICKERBOCKER SPOONS having leaf shape pads and tubular stems

Three Knickerbocker 1979 Star Trek Mr. Spock Soft Poseable Figures. Boxed ex-shop stock. (3)

[BARHAM, Richard Harris.] The Ingoldsby Legends. London: Richard Bentley, 1848-1847. 3 vols., mixed edition, 8vo (198 x 127mm.) Engraved titles, numerous plates. (Some browning and spotting, one plate torn without loss.) Early 20th Century brown half-morocco, by The Knickerbocker Press Bindery for A.P. Putnam’s Sons, spines gilt, t.e.g. (spines slightly faded). Note: this 3 vol. set comprises: fourth edition of the 1st series, third edition of the 2nd series and second edition of the 3rd series. Provenance: Ursula Morgan (signatures dated 1905 to preliminary blanks).

A KNICKERBOCKER CLUB THREE HANDLED SILVER PLATED TROPHY/TYG made by Reed & Barton for `Comrades between 1888 and 1913`, inscribed `William Williams from Hubert E Charles as a token of esteem and friendship during the twenty five years of association at The Knickerbocker Club`, 101/2" high, together with a Knickerbocker Club 1921 constitution and rule book

A Knickerbocker teddy bear, with amber and black eyes and stitched snout, the jointed fabric body with fabric pads, height approx 72cm.

Poe, Edgar Allan The Complete Works, published by G.P. Putnam`s Sons, New York and London, The Knickerbocker Press, 1901, numbered Collectors Eldorado Edition 77/150, gilt half-morocco with marbled boards, 10 volumes. (10)

A COLLECTION TO INCLUDE two silver thimbles, two bone shuttle, various bone crochet hooks, needles and buttons and a book `Cycling and Shooting Knickerbocker Stockings`, `How to Knit Them`.

Diedrich Knickerbocker `A History of New York` America, pub. John Murray 1821, leather bound, Vols. I and II, (2)

3 boxed Pelham Puppets: Tyrolean Girl, Cat and Poodle. Together with 2 boxed Knickerbocker Raggedy Ann dolls. (5)

An Ellar composition head doll with painted face and hair, open mouth, stuffed fabric body and limbs, 13" high, with original cotton dress and bonnet, and a knickerbocker fabric doll with moulded rubber face and original clothes, 11" high (2)

A Knickerbocker 'Baby Bunting' 1930's German composition flange necked baby, twist and turn Barbie, other teenage dolls, Rosebud baby etc

An American Knickerbocker mohair jointed teddy bear, height 18".

Rackham, Arthur - Irving, Washington The sketch book of Geoffrey Crayon. New York & London: G.P. Putnam's Sons & the Knickerbocker Press, 1895, Van Tassel edition, 8vo, 2 volumes, presentation inscription from Arthur Rackham to Julie Drinkwater 1894 on front blank, illustrated with 32 plates, 4 of which are by Arthur Rackham, original decorative blue cloth gilt, white onlays, some rubbing to edges (2)

"ANJI" KNITTED YELLOW DRESS WITH TIE FRONT, BERNSHAW BLACK LONG SLEEVED COCKTAIL DRESS, A BLACK VELVET KNICKERBOCKER SUIT, TARTAN LONG SKIRT, SEQUINNED BOLERO and TWO OTHER ITEMS (8)

ATKINSON,C.T. 'Marlborough and the Rise of the British Army' G.P. Putnam's and Sons, Knickerbocker Press 1921, gilt titles, ills and maps, 2vols.

Star Trek: Knickerbocker 0598 Mr. Spock poseable figure in original packaging 325mm, Airfix 10171-8 Moonraker kit and Waddington's Formula One game (3)

Washington Irving "The Works Of" the Knickerbocker Edition, 35 volumes uniformly bound. (35).

Modern dolls: Royal Doulton Nisbet Winter No. 4580, Little Heirlooms by Valerie Kay, four porcelain dolls including Peirrot and Knickerbocker Grandma Hobbi, all in original boxes (Royal Doulton lacks lid) and a miniature all-bisque baby doll 95mm (8)

A quantity of ephemera to include paperwork relating to The Hotel Knickerbocker, New York, a London Mystery magazine, various National Union reproduction advertising cards, and a statement relating to the Atomic bomb, circa 1945.

IRVING (WASHINGTON) The Works, 27 vols, The Knickerbocker Edition, contemp. half calf gilt, some spine wear and missing labels, 3 covers detached, New York, 1857-1868--LAMB (CHARLES) The Works, 5 vols, contemp. half calf gilt, worn, New York, 1859--TENNYSON (ALFRED) Poems, 2 vols, contemp. half calf gilt, worn, Boston, 1876 (34) LOCATION C

Knickerbocker, Diedrich. A History of New York (London: Murray, 1820), new edn, 8vo, original grey boards (spine paper worn with losses; upper board loose; sold with all faults).

McKay (Donald) Some Famous Sailing Ships And Their Builder, cloth, gilt, 8vo, The Knickerbocker Press, New York, 1928; Carr (Frank G. G.), Vanishing Craft, cloth, 4to, 1934; Wood (Walter) Fishing Boats and Barges, cloth, 4to, Bodley Head, 1922 (3).

Irving (Washington). The Life and Voyages of Christopher Columbus, Quadri-Centennial Edition, 3 vols., New York, Knickerbocker Press for G. P. Putnam's, 1892, col. frontis. to each vol., num. b&w plts. incl. etched plts., steel engs., photogravures, etc., many printed on india paper, t.e.g., remainder rough-trimmed, orig. full vellum gilt, some light soiling, 4to Limited edition of 402 copies, this copy for Frank Griswold Tefft. (3)

POE,EDGAR ALLAN "THE COMPLETE WORKS", published by G.P. Putnam's Sons, New York and London, The Knickerbocker Press, Annabel Edition, 10 vols, dark blue cloth, gilt decoration to front cover and spine, Ills. (10)

AMICIS, EDMONDO de. Holland And Its People. New York and London, The Knickerbocker Press, 1885. Zuyder Zee Edition, No. 574 of 600 copies, signed by the publishers 8vo., orig. cloth gilt, uncut (head & tail of spine worn) Etched plates and text illustrations, some Japan proofs, by R. Swain Gifford, Joseph Pennell and others (as per list). (frontis. loose, some margins spotted).

A pre-war Knickerbocker brown plush covered teddy bear with cast metallic nose, amber eyes, jointed limbs, canvas covered pads, 17 1/2" high (Please see lot 294 for image)

Libbey (William) and Franklin E. Hoskins. The Jordan Valley and Petra, 2 vol., first edition, 159 plates, illustrations, folding map, original cloth, a fine set, New York and London, The Knickerbocker Press, 1905.

GILBERT, Bernard 'Bly Market', London. Ltd. edn. 516/1000, 1924, cl. sunned, Tog.with ADAMS, John Coleman 'Nature Studies in Berkshire', The Knickerbocker press, NY 1899 plus 'The Queens Book of The Red Cross' Hodder & Stougthon 1939 plus Topography. (9)