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▲ After Sir Grayson Perry RA 'Lion Queen', 2022a glazed fine china plate, based on the 'Lion Queen Charger' Perry created for the Platinum Jubilee of Queen Elizabeth II, produced for 'Grayson's Art Club: The Exhibition' held at the Midlands Art Centre, Birmingham21.5cm diameter, presented in a glazed frameCondition ReportFramed: 35.5 x 35.5cmNot viewed out of glazed frame but appears to be in good condition. Well presented and ready to hang.
After Sir Grayson Perry RA 'Reclining Artist', 2017tea towel, digital print on cotton49 x 67cm (visible)Condition ReportFramed: 53.5 x 72cmIn good condition. There is a line of stitching running around the edge and a raised square of tape (?) used to fix the work in position is visible through the fabric in the extreme top left corner but overall the work presents well. Not viewed out of glazed frame.
Grayson Perry (British 1960-), 'Gay Black Cats MC', 2017, handmade cotton fabric and embroidery appliqué flag, signed and numbered from the edition of 150 in black ink to the accompanying certificate of authenticity, published by Serpentine Galleries; 97 x 148cmARR 97 x 148cm In very good condition No holes or damage to the fabric No apparent issues
After Sir Grayson Perry RA (b.1960) 'Lion Queen', 2022a glazed fine china plate based on the 'Lion Queen Charger' Perry created for the Platinum Jubilee of Queen Elizabeth II, produced for 'Grayson's Art Club: The Exhibition' held at the Midlands Art Centre, Birmingham21.5cm diameterCondition ReportThe work appears to be in good condition.
Grayson Perry CBE RA, British b. 1960- Home Worker and Key Worker Staffordshire Earthenware Figures, 2021;earthenware, painted, glazed and published by Bristol Museum and Art Gallery for the BBC series Grayson's art club, from the edition of 200, each with the Grayson Perry symbol on the reverse, height (each): 27 cm, (ARR) (3)
Sir Grayson Perry O.B.E., R.A. (British 1960-) "Lion Queen" 2022, a glazed fine china plate based on the "Lion Queen Charger" Perry created for the Platinum Jubilee of Queen Elizabeth II, produced for "Grayson's Art Club: The Exhibition" held at the Midlands Art Centre, Birmingham, with printed marks to the underside.diameter 22cm
Sir Grayson Perry O.B.E., R.A. (British 1960-) "Gentrification Cloth" Textile created for charity 'Shelter' to support people suffering from homelessness.15cm x 18.5cm (framed 26 x 35cm)The cloth is in very good, original condition with no obvious faults to report. The cloth appears to be laid down. The cloth is framed and glazed.
▴ Sir Grayson Perry RA (b.1960) 'A Show For Normal People'offset lithograph in colours, 2021, signed 'Grayson Perry' in marker c.l., with a sketch by the artist c.r.sheet 59.5 x 42cm, unframedCondition ReportA very light handling crease to the upper right corner and a further slight crease to the lower left corner. This does not affect enjoyment of the print which is in otherwise good condition.
Grayson Perry (b.1960)Piggy BankThe painted and glazed ceramic multiple, 2017, with the artist's logo on the underside, from the edition of an unknown size, published by the Serpentine Gallery, London, within the original grey cardboard box, overall 260 x 130 x 130mm (10 1/4 x 5 1/8 x 5 1/8in) (multiple)
δ Grayson Perry (b.1960)Kate BoardScreenprint in colours on wooden skateboard, 2017, from the edition of 999, published by Serpentine Galleries, London, produced by The Skateroom, overall 810 x 200mm (31 7/8 x 7 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Grayson Perry (British, born 1960)Piggy Bank Painted and glazed ceramic multiple, 2017, with the artist's monogram printed to the underside, from the edition of an unknown size, published by the Serpentine Gallery, London, housed within the original boxOverall 130 x 260 x 125mm (5 1/8 x 10 1/4 x 4 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Grayson Perry (British, born 1960)England as seen from Lockdown in Islington Digital pigment print in colours, 2021, on cotton panama, signed and numbered 126/150 in pencil on the accompanying certificate of authenticity (there were also ten artist's proofs), co-published by Victoria Miro Gallery and Paragon Press, London, the full sheetSheet 1510 x 1105mm (59 1/2 x 43 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
▴ Sir Grayson Perry RA (b.1960)'Lion Queen', 2022, a glazed fine china plate based on the 'Lion Queen Charger' Perry created for the Platinum Jubilee of Queen Elizabeth II, produced for 'Grayson's Art Club: The Exhibition' held at the Midlands Art Centre, Birmingham, with printed marks to the underside21.5cm diameterCondition ReportIn good condition.
▴ Sir Grayson Perry RA (b.1960)'Claire as a Soldier'digital print in colours on linen, from a limited edition of 400 tea towels created for the Hayward Gallery that depicts Perry's ceramic work 'Claire as a Soldier,1987' image 57 x 41cm, ovalCondition ReportFramed: 79 x 56cmThere are some small raised bumps in the fabric to the bottom and right edges the printed areas is in good condtion and overall the work presents well. Not viewed out of glazed frame.
▴ Sir Grayson Perry RA (b.1960)'Lion Queen', 2022a glazed fine china plate based on the 'Lion Queen Charger' Perry created for the Platinum Jubilee of Queen Elizabeth II, produced for 'Grayson's Art Club: The Exhibition' held at the Midlands Art Centre, Birmingham21.5cm diameterCondition ReportFramed: 35.5 x 35.5cmNot viewed out of glazed box frame but appears to be in good condition.
Grayson Perry (British, b 1960) 100% ART Fine bone china plate with gold lustre Developed for the Holburne Museum, in collaboration with Kit Grover. Designed exclusively for the Holburne Museum in Grayson Perry’s inimitable style celebrates the exhibition The Pre-Therapy Years 21.5cm diameter (8.5") Grayson Perry (British, b.1960), British potter who embedded in his work images of violence and other disturbing social issues. Perry was born into a working-class family, and his interest in ceramics was kindled during childhood. By age 13 he had confided his transvestism to his diary. He studied at the Braintree College of Further Education in Essex and at Portsmouth Polytechnic in Hampshire, but it was not until the early 1980s, when he was living in a squatters’ community in London’s Camden Town, that he returned to the serious study of ceramics by way of evening art classes. At the time, he was appearing in performance pieces and art films and nursing his own aspirations as a filmmaker. He disliked the compromising and collaborating that he felt went hand in hand with filmmaking, however, and when in 1984 the first solo exhibition of his ceramic works—all created in his evening classes—sold well, he made pottery his main art form, though he continued to work in other media. From the 1990s Perry also worked in embroidery, creating such pieces as Mother of All Battles (1996), a woman’s folk costume stitched with ethnic symbols and images of weapons and killings, and Claire’s Coming Out Dress (2000). Perry was also the author of a novel, Cycle of Violence (1992). Perry achieved celebrity status in 2003 when he won the Turner Prize, one of the art world’s premier honours. His receipt of the award stirred some controversy, not only because he was the first potter to win the prize but also because of his tendency to appear in public as a cross-dresser, frequently as his alter ego, Claire, and often accompanied by his wife and daughter. In 2004 Perry mounted a solo exhibition at the Tate St. Ives museum of modern and contemporary art in Cornwall. The exhibition featured his classically shaped vases, the colourful surfaces of which served as a seductive camouflage for inscribed images and messages that were distinctly at odds with their decorative medium. Domestic violence, child abuse, pedophilia, and cultural stereotypes were some of the troubling themes that the artist habitually explored in these inscriptions. Perry acknowledged his exploitation of the decorative appeal of his pots, describing them as a “guerrilla tactic” under the cover of which “a polemic or an ideology” waited to be discovered. I Want to Be an Artist (1996), the first of his vases to be sold at auction, fetched £36,000, more than twice the presale estimate. Perry was appointed Commander of the Order of the British Empire (CBE) in the 2013 Queen’s Birthday Honours for services to contemporary art. In 2023 he was awarded a Knighthood (Knight Bachelor) for services to the Arts in the King’s New Year Honours. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Grayson Perry (British, b. 1960) Non-fungible Token Mug Fine bone china plate with platinum lustre Stamped by artist estate 21.5 cm diameter (8.5") 8.9 x 12.4 x 8.5 cm (3.5" x 5" x 3.5") Weighs approximately 230g Grayson Perry (British, b 1960) is a British potter who embedded in his work images of violence and other disturbing social issues. Perry was born into a working-class family, and his interest in ceramics was kindled during childhood. By age 13 he had confided his transvestism to his diary. He studied at the Braintree College of Further Education in Essex and at Portsmouth Polytechnic in Hampshire, but it was not until the early 1980s, when he was living in a squatters’ community in London’s Camden Town, that he returned to the serious study of ceramics by way of evening art classes. At the time, he was appearing in performance pieces and art films and nursing his own aspirations as a filmmaker. He disliked the compromising and collaborating that he felt went hand in hand with filmmaking, however, and when in 1984 the first solo exhibition of his ceramic works—all created in his evening classes—sold well, he made pottery his main art form, though he continued to work in other media. From the 1990s Perry also worked in embroidery, creating such pieces as Mother of All Battles (1996), a woman’s folk costume stitched with ethnic symbols and images of weapons and killings, and Claire’s Coming Out Dress (2000). Perry was also the author of a novel, Cycle of Violence (1992). Perry achieved celebrity status in 2003 when he won the Turner Prize, one of the art world’s premier honours. His receipt of the award stirred some controversy, not only because he was the first potter to win the prize but also because of his tendency to appear in public as a cross-dresser, frequently as his alter ego, Claire, and often accompanied by his wife and daughter. In 2004 Perry mounted a solo exhibition at the Tate St. Ives museum of modern and contemporary art in Cornwall. The exhibition featured his classically shaped vases, the colourful surfaces of which served as a seductive camouflage for inscribed images and messages that were distinctly at odds with their decorative medium. Domestic violence, child abuse, pedophilia, and cultural stereotypes were some of the troubling themes that the artist habitually explored in these inscriptions. Perry acknowledged his exploitation of the decorative appeal of his pots, describing them as a “guerrilla tactic” under the cover of which “a polemic or an ideology” waited to be discovered. I Want to Be an Artist (1996), the first of his vases to be sold at auction, fetched £36,000, more than twice the presale estimate. Perry was appointed Commander of the Order of the British Empire (CBE) in the 2013 Queen’s Birthday Honours for services to contemporary art. In 2023 he was awarded a Knighthood (Knight Bachelor) for services to the Arts in the King’s New Year Honours. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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738 item(s)/page