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Pierluigi Spadolini (1922-2000) for Kartell 'Fiocco' modular room divider, comprising twenty seven double sections, five single sections and 10 caps and six recessed caps, circa 1970 Plastic Double sections : 28cm high, 38cm wide. Single sections 28cm high, 18cm wide Literature Anne Bony, 'Furniture and Interiors of the 1970s', Flammarion, 2005, p. 206
Attributed to Jan W Eisenlöffel (1876-1957) Triangular brass tray with matchbox holder and two bowls all on bun feet, circa 1905 Brass Unsigned Tray: 33.5cm. Footnote Eisenloffel worked for Hoeker & Son (Amsterdam), Amstelhoek and Binnenhuis, before in 1903 he founded a rival interior design firm De Woning, together with W. Penaat who had directed the furniture department at Amstelhoek. See further details below. Footnotes: After studying at the Rijksnormaalschool from 1892 to 1896 Eisenloffel joined the silversmiths Hoeker & Son, Amsterdam, designing mainly works in revivalist styles. Following eight months in St Petersburg, where he learnt enamelling and niello techniques, Eisenloffel developed his own style. In 1900 he became artistic director of the newly installed metal workshop at the Amstelhoek factory, working in his new style for the first time. The Amstelhoek factory was founded in 1897 by W.C. Hoeker (of Hoeker & Son), initially as a ceramic factory, the metalwork and furniture departments being later additions. Hoeker wished to produce modern designs in non-precious metals such as copper and brass; the production of silver at Amstelhoek was always associated with his family's firm. The factory name was derived from the telegraphic address: Amsterdam-Hoeker.In September 1900, on the initiative of the architect H.P. Berlage and the designer Jacob P. van den Bosch, a new design gallery, het Binnenhuis, opened in Amsterdam as a retail outlet for the applied arts, with Eisenloffel among the collaborators. Eisenloffel's metalwork enjoyed wide distribution through Amstelhoek displays at het Binnenhuis, but in January 1902, he left Amstelhoek and het Binnenhuis to run his own workshop, designing copper and brass objects for machine production. In 1903 he founded a rival interior design firm, De Woning, together with W. Penaat, who had directed the furniture department at Amstelhoek.British Museum website
A Record of the Collection in the Lady Lever Art Gallery, Port Sunlight Formed by the Viscount Leverhulme in three volumes published by Batsford 1928 as a limited edition of 200 copies for the UK and 150 for USA. Volume 1: Painting and Sculpture; Volume 2: Chinese Porcelain and Wedgwood; and Volume 3: English Furniture, Tapestry, and Needlework. With dust jackets in original slip cases.
A collection of books on the subject of furniture and cabinet making including: Thomas Chippendale by Oliver Brackett, Choir Stalls & Their Carvings by E.Phipson, English Furniture Designers of the 18th Century by Constance Simon, The Cabinet Maker and Upholsterers Guide by Hepplewhite (Batsford edition 1894) etc.
Nine illustrated books on design and craft comprising of; Antique Blue and White Spode by Sydney B. Williams, Thomas Tompion his Life & Works by R.W. Symonds, The Signboards of Old London Shops by Sir Ambrose Heal, English, Scottish & Irish Glass by G. Bernard Hughes, The London Furniture Makers by Sir Ambrose Heal, Miniature Portraits by Gideon Tallemant, Miniatures in the 18th & 19th Centuries by Donough O'Brien, English Blue and White Porcelain of the 18th Century by Stanley W. Fisher and Interior Decoration by Frank Alvah Parsons
WWII Second World War Third Reich Nazi German Army Officer's parade dagger. The dagger having a steel oak leaf pommel, twisted celluloid grip and cross guard in the form of the Nazi eagle with downward facing quillons. The double edged stiletto blade stamped Tiger Solingen. Housed in steel scabbard with furniture rings. Measures approx 39cm.
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