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Click here to subscribeA Collection Of Seven Vintage Fashion Watches Nine items in total, varying condition and styles to include stainless steel digital watch by Timex, gold tone cocktail watch, bark effect bracelet watch by Limit, Timex gents watch with brushed metal face etc, art deco style cream enamel and gold tone cuff watch etc. Please see accompanying image
ORIGINAL MARTIN HANNETT AMS DBX 15-80S - FIRST EVER DIGITAL DELAY - IDENTICAL TO THE ONE USED ON UNKNOWN PLEASURES AND CLOSER. Manufactured by Advanced Music Systems, Burnley, England and with "Martin Hannett Productions" label on the side. Includes copy of Martin Hannett's user manual."This is original. One of the first production AMS' pioneered and I believed was used by Martin extensively on UNKNOWN PLEASURES, CLOSER and MOVEMENT. He loved these things and owned three. Along with the MARSHALL TIME MODULATOR (Time waster as we called it) it helped him create the unique sound that became JOY DIVISION’S own. The first use of Digital Delay to great effect.... no pun intended. These are still collected and used today. Although keeping them working is a specialist art form in itself. They have a unique ‘ warm’ and ‘spatial’ sound."Additional comment added later by Hooky "There has now been a challenge to the provenance of this item as described in the original catalogue . It was purchased in 'good faith' a long time ago from Christopher Hewitt, Ozit Recordings as the machine used by Martin Hannett and Joy Division on the Unknown Pleasures and Closer LP's. Christopher Hewitt is now saying that whilst it is one of Martin Hannett's, it wasn't and isn't the one used in those recordings. I can only be honest about this challenge and re-iterate how disappointed I am at how it was sold to me."
BURT GOLDBLATT ARCHIVE - JAZZ BASSISTS. Five black and white, approx 6x6cm photo negatives from the archive of Burt Goldblatt. To depict variously: Dave Holland, Eddie Safranski, Ernie Sheppard and Art Davis. Please note that the watermark is in the digital upload only not the actual negative(s) purchased. ***The negatives are being offered for collectors purposes only and are copyrighted by (c)Burt Goldblatt/CTSIMAGES. No commercial reproduction rights or merchandising rights accompany the sale of this negative. Personal use only.***
The Stranglers - 'Peaches' limited edition digital image print on paper signed by band members Jean Jacques Burnell, Dave Greenfield and Baz Warne, titled and numbered 19/50, 64cm x 64cm.Provenance: Soundwaves Art certificate of authenticity to verso. Artwork was signed at the 2008 Hard Rock Calling Festival before the Stranglers appearance.
Jolyon Smith (Bahamas). Boy in traditional costume. Mixed media on canvas. Signed and dated '84 lower right. Unframed. 47 x 38cm. With artist name, address and age 20 years verso. Provenance: The Property of a Lady. Given to the vendor's family by the organiser of a global art competition, held at Winchester in about 1984. Joylon Smith: Jolyon has received numerous national and international awards and scholarships allowing him to further his education in Fine Art, Painting and Illustration at the prestigious Rhode Island School of Design in Providence, RI. His work has been sought after by well-known companies as Condé Nast Publications and his talents include drawing, painting, design, digital art, mural painting and Sculpture. .
Jolyon Smith (Bahamas). Boy in traditional costume. Mixed media on canvas. Signed and dated '84 lower right. Unframed. 47 x 38cm. With artist name, address and age 20 years verso. Provenance: The Property of a Lady. Given to the vendor's family by the organiser of a global art competition, held at Winchester in about 1984. Joylon Smith: Jolyon has received numerous national and international awards and scholarships allowing him to further his education in Fine Art, Painting and Illustration at the prestigious Rhode Island School of Design in Providence, RI. His work has been sought after by well-known companies as Condé Nast Publications and his talents include drawing, painting, design, digital art, mural painting and Sculpture. . .
David Hockney OM, CH, RA (b.1937) ''Stanley and Boodgie Sitting by the Sea'' Fax, dated 16th July 1993, 24 pieces of A4 paper, together with a key, 128cm by 144cm Provenance: The vendor was a friend of Hockney's brother and taught at a school in Harrogate. The vendor and his class faxed Hockney in Los Angeles to wish him happy birthday and he faxed 24 pages in return with a note thanking them for their letters and drawings. Throughout the late 1980's and 90's Hockney embraced the use of the fax machine to send art faxes to his friends and family. Always a pioneer of modern technology, he was excited at the immediacy of the machine and the opportunity to create ''art for the masses'' in the wake of digital technology. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
JAZZ CDs - CONTEMPORARY/POST BOP/FREE/FUSION. Outstanding collection of around 120 x high quality CD albums running through the decades and covering all bases! Artists/titles include John Coltrane - 1961 Helsinki Concert, Sonny Rollins - Nucleus (Milestone OJCCD), Ari Brown - Ultimate Frontier, Latin Jazz New York (Zoho), Roland Kirk - Rip, Big And Panic Now Please Don't You Cry, Beautiful Edith, Max Roach - Members, Don't Git Weary, The Chet Baker Quintet - Cools Out, Red Garland - Soul Junction, Art Farmer - Farmers Market, Stan Getz with Cal Tjader, Charles Tolliver - Impact, Duke Jordan Quintet - Dukes' Delight, Mingus Dynasty - Reincarnation, Bud Shank/Lou Levy, Richard Williams - New Horn In Town (Candid digital stereo), Oliver Nelson featuring Eric Dolphy, Jaki Byard - Out Front!, The Sonny Criss Orchestra, Tiny Grimes, Thelonious Monk and Joe Henderson - Mirror Mirror. Condition is excellent throughout
Karl Singporewala (b.1983). Ace of Diamonds. Laser cut conservation board. Signed. 54 x 38.6 x 4cm. Framed. Karl Singporewala: Karl Singporewala is a sculptor, architect and co-director of Barbara Weiss Architects. He joined BWA following ten years at Ian Ritchie Architects. Working on a large number of international projects (Ireland, Kazakhstan, Turkey and Malta) and projects in the UK, ranging in scale from city masterplanning to unique sculptures. Notable works as part of the team at iRAL included King Solomon Academy, the Farsons Old Brewhouse & Business Park, stainless steel sculptures at Turville Park, Sussex House in Covent Garden and the Sainsbury Wellcome Centre for Neural Circuits and Behaviour at UCL. The SWC won a number of prestigious awards include the British Construction Industry (BCI) Major Project of the Year award 2016 and the RICS Project of the Year award 2017, as well as the RICS Innovation by Design award 2017, the European LEAF Façade Design and Engineering award, the LEAF Overall winner award and the German Design Award 2017 for Excellent Communication of Design and Architecture. Why did you want to take part in this fundraising initiative A fantastic brief, an amazing line up of artists and throughly worthwhile charity.Can you tell us about your artwork What inspiration did you draw on to create your design When making a charity artwork, the importance is in creating something unique to the cause. But creating a special artwork is only half the story, it also requires a buyer/collector to dig deep and purchase it to help raise those vital funds. For me, the team of Jennie and Aimee was the inspiration - The TLC team on top of St Paul’s reaching for the moon, taking their work from England to the rest of the world. They are surrounded by diamonds in the sky, each one a life saved. What is it about the charity Transplant Links that made you want to support them TLC’s two person mission to help save lives deserves all the support and exposure it can get to help achieve their goals. Where knowledge and wisdom can help save the lives of children and adults, you want to support this however you can. I can’t perform kidney transplant surgery... but I can create fine art. We do our bit, so they can do theirs. A graduate of De Montfort University Leicester (RIBA/ARB Part I), University of Brighton (RIBA/ARB Part II) and the Bartlett School of Architecture, UCL (RIBA/ARB Part III). He has won numerous international architectural and graduate awards for his personal work, which includes being voted ‘One of the UK’s Young Creative Heroes’ by Channel 4 and the Nagoya University Excellence in Architecture award. In 2014 his art work won him the 'People's Choice' HIX Art Award at the Cock 'n' Bull Gallery, Shoreditch London in a competition by chef/restaurateur Mark Hix and artist Tracy Emin aimed at new contemporary artists. Karl’s art work is held in both public and private collections world-wide and he has exhibited at the Saatchi Gallery, the Royal Academy of Arts, Onassis Cultural Centre Athens for the Lumen Prize, V&A digital futures and the New York Institute of Technology. In New York his art work is currently represented by the Saphira & Ventura Gallery. www.singporewala.co.uk. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
James Faure Walker (b.1948). 5 of Diamonds. Watercolour / digital. 29 x 21cm. Signed and marked A/P. Framed. James Faure Walker: James Faure Walker (born London 1948) studied at St Martins (1966-70) and the Royal College of Art (1970-1972). Exhibitions include the Hayward Annual 1979, solo exhibition at Manchester’s Whitworth 1985, Digital Pioneers at the V&A 2009, ARB Cambridge 2015. He was a founder of Artscribe in 1976, editing it for eight years. He exhibited regularly at SIGGRAPH, USA, and in 1998 won the ‘Golden Plotter’ at Computerkunst, Gladbeck, Germany. His book, ‘Painting the Digital River: How an Artist Learned to Love the Computer’ (Prentice Hall, USA) was published in 2006. In 2013 he won the Royal Watercolour Society Award. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Katie Ponder (b.1991). Queen of Diamonds. Digital collage. Signed under mount. 41.1 x 29.7cm. Framed. Katie Ponder is a multi-award winning artist. She graduated in 2014 from Falmouth University receiving a 1st class BA with honors in illustration. She studied at foundation level at Camberwell University of the arts in 2011. Katie was the winner the AOI Book Award for new talent in 2014 and in 2017 she was shortlisted for the Folio Society Award, and winner of the House of Illustration People's Choice Award. In October 2017 Kate was the winner of the Glyndebourne Art Award and her work was used as the cover of the Glyndebourne 2017 On your programme. Her work has been featured in Witches & Pagans magazine, VAROOM, Amelia's Magazine, Firewords, SOFFA, Communication Arts, DPI Magazine and exhibited at Somerset House, The Lyric Theatre and Glyndebourne. Katie's inspirations include Stravinsky, Joni Mitchel, Coco Rosie, Audrey Niffenegger, Poppy (Katie's cat), ballet and yoga. I was delighted to be able to contribute to help TLC - not only is it a worth while cause but I thought the idea of curating a deck of cards in this way was a really inspired idea. I am excited to see all the different designs together. I love playing with symmetry in my work. Working with symmetry and faces looking at each other is something I often do and this fitted in nicely with the traditional layout for card designs. I wanted to do my own modern take on a traditional playing card. I am proud to support Transplant links through contributing my illustration. I really admire how it’s a charity that not only provides life saving treatments, it also educates and enables doctors in deprived hospitals to develop their own skills to be able to treat their patients. I am pleased to think that money raised through the auction will help empower doctors to help their future patients and save many lives.Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Carole Griffin RBA. Queen of Clubs. Digital mixture of oils, pen and ink. 37.7 x 26.8cm. With digital copy of signature. Carole Griffin is an award winning artist specialising in still life oils and watercolour working directly from life. She also enjoys painting landscapes en plein air. Carole exhibits widely in the UK incuding an annual exhibition at the Mall Galleries in London as a member of the Royal Society of British Artists. She was awarded the Dry Red Press Award in 2016 and the Artist Magazine Award in 2014. She has been a visiting lecturer at Central St Martins, and at Norwich, Salisbury and Harrow Art Colleges. As a student at Central St Martins she was awarded the prestigious UK Leverhulme Travelling Scholarship, which enabled her to work with a variety of artists and designers across North America, winning numerous One Show Awards in the process. Carole was also awarded a number of D&AD awards for her graphic design work in advertising, publishing and the music industry. www.carolegriffin.com. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Grayson Perry CBE RA (b.1960). Joker. Digital signed print, numbered 1/1. On Giclée Hahnemühle Pearl paper. 59.4 x 41cm. Framed. Grayson Perry is an English contemporary artist. He is known for his ceramic vases, tapestries and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British prejudices, fashions and foibles. Perry's vases have classical forms and are decorated in bright colours, depicting subjects at odds with their attractive appearance. There is a strong autobiographical element in his work, in which images of Perry as Claire, his female alter-ego, and Alan Measles, his childhood teddy bear, often appear. Perry has had solo exhibitions at Stedelijk Museum Amsterdam, at the Barbican Centre, the British Museum and Serpentine Gallery in London, at The Andy Warhol Museum in Pittsburgh, and at the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His work is held in the permanent collections of the British Council and Arts Council, Crafts Council, Stedelijk Museum Amsterdam, Tate and Victoria and Albert Museum, London. He was awarded the Turner Prize in 2003. In 2008 he was ranked number 32 in The Daily Telegraph's list of the 100 most powerful people in British culture. In 2012, Perry was among the British cultural icons selected by artist Peter Blake to appear in a new version of his most famous artwork-the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover-to celebrate the British cultural figures of his life. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Grayson Perry CBE RA (b.1960). Joker. Digital signed print on Canson Infinity Rag Photographique paper, marked AP1 and signed to margin 59.4 x 42cm. Framed. Grayson Perry is an English contemporary artist. He is known for his ceramic vases, tapestries and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British prejudices, fashions and foibles. Perry's vases have classical forms and are decorated in bright colours, depicting subjects at odds with their attractive appearance. There is a strong autobiographical element in his work, in which images of Perry as Claire, his female alter-ego, and Alan Measles, his childhood teddy bear, often appear. Perry has had solo exhibitions at Stedelijk Museum Amsterdam, at the Barbican Centre, the British Museum and Serpentine Gallery in London, at The Andy Warhol Museum in Pittsburgh, and at the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His work is held in the permanent collections of the British Council and Arts Council, Crafts Council, Stedelijk Museum Amsterdam, Tate and Victoria and Albert Museum, London. He was awarded the Turner Prize in 2003. In 2008 he was ranked number 32 in The Daily Telegraph's list of the 100 most powerful people in British culture. In 2012, Perry was among the British cultural icons selected by artist Peter Blake to appear in a new version of his most famous artwork-the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover-to celebrate the British cultural figures of his life. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
El Reflejo - Juan La Ra Hierro Limited Edition 8/75 translated as "the Reflection" - Mounted and Framed 48x60cmJuan Lara Hierro (Madrid, 1971), is an artist who develops a varied activity within the field of visual language and that ranges from engraving and painting to illustration and graphic design. It is, however, in the world of graphic art where he has most intensively worked and developed his artistic work.After some years of training in painting academies, he started in the early 90s to work in the field of engraving as a collaborator in a workshop. This allows a practical and direct learning of the method and the different techniques in contact with the work and the presence of other artists to later establish their own engraving workshop. He has participated in various artistic activities and exhibitions for young artists, having been selected in several competitions. He also makes collaborations as an illustrator and graphic designer in editorials, which allows him to know and use new technologies, as well as research and incorporate the possibilities offered by the digital print to his creative work. In recent times he has been doing different research in the field of the transfer of images to plates, which leads him to spend a season in two of the most important English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin among others.He currently directs an engraving studio where he continues his artistic and innovation work in the field of graphics as well as working for different prestigious plastic artists. He has work in the Juan March Foundation, Caixa Nova, Caja Madrid and different art galleries. Juan Lara Hierro, artist person who develops an activity changed inside the area of the visual language and whom it includes from the engraving and the painting to the illustration and the graphical design. It is, nevertheless, in the world of the graphical art where more intensely it has worked and developed his artistic work.After some years of formation in academies of painting, it begins with plenary session at the beginning of the 90th year at the field of the engraving as collaborator at a workshop. This allows him to practice and direct learning of the method and the different technologies in touch with the work and the presence of other artists, later, to restore his own studio of engraving. It has taken part in diverse artistic activities and exhibitions for young artists, having being selected in several contests. It realizes,in addition, collaborations as illustrator and graphical designer in publishing houses, which allows him the knowledge and the use of the new technologies, as well as the investigation and incorporation of the possibilities that offers the digital print to his creative work. In the last times it comes realizing different investigations in the field of the transfer of images to plates, which leads to spending on season in two of the most relevant English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin between others.Nowadays it directs his own Studio of Engraving where it continues his artistic work and of innovation in the field of the graph beside working for different plastic artists of great prestige. His work is in the Juan March Foundation, Caixa Nova, Box Madrid and different galleries of art.
Pareja En El Mar - Juan La Ra Hierro Limited Edition 8/75 Translated as "Couple in the Sea" - Mounted and Framed 48x60cmJuan Lara Hierro (Madrid, 1971), is an artist who develops a varied activity within the field of visual language and that ranges from engraving and painting to illustration and graphic design. It is, however, in the world of graphic art where he has most intensively worked and developed his artistic work.After some years of training in painting academies, he started in the early 90s to work in the field of engraving as a collaborator in a workshop. This allows a practical and direct learning of the method and the different techniques in contact with the work and the presence of other artists to later establish their own engraving workshop. He has participated in various artistic activities and exhibitions for young artists, having been selected in several competitions. He also makes collaborations as an illustrator and graphic designer in editorials, which allows him to know and use new technologies, as well as research and incorporate the possibilities offered by the digital print to his creative work. In recent times he has been doing different research in the field of the transfer of images to plates, which leads him to spend a season in two of the most important English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin among others.He currently directs an engraving studio where he continues his artistic and innovation work in the field of graphics as well as working for different prestigious plastic artists. He has work in the Juan March Foundation, Caixa Nova, Caja Madrid and different art galleries. Juan Lara Hierro, artist person who develops an activity changed inside the area of the visual language and whom it includes from the engraving and the painting to the illustration and the graphical design. It is, nevertheless, in the world of the graphical art where more intensely it has worked and developed his artistic work.After some years of formation in academies of painting, it begins with plenary session at the beginning of the 90th year at the field of the engraving as collaborator at a workshop. This allows him to practice and direct learning of the method and the different technologies in touch with the work and the presence of other artists, later, to restore his own studio of engraving. It has taken part in diverse artistic activities and exhibitions for young artists, having being selected in several contests. It realizes,in addition, collaborations as illustrator and graphical designer in publishing houses, which allows him the knowledge and the use of the new technologies, as well as the investigation and incorporation of the possibilities that offers the digital print to his creative work. In the last times it comes realizing different investigations in the field of the transfer of images to plates, which leads to spending on season in two of the most relevant English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin between others.Nowadays it directs his own Studio of Engraving where it continues his artistic work and of innovation in the field of the graph beside working for different plastic artists of great prestige. His work is in the Juan March Foundation, Caixa Nova, Box Madrid and different galleries of art.
Bodegon Con Vistas - Juan La Ra Hierro Limited Edition 26/75 - Mounted 42.5x55cmJuan Lara Hierro (Madrid, 1971), is an artist who develops a varied activity within the field of visual language and that ranges from engraving and painting to illustration and graphic design. It is, however, in the world of graphic art where he has most intensively worked and developed his artistic work. After some years of training in painting academies, he started in the early 90s to work in the field of engraving as a collaborator in a workshop. This allows a practical and direct learning of the method and the different techniques in contact with the work and the presence of other artists to later establish their own engraving workshop. He has participated in various artistic activities and exhibitions for young artists, having been selected in several competitions.He also makes collaborations as an illustrator and graphic designer in editorials, which allows him to know and use new technologies, as well as research and incorporate the possibilities offered by the digital print to his creative work. In recent times he has been doing different research in the field of the transfer of images to plates, which leads him to spend a season in two of the most important English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin among others.He currently directs an engraving studio where he continues his artistic and innovation work in the field of graphics as well as working for different prestigious plastic artists. He has work in the Juan March Foundation, Caixa Nova, Caja Madrid and different art galleries. Juan Lara Hierro, artist person who develops an activity changed inside the area of the visual language and whom it includes from the engraving and the painting to the illustration and the graphical design. It is, nevertheless, in the world of the graphical art where more intensely it has worked and developed his artistic work. After some years of formation in academies of painting, it begins with plenary session at the beginning of the 90th year at the field of the engraving as collaborator at a workshop.This allows him to practice and direct learning of the method and the different technologies in touch with the work and the presence of other artists, later, to restore his own studio of engraving. It has taken part in diverse artistic activities and exhibitions for young artists, having being selected in several contests. It realizes, in addition, collaborations as illustrator and graphical designer in publishing houses, which allows him the knowledge and the use of the new technologies, as well as the investigation and incorporation of the possibilities that offers the digital print to his creative work. In the last times it comes realizing different investigations in the field of the transfer of images to plates, which leads to spending on season in two of the most relevant English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin between others.Nowadays it directs his own Studio of Engraving where it continues his artistic work and of innovation in the field of the graph beside working for different plastic artists of great prestige. His work is in the Juan March Foundation, Caixa Nova, Box Madrid and different galleries of art.
Bodegon De Objetos -Juan La Ra Hierro Limited Edition 26/75 - Mounted 42.5x55cmJuan Lara Hierro (Madrid, 1971), is an artist who develops a varied activity within the field of visual language and that ranges from engraving and painting to illustration and graphic design. It is, however, in the world of graphic art where he has most intensively worked and developed his artistic work. After some years of training in painting academies, he started in the early 90s to work in the field of engraving as a collaborator in a workshop.This allows a practical and direct learning of the method and the different techniques in contact with the work and the presence of other artists to later establish their own engraving workshop. He has participated in various artistic activities and exhibitions for young artists, having been selected in several competitions.He also makes collaborations as an illustrator and graphic designer in editorials, which allows him to know and use new technologies, as well as research and incorporate the possibilities offered by the digital print to his creative work. In recent times he has been doing different research in the field of the transfer of images to plates, which leads him to spend a season in two of the most important English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin among others.He currently directs an engraving studio where he continues his artistic and innovation work in the field of graphics as well as working for different prestigious plastic artists. He has work in the Juan March Foundation, Caixa Nova, Caja Madrid and different art galleries. Juan Lara Hierro, artist person who develops an activity changed inside the area of the visual language and whom it includes from the engraving and the painting to the illustration and the graphical design. It is, nevertheless, in the world of the graphical art where more intensely it has worked and developed his artistic work.After some years of formation in academies of painting, it begins with plenary session at the beginning of the 90th year at the field of the engraving as collaborator at a workshop. This allows him to practice and direct learning of the method and the different technologies in touch with the work and the presence of other artists, later, to restore his own studio of engraving. It has taken part in diverse artistic activities and exhibitions for young artists, having being selected in several contests.It realizes, in addition, collaborations as illustrator and graphical designer in publishing houses, which allows him the knowledge and the use of the new technologies, as well as the investigation and incorporation of the possibilities that offers the digital print to his creative work. In the last times it comes realizing different investigations in the field of the transfer of images to plates, which leads to spending on season in two of the most relevant English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin between others. Nowadays it directs his own Studio of Engraving where it continues his artistic work and of innovation in the field of the graph beside working for different plastic artists of great prestige.His work is in the Juan March Foundation, Caixa Nova, Box Madrid and different galleries of art.
Leyendo A La Orilla Del Mar - Juan La Ra Hierro Limited Edition 61/100 - Mounted 56x38cmJuan Lara Hierro (Madrid, 1971), is an artist who develops a varied activity within the field of visual language and that ranges from engraving and painting to illustration and graphic design. It is, however, in the world of graphic art where he has most intensively worked and developed his artistic work. After some years of training in painting academies, he started in the early 90s to work in the field of engraving as a collaborator in a workshop.This allows a practical and direct learning of the method and the different techniques in contact with the work and the presence of other artists to later establish their own engraving workshop. He has participated in various artistic activities and exhibitions for young artists, having been selected in several competitions.He also makes collaborations as an illustrator and graphic designer in editorials, which allows him to know and use new technologies, as well as research and incorporate the possibilities offered by the digital print to his creative work. In recent times he has been doing different research in the field of the transfer of images to plates, which leads him to spend a season in two of the most important English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin among others.He currently directs an engraving studio where he continues his artistic and innovation work in the field of graphics as well as working for different prestigious plastic artists. He has work in the Juan March Foundation, Caixa Nova, Caja Madrid and different art galleries. Juan Lara Hierro, artist person who develops an activity changed inside the area of the visual language and whom it includes from the engraving and the painting to the illustration and the graphical design. It is, nevertheless, in the world of the graphical art where more intensely it has worked and developed his artistic work.After some years of formation in academies of painting, it begins with plenary session at the beginning of the 90th year at the field of the engraving as collaborator at a workshop.This allows him to practice and direct learning of the method and the different technologies in touch with the work and the presence of other artists, later, to restore his own studio of engraving. It has taken part in diverse artistic activities and exhibitions for young artists, having being selected in several contests. It realizes, in addition, collaborations as illustrator and graphical designer in publishing houses, which allows him the knowledge and the use of the new technologies, as well as the investigation and incorporation of the possibilities that offers the digital print to his creative work. In the last times it comes realizing different investigations in the field of the transfer of images to plates, which leads to spending on season in two of the most relevant English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin between others.Nowadays it directs his own Studio of Engraving where it continues his artistic work and of innovation in the field of the graph beside working for different plastic artists of great prestige. His work is in the Juan March Foundation, Caixa Nova, Box Madrid and different galleries of art.
Inclinada En La Noche - Juan La Ra Hierro Limited Edition 68/100 - Mounted 56x38cmJuan Lara Hierro (Madrid, 1971), is an artist who develops a varied activity within the field of visual language and that ranges from engraving and painting to illustration and graphic design. It is, however, in the world of graphic art where he has most intensively worked and developed his artistic work. After some years of training in painting academies, he started in the early 90s to work in the field of engraving as a collaborator in a workshop.This allows a practical and direct learning of the method and the different techniques in contact with the work and the presence of other artists to later establish their own engraving workshop. He has participated in various artistic activities and exhibitions for young artists, having been selected in several competitions.He also makes collaborations as an illustrator and graphic designer in editorials, which allows him to know and use new technologies, as well as research and incorporate the possibilities offered by the digital print to his creative work. In recent times he has been doing different research in the field of the transfer of images to plates, which leads him to spend a season in two of the most important English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin among others.He currently directs an engraving studio where he continues his artistic and innovation work in the field of graphics as well as working for different prestigious plastic artists. He has work in the Juan March Foundation, Caixa Nova, Caja Madrid and different art galleries. Juan Lara Hierro, artist person who develops an activity changed inside the area of the visual language and whom it includes from the engraving and the painting to the illustration and the graphical design. It is, nevertheless, in the world of the graphical art where more intensely it has worked and developed his artistic work.After some years of formation in academies of painting, it begins with plenary session at the beginning of the 90th year at the field of the engraving as collaborator at a workshop.This allows him to practice and direct learning of the method and the different technologies in touch with the work and the presence of other artists, later, to restore his own studio of engraving. It has taken part in diverse artistic activities and exhibitions for young artists, having being selected in several contests. It realizes, in addition, collaborations as illustrator and graphical designer in publishing houses, which allows him the knowledge and the use of the new technologies, as well as the investigation and incorporation of the possibilities that offers the digital print to his creative work. In the last times it comes realizing different investigations in the field of the transfer of images to plates, which leads to spending on season in two of the most relevant English workshops London Print Studio and Thambprint Editions, where he collaborates in different artistic projects with artists as Bernard Cohen and Tracy Emin between others.Nowadays it directs his own Studio of Engraving where it continues his artistic work and of innovation in the field of the graph beside working for different plastic artists of great prestige. His work is in the Juan March Foundation, Caixa Nova, Box Madrid and different galleries of art.
Quantity of guitar and music reference books including Joe Dunne - 'Hofner Violin Beatle Bass', John Chappell - 'Digital Home Recording',Brent Kick - 'The Ultimate Musician's Reference Handbook', 'The Guitar Player Handbook', 'D'Addario - A History of Traditional Innovation', Michael Doyle - 'The Art of Amplifier', Richie Fliegler - 'Amps, the Other Half of Rock and Roll', Richie Flielger - 'The Complete Guide to Guitar and Maintenance' and others
JAZZ LPs - POST BOP/FUSION/CONTEMPORARY. More wicked sounds with 61 x LPs here. Artists/titles include Art Pepper/Klemmer/Griffin/Henderson - Ballads By Four, Dave Grusin - One Of A Kind (Digital Master), Paquito D'Rivera inc. Explosion, Weather Report inc. Live In Tokyo (Japanese 40AP 942-3 with obi), Return To Forever, Blue Mitchell inc. Many Shades Of Blue and Graffiti Blues, Eddie Jefferson - Still On The Planet, Boogaloo Joe Jones - What It Is and Shake Rhythm Rock, Harold Land - The Fox, Bill Doggett & His Orchestra, Jerry Fielding, Leo Parker and Moacir Santos. Condition can range from VG to Ex+.
Ruth Rogers UNTITLED, 1999 digital print on perspex with label on reverse 17.50 by 23.50in. (44.5 by 59.7cm) Rogers studied at NCAD from 1996 - 1999 obtaining a 1st Class Honours from the painting Department. Her work concerns itself with unmaking something large and unknowable, to create anti-images, a sharp rebuke to the ease with which our culture produces and consumes images. "Essentially I want to set up a sort of push and pull between functioning as straightforward pictorial or compositional devices on the one hand and what we might call narrative devices on the other." Rogers has said of her work for the CAP Foundation Art Award 2000. In this image a circular black mark is inserted into the picture plane so that instead of playing with an inflatable beach ball, a circle of swimmers find an immense black hole hovering over them. A violent interference with paradise. Rogers has also been honoured with the Arts Council of Ireland Artflight Award (Milan/Venice). Exhibitions include a solo show at Kilkenny Arts Festival as well as group exhibitions EV + A, Limerick City Gallery and Absolut Secret, RHA Gallery Dublin.
THE BEATLES ILLUMINATED, THE COMPLETE PHOTOGRAPHIC ARCHIVE OF MIKE MITCHELL.On February 11, 1964, just two days after their momentous American debut on The Ed Sullivan Show, the Beatles performed their first live US concert at the Washington Coliseum. At the young age of 18 and already working for two publications in Washington DC, photographer Mike Mitchell managed to procure a press pass to the concert and shot hundreds of photographs, capturing the excitement of this first British Invasion. Mitchell had exceptional access to the events including their arrival at Union Station, the press conference preceding the performance and unrestricted, stage-front access for the entirety of the historic Coliseum concert. Mitchell went on to photograph The Beatles again when they returned to the US later in the year, playing at the Baltimore Civic Centre on 13th September 1964. The resulting negatives, taken only with ambient light, since Mitchell had no flash, were put away in a box and sat for decades in his basement. The advent of digital technology allowed them to be fully realised as luminous records of this historical moment. The photographs are intimate, due to Mitchell's proximity to the band; they are moody, the result of existing light; and they are innocent, reflecting a time of heightened optimism. The complete archive comprises 413 negatives from the two concerts. The negatives of 46 of the images were digitally restored and seen for the first time in 2011 when Christie's in New York held a special auction dedicated entirely to this collection. Each print was 1/1 by virtue of a tiny 'heart' moniker hidden within. Forty three lots sold for a total of $362,000 (approx. £224,000). This lot includes the entire archive of 413 negatives together with high-resolution digital files of the 46 digitally restored images, a further 10 digitally restored images which were not used, original printed contact sheets and high-resolution scans of all contact sheets. The entire archive is to be sold with full copyright.Apart from the 46 images used in 2011, the remainder of the images are previously unseen/unpublished. In addition, a complete set of 46 prints in a special 1/1 edition (selenium toned gelatin silver fibre fine art prints, various sizes) and a further collection of 24 limited edition fine art prints will be included (full list available on request). All 71 prints are signed by the photographer. A background video is available on You Tube https://www.youtube.com/watch?v=IZDeZBkAk-A Contact sheets for the entire collection together with an inventory of prints sold to data are available on request to serious buyers.***Please contact the auction house for bidding approval for this lot before bidding, otherwise bids will not be accepted.*****Import VAT of 5% will be payable by buyers in the EU**
Various pocket watches, wristwatches, watch and clock parts, an Art Deco wristwatch face with Arabic numerals, 4cm high, Best Patent Lever Bentima pocket watch, various other pocket watches, Swiss made patented wristwatch with plastic casing, a Lucerne digital wristwatch, others by Regency, bangles, spectacles, etc. (a quantity)
§ Richard Drew, known as Zacron (British, 1943-2012) Hypnotic signed lower right "Zacron" and numbered 10/250 87cm (34in) Exhibited: Zacron Collection cat no 730 Edition Other Notes: With the blossoming of computers in creative work, Zacron realised the huge potential of digital imaging. Hypnotic was the first of many archival prints produced by Zacron. Simple in form, it has a 1960s pop-art feel. It exhibits the love of vibrant colour, the fascination with spheres and the energy and passion that runs through all of Zacron's art. Condition is fine. Archival fine art print Framed - world limited edition of 250 Printed using light-fast pigment inks onto 305gsm German etching paper, neutral PH and acid-free, calibrated to exactly match the original 68cm x 88.2cm
Original vintage movie poster for Japanese animation drama Beladonna of Sadness directed by Eiichi Yamamoto. Belladonna of Sadness also known as La Sorciere, Tragedy of Belladonna,[n 1] or simply Belladonna, is a 1973 feature film produced by the Japanese animation studio Mushi Production and distributor Nippon Herald Films. It follows the story of Jeanne, a peasant woman who is raped which leads to her being accused of witchcraft, and is notable for its erotic, violent, and psychedelic imagery. Directed and co-written by Eiichi Yamamoto and inspired by Jules Michelet's non-fiction book Satanism and Witchcraft, it is the third and final film in the Animerama trilogy and the only one to be neither written nor directed by Osamu Tezuka (he left Mushi Production during the film's early stages to concentrate on his comics and his conceptual-stage contribution is uncredited). Belladonna is also of a more serious tone than the more comedic first two Animerama films. Its visuals consist mostly of still paintings panned across and are influenced by western art, such as that of Gustav Klimt, and Tarot illustrations (see also the work of Harry Clarke). The film was a commercial failure and contributed to Mushi Pro becoming bankrupt by the end of the year. The film was entered into the 23rd Berlin International Film Festival. The film was released wide in Europe and Japan, and received a limited screening in the US in 2009 and has undergone a 4K digital restoration for theatrical release in May 2016. Good condition, folded, tears on folds, pin holes in corners, small paper loss in the middles of poster. Country: Japan. Year: 1973. Designer: Unknown. Size: 72.5 X 51.5.
δ Peter Doig (b.1959) Fisherman Digital pigment print in colours, 2014, signed, dated and numbered from the edition of 500 in silver ink, on Somerset photo-rag paper, published by the Montreal Museum of Fine Art, Montreal, the full sheet printed to the edges, 880 x 690mm (34 5/8 x 27 1/8in)(SH) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
GIRL POWERby David Graham1450 mm long x 920 mm high x 700 mm deep, 36 kgThis design depicts a selection of leading ladies from Jane Austen's many novels and acknowledges them as individual heroines, each with their individual traits and style. Austen's intriguing female characters have specific characteristics. Together her female form is a formidable force to be reckoned with, similar to comic book super heroes and their fantastic super powers. The bright colours of the design are in contrast to some of the more sombre hues associated with scenes from Austen's book in order to deliberately emphasise the vitality and relevance of her work in today's society. Austen empowers women.David GrahamDavid is Head of Creative Arts at an all girl's school in Liverpool, where he specialises in Graphic Design and experiments with a wide range of other 2D, 3D and digital media including costume, film and yarn-bombing.David first came across the Wild in Art public sculpture trails when the Superlambananas appeared in the streets of his hometown to celebrate Liverpool becoming the 2008 European Capital of Culture. Since then, he has designed and created a baron for the Baron's Charter in Salisbury, an owl for The Big Hoot in Birmingham, a pig for The Pigs Gone Wild trail in Ipswich and more, and this summer has a number of sculptures appearing for the first time across the country.The Sitting with Jane BookBenches particularly appealed to David as he was keen to celebrate the English heritage associated with Austen as well as the characters of her female characters. His bench designs are in stark contrast to each other.
SHALL WE DANCE?by David Graham1450 mm long x 920 mm high x 700 mm deep, 36 kg This design celebrates Jane's love of dance - the faded images are reminiscent of musical scores, and shows the floorplan and facade of The Vyne, where Jane was known to dance.David GrahamDavid is Head of Creative Arts at an all girl's school in Liverpool, where he specialises in Graphic Design and experiments with a wide range of other 2D, 3D and digital media including costume, film and yarn-bombing.David first came across the Wild in Art public sculpture trails when the Superlambananas appeared in the streets of his hometown to celebrate Liverpool becoming the 2008 European Capital of Culture. Since then, he has designed and created a baron for the Baron's Charter in Salisbury, an owl for The Big Hoot in Birmingham, a pig for The Pigs Gone Wild trail in Ipswich and more, and this summer has a number of sculptures appearing for the first time across the country.The Sitting with Jane BookBenches particularly appealed to David as he was keen to celebrate the English heritage associated with Austen as well as the characters of her female characters. His bench designs are in stark contrast to each other and 'Shall We Dance' reflects on the history of architecture, music and dance with a limited palette of sombre colours.
δ Christo & Jeanne-Claude (born 1935; 1935-2009) Surrounded Islands, Biscayne Bay, Greater Miami, Florida 1980-1983 (Schellmann 203) Seven part leporello, 2009, comprising ten digital pigment prints in colours, on Hahnemühle, signed and numbered from the edition of 75 in pencil, printed by Recom, Ostfildern, published by Schellmann Art, Munich and New York, the full sheet, sheet 320 x 1750mm (12 1/2 x 69in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
20 – FLIGHT TO AUSTRALIA - Artist: Elena NaylorSponsor: Stagecoach in HullAbout the Design:The Flight to Australia moth was inspired both by the life and flying achievements of Amy Johnson, captured in a portrait of Amy and her aeroplane, and Australia, which is illustrated by the road sign featuring a kangaroo and the growing succulents. The artwork was influenced by the Art Nouveau and the Art Deco styles.About the Artist:Elena Naylor is a Russian-born artist, who studied fine art and design for 14 years throughout her education. She uses a variety of subjects and media, from classic fine art to modern digital art, from fairy tale animals to apocalyptic landscapes. Most of her artworks are influenced by the Art Nouveau style.About the Sponsor:Stagecoach in Hull is one of the city’s largest bus operators, providing a comprehensive network of bus services for local people. Every year around 17 million passenger journeys are made on Stagecoach in Hull buses. Bus services play an important role in helping Hull residents and visitors reach work, education, healthcare and the shops.
A Staffordshire pearlware figural group of 'Friendship' attributed to Ralph Wood, circa 1800, titled to the base, 18cm high (bocage repaired)Literature: A similar illustrated at The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. "154. Ralph Wood group, two boys hand in hand; on front of base "Friendship" in red letters. H. 6"; 158. (New York Public Library Digital Collections)
Jane Alexander (South African 1959 - ) Harbinger In Correctional Uniform, Lost Marsh digital print with pigment dyes on cotton paper image size: 30 by 40cm Pep subiros (ed), Jane Alexander Surveys (from the Cape of Good Hope), Museum of African Art, New York, and Actar, Barcelona, 2001, illustrated in colour on p 158
Louis le Brocquy HRHA (1916-2012) THE TÁIN. CÚCHULAINN IN WARP SPASM, 1969 Aubusson tapestry; (no. 2 from an edition of 9) signed and numbered on label on reverse 72½ x 50½in. (184.15 x 128.27cm) Taylor Galleries, Dublin;Private collection Louis le Brocquy was living in France with his young family when he received a life-changing invitation, in December 1966. Publisher Liam Miller wanted him to collaborate with Thomas Kinsella on a new translation of Ireland's oldest saga. Le Brocquy penned an enthusiastic affirmative that Christmas Eve and spent much of the next three years visualising An Táin Bó Cúailgne. In September 1969, Dolmen Press published it as The Táin.The Táin was born of some eighty stories about the Ulaidh, a prehistoric people who lived in the north and north-western regions of what is now called Ireland. Part epic, part soap opera, the tales were vivid, vicious, inconsistent and often rather rude. Oral versions survived for long enough to be collected by scribes, whose fragmentary manuscripts are now in Trinity College and the Royal Irish Academy. Translators and writers such as Lady Gregory and W.B. Yeats had retold some of the Cúchulainn tales - and Joyce's Finnegans Wake drew on its meandering style - but Thomas Kinsella's Táin was the first widely-accessible version, especially when Oxford University Press' 1970 paperback followed the de luxe and limited editions produced by Dolmen Press. The Táin marked a unique cultural moment, for Ireland and the world. The State had just celebrated the 50th anniversary of the 1916 Rising and was driving ahead with Seán Lemass' Second Programme for Economic Expansion. By 1969 when it was published, Northern Ireland was in conflict, and global events such as the Prague Spring, the assassinations of Martin Luther King and Robert Kennedy, as well as wars in Vietnam, Angola and elsewhere, underlined its themes of invasion and carnage. Meanwhile, The Beatles sang "All You Need is Love." Its impact was instant. Although characters like Cúchulainn and Ferdia, Medb and Aillil, were local, the collaborators translated them into a crisply contemporaneous style that resonated through the cultural hierarchy. It engaged lovers of art, language, music and Celtic studies, as well as popular culture. The Táin became an Irish Iliad, with Cúchulainn as a Superhero reincarnating to a new age of rock, cartoons and animation.The images le Brocquy called 'shadows thrown by the text' became so iconic that it is almost impossible now to imagine The Táin differently. Yet no one had visualised the full saga previously and no artist from Ireland had engaged so thoroughly with pieces of writing in so collaborative a way. Le Brocquy made hundreds of drawings, many of which appear in the de luxe and limited editions, with a handful printed in the paperback and a precious twenty in these tapestries. Communication was difficult in those pre-digital days because he was in France and Miller was in Dublin, so that many key design decisions relied on sending letters through the post.Le Brocquy's innovative, daring approach cast the saga as a virtual alphabet composed of spontaneous, inky letters. The present work, Cúchulainn's Warp Spasm, speaks both of calligraphic marks from Sun Tzu's The Art of War and Yves Klein's bodily-marked Anthropometries, as well as cave paintings traced by prehistoric peoples.The translation into tapestry, via le Brocquy's Táin lithographs, crested on the momentum from oral to written traditions, from drama to poetry and from visual culture to music. Duché's subtly-textured cottons and wools freed le Brocquy's black-on-white marks into a textured, sensual material that illuminates the sense of a blot or stain without definite edges, which is what he wanted. Here, the statuesque shapes let le Brocquy grow the book's relatively modest scale into a life-affirming series of interconnected images that speak to each other like letters in a phrase or Medb Ruane,April 2012. [Abridged note reprinted from Whyte's Important Irish Art auction catalogue, May 2012]
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