Shafic Abboud (Liban, né en 1926-2004)Composition huile sur toile, encadrésigné 'Abboud' (en bas à droite), inscription au dos 'Abboud, 5 Villa Du Parc Montsouris Paris 14', exécuté en 1968 89 x 146cm (35 1/16 x 57 1/2in).oil on canvas, framedsignedFootnotes:ProvenanceCollection de Mme Eliane MessmerAcquis directement auprès de l'artiste par celui-ciLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde Arabe'Né au Liban en 1926, Shafic Abboud a été imprégné dès sa plus tendre enfance par les récits de sa grand-mère, la conteuse du village. Son regard a été influencé par les icônes et les rites byzantins de son église, qui exaltent la résurrection et la transfiguration du Christ et de l'Humanité avec lui. Plus tard, sa formation intellectuelle sera marquée par les idéaux et les luttes qui ont accompagné la Nahda arabe, cette Renaissance moderniste et anticléricale dont certains éminents promoteurs étaient des écrivains et penseurs libanais. Son œuvre est un manifeste pour la liberté, la couleur et la lumière, une passerelle permanente entre la France et le Liban, entre l'Europe et le Monde arabe.Il arrive à Paris en 1947 et s'intègre parfaitement à sa vie artistique, comme les très nombreux artistes venus du monde entier après la seconde guerre mondiale (d'Amérique du Nord et du Sud, d'Europe, d'Asie et d'Afrique du Nord) et qui constituent la seconde grande vague migratoire vers Paris. Shafic Abboud eut une nette préférence pour la peinture de Pierre Bonnard, Roger Bissière et Nicolas de Staël.Libanais et parisien, il était très attaché à ses souvenirs d'enfance au Liban, aux paysages et à la lumière de son pays natal. Il savait profiter des joies simples de la vie : bien manger, boire, aimer, être touché par une certaine lumière sur un paysage, un tissu, un visage ou le corps d'une femme. Il a dit et écrit que peindre le comblait de bonheur, le mettait en transe et lui procurait une grande jouissance semblable à celle de l'amour.'Qu'il me soit permis de rappeler l'importance de cet artiste. La qualité de sa peinture a été reconnue très tôt par la critique française, libanaise et arabe. . Il a exposé jusqu'en 1968 avec les plus grands noms de la scène parisienne et participé à la FIAC dès 1983. En 1994, son exposition à Beyrouth après 15 années de guerre fut un triomphe médiatique et commercial. Ses oeuvres (peintures et oeuvres sur papier, céramiques et projets de sculptures, tapis et tapisseries, lithographies et livres d'artiste) sont dans de nombreuses collections publiques en France. Depuis octobre 2018, le Musée de l'Institut du monde arabe détient la plus grande collection du monde d'œuvres d'Abboud grâce à la donation de Claude et France Lemand.'Claude Lemand, Shafic Abboud, Catalogue de la rétrospective de l'IMA, Paris, 2011. Shafic Abboud is one of the most sought-after Arab artists of the 20th century. Aboud was born in Lebanon in 1926 and he moved to Paris in 1947. He moved to Europe to study at the École Nationale Supérieure des Beaux-Arts and frequented the studios of Jean Metzinger (1883–1956), Fernand Léger (1881–1955), and André Lhote (1885–1962). He blended in perfectly with the city's artistic life, just as many other artists who had come from all over the world after the Second World War wanting to embody the Parisian masters. He returned to Lebanon in 1949 and had his first solo exhibition of figurative paintings in Beirut in 1950. The following year he resettled in Paris. During the first half of the 1950s Abboud developed an admiration for the art of Pierre Bonnard (1867–1947), Roger Bissière (1886–1964), and Nicolas de Staël (1914–1955). With the support of the art critic Roger van Gindertael (1899–1982), Abboud had his first Parisian exhibition of abstract works in 1955. He was invited to the Salon des Réalités Nouvelles in Paris and was the only Arab artist included in the first Paris Biennale in 1959. As a painter Abboud is renowned for the subtle incorporation of his Lebanese roots, namely his childhood memories and the landscape of Mount Lebanon, into his masterfully balanced compositions, as well as for his balanced use of colour. He travelled often and consistently returned to his homeland, where he played a major role in Beirut's cultural and artistic life. Abboud is seen as a permanent bridge between the art scenes of France and Lebanon and that of Europe and the Middle EastThis magnificent 1968 composition presented in this sale belonged to Ms Eliane Kaufholz, a Germanist and translator of Adorno, Karl Kraus and Thomas Bernhard. She was a dear friend of Abbouds and had always played an integral role in his life. Ms Eliane features prominently in his archives kept in his workshop and there is one photograph in particular that sticks out of her dancing with Abboud on New Year's Eve. In Abboud's diary he writes of the wonderful and fond memories they had together. Eliane was a musician and he recalls the performances she had in his apartment on Avenue de Wagram.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
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Chaouki Choukini (Liban, né en 1947)To Beirut - A Beyrouth - Li Bayrût bois d'irokosignéexécuté en 2020153 x 65 x 30 cmiroko woodsignedFootnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde ArabeChaouki Choukini est né en 1946 à Choukine, au sud du Liban. Il suit la formation de l'Ecole supérieure des Beaux-Arts de Paris de 1967 à 1972 et remporte le Prix de la Jeune Sculpture en 1978.De 1985 à 1987, il occupe le poste de professeur de sculpture à l'Université libanaise de Tripoli, et de 1989 à 1991, il est professeur de sculpture à l'Université jordanienne de Yarmouk. Depuis, il vit et travaille en France. Chaouki Choukini est exposé lors de nombreuses expositions, dont celle de l'Institut du Monde Arabe en 1991. Il obtient le Prix de la Fondation Taylor en 2010 et participe avec 7 de ses sculptures à l'exposition de l'IMA, Le corps découvert, de mars à août 2012.En 2015, l'Académie Française des Beaux-Arts lui décerne le Prix Pierre Gianadda de la Sculpture, pour récompenser l'ensemble de son oeuvre.'Ce libanais venu en France directement depuis son village du Liban-Sud, sculptait alors dans le bois d'étranges constructions, imaginaires et sobrement baroques, dont l'évidence formelle, pourtant à la limite de l'onirisme, s'imposait : c'était tout à la fois des monuments chimériques, des damiers pour jeux de hasard anthologiques, des figurines imbriquées et impliquées dans une sorte de 'grand jeu' métaphysique. La musique muette des sculptures de Choukini est un défi à l'absurde canon qui tonne ici ou là pour tuer, mais il n'y parviendra pas, l'âme et le corps du Liban, montagne dure et tendre comme les sculptures et le sculpteur dont je parle.'- Salah Stétié'When I was younger, I used to go to my grandfather's house during school holidays in a village called Choukine in the south of Lebanon, where I would contemplate mountains, trees, valleys, wells — unlike the views of Beirut. This led me to develop my love of nature, which influences my work. My expression of a landscape is not an exact representation of nature — I'm turning it into something metaphysical, imaginary and with an element of mystique.'- Chaouki ChoukiniChaouki Choukini's sculpture offers a window back to what he refers to as the 'landscape of childhood', to people and places, and to memories of South Lebanon. Choukini piles block upon block on top of each other, creating cityscapes and mountains, and revealing abstracted, silent faces. It is this tension – between corners and edges, form and function, and, most importantly, positive and negative space – that has come to define his work.Born in 1946 in Choukine, Lebanon, Chaouki Choukini received his degree from the Ecole Nationale Superieure des Beaux-arts de Paris, in 1972. He was awarded the Prix de la Jeune Sculpture in 1978 followed by the Taylor Foundation Prize in 2010. Most recently in 2015 he was awarded the Prix de la Fondation Pierre Gianadda, from the Academie De Beaux-Arts de l'Institut de France.Choukini has participated in various solo and group exhibitions including Beloved Bodies, Barjeel Art Foundation, Sharjah, UAE (2017), Poetry in Wood, Green Art Gallery, Dubai, UAE, (2016), Portrait of The-Non-Existent-Bird, Museum of Issoudun, France (2014); Tajreed (Arab Abstract Art), Contemporary Art Platform, Kuwait (2013); Le Corps decouvert, Arab World Institute, Paris, France (2012); International Aswan Sculpture Symposium, Cairo Biennial, Egypt (1997); Paris Sculpture, Centre de Sculpture Contemporaine, Paris, France (1973). His works are in several important collections including Musee d'Art Contemporain de Val-de-Marne, France; Arab World Institute, France, Mathaf, Arab Museum of Modern Art, Doha, Centre National Des Arts Plastique, France, Barjeel Art Foundation, Sharjah, UAE and Sharjah Art Foundation. He lives and works in Paris, France.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Tagreed Darghouth (Liban, née en 1979)L'Explosion acrylique sur toilesigné 'Tagreed' et daté '2021' (en bas à droite), signé, daté et titré au dosexécuté en 2021150 x 200cm (59 1/16 x 78 3/4in).acrylic on canvassigned and datedFootnotes:ProvenanceCollection de l'artisteLa présente oeuvre est vendue par le Fonds Claude et France Lemand au profit des Artistes et de l'Institut du Monde ArabeL'Explosion, 2021. Thierry Savatier : « L'Explosion rappelle directement le drame qui secoua Beyrouth le 4 août. Celles et ceux qui ont vu le port dévasté et les nuages de fumée ne peuvent éviter ce rapprochement. Mais la force de cette grande toile réside, une fois encore, dans son caractère universel car l'artiste, par l'absence délibérée de personnages dans son tableau, ne cède pas au pathos ; elle se limite à peindre un paysage dévasté. Picasso disait que, pour être réussie, une nature morte aux poireaux devait sentir le poireau ; ici, la toile a le parfum des ruines calcinées. »Tagreed Darghouth est née en 1979 à Saida au Liban. Elle est diplômée de l'Institut des Beaux-Arts de Beyrouth (2000) et de l'Ecole nationale des Arts Décoratifs de Paris (2003). En 2000 et 2001, elle suit les cours de Marwan Kassab Bachi (1934-2016), qu'elle admire et qui a beaucoup influencé son travail, à la Ayloul Summer Academy de Amman (Jordanie). Elle nourrit son art de lectures et de l'observation des maîtres anciens et modernes, en particulier Rembrandt, Courbet, Soutine et Lucian Freud.Proche du néo-expressionnisme, Tagreed Darghouth, qui vit et travaille à Beyrouth, construit ses toiles en couches épaisses de matière, tout en utilisant une palette sobre, sans aucun travail préparatoire. Ses œuvres, de formats moyen et grand, parfois en polyptiques, interrogent le spectateur et le confronte à ses contradictions, à ses erreurs et à ses doutes.Born in 1979, Saida, Lebanon, Tagreed Darghouth studied fine arts at the Lebanese University in Beirut as well as earned a diploma in art education. She then went on to study space art at the Ecole Nationale Supérieure des Arts Décoratifs in Paris. Tagreed's social and political themes draw attention to hidden forms of violence and the misconception of the other. In recent years, Darghouth's focus has expanded beyond the borders of Lebanon to encompass global issues. Her last two exhibitions explored the atomic bomb, featuring eerie paintings of mushroom clouds, skulls and the craters left in the Navada desert by nuclear weapons testing, which has transformed the landscape into a deformed, pockmarked wasteland resembling the surface of the Moon. For Darghouth, these exhibitions are all related. 'Every subject gives me a visual challenge to work on. It's a matter of choosing an object that makes the work variable and rich,' she explains. 'I think it's like I'm telling a story with each subject as a chapter of the work.'Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
* LOTTIE DAVIES (B. 1971) 'Venus, 2011' number 1 from the edition of 10, Digital c-type, 40.5cm x 51cmLottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland, she moved back to England to pursue a career in photography. She is currently based in London and Cornwall.Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012.Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.
* LOTTIE DAVIES (B. 1971) 'Puck, 2011' number 1 from the edition of 10, Digital c-type, 51cm x 40.5cmLottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland, she moved back to England to pursue a career in photography. She is currently based in London and Cornwall.Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012.Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.
* LOTTIE DAVIES (B. 1971) 'The Blue Bedroom, 2008' number 4 from the edition of 10, Digital c-type, 42.5cm x 100cm; together with a large version of the photograph printed on foamex board, 115cm x 204cm (2)Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland, she moved back to England to pursue a career in photography. She is currently based in London and Cornwall.Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012.Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.
* LOTTIE DAVIES (B. 1971) 'Eve, 2011' number 1 from the edition of 10, Digital c-type, 51cm x 40.5cmLottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland, she moved back to England to pursue a career in photography. She is currently based in London and Cornwall.Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012.Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.
A BOX OF SPORTING MEMORABLIA, TECHNOLOGY, COLLECTABLES, etc including a Slazenger V100 cricket bat autographed by members of Lancashire CCC team, including Watkinson, Atherton, Akram and Fairbrother, 1998 Merlin's Official England World Cup sticker collection, a Fujifilm S7000 digital camera, an Apple Ipod, a Casio Super TFT Model EV-510D colour television Aston Villa pin badges, trench art letter opener engraved 'Rouen, France 1914', etc (one box)
John Piper C.H. (British, 1903-1992)Courthouse, Long Crendon, Buckinghamshire (Levinson 285) Lithograph printed in colours, 1978, on wove, signed and numbered 61/120 in pencil, published by Christie's Contemporary Art and the National Trust, London, with their blindstamps, with full margins, 575 x 775mm (22 5/8 x 30 1/2in)(SH)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Mother and Child, from 'Shelter Sketchbook' (Cramer 83) Lithograph printed in colours, 1967, on wove, signed and numbered 94/180 in pencil, printed by J.E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, the full sheet, 370 x 310mm (14 1/2 x 12 1/4in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Laurence Stephen Lowry R.A. (British, 1887-1976)Reference Library Offset lithograph, 1972, on wove, signed in pencil, from the edition of 850, published by Henry Donn, with the Fine Art Trade Guild blindstamp, with margins, 242 x 350mm (9 1/2 x 13 3/4in)(I)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Julian Opie (British, born 1958)Elena, schoolgirl (with lotus blossom) (Cristea 103) Screenprint in colours, 2006, on wove, signed and inscribed 'A.P. 8/10' in pencil, one of ten artist's proofs aside from the numbered edition of 100, printed by Advanced Graphics, London, co-published by the artist and the Museum of Modern Art, New York, with full margins, 510 x 397mm (20 x 15 5/8in)(SH)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Edward Bawden R.A. (British, 1903-1989)Audley End House Linocut printed in colours, 1973, on wove, signed, titled, dated and numbered 15/150 in pencil, published by Christie's Contemporary Art, London, with margins, 508 x 634mm (20 x 25in)(I)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Barbara Hepworth (British, 1903-1975)Two Opposing Forms, from 'Opposing Forms' Screenprint in colours, 1970, on T.H. Saunders, signed in pencil, a proof aside from the numbered edition of 50, printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with the printer's inkstamp verso, the full sheet, 774 x 582mm (30 1/2 x 22 7/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Terrace with Morning Glories (Levinson 393) Screenprint in colours, 1987, on wove, signed and numbered 50/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with the printer's blindstamp, with full margins, 490 x 682mm (19 1/4 x 26 7/8in)(I)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Death In Venice V (Levinson 229) Screenprint in colours, 1973, on wove, signed and numbered 56/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with the printer's inkstamp verso, the full sheet printed to the edges, 392 x 685mm (15 3/8 x 27in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Patrick Caulfield R.A. (British, 1936-2005)Occasional Table (Cristea 29) Screenprint in colours, 1972, on Arches, a proof aside from the numbered edition of 500, printed by Kelpra Studio, London, published by Observer Art, London, with margins, 737 x 1018mm (29 x 40in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Laurence Stephen Lowry R.A. (British, 1887-1976)Deal Sketch Offset lithograph printed in colours, 1973, on wove, signed in blue biro, from the edition of 850, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, the full sheet printed to the edges, 178 x 255mm (7 x 10in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Laurence Stephen Lowry R.A. (British, 1887-1976)The Pond Offset lithograph printed in colours, 1974, on wove, signed in pencil, from the edition of 850, printed by Beric Press, London, published by Mainstone Publications, Norwich, with the Fine Art Trade Guild blindstamp, with margins, 430 x 575mm (16 7/8 x 22 5/8in)(I)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Laurence Stephen Lowry R.A. (British, 1887-1976)The Level Crossing Offset lithograph printed in colours, 1973, on wove, signed in pencil, from the edition of 850, published by Henry Donn, Lancashire, with the Fine Art Trade Guild blindstamp, with full margins, 573 x 695mm (22 1/2 x 27 3/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Black Seated Figure on Orange Ground, from 'Shelter Sketchbook' (Cramer 80) Lithograph printed in colours, 1966, on Japon nacré, signed and numbered 148/180 in pencil, printed by J.E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, the full sheet, 370 x 310mm (14 1/2 x 12 1/4in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Piper C.H. (British, 1903-1992)Kirkmaiden (Levinson 252) Screenprint in colours, 1975, on wove, signed and numbered 33/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with the CCA blindstamp and the printer's inkstamp verso, with full margins, 676 x 975mm (26 5/8 x 38 3/8in)(SH)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Victor Pasmore R.A. (British, 1908-1998)Senza Titolo 3 (Lynton G56) Etching and aquatint printed in colours, 1989, chine collé on wove, signed with the initials, dated and numbered 71/90 in pencil, printed by Vigna Antoniniana Stamperia d'arte, Rome, co-published by Marlborough Fine Art Ltd., London and 2RC Edizioni d'arte, Rome, with margins, 560 x 955mm (22 x 37 5/8in)(PL)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Harland Miller (British, born 1964)York So Good They Named It Once Offset lithographic poster printed in colours, 2020, on wove, from an edition of an unknown size, published on the occasion of 'York, So Good They Named It Once' exhibition by York Art Gallery, York Museums Trust, York, co-published by the gallery and White Cube, London, the full sheet printed to the edges, 841 x 555mm (33 1/8 x 21 7/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Laurence Stephen Lowry R.A. (British, 1887-1976)Industrial Panorama Offset lithograph printed in colours, 1972, on wove, signed in pencil, from the edition of 300, published by the Medici Society, London, with the Fine Art Trade Guild blindstamp, with full margins, 720 x 900mm (28 3/8 x 35 3/8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Violet Torso on Orange Stripes, from 'Shelter Sketchbook' (Cramer 86) Lithograph printed in colours, 1967, on Japon nacré, signed and numbered 18/180 in pencil, printed by J.E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, the full sheet, 370 x 310mm (14 1/2 x 12 1/4in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Dame Paula Rego R.A. (British, born 1935)Nursing, from 'O Vinho (Wine)' (Rosenthal 244) Lithograph printed in colours, 2007, on wove, signed and numbered 2/35 in pencil, printed by the Royal College of Art, London, co-published by the artist and Marlborough Graphics, London, the full sheet, 470 x 593mm (18 1/2 x 23 3/8in)(SH)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Dromedary, plate II from 'Animals in the Zoo'; Two Forms in Red and Yellow, from 'Meditations on the Effigy' (Cramer 635, 76) Etching, 1981-2, on Arches, signed, inscribed 'PL. II' and numbered 49/65 in pencil, printed by J.C. Editions, London, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with the printer's blindstamp, with full margins, 450 x 530mm (17 3/4 x 20 7/8in)(SH); together with 'Two Forms in Red and Yellow', from 'Meditations on the Effigy', lithograph printed in colours, 1966-7, on Chinese rice paper tipped onto Barcham Green, signed, dated and numbered VIII/X in pencil, an artist's proof aside from the numbered edition of 20, printed by J.E. Wolfensberger, Zurich, published by Marlborough Fine Art Ltd., London, with margins, 450 x 530mm (17 3/4 x 20 7/8in)(SH)(2)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Victor Pasmore R.A. (British, 1908-1998)Green Darkness (Lynton G35) Screenprint in colours, 1986, on wove, signed with the initials, dated and numbered 70/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd., London, with margins, 460 x 470mm (18 1/8 x 18 1/2in)(I)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Graham Sutherland O.M. (British, 1903-1980)Frontispiece to a Bestiary (Tassi 81) Lithograph printed in colours, 1968, on Arches, signed and inscribed 'Epreuve d'artiste' in pencil, an artist's proof aside from the numbered edition of 70, printed by Mourlot, Paris, published by Marlborough Fine Art Ltd., London, the full sheet, 665 x 500mm (26 1/8 x 19 5/8in)(SH)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
KAWS (American, born 1974)Untitled (from Alone Again at MOCAD) Screenprint in colours, 2019, on card, signed and dated in purple pencil, a unique impression published by the Museum of Contemporary Art Detroit on the occasion of the exhibition 'Alone Again', with the MOCAD inkstamp, artist name and exhibition title stamped verso, housed in the original grey stamped envelope, the full sheet printed to the edges, 254 x 202mm (10 x 8in)(SH)(unframed)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Christo & Jeanne-Claude (AMERICAN, 1935-2020; 1935-2009)The Umbrellas Offset lithograph printed in colours, 1991, on wove, signed in pencil, from the edition of an unknown size, printed by Domberger, Stuttgart, with their blindstamp, published by Carl Flach, Achenbach Art Edition, Düsseldorf, with margins; together with 'The Gates, Project for Central Park, New York', offset lithograph printed in colours, 1986, on wove, signed in pencil, from the edition of an unknown size, published by Nouvelles Images S.A. Editeurs, Lombreuil, France, with margins, 850 x 690mm (33 1/2 x 27 1/8in)(and smaller)(SH)(unframed)(2)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Laurence Stephen Lowry R.A. (British, 1887-1976)Britain at Play Offset lithograph printed in colours, on wove, signed in pencil, from the edition of 850, printed by Beric Press, London, published by Mainstone Publications, Norwich, with the Fine Art Trade Guild blindstamp, with margins, 450 x 600mm (17 5/8 x 23 5/8in)(I)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Laurence Stephen Lowry R.A. (British, 1887-1976)The Notice Board Offset lithograph printed in colours, 1975, on wove, signed in pencil, from the edition of 500, with the Fine Art Trade Guild blindstamp, with margins, 400 x 502mm (15 3/4 x 19 3/4in)(I)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Robert Indiana (American, 1928-2018)LOVE (Gold & Silver) Two multiples, gold chrome and silver chrome, each before the stamped edition, published by Indianapolis Museum of Art, Indiana, each 80 x 76 x 37mm (3 1/8 x 3 x 1 1/2in)(overall)(2) Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Graham Sutherland O.M. (British, 1903-1980)Ram's Head (facing left); Emerging Insect, from 'A Bestiary and Some Correspondences' (Tassi 87; 103) Two lithographs printed in colours, 1968, each on Arches, each signed and numbered from the edition of 70 in pencil, printed by Mourlot, Paris, published by Marlborough Fine Art Ltd., London, each with margins, 657 x 495mm (25 7/8 x 19 1/2in)(I)(and similar)(2)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
William Kentridge (South African, born 1955)Medusa (Parkett 63; Krut p. 116) Anamorphic lithograph printed in red and black, 2001, on 'Le Nouveau Larousse Illustré Encyclopaedia', chine-collé to Rives BFK with mirror finish steel cylinder, signed and numbered XVII/XX in pencil, one of 20 artist's proofs aside from the numbered edition of 60, published by Parkett Editions, New York and Zurich, the full sheet, 762 x 756mm (30 x 29 3/4in)(SH)Footnotes:ProvenanceDavid Krut Fine Art, London.Acquired directly from the above by the current owner.Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Julian Trevelyan R.A. (British, 1910-1988)Thames (Turner 359) Etching and aquatint printed in colours, 1964, on wove, signed, titled and numbered 114/150 in pencil, printed by Studio Prints, London, published by Christie's Contemporary Art, London, with their blindstamp, with margins, 347 x 472mm (13 5/8 x 18 1/2in)(I)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Henry Moore O.M., C.H. (British, 1898-1986)Two Seated Women, from 'Shelter Sketchbook' (Cramer 85) Lithograph printed in colours, 1966, on Japon nacré, signed and numbered 179/180 in pencil, printed by J.E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, the full sheet, 370 x 310mm (14 1/2 x 12 1/4in)(SH)(unframed)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Richard Killgren, 'Speed 6',signed, acrylic on canvas, 92 x 61cm, framed; together with a lot card from the charity auction depicting the artist at work; two Robin Page Bentley interior designs, paper on card; and a limited edition Bentley styling print 15/100, signed by Crispin Marshfield, senior designer at Bentley to commemorate the launch of the 2006 Bentley Azure, 20 x 29cm, numbered on the mount, framed and glazed. (4)Footnotes:Richard Killgren originally painted this work in 2009 for The Bonhams and Bentley 'Design is our Passion. This is our Art' charity auction on behalf of The Christie Cancer Hospital in Manchester. The auction included sculptures, painting, digital art, and photography by staffers of Bentley's in-house design team, and was held at Bonhams New Bond Street on 1 December 2009. This painting was lot 29.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Luna has been created to represent folk law surrounding hares and The Moon. Luna is painted all over with a celestial theme. A Prussian Blue base, with grasses and wildflowers around her haunches representing morning, moving through a gold starry night sky to the gently glowing golden full moon on her forehead. Her three crescent moons represent the power of 3: the past, the present and the future. Artist: Nicola WarnerNicola is an eclectic artist mindfully creating whimsical watercolours and mixed media pieces, with a love of gold. Nicola's abstract art is often highly textured and many pieces feature her signature gold/brass leaf in amongst the mixed media and collages to which she is drawn. Conversely, some of her smaller 'lighter' pieces feature vintage inspired watercolours and home-made botanical inks. Intuitive, and using a varied colour palette, her work appeals to a variety of tastes. Nicola is also a keen photographer and uses her digital skills to create wall art. Sponsor: Clarke & SimpsonClarke and Simpson are a multi-disciplined independent and progressive firm of chartered surveyors. We deal in all aspects of rural property and are one of the leading firms of auctioneers in the county of Suffolk. We routinely sell chattels, property and machinery at auction, both on location and from our Campsea Ashe base.https://www.clarkeandsimpson.co.uk/ Measures approx. 17 inches deep x 12 inches wide x 36 inches high
Arcipluvia displays a kaleidoscopic hill scene wrapped around the shell of the tortoise. Arcipluvia means rainbow, and so a ROYGBIV rainbow is included amongst the other colourful hills, for viewers to find, in appreciation of the NHS and everything good that the rainbow represents. Artist: Daisy Carrick-SmithParticipating in the trail for a third year, Daisy is an artist who delights in any opportunity to partake in creative projects. Her current series depicts a self-created, imagined world called Arcipluvia, the eponym of her tortoise. Arcipluvia is a name derived from the word 'Arcipluvian' - translating to 'arch of rain' or 'rainbow' - meaning multi-coloured. Arcipluvia, the tortoise, serves to spread joy, hope, thanks and support, embodying everything good that a rainbow represents. In 2015, winning a Top 20 place in the Deutsche Bank Art Prize, the Saatchi Gallery exhibited Daisy's artwork twice, the second time, alongside the Rolling Stones in 2016 Sponsor: CDO DigitalAt CDO Digital, we pride ourselves on working closely with clients, and bringing their visions to life. We collaborate with both clients and designers to create personalised and bespoke websites which function seamlessly across multiple devices, while optimising speed, user experience, and SEO, without the limitations of templates or over-crowded admin panels.https://www.cdodigital.com/ Measures approx. 42 inches long x 19 inches wide x 18 inches high
This beautiful blue and green hare shows in abstract how the forests and rivers of Suffolk work together in synergy; recognising the complex relationship between forest and river, over time and space. Artist: Rachael ConstantineRachael took the leap into self-employment founding Cora Studios in 2019 having worked in the education sector. She is now a full-time freelance illustrator and graphic artist and is terrified and elated in equal measure! Supporting clients with a wide range of disciplines, including graphic art, digital marketing and communication, illustration, and website design, she is never ever bored! Rachael is an East Anglian through and through; born in Cambridge, raised in Suffolk, and now living on the Norfolk Broads. Rachael feels privileged to have had the opportunity to design her own Hare this year, after designing the logo and marketing literature since the trail began. Sponsor: Healthy at HomeEvery lunchtime we deliver tasty hot meals within North Suffolk and South Norfolk. All meals and desserts are lovingly made with fresh, local products and freshly cooked each morning. Along with our lunch delivery we offer a stew or soups and sandwich or teatime tray for later in the day. There are no ties, no contracts or delivery charges.https://healthyathome.online/ Measures approx. 17 inches deep x 12 inches wide x 36 inches high
* EDWARD SUMMERTON RSA, ONE NIGHT IN BANGKOK mixed media on paper, signed; titled in newspaper article verso image size 40cm x 50cm, overall size 62cm x 69cm Mounted, framed and under glass. Note: The Royal Scottish Academy entry states: "Edward Summerton RSA is a critically-acclaimed artist whose work has expanded from the practice of painting into photography, sound works, prints, objects, collaborations and the organising of events and exhibitions. He has recently curated Blind Sight where 50 visual artists were invited to submit sound works to be exhibited as a jukebox installation; Doctor Skin, a unique public art event where artists designed temporary tattoos to be worn by the public; Bird of the Devil, a publication collaborating with 17 writers, and Digital VD, a one hour film work involving one minute films by 60 artists. Summerton is Senior Lecturer in Art and Media at Duncan of Jordanstone College of Art, Dundee. His work has been exhibited in solo and group exhibitions worldwide and is held within public collections including the BBC and the Museum of Modern Art, New York (MOMA)". Edward Summerton's paintings very rarely appear at auction.
TWO DEREK CORKE SINGAPORE SHOPHOUSE PRINTS Digital Fine Art prints '158 Emerald Hill', signed and dated 2000 '30 Saunders Road' numbered 26/480, signed and dated 2000 33cm x 23.5cm without the frame Condition: Minor signs of wear commensurate with age and use, some foxing spots mainly on the mats
METAL CASED PRIMA KNIFE SET, LARGE PICTURE AND FOUR BOXES OF CERAMICS, GLASS, METALWARE, PICTURES, RECORDS, etc, to include a collection of pieces of cut glass, a box of drinking glasses, silver plated and metal items, dinnerwares (with light chipping and wear), art materials, digital camera, books, jewellery box etc
Richard Wilson RA (Welsh 1714-1782) The falls of the Liri at Isola di Sora Signed R.Wilson (lower right) Pencil and black chalk 26.7 x 40.7cm; 10½ x 16in Provenance: William Lock of Norbury; I.A. Williams; Sotheby's, London, 10 July 1980, lot 137; From the collection of Edward Croft-Murray (1907-1980) Literature: Sir Brinsley Ford, Drawings of Richard Wilson (1951), p.33; W.G.Constable, Richard Wilson (1993), p.211 For a comparable drawing of the same view Paul Spencer-Longhurst, Paul Kate Lowry and David Solkin, Richard Wilson Online: A Digital Catalogue Raisonné, (London: Paul Mellon Centre for Studies in British Art, 2014), no. D337
* EDWARD SUMMERTON RSA, ONE NIGHT IN BANGKOK mixed media on paper, signed; titled in newspaper article verso image size 40cm x 50cm, overall size 62cm x 69cm Mounted, framed and under glass. Note: The Royal Scottish Academy entry states: "Edward Summerton RSA is a critically-acclaimed artist whose work has expanded from the practice of painting into photography, sound works, prints, objects, collaborations and the organising of events and exhibitions. He has recently curated Blind Sight where 50 visual artists were invited to submit sound works to be exhibited as a jukebox installation; Doctor Skin, a unique public art event where artists designed temporary tattoos to be worn by the public; Bird of the Devil, a publication collaborating with 17 writers, and Digital VD, a one hour film work involving one minute films by 60 artists. Summerton is Senior Lecturer in Art and Media at Duncan of Jordanstone College of Art, Dundee. His work has been exhibited in solo and group exhibitions worldwide and is held within public collections including the BBC and the Museum of Modern Art, New York (MOMA)". Edward Summerton's paintings very rarely appear at auction.
Matthew Carver (Canadian, b.1968). 'Chuo Dori', 2005. Acrylic on canvas, 244 x 340 cm. Provenance: From a reputable private collection. Acquired directly from the artist by the present owner in 2005. Literature: Saatchi Gallery Loan of Art, published by Saatchi Gallery, London, 2006 pp.33. From Saatchi Gallery Loan of Art, pp.32: Carver paints distorted views of city streets at night, based on his own digital photographs taken around the world. As if fleetingly glimpsed in your rear-view mirror or seen as a reflection in a window, his paintings capture the transient nature of city live. Carver employs art historical techniques such as anamorphosis to manipulate his images, and the work often needs external devices such as reflective cylinders to be seen distortion-free.
TAMAR DE VRIES WINTER: a silver and enamel beakerLondon 2008 With a flaring lip, the sides enamelled in a wave design over a linear ground, height 9cm, weight 10oz.Footnotes:Born in Jerusalem to a family of immigrants from Europe, Tamar was trained in the UK, where she lives and practices her work. Personal memories inspired by two cultures have had a major impact on her life and career as an enameller, jeweller and silversmith. The art of enamelling is central to her work. Digital technology—printing and fusing her own photographic images onto her metalwork—has enabled her to transform her ideas into objects that tell a story. Her interest in the marking of important life events with objects led her to create a range of ceremonial work.Tamar's work has been commissioned and collected both by private individuals and public institutions: the Victoria and Albert Museum (which recently acquired her 'Fragment' Bowl), the Jewish Museums in London and in New York, and the National Museum of Scotland. In addition to teaching in the UK and abroad, since 1996 Tamar is a co-director of Studio Fusion, a London gallery dedicated to contemporary vitreous enamel.For further information on this lot please visit Bonhams.com
Mondrian Bike Framed art print by Sassan Filsoof Framed Art Print on Matt 250gsm conservation digital paper Sassan Filsoof combines bold use of colour, shapes and silhouettes with subjects that vary from modern sports to global issues. Initially trained as an industrial designer, Filsoof has since decided to pursue his passion for graphics. He blends imagery and quotes to create eye-catching designs inspired by vintage travel posters. 28 x 26cm
Brooklyn Bridge (yellow) Framed art print by Erin Clark Print on Matt 250gsm conservation digital paper Erin Clark has an eclectic style and works in mediums that range from photography to oil paintings. Erin's use of colour and subject matter is influenced by her global travels. She is known as a spontaneous, creative person which is reflected in her art 30 x 30cm
Birdies 4 Framed art print by Tiffany Lynch framed on Matt 250gsm conservation digital paper Tiffany Lynch was born in West Sussex and works from a studio in the heart of Brighton. Bright, whimsical and of the moment, her prints look great in a range of simple frames and fit well in contemporary spaces 30 x 30cm
Ohne Titel (Untitled) 1915 Framed art print by Paul Klee on Matt 250gsm conservation digital paper During World War One Paul Klee worked as a clerk at the paymaster’s office. Every minute he was away from his clerical duties Klee devoted to producing art and would often paint outdoors using watercolours creating works such as ‘Ohne Titel (Untitled)’. For this painting Klee has used vivid colours and heavy abstraction, perhaps reflecting his desire to escape from the trauma and conflict of war. 36 x 28cm
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