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Click here to subscribeNO RESERVE δ Sam Taylor-Johnson (b.1967)Sergeant Wenninger and MeDigital pigment print in colours, 2004-2008, signed in black ink, numbered from the edition of 50 in pencil, on Hahnemuhle Fine Art paper, published by White Cube Gallery, London, with full margins, image 254 x 203mm (10 x 8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Rankin (b.1966)TombiDigital print, signed and numbered from the edition of 100 in pencil, published by Art on a Postcard, London, the full sheet, 170 x 120mm (6 5/8 x 4 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
THE WHO - DAVID WEDGBURY OFFICIAL, EMBOSSED ART PRINT - The Who, 1965 : Pete Townshend; Keith Moon; Roger Daltrey; John Entwistle. This print is colour matched to the original and EMBOSSED at the bottom right corner, WITH DAVID WEDGBURY STAMP !!! Matt 250gsm conservation digital paper. WOULD LOOK GREAT FRAMED , these sell for £120.00 framed, MINT- (ROLLED)
THE WHO - DAVID WEDGBURY OFFICIAL, EMBOSSED ART PRINT - The Who, 1965 Live Shot : Pete Townshend; Keith Moon; Roger Daltrey; John Entwistle. This print is colour matched to the original and EMBOSSED at the bottom right corner, WITH DAVID WEDGBURY STAMP !!! Matt 250gsm conservation digital paper. WOULD LOOK GREAT FRAMED , these sell for £120.00 framed, MINT- (ROLLED).
Mikhael Subotzky (South African, born 1981)Pasvang, Pollsmoor Maximum Security Prison, 2004 Digital print in pigment inks on cotton rag paper56 x 78cm (22 1/16 x 30 11/16in).Footnotes:ProvenanceAcquired from Goodman Gallery, Johannesburg in 2014;The Saatchi Collection.ExhibitedLondon, Saatchi Gallery, Out Of Focus: Photography, 2012London, Saatchi Gallery, Dead: A Celebration Of Mortality, 2015London, Saatchi Gallery, Pangaea II: New Art From Africa And Latin America, 2015LiteratureSaatchi Gallery,'Pangaea II: New Art From Africa And Latin America', 2015, pg.156For further information on this lot please visit Bonhams.com
WHATSHISNAME (SEBASTIAN BURDON) (POLISH b 1982), THE BEAR AND THE PIG giclee print, signed, numbered 5/25 and dated 2019 in pencil 50cm x 50cm Unframed Note: Contemporary artist Whatshisname (aka Sebastian Burdon) creates art for two reasons: “1. To celebrate an alternative to the ordinary and 2. Because it is something that I cannot do.” Born in Poland in 1982, Burdon began creating digital art at the age of 7, using the Atari 130XE. After moving to London in 2006, Burdon worked as an assistant to British artists and started to craft his own aesthetic, fusing digital and traditional methods. Approximate retail value £300. Generously donated by Whatshisname. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
WHATSHISNAME (POLISH SEBASTIAN BURDON b 1982), GONE MINNIE giclee print, signed, dated 2018 and numbered 7/30 80cm x 80cm Unframed Note: Contemporary artist Whatshisname (aka Sebastian Burdon) creates art for two reasons: “1. To celebrate an alternative to the ordinary and 2. Because it is something that I cannot do.” Born in Poland in 1982, Burdon began creating digital art at the age of 7, using the Atari 130XE. After moving to London in 2006, Burdon worked as an assistant to British artists and started to craft his own aesthetic, fusing digital and traditional methods. Approximate retail value £600 Generously donated by Whatshisname. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
Snap - The Portfolio 2011, Art at the Aldeburgh Festival, published by the Paul Stolper Gallery, comprising 12 digital inkjet prints, this set numbered 4/15 artists proof, each measuring 152.4 x 101.6cm , to include the following works; Darren Almond; A Part of Speech, Don Brown; Yoko, Mark Fuller; Mudman, Russel Haswell; The First Three Live Salvage Covers, Gary Hume; Big Bird, Abigail Lane; No Miracle in Sight, Simon Liddiment; Cultural Worker, Sarah Lucas; Squab Squaw, Johnnie Shand Kydd; Luz, Julian Simmons; Spiral Brain, Juergen Teller; Yasmin, Cerith Wyn Evans; 07985737568, sold as a full portfolio and presented in a canvas clad archival yellow box and coverCondition report: Each folded – four fold lines resulting in 8 quadrants.Otherwise in very good and original condition.Housed in original box.
2017, mixed media, with the original receipt of purchase from the Walled Off Hotel in Palestine, digital print and concrete relief.25.5cm x 25.5cm (10in x 10in) including frameFootnote: * The relief element is an original piece of the separation wall that divides Israel and Palestine, which is sprayed with graffiti. The Walled Off Hotel is an independent leisure facility set up by Banksy. It overlooks the separation wall. Biography: Banksy is a contemporary British street artist, activist, and film director who has maintained an anonymity, despite his international fame. Although details of the artist’s life are largely unknown, it is thought that Banksy was born in Bristol, c. 1974, and began his career as a graffiti artist in the city in the 1990s. His work traditionally acts a form of cultural criticism; a political and social commentary through satirical street art and stencilled works. His work, which mysteriously appears on location, combines graffiti and epigrams and has been featured publicly on streets, walls, and bridges of major cities throughout the world. Although Banksy no longer sells photographs or reproductions of his street graffiti, his public installation pieces are regularly offered for sale, even if it means removing the wall they were painted on. A small number of Banksy's works are also officially, non-publicly, sold through Pest Control, a handling service acting on behalf of Banksy. Banksy's documentary film Exit Through the Gift Shop (2010) debuted at the 2010 Sundance Film Festival and he was nominated for the Academy Award for Best Documentary the following year. Banksy continues to create work worldwide, winning awards and notoriety. He was awarded Person of the Year at the 2014 Webby Awards and, in 2015, opened Dismaland Bemusement Park, a temporary art exhibition that functioned as a theme park and included collaborations with fellow artists. One of the artist's most famous stunts was his shredded painting in 2018. As a painting by Banksy was sold at auction for $1.4 million, a mechanism was triggered that caused the artwork to partially shred, resulting in a new piece titled Love in the Bin (2018).* This lot was originally bought by a private collector who acquired from the Walled Off Hotel in Palestine.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The artwork is in very good, original condition with no obvious faults to report. The artwork is framed and glazed.
A Dinosaur Input Device (D.I.D.) electronic raptor armature from the production of Steven Spielberg's sci-fi action-adventure Jurassic Park. Spielberg initially planned to achieve the film's dinosaurs through 'Go-Motion' animation, but new breakthroughs at ILM enabled a mid-production pivot to digital animation as the technique of choice.As computer animation software was very new, there were few animators at the time who could use it. The Dinosaur Input Device, or D.I.D., was therefore created to allow traditional stop-motion animators to produce computer animation without learning animation software programs. Developed by a joint team from Industrial Light & Magic, Tippett Studio, and Pixar, the D.I.D. was a groundbreaking device and essential to the film's revolutionary effects shots. Digital sensors on the device allow to function as an animation capture device while the physical piece is manipulated by hand. The armature is oversized due to the encoders built into it to track the motion; the larger armature was also easier to animate than a typical puppet. Of the 52 animated shots in Jurassic Park, 15 were animated with the D.I.D., including the T. Rex paddock sequence and the raptors in the kitchen sequence. This T. Rex D.I.D. features a custom-machined metal stop motion armature that is wired throughout with sensors and encoders, affixed with handle at the top, and mounted to a wooden display base painted black. The wiring is secured with zip-ties and leads to metal multi-pin connectors. Also included is an original computer that connected to the device's output cables and processed the encoding from the device. This armature is in good overall condition with minimal wear from production and age, including flaking paint and some disconnected wiring. This lot comes from Tippett, who along with Dennis Muren, Michael Lantieri, and Stan Winston received an Academy Award for Visual Effects for his work on the film. The D.I.D. contributed heavily to the award winning work and helped combine art and technology for a breakthrough in cinema effects. Includes a letter of authenticity from Phil Tippett. Dimensions: 34" x 10" x 15" (86.5 cm x 25.5 cm x 38.25 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $25,000 - 35,000
Vinyl - Nine contemporary release LPs to include Jlin Autobiography, Mudhoney Digital Garbage, Marissa Nadler For My Crimes, Anthem Witches, Beak, Hyper Super Mega The Holydrug Couple, Villagers The Art of Prentending to Swim, Roger Waters Is This The Life We Really Want? and Furr Blitzen Trapper, all near mint
δ Jonas Mekas (1922-2019)Holy Fools (John Lennon)Digital pigment print in colours, 2012, signed in black ink, from the edition of 50, on Hahnemuehle Fine Art pearl paper, published by the Serpentine Gallery, London, with margins, sheet 355 x 279mm (14 x 11in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Doig (b.1959)FishermanDigital pigment print in colours, 2014, signed, dated and numbered from the edition of 500 in silver ink, on Somerset photo-rag paper, published by the Montreal Museum of Fine Art, Montreal, the full sheet printed to the edges, 880 x 690mm (34 5/8 x 27 1/8in)(SH) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lucy Bryant (Haus of Lucy) Delivery Day, 2020 Digital print on Giclee Signed verso 15 x 10cm (5¾ x 3¾ in.) Lucy Bryant (Haus of Lucy) is a contemporary multi-media artist and graphic designer. Responding to contemporary culture, Lucy's art subverts the everyday and the banal, always striving to disrupt the ordinary and create something entirely new. Her print series appropriates the classic, antiquated landscape painting and onto these, Lucy has added anachronistic motifs to create a jarring and unexpected end result: is that an easyJet plane, gliding through a fifteenth century sunset? And what's that Shell Oil truck doing in the middle of a nineteenth century pastoral scene? The series for Art On A Postcard'I wanted to create a series of work that would resonate. I love to mix old masters with contemporary elements, giving them a new life and a relevance for current times. Delivery Day: I want people to look at my lady with her online haul and relate to the same feel of anticipation (and always some guilt!) of what lies inside those bags.
Lucy Bryant (Haus of Lucy) Prime Time, 2020 Digital print on Giclee Signed verso 10 x 15cm (3¾ x 5¾ in.) Lucy Bryant (Haus of Lucy) is a contemporary multi-media artist and graphic designer. Responding to contemporary culture, Lucy's art subverts the everyday and the banal, always striving to disrupt the ordinary and create something entirely new. Her print series appropriates the classic, antiquated landscape painting and onto these, Lucy has added anachronistic motifs to create a jarring and unexpected end result: is that an easyJet plane, gliding through a fifteenth century sunset? And what's that Shell Oil truck doing in the middle of a nineteenth century pastoral scene? The series for Art On A Postcard'I wanted to create a series of work that would resonate. I love to mix old masters with contemporary elements, giving them a new life and a relevance for current times. Prime Time: I added an Amazon Prime lorry to the beautiful landscape because I wanted an element which would jar and 'spoil' the scene in the same way we can never escape pylons, planes and the hum of traffic when we're out trying to 'escape' urban life.
Lucy Bryant (Haus of Lucy) The Stag Do, 2020 Digital print on Giclee Signed verso 10 x 15cm (3¾ x 5¾ in.) Lucy Bryant (Haus of Lucy) is a contemporary multi-media artist and graphic designer. Responding to contemporary culture, Lucy's art subverts the everyday and the banal, always striving to disrupt the ordinary and create something entirely new. Her print series appropriates the classic, antiquated landscape painting and onto these, Lucy has added anachronistic motifs to create a jarring and unexpected end result: is that an easyJet plane, gliding through a fifteenth century sunset? And what's that Shell Oil truck doing in the middle of a nineteenth century pastoral scene? The series for Art On A Postcard'I wanted to create a series of work that would resonate. I love to mix old masters with contemporary elements, giving them a new life and a relevance for current times. The Stag Do: I wanted to create that feeling at the end of a big night out or stag do - where you feel so tired and so sick you wonder if any of it was worth it. Then you remember what Dave did with that blow-up doll and you realise that yes, it was all worth it. Art doesn't need to be serious!
Lucy Bryant (Haus of Lucy) Up Town, 2020 Digital Print of Giclee Signed verso 10 x 15cm (3¾ x 5¾ in.) Lucy Bryant (Haus of Lucy) is a contemporary multi-media artist and graphic designer. Responding to contemporary culture, Lucy's art subverts the everyday and the banal, always striving to disrupt the ordinary and create something entirely new. Her print series appropriates the classic, antiquated landscape painting and onto these, Lucy has added anachronistic motifs to create a jarring and unexpected end result: is that an easyJet plane, gliding through a fifteenth century sunset? And what's that Shell Oil truck doing in the middle of a nineteenth century pastoral scene? The series for Art On A Postcard'I wanted to create a series of work that would resonate. I love to mix old masters with contemporary elements, giving them a new life and a relevance for current times. Town Centre: The town center was crying out for a Primark, a Greggs, Chicken Cottage and an All Bar One for a large Pinot Grigio after a long day of shopping.
Carl Moore Neon Goat, 2020 Digital print on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Carl makes work that sits on that fine line between comedy and tragedy. Animals pretending to be other animals who use found objects with a splash or two of paint. Animals in the act of comedic suicide and robots that dream to have a normal life. Alongside is a another body of work titled Dripsters, bold and colourful animals with their clear markings reduced down to individual drips of paint, which appear barcode like in their simplicity. His works have been featured in several publications including the Art of England and Artists and Illustrators as well as selling to many countries around the world. Carl studied fine art painting at Winchester and digital moving image at London Guildhall.
Carl Moore Neon Bull, 2020 Digital print on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Carl makes work that sits on that fine line between comedy and tragedy. Animals pretending to be other animals who use found objects with a splash or two of paint. Animals in the act of comedic suicide and robots that dream to have a normal life. Alongside is a another body of work titled Dripsters, bold and colourful animals with their clear markings reduced down to individual drips of paint, which appear barcode like in their simplicity. His works have been featured in several publications including the Art of England and Artists and Illustrators as well as selling to many countries around the world. Carl studied fine art painting at Winchester and digital moving image at London Guildhall.
Carl Moore Neon Elephant, 2020 Digital print on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Carl makes work that sits on that fine line between comedy and tragedy. Animals pretending to be other animals who use found objects with a splash or two of paint. Animals in the act of comedic suicide and robots that dream to have a normal life. Alongside is a another body of work titled Dripsters, bold and colourful animals with their clear markings reduced down to individual drips of paint, which appear barcode like in their simplicity. His works have been featured in several publications including the Art of England and Artists and Illustrators as well as selling to many countries around the world. Carl studied fine art painting at Winchester and digital moving image at London Guildhall.
Whatshisname Balloon Dogs At Night, 2020 Marker pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born in the eastern Poland in 1982, today Whatshisname lives and works in London, UK. "I started creating his first digital art at the age of 7 while using Atari 130 XE. After moving to London in 2006 and having worked as an assistant to well established British artists, I create using both digital and traditional mediums. The aim of my art is to express what cannot be express with words. I want to encourage the viewer to look at surrounding world and question it in derisive, unorthodox way. An alias "Whatshisname" is inspired by the fact that I have trouble remembering other artists' names and by the Green Day's song "Whatshername".
Whatshisname Popek Balloon Dog, 2020 Marker pen on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born in the eastern Poland in 1982, today Whatshisname lives and works in London, UK. "I started creating his first digital art at the age of 7 while using Atari 130 XE. After moving to London in 2006 and having worked as an assistant to well established British artists, I create using both digital and traditional mediums. The aim of my art is to express what cannot be express with words. I want to encourage the viewer to look at surrounding world and question it in derisive, unorthodox way. An alias "Whatshisname" is inspired by the fact that I have trouble remembering other artists' names and by the Green Day's song "Whatshername".
Whatshisname Happy Popek Balloon Dog, 2020 Marker pen on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Born in the eastern Poland in 1982, today Whatshisname lives and works in London, UK. "I started creating his first digital art at the age of 7 while using Atari 130 XE. After moving to London in 2006 and having worked as an assistant to well established British artists, I create using both digital and traditional mediums. The aim of my art is to express what cannot be express with words. I want to encourage the viewer to look at surrounding world and question it in derisive, unorthodox way. An alias "Whatshisname" is inspired by the fact that I have trouble remembering other artists' names and by the Green Day's song "Whatshername".
Kathryn Macnaughton Bundle of Love, 2020 Acrylic and pencil on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Canadian artist Kathryn Macnaughton deftly interweaves figurative painting with a combination of abstract expressionism, geometric abstraction, and even conventions of the painted still-life into one poetic statement. Here, these forms of figuration and still life have been flattened, like their more abstract counterparts, to face the frontal plane of the canvas. In this sense, the canvas - and the analog process of the painter's hand - references the computer screen and the digital touch, where these pieces originally begin to take their shape. She states: I wanted my digital work to look raw and handmade. Now that I create "physical" paintings, I want to give the illusion that the work is digital. Macnaughton, who trained and worked as a graphic designer, uses this sort of 'digital compression' to her advantage, and one begins to use typically post-analog language when discussing her work: masking, layering, colour-blocking, silhouette. Here these concepts are paired with more Romantic expressive movements: a scribble dances across a bust, outlined in silhouette, which guides the viewer's eye around the flattened curves as one guides the finger across a map. The work simultaneously houses a sensuality one aligns with gender tropes: as suggestions of feminine curves play shadow-tricks, appearing as vessels or curtains that guide the eye, but also obscure and reveal the picture plane while painterly splatters ad curves leap behind and before the picture plane. But also the masculine, referencing brutalist and Modernist architecture: the austerity and monolithic qualities of shape, form, and line, or perhaps even the sharp angles of cacti in the desert. We see references from Robert Morris to Georgia O'Keefe; Diebenkorn to DiChirico, and even a cheeky reference to the highly stylized drawings of Patrick Nagel (more colloquially known as the artist who made Playboy 'drawings' iconic of the entire 1980s). The work therefore works in polarities: analog and post-analog mark-making (ie: the painterly and the digital); feminine and masculine; pragmatism and Romanticism; expressiveness and obfuscation; light and dark. There is a sense of theatricality to her revelations, and it is, in every sense, a cheeky play of light and dark versus form and technique, like boxing with one's own shadow - an art of individual, delicate mastery.
Charlotte MacMillan Stable Genius, 2020 Giclee print on Hahnemuhle pearl paper Signed recto A6 with border 6.3" × 4.8" (161mm × 122mm) - print Charlotte Macmillan is a Muti-disciplinary artist. Working under the name The Collagist, she uses digital art, embroidery and traditional paper collage to subvert images.
Charlotte MacMillan Boris has a Tummy Ache, 2020 Giclee print on Hahnemuhle pearl paper Signed recto A6 with border 6.3" × 4.8" (161mm × 122mm) - print Charlotte Macmillan is a Muti-disciplinary artist. Working under the name The Collagist, she uses digital art, embroidery and traditional paper collage to subvert images.
Charlotte MacMillan So Long Jezza, 2020 Giclee print on Hahnemuhle pearl paper Signed recto A6 with border 6.3" × 4.8" (161mm × 122mm) - print Charlotte Macmillan is a Muti-disciplinary artist. Working under the name The Collagist, she uses digital art, embroidery and traditional paper collage to subvert images.
Charlotte MacMillan Kim on his Floatie, 2020 Giclee print on Hahnemuhle pearl paper Signed recto A6 with border 6.3" × 4.8" (161mm × 122mm) - print Charlotte Macmillan is a Muti-disciplinary artist. Working under the name The Collagist, she uses digital art, embroidery and traditional paper collage to subvert images.
You can now book a one to one appointment (up to one hour) to view this lot at our central location. Please contact the member of staff associated with this lot to secure your appointment. The health and safety of both our customers and team remains the utmost priority, we are therefore operating to strict COVID-19 guidelines and full instructions will be given when making your appointment. Superbly finished in Amethyst over Cotswold hide with Indigo piping Burr Elm veneered door panel inserts, rear-quarter vanity mirrors, steering wheel and picnic tables Three keepers and only 21,000 miles. Documented speedometer change at 8,248 miles Powered by the silky-smooth BMW M73 V12 mated to a 5-speed ZF automatic Good service history with main dealers and specialists. Most recent at P & A Wood (09/19) Style, comfort and exclusivity available at less than a quarter of its list price new The Graham Hull-penned Silver Seraph was a clear statement of Rolls-Royce's intention to reclaim the coveted title of the producer of "The Best Car in the World". Following a long gestation period, it was eventually only made for four years, from 1998 to 2002 and replaced the Silver Spur, which ended production in 1997. All Seraphs were hand-built at the factory in Crewe which stopped assembling Rolls-Royce models in 2002 but continued with Bentley. The Seraph was powered by a 5.4-litre, aluminium-alloy, BMW M73 V12 engine making it the first twelve-cylinder Rolls-Royce since the 1939 Phantom III. The transmission was a 5-speed automatic and standard electronics included digital engine management, adaptive ride control, and anti-lock brakes. The car had a base price of £155,175 in the UK at the time and just 1,570 Seraphs slipped quietly out of the Crewe gates during that four-year period. This lovely Seraph is finished in the most remarkable colour of Amethyst. From a distance it appears to be the traditional and respectable Rolls-Royce hue of Midnight Blue almost Black, however, step a little closer and, as the Sun reflects off the substantial flanks of this striking motor car, you are rewarded with a kaleidoscope of colours moving from deep blue through mauve, purple, even red mica, subtle but simply stunning. The sumptuous interior is classic RR and features 'Cotswold' leather seating piped in Indigo, Burr Elm cross-banded veneers, Navy Blue carpet and Lambswool over-rugs throughout. The steering wheel is a work of art with circular Burr Elm veneer and Navy Blue leather and, arguably, is worth the car's asking price on its own. Naturally, these luxurious motor cars are comprehensively equipped but one additional factory option was to have a pop-up screen with a reversing camera which is indeed fitted to this car, however, our vendor has just spent around £5,000 with a marque specialist having the pop-up screen modified to house the most recent, top of the range, Garmin touch-screen Sat Nav with an updated rearview camera as well as front and rear parking sensors. Serviced meticulously throughout its life by Rolls-Royce specialists P&A Wood, the odometer was changed under warranty at just over 8,200 miles, and given the currently displayed mileage, indicates that this car has travelled only 21,000 miles during its 21-year life. The finest motor car in the world? Who knows, but it was the first Rolls built under BMW ownership and is all the better for it. The Seraph, particularly in this spectacular colour combination, makes a statement without saying a word. Letting your heart rule your head has rarely been so rewarding. Click here for more information This car was consigned by Gary Dunne. Please feel free to contact Gary on 07740 946796 / gary@classiccarauctions.co.ukSpecificationMake: Rolls-RoyceModel: Silver SeraphYear: 1999Chassis Number: SCALA61EXXCH02109Engine Number: 60491770Transmission: AutomaticDrive Side: Right Hand DriveOdometer Reading: 21000 MilesBody Colour: AmethystInterior Colour: Cotswold
§ CRAIG MULHOLLAND (SCOTTISH B.1969) STILL-LIFE WITH PEACHES -1993Signed with initial, oil on board (Dimensions: 59cm x 59cm (23.25in x 23.25in))Exhibited: 'Craig Mulholland - New Paintings,' 1993, The Scottish Gallery , Edinburgh Biography: Craig Mulholland was born in Glasgow and studied Drawing and Painting at Glasgow School of Art. He lives and works in Glasgow and is currently course leader and lecturer in Fine Art at The Glasgow School of Art. Mulholland’s work is included in a variety of public and private collections including: Gallery Of Modern Art, Glasgow; The Royal Bank of Scotland; Rudin Dewoody Collection; Gregory Papadimitriou Collection and the Fleming Collection, London. He has been the recipient of a number of visual arts awards from the Scottish Arts Council and Creative Scotland, and exhibits regularly. Artistically, Mulholland is pre-occupied with dialogues between emerging digital technologies and the clearer limits of more traditional painting and sculpture. This current image has developed from an earlier interrogation of digital imaging software to assist in the development of compositions for drawing, sculpture and painting.
§ BANKSY (BRITISH B.1974) WALLED-OFF HOTELDigital print and concrete relief, accompanied by original invoice numbered '2601,' and a selection of postcards from the hotel and introduction letter to the facility (Dimensions: 22cm x 22cm (8.75in x 8.75in))Note: The relief element is an original piece of the separation wall that divides Israel and Palestine, which is sprayed with graffiti. The Walled Off Hotel is an independent leisure facility set up by Banksy. It overlooks the separation wall. Accompanied by original invoice. Biography: Banksy is a contemporary British street artist, activist, and film director who has maintained an anonymity, despite his international fame. Although details of the artist’s life are largely unknown, it is thought that Banksy was born in Bristol, c. 1974, and began his career as a graffiti artist in the city in the 1990s. His work traditionally acts a form of cultural criticism; a political and social commentary through satirical street art and stencilled works. His work, which mysteriously appears on location, combines graffiti and epigrams and has been featured publicly on streets, walls, and bridges of major cities throughout the world. Although Banksy no longer sells photographs or reproductions of his street graffiti, his public installation pieces are regularly offered for sale, even if it means removing the wall they were painted on. A small number of Banksy's works are also officially, non-publicly, sold through Pest Control, a handling service acting on behalf of Banksy. Banksy's documentary film Exit Through the Gift Shop (2010) debuted at the 2010 Sundance Film Festival and he was nominated for the Academy Award for Best Documentary the following year. Banksy continues to create work worldwide, winning awards and notoriety. He was awarded Person of the Year at the 2014 Webby Awards and, in 2015, opened Dismaland Bemusement Park, a temporary art exhibition that functioned as a theme park and included collaborations with fellow artists. One of the artist's most famous stunts was his shredded painting in 2018. As a painting by Banksy was sold at auction for $1.4 million, a mechanism was triggered that caused the artwork to partially shred, resulting in a new piece titled Love in the Bin (2018).
§ HANNAH COLLINS (BRITISH B.1956) ANIMATED SOUND PIECE VII: WALKING AND DRAWING (TRACES AND ROMANS)Sixty-four polaroids presented together, unique, signed, titled and dated in pencil to margin (Dimensions: 72cm x 87cm (28.25in x 34.25in))Biography: Hannah Collins works across film, photography and written text, and lives and works between London and Almeria, Spain, having previously lived in Barcelona for over two decades. Collins often develops a body of work over several years, and has spent long periods living within communities to make films – in Russia, Spain, and the Colombian Amazon. She has taught internationally and was nominated for the Turner Prize in 1993. More recently, in 2019 her digital slide show created with musician Duncan Bellamy was shown at the Tapies Foundation Barcelona and San Francisco Museum of Modern Art and in 2020 she curated the exhibition ‘We Will Walk - Art and Resistance in the American South’ at Turner Contemporary.
AN ART DECO MID-SIZE 18CT GOLD, JUMP-HOUR DIGITAL DIRECT-READ CANTED-RECTANGULAR WRIST WATCH, CIRCA 1930 the cream rotating round dials with black painted Arabic numerals, 31mm long x 21mm wide two-piece hinged case with shaped-apertures for hours, minutes and seconds, the concave back with internal Swiss marks and '18K' over '0.750', on a later associated dark-brown 'crocodile' strap, the movement unmarked apart from '66'
KING, STEPHEN. B.1947. AND BARBARA KRUGER. B. 1945.My Pretty Pony. New York: Whitney Museum of Art, 1988. Folio (508 x 347 mm). Color screen-prints with lithography and handset type by Barbara Kruger. Publisher's morocco-backed stainless steel sheets over boards with digital timepiece mounted on front cover; publisher's cloth slipcase. LIMITED EDITION, one of 250 copies of a total edition of 280. A note on the care of this book is included: 'You may adjust the clock or change the battery by removing the clock cover with a Phillips screwdriver. The clock, which is expected to last through 1990, is manufactured by Big Time ... You may choose to replace the clock or not: its failure is to be considered a property of the book.'
Bayrle, Thomas1937 BerlinRaincoat with Hood (white). 1967/68. White printed, transparent plastic, size 137, with labels from Kaufhof. Ca. 92 x 60 x 6cm. Signed and dated on the inside underneath the collar right: Bayrle 67. This coat is a prototype whose model has not been produced in a series. Thus it is unique.Provenance:- Collection Lukowski, Hesse Exhibitions:- Galerie in der Trinkkuranlage, Bad Nauheim 2014 Literature: - Kunst- und Kulturverein Bad Nauheim (ed.): Kunst-Stoff-Kunst, Bad Nauheim 2014, ill. p. 5. Explanations to the CatalogueThomas Bayrle Germany Digital Art Post-War Art Sculptures 1960s Clothes Object Mixed mediaBayrle, Thomas1937 BerlinRegenmantel mit Kapuze (weiß). 1967/68. Weiß bedruckter, transparenter Kunststoff. Konfektionsgröße 137, mit Etikett von Kaufhof. Ca. 92 x 60 x 6cm. Signiert und datiert auf der Innenseite unterhalb des Kragens rechts: Bayrle 67. Bei diesem Mantel handelt es sich um einen Prototyp, dessen Modell nicht in Serie produziert worden ist. Somit ist er ein Unikat.Provenienz: - Sammlung Lukowski, Hessen Ausstellungen: - Galerie in der Trinkkuranlage, Bad Nauheim 2014 Literatur: - Kunst- und Kulturverein Bad Nauheim (Hrsg.): Kunst-Stoff-Kunst, Bad Nauheim 2014, Abb. S. 5Die Regenmäntel gehören zu einer Reihe von Modellen transparenter Plastikmäntel, die Bayrle 1968 von dem Frankfurter Modeatelier Lukowski & Ohania entwerfen ließ. Den dafür benutzten Kunststoff ließ er, ähnlich wie auf Tapeten, mit Endlosrastern in oft knalligen Farben bedrucken. Bei diesem Vorhaben nutzte der Künstler Konsumgüter nicht nur als Motive für Kunstwerke, er betrachtete auch die Mäntel selbst als Ware, da er die Modelle in Serie produzieren lassen wollte. Zu einer Serienproduktion der Modelle kam es allerdings nicht. Erläuterungen zum KatalogThomas Bayrle Deutschland Pop Art Digitale Kunst Nachkriegskunst Objekte 1960er Kleidung Objekt Mischtechnik- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Bayrle, Thomas1937 BerlinRaincoat (black). 1967/68. Black printed, transparent plastic. Size 137, with label from Kaufhof. Ca. 89 x 69 x 6cm. Signed and dated on the inside underneath the collar right: Bayrle 67. This coat is a prototype whose model has not been produced in a series. Thus it is unique. Provenance:- Collection Lukowski, HesseExhibitions:- Galerie in der Trinkkuranlage, Bad Nauheim 2014Literature:- Kunst- und Kulturverein Bad Nauheim (ed.): Kunst-Stoff-Kunst, Bad Nauheim 2014, ill. p. 5. Explanations to the CatalogueThomas Bayrle Germany Digital Art Post-War Art Sculptures 1960s Clothes Object Mixed mediaBayrle, Thomas1937 BerlinRegenmantel (schwarz). 1967/68. Schwarz bedruckter, transparenter Kunststoff. Konfektionsgröße 137, mit Etikett von Kaufhof. Ca. 89 x 69 x 6cm. Signiert und datiert auf der Innenseite unterhalb des Kragens rechts: Bayrle 67. Bei diesem Mantel handelt es sich um einen Prototyp, dessen Modell nicht in Serie produziert worden ist. Somit ist er ein Unikat.Provenienz:- Sammlung Lukowski, HessenAusstellungen:- Galerie in der Trinkkuranlage, Bad Nauheim 2014Literatur:- Kunst- und Kulturverein Bad Nauheim (Hrsg.): Kunst-Stoff-Kunst, Bad Nauheim 2014, Abb. S. 5. Erläuterungen zum KatalogThomas Bayrle Deutschland Pop Art Digitale Kunst Nachkriegskunst Objekte 1960er Kleidung Objekt Mischtechnik- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Gonzales, Wayne1957 New Orleans, LA/USAThe audacity of hope (violet version). 2007. Acrylic on canvas. 74 x 53.5cm. Signed and dated verso: Wayne 2007. Provenance:- Paula Copper Gallery, New York (label)- de Pury & Luxembourg, Zurich (label)- Private collection North Rhine-Westphalia. Explanations to the CatalogueWayne Gonzales USA Figurative Painting Digital Art Contemporary Art 2000s Portrait Painting Acrylic ManGonzales, Wayne1957 New Orleans, LA/USAThe audacity of hope (violet version). 2007. Acryl auf Leinwand. 74 x 53,5cm. Signiert und datiert verso: Wayne 2007. Provenienz:- Paula Copper Gallery, New York (Aufkleber)- de Pury & Luxembourg, Zürich (Aufkleber)- Privatsammlung Nordrhein-Westfalen. Erläuterungen zum KatalogWayne Gonzales USA Figurative Malerei Digitale Kunst Zeitgenössische Kunst Unikate 2000er Porträt Gemälde Acryl Mann- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Opie, Julian1958 LondonI followed the Audi... 2004. Digital print on nylon on canvas stretcher. 103 x 171cm. Signed. This work is a unique print. The work is listed on the official website of the artist (www.julianopie.com). Here with the complete indication of the title: "I followed the Audi estate a short distance to the gallery which was a shop front with more space in an old stable building in an inner courtyard. We were joined by the gallery director whom I'd met earlier in the year in my London. I looked around the space with the two of them trying to imagine various works that I might hang in the different rooms. I took some photographs and then we all left. Marina, the gallery owner drove me to my hotel which was luxurious and elegant. Later that evening we all met in a stylish restaurant and, wary of talking too much after being silent for two days, I told them a bit about my trip. I heard about their lives and the gallery and we agreed to make an exhibition the following year. I slept well in a comfortable room. The over helpful young concierge used the inter net to book the hotel that the gallerist had recommended and explained how best to leave Oslo."Provenance:- Rebecca M. Camhi Gallery, Athens - Corporate collection Germany. Explanations to the CatalogueJulian Opie Figurative Painting Post-Pop Art Digital Art Contemporary Art Prints 2000sOpie, Julian1958 LondonI followed the Audi... 2004. Digitaldruck auf Nylon über mit Leinwand bezogenem Keilrahmen. 103 x 171cm. Signiert. Bei dieser Arbeit handelt es sich um ein Unikat. Das Werk ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.julianopie.com). Hier mit der vollständigen Angabe des Titels: "I followed the Audi estate a short distance to the gallery which was a shop front with more space in an old stable building in an inner courtyard. We were joined by the gallery director whom I'd met earlier in the year in my London. I looked around the space with the two of them trying to imagine various works that I might hang in the different rooms. I took some photographs and then we all left. Marina, the gallery owner drove me to my hotel which was luxurious and elegant. Later that evening we all met in a stylish restaurant and, wary of talking too much after being silent for two days, I told them a bit about my trip. I heard about their lives and the gallery and we agreed to make an exhibition the following year. I slept well in a comfortable room. The over helpful young concierge used the inter net to book the hotel that the gallerist had recommended and explained how best to leave Oslo."Provenienz:- Rebecca M. Camhi Gallery, Athen - Unternehmenssammlung Deutschland. Erläuterungen zum KatalogJulian Opie Großbritannien Figurative Malerei Post-Pop Art Digitale Kunst Zeitgenössische Kunst Grafik 2000er- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Opie, Julian1958 LondonUntitled. 2005. Digital print on nylon on canvas stretcher. 104 x 171cm. Signed. This work is a unique print. Provenance:- Rebecca M. Camhi Gallery, Athens - Corporate collection Germany. Explanations to the CatalogueJulian Opie Figurative Painting Post-Pop Art Digital Art Contemporary Art Prints 2000sOpie, Julian1958 LondonOhne Titel. 2005. Digitaldruck auf Nylon über mit Leinwand bezogenem Keilrahmen. 104 x 171cm. Signiert. Bei dieser Arbeit handelt es sich um ein Unikat.Provenienz:- Rebecca M. Camhi Gallery, Athen - Unternehmenssammlung Deutschland. Erläuterungen zum KatalogJulian Opie Großbritannien Figurative Malerei Post-Pop Art Digitale Kunst Zeitgenössische Kunst Grafik 2000er- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Opie, Julian1958 LondonJean-Jaques, industrialist. 2000. C-print on plastic-sealed paper, laid down on wood. 35 x 29cm. Signed verso on the folded paper: Julian Opie. This work is a unique piece. It is listed on the official webpage of the artist (www.julianopie.com). Provenance: - galerie bob van orsouw, Zurich (label) - Corporate collection Germany. Explanations to the CatalogueJulian Opie Figurative Painting Post-Pop Art Digital Art Contemporary Art 2000s Head Print C-print ManOpie, Julian1958 LondonJean-Jaques, industrialist. 2000. C-Print auf kunststoffversiegeltem Papier, über Holz gezogen. 35 x 29cm. Signiert verso auf dem umgeschlagenen Papier: Julian Opie. Bei dieser Arbeit handelt es sich um ein Unikat. Sie ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.julianopie.com). Provenienz: - galerie bob van orsouw, Zürich (Aufkleber) - Unternehmenssammlung Deutschland. Erläuterungen zum KatalogJulian Opie Großbritannien Figurative Malerei Post-Pop Art Digitale Kunst Zeitgenössische Kunst Unikate 2000er Kopf Druckgrafik C-Print Mann- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Opie, Julian1958 LondonKomang, beach vendor. 2002. C-print on plastic-sealed paper, laid down on wood. 35 x 33cm. Signed verso on the folded paper: Julian Opie. This work is a unique piece. It is listed on the official webpage of the artist (www.julianopie.com).Provenance:- galerie bob van orsouw, Zurich (label)- Corporate collection Germany. Explanations to the CatalogueJulian Opie Figurative Painting Post-Pop Art Digital Art Contemporary Art 2000s Head Print C-print ManOpie, Julian1958 LondonKomang, beach vendor. 2002. C-Print auf kunststoffversiegeltem Papier, über Holz gezogen. 35 x 33cm. Signiert verso auf dem umgeschlagenen Papier: Julian Opie. Bei dieser Arbeit handelt es sich um ein Unikat. Sie ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.julianopie.com).Provenienz:- galerie bob van orsouw, Zürich (Aufkleber)- Unternehmenssammlung Deutschland. Erläuterungen zum KatalogJulian Opie Großbritannien Figurative Malerei Post-Pop Art Digitale Kunst Zeitgenössische Kunst Unikate 2000er Kopf Druckgrafik C-Print Mann- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Opie, Julian1958 London"Crow excreting". 2018. Continuous computer animation. On a 15'' LCD monitor. 26 x 33.5 x 4cm. Signed, titled, dated and numbered on a label with work specification on the back of the monitor: Julian Opie, Crow excreting, 2018, 6/20. Number 6/20. In original cardboard box with further accessories (wall holder, stand, remote control, cable, etc.) and enclosed information sheet. The work is fully functional. Provenance:- Alan Cristea Gallery, London (label) - Private collection North Rhine-Westphalia. Explanations to the CatalogueJulian Opie Figurative Painting Post-Pop Art Digital Art Contemporary Art Sculptures 2010s Animal Installation videoOpie, Julian1958 London"Crow excreting". 2018. Fortlaufende Computeranimation, auf einem 15'' LCD Monitor. 26 x 33,5 x 4cm. Signiert, betitelt, datiert und nummeriert auf einem Etikett mit Werkangaben auf der Rückseite des Monitors: Julian Opie, Crow excreting, 2018, 6/20. Ex. 6/20. In originalem Karton mit weiterem Zubehör (Wandhalterung, Stand, Fernbedienung, Kabel etc.) und beiliegendem Informationsblatt. Das Werk ist voll funktionstüchtig. Provenienz: - Alan Cristea Gallery, London (Aufkleber) - Privatsammlung Nordrhein-Westfalen. Erläuterungen zum KatalogJulian Opie Großbritannien Figurative Malerei Post-Pop Art Digitale Kunst Zeitgenössische Kunst Objekte 2010er Tier Installation Video- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR
Fox and Shriek is a design partnership who specialise in creating digitally printed bespoke couture fabrics for individual theatrical commissions. They work within a wide range of genres including dance, opera, pantomime, fashion, education and various creative community workshops. The duo is made up of Paul Shriek, who established is name in the Fashion Industry nearly 40 years ago and Matt Fox, a Fine Art practitioner and educationalist.. ‘Trudi’ celebrates Fox and Shriek’s 10 years as production designers for The Customs House pantomime, South Shields. Trudi is dressed in a patchwork of exclusive couture digital fabric prints used within costumes of past shows to reveal 'up close' detail often not seen from the auditorium. Taking 'good' and 'evil' characters, the design is split into two halves, Stage left and Stage right. Using the skills of the Mad Hatter to stitch the costume together and a dash of panto magic, Trudi is ready for her curtain call.
Anne-Marie Byrne is a Liverpool born, Suffolk-based artist. Originally qualified as an archaeologist, she spent several years in a variety of office-based jobs, rediscovering her artistic roots when Pigs Gone Wild came to Ipswich in 2016. Since then she has painted for several trails around the UK. When not drawing and painting, Anne-Marie creates digital art and writes fiction. Any spare time is spent reading and travelling, because you can never have too much inspiration in life. ‘Tynie’ the eco-friendly elephant celebrates spirit of the mighty River Tyne. Rising out of the ashes of her industrial past, today the Tyne’s towns and cities are full of green spaces, nourished by the river. Watched over by the Angel of the North, passing by buildings old and new, the river flows down to the North Sea and the lighthouses of Souter and St Mary’s.
Eye Illustrate is artist and illustrator Emma Garrod who was born in Newcastle. Combining traditional drawing materials with digital techniques in her illustrations, Emma uses sketchbooks to capture places and buildings around the North East region. Since graduating, Emma has worked as a freelance illustrator on various commissions, as well as selling her work at art markets. ‘Run North East’ was inspired by the world’s most famous half marathon, The Great North Run. As the character of Elmer celebrates being ‘different’ and standing out from the crowd, the artist felt that the inclusivity of the Great North Run encourages people of all ages and abilities to come together to participate. In her distinctive, figurative style, the artist has created a vibrant scene showing runners taking part in this hugely popular regional event.
BILLY MA (CANADIAN, B.1966) - GEISHAS GIRLS Giclée on archival paper Print 35 of 40 Dated 2013 at the back 69cm wide x 91cm high 92.5cm wide x 121cm high, with frame >> Comes with a Certificate of Authenticity, attached to the back >> Two small foxing marks to the inside mount Note: Traditionally Geishas are an enduring image of Japan. Geisha Girls portrays the Geisha as a metaphor for the rapid collision of Eastern and Western influences via globalization. About the artist: Billy Ma, from Booda Brand, is an emerging artist that was born in Taiwan, raised in Canada and currently resides in Singapore. Whilst mostly known for his edition work, Billy also creates over various media in different art forms that include paintings on canvas, sculptures in resin and digital designer. Due to his international upbringing Billy manages to combine and bridge Eastern and Western culture into his artwork thus creating artwork that has a global and international appeal.
EVA (RUSSIAN B. 1979) Untitled, digital photograph 59.7 x 83.8 cm (23 1/2 x 33 in.) AP, ed. of 10EVA is a prospective contemporary Russian artist whose artwork is known to be popular among private collectors and museum curators in Europe and the U.S. EVA participated in numerous group exhibitions and contemporary art biennials and has held solo shows in Russia and Italy that gained her recognition and respect from art scholars and critics. Her non-traditional approach to collage, as well as careful handling of the texture of bronze in her sculptural works, relates her artistic language to that of the Surrealist tradition. Her creative approach defies labels and definitions -- she practices in every medium and every form of art possible, formulating her own, contemporary language. EVA’s artwork can be found in collections of various museums across Europe and Russia, as well as in many private collections.
EVA (RUSSIAN B. 1979) Untitled, digital photograph 59.7 x 83.8 cm (23 1/2 x 33 in.) AP, ed. of 10EVA is a prospective contemporary Russian artist whose artwork is known to be popular among private collectors and museum curators in Europe and the U.S. EVA participated in numerous group exhibitions and contemporary art biennials and has held solo shows in Russia and Italy that gained her recognition and respect from art scholars and critics. Her non-traditional approach to collage, as well as careful handling of the texture of bronze in her sculptural works, relates her artistic language to that of the Surrealist tradition. Her creative approach defies labels and definitions -- she practices in every medium and every form of art possible, formulating her own, contemporary language. EVA’s artwork can be found in collections of various museums across Europe and Russia, as well as in many private collections.
This Beatles inspired piece is psychedelically bright, all flower power and fun, while calling out local interest. John and Paul enjoy the view from the Hoe, in the poses from the original 1968 photo. George and Ringo play hide and seek with a seagull and the Magical Mystery(phant) tour bus brings up the rear. Featuring the iconic Smeaton’s lighthouse and the Beatles’ yellow submarine, this references Plymouth’s naval heritage.The ArtistAnne-Marie is a Suffolk-based artist, an ex-archaeologist and civil servant. Anne-Marie rediscovered her artistic roots when Pigs Gone Wild trail came to Ipswich in 2016. She has participated in several trails around the UK, painting lions, sun bears, hares, giraffes, bees, ducks and otters. She also painted a Van Gogh inspired car that went all the way to Monte Carlo in a charity rally.When not painting, Anne-Marie creates digital art and writes fiction.
Inspired by ancient cave paintings recently rediscovered in India, this design depicts the relationship between elephants and humans with bright citrus colours representing the vibrant tropics. The artist is fascinated by the narratives that connect people to their environment, using dynamic composition and energetic movement.The ArtistCharlotte Leadley is an emerging illustrator whose distinctive work can be defined by playful use of colour, shape and texture, using a combination of digital and analog drawing. She is fascinated by narratives connecting people and their environment, exploring her subject matter through dynamic composition and energetic movement.Charlotte’s previous clients include Hubbox, The Scouts Magazine and Plymouth College of Art, at which she is currently completing an Illustration degree.
This design is inspired by the artist’s own connection to the story of Elmer and how he stood out from the herd for being different. This story represents diversity, respect and strength, celebrating our uniqueness. This is illustrated by using the colours of the rainbow depicted in fluorescent glow in the dark paint and with over 200 raindrops falling from the clouds.The ArtistMrASingh is an award-winning artist and digital influencer from Birmingham. He creates his intricate art under his brand, InkANIMA using mixed media techniques and vivid colour. His art is a salute to nature and a gentle reminder that if we look carefully, patterns may be found throughout.MrASingh focuses on this beauty, mixed with inspiration from various cultures and amplified thorough rich textures, line-work and storytelling. He shares his art live to thousands of people globally through the power of live streaming.
This piece is a celebration of Plymouth’s nautical history. The giant vintage compass rose on her back is inspired by the kind of compass rose drawn on maps from the 16th and 17th centuries, made modern by its bright colours. On the daylight side, Sir Francis Drake’s Golden Hind sails across the Atlantic in search of Spanish gold, while on the night side, the dreams of sailors show us mermaids and sea monsters under a starry sky.The ArtistAnne-Marie is a Suffolk-based artist, an ex-archaeologist and civil servant. Anne-Marie rediscovered her artistic roots when Pigs Gone Wild trail came to Ipswich in 2016. She has participated in several trails around the UK, painting lions, sun bears, hares, giraffes, bees, ducks and otters.She also painted a Van Gogh inspired car that went all the way to Monte Carlo in a charity rally. When not painting, Anne-Marie creates digital art and writes fiction.
This stylish Asian-inspired design represents intricate Japanese cloisonné and enamelware. With carp representing good luck and good fortune this is a common motif in Japanese art. This Zen piece also includes bonsai style trees, heavily petalled flowers and a glowing golden sun.The ArtistJess is an illustrator and designer living and working in Birmingham. Recently completing her Master’s degree in Visual Communication, she likes to create both digital and traditional work that has a strong narrative content.Her love for character design and patterns can be seen throughout her work. This is the 8th sculpture she has painted this year.
Bee Kind is inspired by and designed for the artist’sGrandma. While she was looked after by thestaff and volunteers at St Elizabeth Hospice, Maiaspent precious afternoons with her Grandma inthe beautiful garden and watching the bees dancebetween the flowers brought them all a littlehappiness. Bee Kind is a reminder that even the thingswe are sometimes frightened of can bring happiness,colour and beauty to our lives.Auction partner: Clarke & SimpsonClarke & Simpson are a multi-disciplined, independentand progressive firm of chartered surveyors. Wedeal in all aspects of rural property and are one ofthe leading firms of auctioneers in the county. Weroutinely sell chattels, property and machinery atauction, both on location and from our CampseaAshe base. We have sold many items over the years,but a herd of elephants will be a first! After thetremendous success of the Pigs Gone Wild auction,we are hugely excited and privileged to be involvedwith Elmer’s Big Parade Suffolk and hope we can helpby making the auction both fun and profitable.www.clarkeandsimpson.co.ukArtist: Maia KatieMaia Katie’s work is inspired by people and theirstories, underpinned by her core values; acceptance,integrity and inclusion. As a Theatre Designer, she isalways interested in creating work that brings peopletogether, and likewise the children’s books she hasillustrated and co-written all have a theme of inclusion- helping those who are struggling to see how theyfit into this world and teaching children to be proudto show their ‘true colours’. Maia loves working ina range of different media, from fabric, clay, pastels,watercolour to digital media, and is always exploringnew ways to make art, while trying to keep herdesigns beautifully simple. She is inspired by Suffolk- the countryside, the River Orwell, the people andtheir stories.
CLASSICAL - CDs. Coordinated collection of around 500 x high quality Classical CDs (including some box sets that are counted as '1'). With condition excellent throughout (some are sealed), this collection will feature works/composers/performers such as Wagner, Guillaume Tell, Antonin Dvorak, Schubert, F. de Fossa, Mozwilliam art, Shostakovich, Prokofiev, Julian Bream, Peggy Ashcroft, Paganini, Marcus Creed, Roberto Aussel, Fierens, Lauro, Sor, Mertz, Ana Vidovic, Elena Papandreou, Herbert Von Karajan, Schopfung, Anton Chekhov, Maschner, Glinka, Boismortier, Carpentier, Antonin Rejcha. Labels will include EMI, Marco Polo, Olympia, Naxos, Supraphon, Collins Digital, Erato, Globe, ASV Digital, Harmonia Mundi.
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