A Regency ebonised, gilt wood and brass harp frame by Sebastian Erard, 18 Greta Marlborough Street, London, patent no 1635, the upright column carved with angels above trailing flowers, palmettes and ferns, the main frame painted at the base with classical maidens playing lyres, the base carved with sea horses, crossed hunting horns and palmettes, 173cm high.
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A silver heart shaped sweetmeat dish, a silver salt, two white metal pepperettes, a silver mounted photograph frame, a silver backed mirror ( the glass lacking), a white metal posy brooch, a silver shoe horn, a nail file, a nail buffer and a toilet jar lid, together with a pair of plated Corinthian column shaped candlesticks, a pen knife and a brass vesta case.
A Continental painted mahogany wall cabinet, 19th century. Pair panelled door with pressed copper medallions of a male and a female, with pair of short drawers to the base. Inside fitted with a recess and three rows of short drawers. Later painted moss green. 63x49cm. Also a brass reeded column table lamp, 20th century, 58cm high. (2)
A good late 19th/early 20th century gilt brass and champlevé enamel three piece clock garniture comprising four glass mantel clock/crystal regulator and pair of conforming twin handled urns, all on giltwood stands. The clock has a white enamel dial painted with floral swags and with a champlevé bezel, eight day movement by Samuel Marti, the back plate stamped "Medaille D'Or Samuel Marti, Paris 1900" and numbered 5365, the mercury filled pendulum also decorated with champlevé enamel, the case surmounted with urn finial, with fluted column decoration and six champlevé enamel feet, with key, clock height 43cm (inclusive of giltwood base), urn heights 29cm (inclusive of bases)

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132738 item(s)/page