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Joan Mir—, 1893-1983 GALET OVALE inscribed M on the verso ceramic on stone 21.2 by 8.5 by 1.4cm.; 8.375 by 3.375 by .5in. Executed in 1956 this work is unique. Literature Jose Pierre & Jose Corredor-Matheos, Mir— & Artigas, Ceramiques, Paris, 1974 p. 212 no. 131 illustrated Mir— first met Spanish ceramicist, Josep Llorens Artigas, in Barcelona in 1912. Their collaboration began in 1944 when they produced a series of tiles. However, these initial experimentations were unsatisfactory to both parties. Mir— and Artigas wanted to avoid the works being merely a transferral of Mir—'s paintings onto a ceramic base.. Instead, they aimed to produce works which responded directly to the ceramic medium.. In pursuit of this aim, Mir— took to decorating broken and abandoned fire clay with enamel.. Between 1954 and 1960 Mir— produced his greatest ceramics output, aided not only by Antigas himself, but also by his son Joan.. Mir— would produce sculptures from found objects and natural materials which would be tranlated into clay by Artigas.. Many of the works required a highly refined firing and glazing process which produced numerous 'accidents' and unexpected results.. For Mir—, these 'accidents' were an integral part of the creative process and added to the work rather than detracting from its perfect state.
Beurdeley, Michel and Cecile, Chinese Ceramics translated by Katherine Watson, London, Thames and Hudson, 1974, folio (320mm x 275mm.), half title, illustrations, many colour and full-page, original cloth gilt, spine lettered in gilt, pictorial dust-jacket, and slip-case With a number of other works including, Peter Sadecky Octobriana and the Russian Underground (London, 1971), Robert Lobl Wien in Farben... (Innsbruck, 1975), Creighton Gilbert History of Renaissance Art... (New York, n.d.), Nicolas Powell The Sacred Spring The Arts in Vienna1898-1918 (London, 1974), Denis Grivot Autun (Lyon, n.d.), Ludwig Goldscheider s Michelangelo... (London, 1967), and Norman Denny & Josephine Filmer-Sankey The Travels of Sir John Mandeville (London, 1973)
Heath, Arthur H., Sketches of Vanishing China, London, Thornton Butterworth Limited, 1927, large 8vo (285mm x 205mm.), half title, colour frontispiece, and 23 colour plates, original yellow cloth, spine and front cover lettered in red, lightly rubbed, booksellers label of Foyle s of London, First Edition With the Roger Fry, Bernard Rackham, Laurence Binyon (and others) Burlington Magazine Monographs Chinese Art An Introductory Review of Painting, Ceramics, Textiles, Bronzes, Sculpture, Jade, Etc (London, 1925), and Laurence Binyon s Asiatic Art in the British Museum (Sculpture and Painting) (Paris & Brussels, 1925)
A QUANTITY OF VARIOUS CHINESE CERAMICS including a black enamel bowl and cover decorated with cabbage leaves and chrysanthemum flowers, two further tea bowls and three saucers decorated with sprays of pink flowers, a sparrowbeak jug with coloured enamel floral decoration, two coffee cups, a bowl and further saucers. (damages throughout)
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161458 item(s)/page