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A Tibetan or Nepalese bronze Buddhist hanging panel, 18th to 19th century. A trapezoidal repoussé bronze panel with embellished Buddhist deity relief plaques against a scrolling foliate reddish bronze ground, bordered with a patterned frieze and with the base flanked by two scroll head finals. Dimension: 51 cm.18至19世纪 西藏或尼泊爾銅佛教掛板Provenance: Brought back from India by the vendor’s grandparents.來源：賣家祖父母自印度帶回 Shows signs of extensive usage, dents and deformations especially around the edge of the foot, with areas of green oxidation on the body. 有明顯使用痕跡，足部邊緣尤有凹痕與變形，局部見綠鏽。

An Asian bronze figure of a Buddhist goddess Tara, shown in standing pose, 52cm high

A pair of late 19thc Japanese Buddhist altar fitting bronze candle stands, marked verso (h-19cm). (2)

Chrome Plated Dog on alabaster type base together with stone buddhist figure. Chips to alabaster base and buddha Height of tallest: 35cm (2)

William Samuel Horton (American 1865-1936): Buddhist Monks Meeting Outside a Temple, pastel signed and dated '34, 47cm x 62cm

A Victorian silver and Indian white metal oval lidded box, the cover, Dublin 1898 (20G), on white metal base cast with Deities and Buddhist figures, unmarked to base, 65.8g; an engine turned silver cigarette box, cedar liner, Birmingham 1963, 9cm x 8.5cm, 209g gross (2)

Three Chinese polychrome figural jostic holders, three blanc de Chine Buddhist lions, a blanc de Chinese figure of Guanyin and another of a man, the tallest. H 19cms.

A pair of Chinese spinach and egg glazed Buddhist lions. H 19cms. three other green glazed lions and a green ground cloisonne cigarette box. W 12cms.

A Chinese Buddhist porcelain figure, possibly Guan Yin, seated and holding a golden vase, impressed character mark to base, now mounted as a lamp, 25cm the figure (untested)please see further images

Buddhist related items to include a glass and ceramic model of the meditating Gautama Buddha, various pendants and other itemsLocation: 5.5If there is no condition report shown, please request

A Thai bronze figurine, cast as the Buddhist goddess Kinnara, she stands typically as half woman, half goose, 18.5cm high, 14cm long

Old turquoise with large hole old agate bodhi dzi beads rosary necklace hand-held.Bodhi Dzi: 14*48mm Meaning: Bodhi leaf Dzi represents wisdom, power and deity, and is a jewel in Buddhist belief. In Buddhism, Bodhi leaf Dzi is considered to be the fruit under the Bodhi tree, and many people use it as amulets and otaku treasures to ensure safety, ward off evil and prevent disasters. Turquoise: 10mm*72 Accessories: Red meat patina ground gate two-eyed Dzi, Mandala three-eyed Dzi, patina old colored glaze, old agate one-line medicine bead, etc.Freight:1.International Shipping: Foreign shipping costs are determined by the destination.2.Photos, descriptions and valuations are carefully prepared by fully certified expert judges and appraisers.3.In rare cases, the item does not match the description in the auction, Hans Auction experts will help you, please notify Hans Auction within 5 days of receiving the item.4.See Shipping, Payment and Auction Policies for more details.

A small Chinese blanc-de-chine figure of a Buddhist lion, Qing dynasty early 18th century, on shaped oval base, 7.5cm high [part of tail lacking].

A 19th/20th century Chinese/Tibetan square brass censer. With raised Buddhist swastika to one side, the vessel raised on a short, straight foot. H6.7cm x D11.2cm x D11.2cm. Condition Report: Some black dots, scratches, minor wear. Wear/use to inside

A 19th century Chinese cylindrical vessel. Decorated with the Eight Buddhist symbols in rust red amongst overglaze blue and white clouds, between a pink and turquoise ruyi-head border at the top and an acanthus leaf border over the foot. Four-character Qianlong mark in overglaze red to the base. H29cm. Condition Report: Crack to teh body circa 10cm, minor chips to teh foot rim.

Five carved soapstone seals, comprising: a pair of 20th Century Chinese red soapstone seals, carved with Buddhist lions, 15cms high; another with figures, 13cms; another with Chi Long, 7.5cms; and another with a warrior, 9.5cms. (5)

A vintage reconstituted stone stylised Buddhist monk garden statue raised on a square plinth base. H.104cm

Finely executed Chinese ancestral portrait painting on paper, possibly depicting Empress Dowager Cixi, one of the most influential figures of the late Qing dynasty. The sitter is portrayed in a regal frontal pose, seated on an ornate wooden chair, wearing an opulent red robe richly adorned with five-clawed imperial dragons, stylized clouds, and auspicious Buddhist symbols. The robe's elaborate embroidery in gold, blue, and green pigments signifies high status, as such motifs were reserved for members of the imperial court. She wears an elaborate headdress featuring phoenix motifs, pearls, and floral embellishments, further reinforcing her noble standing. Ancestral portraits of this nature were traditionally commissioned for veneration and held deep significance in Confucian practices, serving as a means to honor lineage and preserve historical memory. Red seal on lower right. Framed in a simple yet elegant gilt frame.Issued: Late Qing Dynasty. 19th centuryDimensions: 21.50"L x 39.25"HCountry of Origin: ChinaCondition: Age related wear.

A GROUP OF BUDDHIST FIGURES Including a bronze Tara, seated with one leg extended, holding Utpala stems, right hand in varada mudra, left in abhaya mudra, crowned, with a serene expression; a bronze Buddha head with downcast eyes, elongated earlobes, and prominent ushnisha with stylized curls; a carved wood Buddha head on stand, similarly modelled with downcast eyes and elongated earlobes; and a bronze Buddha seated in dhyanasana on a tiered pedestal (4 in total) 16.5cm to 32cm in height Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A BUDDHIST MANDALA THANGKA 20th century, on canvas, framed. W 42.5 x H 60.5cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A BUDDHIST THANGKA 20th century, on canvas, framed W 52.5 x H 72.5 cm Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A Japanese red lacquered box containing, a vintage gilt metal mounted tapestry evening purse with chain strap: h. x 13cm, a 1930s pleated black fabric evening purse with paste set clip: h. x 13cm, a satinized fabric gilt metal mounted evening purse: h. x 16cm, a Buddhist brass bell, a plated cigarette case, a gilt mesh paste and enamel topped compact evening make up purse and two 1920s pink coral bead necklaces missing beads (a lot)

Collection of books relating to Japanese, Chinese and other Asian architecture, relics, art, etc. to inc. Painted Buddhas of Xinjiang, Selections from the Chinese Collection of the San Diego Museum of Art, The Art of Oriental Embroidery, Great National Treasures of China, Ancient Treasures of Luoyang, Summit of Treasures Buddhist Cave Art of Dazu, etc.Shipping £48.00 plus vat (UK Only)

A Carved Burmese Type Buddhist Figure together with a smaller French Spelter figure 'l'industria' and two oriental porcelain items, a teapot and bowl. Height of tallest: 40cm (4)

A Tibetan bronze stupa, 12th/13th century, of bell shaped form, the lotus knop finial above a ridged spire and gallery, on a turned tapered pedestal and double lotus base, height 12cm. Provenance: Peter Fussel, London, late 1960s, and Bonhams Hong Kong, 2nd October 2018, Lot 146. Provenance: the Alain Presencer Collection. Note: a stupa or chorten is the most ancient form of Buddhist art, symbolizing the monumental funerary mounds of ancient India used to store the cremated remains of spiritually attained lamas and Buddha relics. In Tibetan Buddhism, a stupa represents the mind of Buddha (enlightened being) and of Buddhist practitioners. This is a Kadam style stupa, named after the Religious Order of Tibetan Buddhism that flourished between the 11th and 14th centuries. Stupas are used for votive offerings, memorials and reliquaries, and often contain consecratory items like paper players, incense, stones or relics.

A Sino-Tibetan brown patinated bronze figure of Padmapani, 17th century, modelled in the Pala period style, seated in lalitasana on the back of a crouching Buddhistic lion with head turned upwards looking at the deity, on a double lotus throne, height 24cm (lotus (padma) flowerhead missing at left shoulder). Provenance: the Alain Presencer Collection. Note: the lotus-bearer Padmapani was a favoured form of Avalokiteshvara, the embodiment of Buddhist compassion.

A Nepalese gilt bronze figure of Vasudhara, 12th-14th century, finely modelled seated in lalitasana wearing a five-leaved diadem, ornate beaded jewellery and a boldly patterned dhoti, her six arms naturalistically radiating from her shoulders, holding various attributes, including treasure vase, grain, jewels and sutra, height 23.2cm, mounted on an ebonized plinth. Provenance: the Alain Presencer Collection, David Weldon, London 1970-72, and Bonhams Hong Kong, 2nd October 2018, Lot 110. Note: Vasudhara's name means 'Bearer of Treasure'; she is the Buddhist goddess of wealth, prosperity and abundance. She is the consort of the wealth deity Jambhala and is particularly revered among the Newars of the Kathmandu Valley in Nepal. In Buddhist art, Vasudhara has a largely consistent iconography, identified by her elaborate headdress and extensive jewellery and is typically seated in lalitasana or royal pose. Despite this consistency in her representation, the number of arms may differ from as few as two, to as many as six. Although the six-armed image originates from India, it is almost exclusive to Nepalese art.

A Tibetan copper and brass Buddhist ritual dragon horn, 20th century, with embossed decoration, length 50cm, together with a Tibetan drum, 20th century, diameter 8.2cm, hung with a silk sash, applied with an agate dzi bead, of swollen cylindrical form with white/cream banding and eye decoration, length 4.2cm.

A Tibetan iron danda or khatvanga, 15th/16th century, the decagonal tapering shaft with fine scroll decoration terminating in a vajra crown terminal, the lotus leaf knop supporting a handle formed as three stacked heads in varying forms of decay beneath a vajra crown finial, length 33.3cm. Provenance: the Alain Presencer Collection. Note: a danda or khatvanga is a tantric staff or wand, typically used during empowerment rituals by eminent Buddhist practitioners. For a danda or khatvanga of similar design, see Bonhams Paris, 15th December 2022, Lot 127.

A rare Tibetan iron danda or khatvanga, 12th/13th century, the Vajrayana Buddhist ritual wand with vajra crown and skull finial above a lotus knop, heptagonal tapering stem and vajra crown terminal, length 29.5cm, within a paper covered card box. Provenance: the Alain Presencer Collection. Note: a danda or khatvanga is a tantric staff or wand used during ritual ceremonies by eminent Buddhist practitioners. It symbolises the triumph of wisdom over illusion in empowerment rituals. For a similar example, see Bonhams Hong Kong, 2nd October 2018, Lot 174.

A Tibetan gilt bronze figure of Tsongkhapa, 17th century, modelled seated in dhyanasana with hands held in dharmachakra mudra, wearing pandita hat and monk's robes, on a double lotus throne, height 19cm. Provenance: the Alain Presencer Collection. Note: Tsongkhapa (1357-1419) was an influential Tibetan Buddhist monk, philosopher and tantric yogi. He was the founder of the Gelug School of Tibetan Buddhism and is believed to be the incarnation of Manjushri, the bodhisattva of wisdom.

A Tibetan brown patinated bronze figure of Kubera, 17th/18th century, modelled seated, holding a jewel in his right hand and a mongoose in his left, wearing turquoise and coral jewelled headdress and jewellery, his face with silvered eye detail, height 15cm. Provenance: the Alain Presencer Collection. Note: Kubera is the god of wealth and prosperity. He is often depicted with a plump body, adorned with jewels and accompanied by a mongoose in Buddhist iconography. In Tibetan, the mongoose is considered a symbol of Kubera's victory over the Nagas - the guardians of treasures.

A rare pair of Tibetan gilt bronze figures of Nakula, 16th/17th century, each mongoose modelled in a crouching pose, grasping a jewel between its teeth, the face with cold painted detail, length 15.5cm. Provenance: Robert Bouatta, London, 2005, and Bonhams Hong Kong, 2nd October 2018, Lot 103. Provenance: the Alain Presencer Collection. Note: mongooses are not native to Tibet, but their use illustrates the approach Tibetans took to preserving core Indian Buddhist teachings and iconography. The wealth deities, Jambhala and Kubera, are often depicted accompanied by a mongoose (nakula), which they would squeeze to spit out gems.

Seven parts antique Asian. Including; three cloisonné Meiji bowls (antique). One Chinese cloisonné bowl with floral decoration (antique). Two bronze mask reliefs, Buddhist (antique). One Buddhist horn relief. Size: 7 - 20 cm. In good condition.

Three parts Chinese bronze. 1x Vase with ox. 1x Buddhist figure. 1x Incense burner with bottom mark. Size: 18 - 27 cm. In good condition.

Large collection of approx. 70 pieces of Buddhist bronze miniature figures. 20th century. Size: 3 - 10 cm. In good condition.

TWO MINIATURE GANDHARAN HEADS Ancient regions of Gandhara and Fondukistan, modern-day Afghanistan, 3rd - 4th centuryComprising a carved grey schist head of a bald, elder man, possibly a disciple of the Buddha, a Buddhist monk, or an ascetic, with a thick and long curly beard, and a Greco-Roman nose and profile; and a stucco head of the Bodhisattva Avalokiteshvara (Chinese Guanyin), with the urna mole on the forehead and an Amitabha Buddha seated in lotus position on his headdress.7.8cm x 5cm and 9cm x 6cm respectively 7.8cm x 5cm and 9cm x 6cm respectively Qty: 2

A pair of Japanese Kutani ‘figural’ vases, Meiji period, 19th or early 20th century. Each lavishly decorated with gilt and colour enamels depicting Japanese figural scenes on the body, with other decorative patterns, and the shoulder modelled with two crouching Buddhist lions. The base with an iron-red inscribed maker’s names in a square frame. Height: 30.5cm.Condition: Excellent condition with well-preserved gilt and colour.

A Tibetan or Nepalese bronze Buddhist hanging panel, 18th to 19th century. A trapezoidal repoussé bronze panel with embellished Buddhist deity relief plaques against a scrolling foliate reddish bronze ground, bordered with a patterned frieze and with the base flanked by two scroll head finals. Dimension: 51 cm.18至19世纪 西藏或尼泊爾銅佛教掛板Provenance: Brought back from India by the vendor’s grandparents.來源：賣家祖父母自印度帶回 Shows signs of extensive usage, dents and deformations especially around the edge of the foot, with areas of green oxidation on the body. 有明顯使用痕跡，足部邊緣尤有凹痕與變形，局部見綠鏽。

A pair of Chinese famille rose ‘Baragon Tumed’ bowls, Qing Dynasty, 19th or later. Painted to the exterior with five of the Seven Regal Treasures within blue roundels, between bands of shou characters and Buddhist emblems, with a flower roundel to the well. The bases bear a two-character Baragon Tumed mark. Diameter 11.5cm.清19世紀或更晚 粉彩七珍八寶紋碗《土木特旗右旗》蒙文款 Provenance: from a private UK collection Both in excellent condition整體品相良好

A large Chinese Canton enamel “Eight Buddhist Emblems” covered box, Qing Dynasty, 19th Century. The domed cover is brightly painted with four of the Eight Buddhist Emblems amidst leafy floral scrolls on a turquoise ground, encircling a stylised shou (longevity) character at the centre. The lower half is similarly decorated with the remaining four Emblems among blossoms. The interior is covered in a plain turquoise enamel. Diameter: 23cm, Height: 14cm. 清19世紀 銅胎畫琺瑯八吉祥捧盒 The box is in good condition with some enamel losses on both the interior and exterior, the largest measuring approximately 3cm in diameter, along with faint tension lines on the body and base. 整體保存良好，內外壁有部分琺瑯脫落，最大直徑約3厘米，另見輕微應力線於器身及底部。

A bronze statue of Naga Kanya, 20th century. Of cast bronze depicting Naga Kanya, the serpent deity of Hindu and Buddhist traditions, portrayed with a human torso, wings, and a serpent tail, crowned with a five-hooded naga canopy, seated in dhyana mudra holding a conch shell. Height: 14 cm.Good overall condition.

A pair of Chinese biscuit famille verte Buddhist lions, first half of the 20th century. Each modelled in mirror image, seated on stands with mouths open and eyes fixed into sockets. The male rests a brocaded ball beneath his paw, while the female plays with a cub. Height: 25.5cm20世紀上半葉 瓷塑獅子一對 In excellent condition 整體品相良好

A Chinese blue and white vase and a bowl, Qing Dynasty, late 19th century. The vase of baluster form with a domed cover surmounted by a Buddhist lion finial, decorated with chinoiserie scenes in underglaze blue. The bowl featuring reserves of antiques and figures against a stylised floral ground. Vase height: 32cm; bowl diameter: 23cm.清代19世紀晚期 青花瓶及碗（一組2件） Vase is good, the cover has a large chip and a circular line. The bowl has a small crude repair and some fretting on the rim.瓶身狀況良好，蓋子有一處大磕及一條圓形線，碗有一處粗糙修補及口沿有幾處剝釉

A large Chinese famille rose ‘figural’ vase, Qing dynasty, Tongzhi period (1862-1874), brightly painted with a battle scene on one side, depicting warriors engaged in combat, and an official court scene on the reverse, surrounded by attendants. The neck and shoulder applied with moulded chi dragons and Buddhist lions, with further carved brown bands encircling the foot, shoulder, and mouth rim. Height: 46cm清同治 粉彩人物大瓶 A chip on the mouth rim, another chip on the tail of one lion, and a claw of a chi dragon missing口沿有一處磕損，一隻獅子尾巴有磕，一條螭龍爪缺失

Three Chinese blue-glazed porcelain figures, Qing Dynasty, 18th-19th century. Comprising a Buddhist lion with cubs and a ribbon in its mouth, a small temple lion, and a parrot, all covered in a rich turquoise glaze with finely modelled details. Height: 14.5cm, 18.5cm, 13.5cm. 清代十八至十九世紀 藍釉陶塑像三件The parrot and small lion in good condition. The larger Buddhist lion is structurally sound but has extensive restorations, including to both ears, the ribbon in its mouth, almost the entire tail, and various touch-ups on the small lions.鸚鵡與小獅品相良好。大獅造型完整，但耳部、口中彩帶、幾乎整條尾巴及小獅部分皆有修補。

A PAIR OF CHINESE TURQUOISE GLAZED MODELS OF BUDDHIST LIONS AND PUPS LATE 18TH CENTURY OR 19TH CENTURY 20cm long x 16cm high  Condition Report: small knocks to the glaze on the bottomCondition Report Disclaimer

Two Siamese hammered brass Buddhist offering stands, Dia. 20cm H. 10cm.

GRIFFITHS, John, The Paintings in the Buddhist Cave-Temples of Ajanta. Large folio, 1896. Volume one only (of 2). With 91 plates, four of which are in colour. Pictorial boards detached, lacking spine.

A Set of Three Green Patinated Buddhist Bronze Handbells, Largest 11cms High, Pair 8cms High

A Large Patinated Bronze Chinese Buddhist Avalokiteshvara Statue with Back Plate on Stepped Lotus Throne Base, 47cms High

An unusual pair of Japanese Imari plates, probably first half of 18th century, each well painted with fan panels, birds, food boxes, pine prunus, bamboo and peony, all centred on a vase of chrysanthemum, the underside with flower scrolls, square marks, 21cm diameter, a lobed plate, with birds above peony, 25.5cm diameter, and another lobed dish, the centre with a Buddhist lion enclosed by a diapered border, 21cm diameter (4)Provenance: The David and Sarah Battie Collection.Condition ReportAll with enamel and gilt losses.

A Japanese Banko stoneware quail teapot and cover, c.1920, the dumpy bird enamelled with cranes and flowers, reeds forming loops for the handle, signed to base,16cm long, and a Banko stoneware koro, early 20th century, of hexagonal form on three mask feet, decorated with a hawk and other birds among flowers, with a Buddhist lion knop and three Buddhist lion handles, signed to base,18cm high (4)Provenance: The David and Sarah Battie Collection.Condition ReportTeapot - chipped to cover.Koro - chipped to tail of knop.

A collection of Japanese Satsuma ware tea service, early 20th century, comprising a teapot, a sugar bowl, a milk jug, twelve teacups and eleven saucers, decorated with a dragon among Buddhist deities, teapot 17.5cm high, and a Satsuma ware bucket, painted with figures in a garden, 22cm high (30)Condition ReportOne teacup chipped to rim.One saucer chipped to rim, another saucer chipped and cracked to rim. Teapot - tongue of the dragon to the finial missing. Milk jar - chipped to finial. Bucket - enamel and gilt losses.

A pair of Chinese porcelain vases, possibly early 19th century, each pear body yellow-glazed and reserved with aubergine hawks in a pine tree above blue rocks and a Buddhist lion, the reverse with blue bats, mask and tongue handles, damage and restoration, 57.7cm, stands, and another one,the elongated ovoid body with three moulded, bronzed bands of waves or peony, reserved with quatrefoils, between guan and celadon bands, the neck cafe-au-lait and with stag head handles separated by underglaze blue stiff leaves, incised six-character Chenghua mark, 61.5cm, wood stands (7)Provenance: The David and Sarah Battie Collection.Condition ReportSingle one - neck and handles restored.Yellow pair - Both fully restored.Two stands fully respaired, one of them with one leg loose. The other two stands with cracks and splits.

A collection of Japanese chargers, 19th-20th century, comprising: one decorated with a Buddhist lion in relief, among scrolling peony against a red ground, 33cm diameter, one Kutani, with a phoenix in the rondel to the centre, signed to base, 33.2cm diameter, one Satsuma, with two dragons enclosing a mon against waves, signed to base, 35cm diameter, and a large bowl, painted with a crane by bamboo, signed Dai Nihon Kutani sei to base, 30cm diameter (4)Provenance: The David and Sarah Battie Collection.Condition ReportBuddhist lion - riveted with chips and losses. Dragon - fully restored with chips and losses.

A Japanese Hirado ware vase, Meiji period (1868-1912), the pear-shaped body raised to a hexagonal mouth, painted with clouds and waves, applied with two dragons entwined around the vase, signed Mikawachi, Hirado zo to base,58cm high, and an Arita vase,of cylindrical form, painted with Buddhist lions in shaped panels surrounded by peony and other flowers, 58cm high (2)Provenance: The David and Sarah Battie Collection.Condition ReportDragon vase - rim chipped and restored, dragons with chips, cracks, losses and restorations in various locations. Arita vase - mouth damaged, fully repaired with losses.

A collection of three Japanese Kutani koro, 19th-20th century, painted with figures, landscape, or birds and flowers, two of them with a Buddhist lion knop, all signed,10.5 to 19cm high, and a Kutani bucket, painted with ladies in a shaped panel surrounded by florets, signed to base,15.5cm high (7)Provenance: The David and Sarah Battie Collection.Condition ReportBucket - handle restored with chips. Koro with figures - both handles restored. Koro on a stand - chipped to rim of cover and rim of koro, chipped to tail of knop.

A group of Japanese pottery, 19th-20th century, comprising: a lobed bowl with the centre painted with a horse, a kutani-type vase with Buddhist lions and an associated cover, two sake bottles and a jar with four looped handles, 9 to 21.5cm high (6)Provenance: The David and Sarah Battie Collection.Condition ReportBowl - fully restored with chips and losses.Jar with looped handles - chips to rim and edges.

A group of Japanese blue and white, 19th century, possibly Hirado ware, of a Buddhist lion, and a drum on a stand, 11 and 13cm long (2)Provenance: The David and Sarah Battie Collection.Condition ReportBuddhist lion - right ear restored.