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TWO SIMILAR 19TH-CENTURY CHINESE PORCELAIN BOWLS, the interiors painted with stylised peaches and bats (for longevity) in the famille rose palette, within double underglaze blue lines, the exterior having stylised heiroglyphics reserved within all-over scrolling decoration in iron-red and green enamel, underglaze blue mark, the Ch'ang (entrails or Endless knot), one of the eight Buddhist Emblems of Happiness or pa chi-hsiang, 17cm (6.75in) and 17.5cm (7in) diameter
Prip?Moller (J.). Chinese Buddhist Monasteries. Their Plan and its Function as a Setting for Buddhist Monastic Life, 3rd ed., Hong Kong University Press, 1982, num. b & w illusts. from photos., folding plans, incl. several contained in rear pocket, orig. linen?backed mock morocco, folio, (with orig. pubs. cardboard packaging) (1)
Fine quality Japanese softwood panel decorated with inlaid ivory, bone, mother of pearl, wood and hardstone, decorated with a hanging wooden basket of flowers with chi-lung decoration, a wooden stand decorated with Buddhist symbols and a bird flying above a flowering cherry branch, 22.5cm x 20.5cm.
Two 20th century Wedgwood lustre footed bowls, the mottled centre of one of the ogee bowls gilt with snake and tortoise, the dappled green exterior with Buddhist objects, z4823 and printed marks, 7.5cm high, the other with similar interior and pale blue exterior both decorated with butterflies, 10.5cm diameter (2).
A Japanese bronze censer on stand with twin zoomorphic loop handles, each side depicting a female figure in high relief, one with a fan, the other a sacred mirror, raised on circular platform base decorated with Buddhist symbols, minor crack to rim of base - old riveted repair, 19th century, 9.5in high.
A Blue and White Circular Foliate Rimmed Dish, centrally painted with scholars' objects, the rim with panels of flowers and Buddhist emblems; together with a Blue and White 'Kraak' Dish, centrally painted with deer, the rim with shaped panels of insects, stork mark to base, 21cm., 8.25in. diameter
A Blue and White Plate, Kangxi period, centrally painted with a scene from a romance, with a man asleep in a riverside pavilion, dreaming, six-character Chenghua mark to base; together with Another, Kangxi period, depicting an Immortal riding a Buddhist lion, the rim with Buddhist Emblems on a lattice ground, 33cm., 13in. and 26cm., 10.25in. diameter
A 'Famille-Verte' Charger, Kangxi period, painted with a Buddhist lion with two cubs in a medallion enclosed by double rings in underglaze-blue, the underside with three pairs of lions playing with brocade balls, all in tones on green, aubergine, iron red and pale yellow, six-character Chenghua mark on base, 40.5cm., 16in. diameter
A Chinese silk damask panel, in gold on blue embroidered with dragon roundels and Buddhist symbols with a serrated yellow damask border, mid 19th century, of irregular triangular form approx 76in. x 75in. 224cm x 221cm. And a Chinese altar frontal, gold brocade dragons on blue silk ground in the form of two registers of pockets, mid 19th century, 103in. x 14in. 262cm. x 36cm. And a fragment of Chinese silk embroidery, late 19th century, framed and glazed.
A Chinese famille rose moon flask, seal mark and period of Qianlong (1735-1792), painted with a roundel on one side of sages in a mountain retreat a distant pavilion is lashed by waves, the reverse with a landscape, all on a blue ground gilt with Buddhist objects and flowers, lacking one ormolu dragon handle missing, 29cm high (D)

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11615 item(s)/page