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*10-inch Classical Records. A collection of approximately 140 classical 10-inch records (33rpm) from the 1950s and early 1960s by the popular composers, conductors, orchestras, musicians and vocalists, including some very collectible recordings such as Mozart: Eine Kleine Nachtmusik and Handel: Concerto Grosso with Otto Klemperer conducting the Philharmonia Orchestra (Columbia SBO 2751, ED1 version with blue/silver label), Bach: Partita No 1 and Mozart: Sonata No 8 with Dinu Lipatti on Piano (Columbia 33C 1021, ED1 version with blue/gold label), Mozart String Quartet No 14 with the Haydn Quartet in Brussels (Telefunken LGM 65011), Jewels of Song with Beniamino Gigli (HMV BLP 1099, ED1 version, no stereo exists), Neapolitan Songs with Beniamino Gigli (HMV BLP 1034), Richard Strauss: Sechs Lieder from Poems by Clemens Brentano with Erna Berger as Soprano (Deutsche Grammophon DG 16042), Mendelssohn Concerto for Violin and Orchestra with Alfredo Campoli on Violin and Eduard van Beinum conducting the LPO (Decca LX 3001, orange/gold label, no SXL exists), Mozart: Serenade in E Flat Major with Karl Haas conducting the London Baroque Ensemble (Parlophone PMB 1002), Richard Strauss: Four Last Songs with Lisa Della Casa as Soprano and Karl Bohm conducting the VPO (Decca LW 5056, ffrr black/gold label), Vivaldi: Bassoon Concerto with Henri Helaerts on Bassoon, Marcello: Oboe Concerto with Roger Reversy on Oboe and Ernest Ansermet conducting (Decca LX 3100, ffrr orange/gold label), Wagner: The Ride of the Valkyries with Hans Knappertsbusch conducting the VPO (Decca LW 5106, ffrr black/gold label), together with many other excellent recordings of the period, the majority of records would appear to be in very good or excellent condition (2 cartons)
A Buffet Crampon French rosewood Bassoon 20th CenturyThe 128cm instrument stamped Buffet, Paris, white metal mounts winding pieced with initials BC CONDITION REPORT: Lot 44 - Scratching, rubbing evident to Rosewood body, some keypads missing, no reed holder present, stamped Buffet Crampon & Cie Paris, serial No: 5934 - lead pipe re soldered & straightened, all keys seem to be present and working, no case
A late 19th Century rosewood bassoon by C.Mahillon and Co of London, 50ins, with original leather carrying bag Provenance: Originally belonged to Sergeant P. Pepper of 1st Lancashire Fusiliers Note: The receipt for this instrument from the manufacturer dated June 6th 1901, for 12 guinea's is included with this lot, together with a small quantity of ephemera relating to sergeant pepper
G H Hüller of Schöeck - a bassoon with metal mounts, stamped no. 51811 retailed by Bill Lewington Ltd of Shaftesbury Avenue, the velvet lined fitted case with accessories, with canvas protective cover and associated ephemera - included in the lot is a leather satchel containing a good collection of sheet music - Est £300 - £400
A quantity of Soldat military figures. Kriegsmarine band including Officer, band master, bass drummer, trombone, side drums, lyre, clarinet, bassoon, oboe, cymbals, etc. Plus other German figures including marines, marine standard bearer, plus Condor Region examples, etc. Presented in individual polystyrene boxes, minor wear to some. Contents mostly VGC some bases loose. (38)
A quantity of Soldat military figures. 1940 Grenadier Guards Band. Including – Officer with sword, flag bearer, tuba, piccolo, French horn, side drummer, trombone, trombone, clarinet, cymbals, etc. Plus Royal Marines Officer, French horn, clarinet, side drummer, bassoon, trombone, tuba, piccolo, drum major, standard bearer, etc. Presented in individual polystyrene boxes, minor wear to some. Contents mostly VGC some bases loose. (32)
A Dresden porcelain figure group depicting a boy and girl with goat, the girl holding grapes and the boy playing musical instrument, bearing Augustus Rex mark together with two Dresden porcelain monkey band figures, one playing the violin and the other playing the bassoon, and a small Dresden porcelain figure of a boy playing a French horn (4)
A 120 bass Scandalli 'Super VI' piano accordion in black finish, having 11 treble coupler effects; bassoon, bandoneon, accordion, harmonium, organ, musette, violin, oboe, flute, clarinet and piccolo and six bass couplers. Three and a half octaves on a treble keyboard, in original hard case with inner dust cover. Serial number to plate on rear 1104/21
Ex Christopher Hogwood - Single-manual harpsichord by Thomas Culliford for Longman & Broderip, London, 1782, the case of mahogany with boxwood stringing, the lid with brass strap hinges, the key well veneered with panels of burr walnut with boxwood stringing and kingwood crossbanding, the fascia board extensively inlaid with scrolling foliage and a central urn, the soundboard with inset gilt-metal rose pierced and carved with King David playing the harp and with the pierced inscription Longman & Broderip Cheapside, the five octave keyboard, FF to f3 omitting FF sharp, with ivory naturals with boxwood mouldings and ebony accidentals, seven brass-knobbed hand stops with ivory caps inscribed with their function, six controlling the harp stop, 8ft lute stop, two 8ft stops, a 4ft stop and a 'mute' (dummy) stop, the seventh in the left cheek controlling the machine stop together with the left-hand pedal, the right-hand pedal controlling a swell mechanism operating on a secondary internal lid, with music desk, on trestle stand, with canvas cover. Inscribed on a boxwood plaque on the name batten Longman and Broderip, Musical Instrument Makers 26 Cheapside London and on the reverse of the name batten Thos. Culliford, Maker, 3 Fountain Court, Cheapside, London, February 1782. Length 7' 2?", 219.3cm; width 3' 3?", 100.9cm This instrument is one of only three known to have been made by Culliford with both a machine stop and a lid swell, one of the others being in The Mobbs Keyboard Collection, Golden Bay, New Zealand. The current location of the other one is not recorded. Culliford was the great-grandfather of the author Charles Dickens. Provenance Formerly the property of Miss Grace Gurteau (given as Gurteen in Boalch2 & 3) of Haverhill who purchased it from Alec Hodsdon in 1926. Literature Boalch3, p. 485 Boalch2, p. 104, No. 4b Boalch1, p. 74, No. 17 Mobbs & Mackenzie, pp. 45-46 Discography 1979-83 Mozart: Symphonies, Vols. 1-7, with Jaap Schr?der and the Academy of Ancient Music, Decca L'Oiseau-Lyre D167D3, D168D3, D169D3, D170D3, D171D4, D172D4, D173D3 1983 Haydn: Cello Concertos, with Christophe Coin and the Academy of Ancient Music, Decca L'Oiseau-Lyre DSDL711 1985 Mozart: Serenade in D K185 and March K189, with Jaap Schr?der and the Academy of Ancient Music, Decca L'Oiseau-Lyre 411 936-1OH 1986 Mozart: Clarinet Concerto and Oboe Concerto, with Antony Pay, Michel Piguet and the Academy of Ancient Music, Decca L'Oiseau-Lyre 414 339-1OH 1987 Haydn: Trumpet Concerto, Horn Concerto No. 1 and Organ Concerto No. 1, with Friedemann Immer, Timothy Brown and the Academy of Ancient Music, Decca L'Oiseau-Lyre 417 610-1OH 1988 Mozart: Flute and Harp Concerto, Flute Concerto No. 1, Andante in C and Bassoon Concerto, with Lisa Beznosiuk, Frances Kelly, Danny Bond and the Academy of Ancient Music, Decca L'Oiseau-Lyre 417 622-1OH Restoration history 1884 S. Denton, Neetwood, Manchester 1926 Alec Hodsdon 1978 Clayson & Garrett Last pitch (currently de-tensioned) A=430Hz
A Meissen Composite Monkey Band, comprising a bassoon player, female singer (hands restored), drummer, bongo and piccolo player (hand and drumstick restored and tips of tricorn hat retouched), triangle player (triangle, hands/striker restored), French horn player (horn/arm restored), conductor (both hands restored), flautist (hands/flute restored), bassoon player (lower half of bassoon missing and cuff chipped), French horn player (horn restored), viola player (hand/bow/viola restored), all approx 5 1/2" high (11)
A grand piano after Matthaus Heilmann, Mainz, circa 1785, in the Stein tradition, by Adlam Burnett, Goudhurst, 1976, the case of walnut, the lid of solid walnut with panel and frame construction, the fascia board veneered in walnut with boxwood stringing and tulipwood crossbanding, the five octave keyboard, FF to f3, with ebony naturals and ivory overlaid accidentals, Viennese action, brass kapsels in place of wooden kapsels used by Heilmann, single bridge and bichord stringing, with e2 to f3 trichord, three knee levers operating the damper lift, moderator and bassoon, on four square tapered legs. Inscribed within a gilt-metal frame Mathaeus Heilmann Fortepiano Adlam Burnett Goudhurst 1976. Length 7ft, 213.3cm; width 3ft 2¼in, 97.1cm The instrument from which this piano is copied is preserved in the Colt Clavier Collection, Bethersden, Kent (see Clinkscale, p. 142, No. 1). Literature Colt & Miall, pp. 16 & 17, No. 1 Discography 1976 J. C. Bach: Four Sonatas and Two Duets Op. 18, with Nicholas McGegan and Colin Tilney, Decca L'Oiseau-Lyre DSLO516 1978 Music at Court, with the Academy of Ancient Music, Folio Society FS1001/2 1979-83 Mozart: Symphonies, Vols. 6-7, with Jaap Schröder and the Academy of Ancient Music, Decca L'Oiseau-Lyre D172D4, D173D3 1980 Haydn's Music for England, with the Academy of Ancient Music, The Folio Society FS1005/6 1983 Dr Haydn and Mr Salomon, with the Salomon String Quartet and the Academy of Ancient Music, Folio Society FS1013/14 1984 Haydn: Symphonies 100 'Military' and 104 'London', with the Academy of Ancient Music, Decca L'Oiseau-Lyre 411 833-1OH 1985 Haydn: Symphonies Nos 94 'Surprise' and 96 'Miracle', with the Academy of Ancient Music, Decca L'Oiseau-Lyre 414 330-1OH 1986 Beethoven: Symphonies Nos 1 & 2, with the Academy of Ancient Music, Decca L'Oiseau-Lyre 414 338-1 OH 1986 Beethoven: Symphony No. 3 'Eroica', with the Academy of Ancient Music, Decca L'Oiseau-Lyre 417 235-1OH 1986 Mozart: Clarinet Concerto and Oboe Concerto, with Antony Pay, Michel Piguet and the Academy of Ancient Music, Decca L'Oiseau-Lyre 414 339-1OH Restoration history 1986 MacKinnon & Waitzman Current pitch A=430Hz
A grand piano, circa 1815, the case veneered in walnut and with bevelled front corners, the six octave keyboard, compass, FF to f4, with bone naturals and ebony accidentals, Viennese action, trichord stringing in brass from FF to F and iron thereafter, the two front legs linked by a stretcher carrying four pedals and an ebonised lyre, the four pedals controlling una corda, bassoon, moderator and the damper lift, with music desk, on four square tapered legs. Length 7ft 1¾in, 218cm; width 3ft 8¾in, 113.8cm Restoration history 1994 Christopher Nobbs Current pitch A=430Hz
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399 item(s)/page