We found 18611 price guide item(s) matching your search

After H Alken. 'Something Slap', a coloured aquatint, 10.5 x 14.5in (26.6 x 37cm) in a walnut veneered frame.

After Henry Alken. 'The Quorn Hunt. The Meet.' a coloured aquatint, 12.75 x 20in (32.4 x 50.8cm)

A coloured aquatint, 'The Death of The Fox...Cheltenham.' with a black and gilt border glass, 16 x 24in (40.6 x 61cm)

*AFTER I. CLARK, The Town of Inverness, coloured aquatint, 38cm x 55cm.

*After I. CLARK, The Town of Greenock, coloured aquatint, 38cm x 55cm.

*After I. CLARK, The Town of Linlithgow, coloured aquatint, 38cm x 55cm.

*After I. CLARK, The Town of Stirling, coloured aquatint, 38cm x 55cm.

After G.Stuart, Aquatint: The Earl of St Vincent, 25 x 18in

Charles Hullmandel after C.B. Campion - Coloured lithograph - "View from Smith's Folly, Dover", 7ins x 10.25ins (mount covering margins), and William Daniell (1769-1837) - Coloured aquatint - "Dover from Shakespeare's Cliff", 6.5ins x 9.5ins, published by William Daniell, August 1st 1825, both framed and glazed

Charlotte Reine- Le Trompetiste; aquatint printed in colours, signed, C. titled and numbered in pencil, 24.6x18cm: C. Skolun- Army of spear carriers; lithograph printed in red and black, signed, dated '73 and numbered 83/225 in pencil: together with five other similar lithographs by the same or related hand(s), various sizes, (9)

John Harris III- 'Rifle Brigade', after Martens, publ. Feb 1st 1855 by Rudolph Ackermann at his Eclipse Sporting & Military Gallery, 191 Regent Street; hand-coloured aquatint, 33.2x23.4cm: Delpech- 'Marchand de Sebiles' and 'Marchand de Melons', after Carle Vernel; lithographs: together with a small quantity of 19th century prints, various sizes, (a lot)

Robert and Daniel Havell- Fieldworkers and Millworkers, after G. Walker, from 'The Costume of Yorkshire', Publ. by Robinson & Son, Leeds, Sept 1, 1813 and Jan 1st 1814; hand-coloured aquatints, 25. 8x36.2cm: William Daniel- 'The Cave of Makoo, near Mount Ararat'; aquatint: together with a mixed folio of prints 18/19th century, various sizes, (a lot), (unframed)

Carocci- 'Vue de'l Antre eau Jardin Boboli a Florence'; aquatint, 15. 5x21cm: together with a quantity of other aquatints of views in Florence by the same hand, and a mixed folio of prints, various sizes, (a lot), (unframed)

CAMPBELL, ALEXANDER A Journey From Edinburgh Through Parts of North Britain, First Edition. 2 vols. in one, 1802. 4to., cont. diced calf gilt (upper cover detached). 44 tinted aquatint plates after the author (some offsetting onto text).

FITTLER, JAMES and JOHN LOVE, publishers, of London and Waymouth respectively Views of Waymouth 1791. Oblong folio, cont. half red morocco, spine gilt. Etched title (incorporating the dedication to H.R.H. The Duke of Gloucester), and 12 aquatint plates after F. Bowles, J. Nixon, T. Morris and others. Each plate with printed leaf of description, with imprints from Jan. 31st 1790-Nov. 30 1790. SUBSCRIBER'S COPY, list at end.

HUTCHINS, JOHN The History and Antiquities of Sherbourne, in the County of Dorset. Augmented . . . by Richard Gough and John-Bowyer Nichols. 1815. Folio, cont. half roan. Double page engraved plan, eight plates and one text engraving (as per list), and one EXTRA plate, an uncoloured aquatint view of Sherborne Castle, double page, by T. Rachett after T. Alken. Folding pedigree.

[IBBETSON, JULIUS] A Picturesque Guide to Bath, Bristol and Hot-Wells, &c. &c [1793] 8vo, orig. cloth backed boards (joints splitting). 16 aquatint plates in sepia by J. Ibbetson, J. Laporte and J. Hassell. Half title only (lacks title).

THE REPOSTORY OF ARTS, LITERATURE, COMMERCE . . . Series 1 & 2, and Series 3, Vols. 1 & 2. Together 30 vols., Rudolph Ackermann 1809-23. 8vo., cont. half calf, spines gilt. Numerous hand coloured aquatint plates, cloth samples and other illustrations (lacks six fabric samples, pattern card (June 1818), and two uncoloured needlework patterns (June 1813 and June 1820), one paper pattern sample defective). Tooley 8. Sold not subject to return. (30)

PAPWORTH, JOHN B. Select Views of London; With Historical and Descriptive Sketches of . . . its Public Buildings. Printed for R. Ackermann, 1816 Large 8vo., cont. half maroon morocco gilt. Book label of Catherall, Chester. 76 hand coloured aquatint plates, some folding. Tooley 361. Signature of Thomas Edwards, St. John Street, Chester, on title.

G., A. P. D. SKETCHES OF PORTUGUESE LIFE, MANNERS, COSTUME, AND CHARACTER. by A.P.D.G. Printed for Geo. B. Whitaker, 1826. 8vo., orig. blue boards uncut (slight wear to head and tail of spine). 20 hand coloured aquatint plates and one uncoloured plate of music.

AFTER JOHN LYNN (Fl.1828-1838) THE WATERFORD LINE SCHOONERS: ALEXANDER, MARTHA AND RAPID OFF THE HOOK LIGHT Aquatint with hand colouring by Smart and Reeve, published by the artist 32.5 x 52.5cm. ++ Some rubbing and wear in the sky; basically a good impression

GEOFFREY SPARROW (Fl.c.1950-1960) SOUTH DOWN Pt. TO POINT; "TAKE A LOOK AT YOUR SEA WEED..!" Two, etchings, the latter with aquatint, both signed and inscribed, the former also dated 53 19.5 x 25cm.; 19.5 x 28cm. approx. (2) ++ The former good; the latter foxed and dampstained

DUTCH SCHOOl, 18th CENTURY TOWN SCENE IN A RIVER LANDSCAPE Black chalk, possibly over a etched base 17x 20cm.; with an aquatint with ink overdrawing, after J.P. Hackert. (2) ++ Each in fair condition; both need a clean.

'The etched and engraved plates of Thomas Gainsborough R.A., executed in soft-ground and aquatint and in mezzotint', no. 25 of an edition of 75, published by Iain Bain & The John Boydell press 1971, each 25 x 34cm (11)

English School, 19th century- Study of a seashell; watercolour, 12.5x16.5cm: together with one other watercolour of an alleyway, an early English mezzotint of two horses in a stable, and one other aquatint titled: 'St. John's and the Adjoining Bridge across the new cut near Lechlade, Gloucestershire', various sizes, (4)

Robert Havell Junior- 'A View of Chandpal Ghat' after James B. Fraser, publ. by Rodwell & Martin, New Bond St., April 1824; hand-coloured aquatint, 36x50.3cm: English School, c1860- Scene from The Indian Mutiny; chromolithograph: together with a reproduction print titled 'Shooting Homilies', after Fougasse, and a photograph of an officer, various sizes, (4)

Jean-Michel Folon- Untitled composition with bicycle wheels and gears; aquatint printed in colours, signed and numbered 38/90 in pencil, 29.3x37cm: together with one other aquatint of a floral still life subject by the same hand, signed and numbered 32/75 in pencil, 25.5x20.5cm., (2)

Jean Messagier- 'Soleil Endormi'; etching with aquatint printed in orange and yellow, signed, titled and numbered 196/300 in pencil, 39.5x54cm: Pearcy(?)- 'Landscape III'; etching, signed, titled and inscribed A/P in pencil, 27x34.2cm., (2).

Henri Merke- 'Exhibition of a Battle between a Buffalo & a Tiger', after Samuel Howett and Capt. Thomas Wilkinson, published Jan 1st 1807 by Edward Orme, 59 Bond St.; hand-coloured aquatint on wove, watermark E&b 1804, 37.3x48.5cm., (unframed)

James Gilray- 'L'Avocat de la Republique', from 'French Habits' Plate No. 7, publ. May 21st, 1798 by H. Humphrey, 27 St. James's Street; aquatint, 25.2x18.4cm: together with two engravings of Trajan's Column and three chromolithographs of historical and architectural subjects by different hands, various sizes, (6)

DANIELL, WILLIAM. Ten hand coloured aquatint views drawn and engraved by William Daniell from his 'Voyage round Great Britain", 1814-1825, published by the engraver, comprising, Scarborough, Yorkshire; Penzance, Cornwall; Hempriggs, Caithness; The Entrance to Portreath, Cornwall; St Catherines Chapel, Dorset; The Mumbles lighthouse in Swansea bay; Lighthouse on Flambro'-head, Yorkshire; Mary Port, Cumberland; Shoreham; and Dover Castle, each 6.5in x 9.5in; together with a lithograph of Bacon's London and Paris Hotel, Newhaven, published by Dean &Son, 9in x 12in, all contained within glazed Hogarth style frames. (11)

R.W. Smart and C. Hunt after J. Pollard "Doncaster Races", colour aquatint, 35 x 61cm (14 x 24") (pub'd by S & J Fuller).

William Daniell, 'Rye, Sussex', aquatint engraving, 17cm x 24cm (foxed), another aquatint, and a humorous lithograph (3).

John Brunsden (b.1933 British), Beachy Head, 4/100, aquatint (with mixed method), signed, numbered and titled in pencil, 29cm x 31cm.

Amusing Georgian aquatint 'Curiosity at the Zoo', 7" x 9.5"

An aquatint engraving of mother and child by G Rouault 1927, 58cms x 44cms.

Hanspeter Munch (b.1940) Alicante, number 3 of 25, signed by the artist, coloured aquatint and etching 38 x 28cm

"Springtime in Sussex", aquatint, signed proof by Joseph Kirkpatrick; "Accident or Design?", engraving by G. Gratebach after G. Pope; and another. (3)

"Over-head Gantry Crane", aquatint, signed proof, 1977.

"The Boat Building", aquatint, signed proof, by Harold Holder.

Female nude studies, colour etchings with aquatint, signed proofs after E.S., no. 52 from an edition limited to 98. (set of 3)

"Alnwick Castle", aquatint, signed proof by Leonard R. Squirrell.

Henry Pyall - 'Two O'clock in the Morning, Rat Tat Tat! Tingle Tingle Tingle!!', after Ego, published by Thos. McLean, 26 Haymarket; hand-coloured aquatint, 32.5x20.4cm

Graham Sutherland - 'Orpheus', no. 7 from 'Le Bestiare' by Apollinaire; etching with aquatint, signed and numbered 66/75 in pencil, 48.2x75.3cm.

Peter Blake, R.A. - 'So Alice picked hill up very gently; serigraph, signed and numbered 14/100 in pencil, 24.3x17.7cm: Ken Wishart- 'Clifford Loves You'; etching with aquatint, signed and numbered 41/75, 39.2x29.5cm., (2)

20th Century School c1980 - Abstract composition with astrological inspired symbols; etching with aquatint, signed and titled indistinctly, and inscribed A/P in pencil, 60.2x78.3cm

John Harris - 'Ist Life Guards' after H. de Daubrawa, published May 19th 1849 by Rudolph Ackermann; hand-coloured aquatint, 38.8x29.2cm: together with a one other aquatint from the same suite, and two other hand-coloured prints, one of a military subject the other by Henry Alken titled: 'Afternoon A few of the Right Sort that have done The Thing', published 1824 by S & I Fuller, from costumes of the British Army Plates No.'s 14 and 11, various sizes, (4)

Dame Laura Knight (1877-1970) VIEW OF SPANISH DANCERS Etching and aquatint, signed in pencil, 29 x 24cm

Louis Icart (1888-1950), Hoopla (HCI 440), etching with aquatint and drypoint, 1935, signed in pencil, unexamined out of frame.

Louis Icart (1888-1950), Frolicking (HCI 117), etching with aquatint and drypoint, 1920, signed and indistinctly numbered 1/6 in pencil, unexamined out of frame

Louis Icart (1888-1950), Love's Blossom (HCI 465), etching with aquatint and drypoint, 1937, signed and indistinctly titled l.r. in pencil, unexamined out of frame

Louis Icart (1888-1950), In the Trenches (HCI 80), etching with aquatint and drypoint, circa 1917, signed and numbered 104/150 in pencil, inscribed 'Avant L'Attaque' in pencil l.r., unexamined out of frame

Louis Icart (1888-1950), Pals (HCI 118), etching with aquatint and drypoint, 1923, signed and inscribed 'artist proof 43' in pencil, unexamined out of frame

Louis Icart (1888-1950), Girl in a pink dress holding flowers, etching with aquatint and drypoint, signed in pencil, unexamined out of frame

Louis Icart (1888-1950), Sleeping Cat (HCI 134), etching with aquatint and drypoint, circa 1922, signed and entitled 'La Femme au Chat' l.c. in pencil, unexamined out of frame

Louis Icart (1888-1950), Wounded Dove (HCI 386), etching with aquatint and drypoint, 1929, signed and numbered '223/500' in pencil, unexamined out of frame

Early 19th century depiction of Brighton chain pier. Coloured aquatint, 20cm x 38cm, torn and stained.

W.E. Waters (19th century). View of Dover from Waterloo Crescent, aquatint, 31cm x 43cm, some foxing.

Graham Jones, Hippolyta, pastel, 38.5 x 36 cm, Derek Wilkinson, Landscape, limited edition etching and aquatint, signed and dated 1972 lower right, inscribed with title and 15/20 lower left, p. 22 x 30 cm, and Jack Cox, Beach with fishermen at daybreak, watercolour, signed lower right, 25.5 x 28 cm

After Richard Dodd, View of the action on the morning of the 1st of June 1794, aquatint, s. 49 x 71 cm