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CHARLES BARTLETT (born 1921), 'Cockle boats', etching with aquatint, inscribed with title and signed in the margin, numbered 43/60, 13" x 16 1/2"; and another by the same hand. 'Early Mist'. (2).

CHARLES BARTLETT (born 1921), ' Winter Sun', etching with aquatint, pencil signed in margin and inscribed with title, number 8/60. 11 3/4" x 14 1/4"; and two further by the same hand 'Top of the Tide' and 'The Mirage'. (3).

MICHAEL FAIRCLOUGH (born 1940), Sunset over the Ocean, aquatint in colours, pencil signed and numbered 11/15 in margin, 13" x 18".

MICHAEL FAIRCLOUGH (born 1940), A Coastal landscape , etching with aquatint, pencil signed in margin, numbered 63/75, 10 1/2" x 13 1/2"; and another of a summer landscape.(2).

MICHAEL FAIRCLOUGH (born 1940), A summer landscape, etching with aquatint, pencil signed in the margin, numbered 138/200, 10 1/2" x 13 1/2"; and another by the same hand of a calm sea. (2).

Sir Henry E. Bunbury, a pair of caricatures, The Great Economist, A Small Tea Party Of Superannuated Politicians, lithographs, published by McLean, 1829 and 1830, 9in x 11.5in; a pair of engravings by T. Lupton after J. M. W. Turner, 1826-1827; Sepulchral Monument At Old Capua, after P. Sandby, aquatint; a print after Carracci; another, some unframed (7)

After William Payne, A View Of The Dockyard From Mount Edgecombe, aquatint, 11in x 15in, unframed

After Francisco Goya Y Lucientes - 'Fragata Perro'; etching with aquatint, 18.2x11.8cm.

Georges Rouault - 'We are doomed to death, we and all that is ours', from 'Miserere', plate 43, publ.1948, from the edition of 450; aquatint, signed with initials and dated 1922 within the plate, 51.2x36.4cm.

Graham Clarke - 'Fireworkers'; hand-coloured etching with aquatint, signed, titled and numbered 35/200 in pencil, arched, 42.8x34.2cm.

Rex Harrison - 'Sunset from the Fortress in Calvi, Corsica'; coloured crayon, signed with initials, titled and dated 1982 in pencil, 16.5x25cm: together with an aquatint printed in colours by the same hand titled: 'Geralata, Corsica', signed and dated 1982, 34x40.5cm., (2).

De Naillod LES MOINEAUX An Art Deco drypoint etching with aquatint, signed in pencil and numbered 38/80, 35.5 x 45cm.

Thomas Daniell, R.A. The Government House at St. George coloured aquatint engraving published by Thos. and W. Daniell, Howland Street, Fitzroy Square, March 1798, generally in good condition pl. 17 x 23.5in (43.2 x 59.7cm); and three other aquatint engravings by Thomas Daniell titled 'The Great Pagoda, Tritchinopoly'; 'Western Entrance of Fort St. George'; and 'Ryacotta in the Barramahl'. four (4)

Dame Laura Knight (nee Johnson) R.A., R.W.S., R.E., R.W.A., P.S.W.A. (1877-1970) "GEMINI" An artist's signed proof, also inscribed with the title together with a further inscription "aquatint", a black and white aquatinted engraving, {32cm by 25.5cm (12_in by 10in)}.

Elisabeth Frink. A stooping barn owl. Coloured aquatint with engraving, 21in x 17.75in. Signed and numbered in pencil by the artist. Unframed, the mount with some foxing and dampstaining. * Number 25 of an edition of 75.

Randall, James, A Collection of Architectural Designs for Mansions, Casinos, Villas, Lodges, and Cottages, London, for J. Taylor at the Architectural Library, 1806, folio (405 x 310mm.), 34 aquatint plates by the author, title and plates VII-XI spotted, contemporary half calf, rebacked, extremities rubbed, armorial bookplate of Joseph Neeld.

Scenery of Great Britain and Ireland in Aquatint and Lithograph 1770-1860 from the Library of J. R. Abbey A Bibliographical Catalogue, Plaistow, privately printed at the Curwen Press, 1952, folio (258mm x 195mm.), half title, title printed in red and black, colour frontispiece plate, facsimile plates, and illustrations, original cloth, red morocco lettering piece, dust-jacket, No. 328 of 500 Limited Edition copies

Life in England in Aquatint and Lithography 1770-1860 Architecture Drawing Books Art Collections Magazines Navy and Army Panoramas Etc from the Library of J. R. Abbey A Bibliographical Catalogue, Folkestone & London, Dawsons, 1972, folio (255 x 190mm.), half title, colour frontispiece, facsimile plates, and illustrations, original cloth, red morocco lettering piece, dust-jacket

Warner, Richard, A Walk through some of the Western Counties of England, Bath, by R. Cuttwell, sold by G. G. and J. Robinson, 1800, 8vo (200 x 130mm.), title vignette, 2 aquatint plates, lacking half title, contemporary half calf, spine lettered in gilt, bookplate

Parry, J. D., A Guide to Woburn Abbey, Woburn & London, for S. Dodd, sold by Longman, Rees, Orme, Brown, and Green, 1831, 4to (190 x 120mm.), folding aquatint frontispiece, title vignette, folding plate, contemporary green half morocco, spine lettered in gilt, bookplate of F. W. Bandscomb

Dean, William, An Historical and Descriptive Account of Croome D'Abitot, the seat of The Right Hon. The Earl of Coventry, Worcester, printed and published for the author by T. Eaton, 1824, 4to (195 x 110mm.), aquatint frontispiece plate, and 3 plates, contemporary calf, rebacked, later spine strip, red morocco lettering piece

Westall, William (1770-1854), Views of Fountains Abbey and Studley Park, Yorkshire, London, J. Rodwell, [n.d.], large 4to (355 x 250mm.), 5 engraved plates by Westall, original paper wrappers. Westall, William, Views of Fountains Abbey and Studley Park, Yorkshire, London, J. Rodwell & W. Westall, [1846], 4to (345 x 250mm.), 8 aquatint plates by Westall, original paper wrappers. Storer, J. & H. S., Delineations of Fountains Abbey ... Fountains Abbey, in the West Riding of the County of York, Ripon, by and for H. Thirlway, [1830], 4to (310 x 250mm.), 16 plates, and plans, plan spotted, original paper wrappers. All three works contained in modern half cloth presentation wrapper, with red silk ties

Homfray, Jeston, The Castle of the Lordship of Glamorgan, Cardiff, printed and published by W. Bird, 1828, Oblong 4to (260 x 360mm.), and 13 aquatint plates, contemporary calf gilt, front cover lettered in gilt, g.e.. Large Paper Copy

Nash, F. (illustrator), A Series of Views, Interior and Exterior, Collegiate Chapel of St. George, at Windsor, London, F. Nash, 1805, folio (685 x 490mm.), title vignette, 9 aquatint plates, contemporary calf backed spine

Smith, James Edward (1759-1828), Fifteen Views Illustrative of a Tour to Hafod, in Cardiganshire, The Seat of Thomas Johnes, London, by T. Bensley, for White and Co, 1810, folio (600 x 450mm.), 15 aquatint plates, loose as issued, title browned, original paper wrappers, modern cloth backed protective wrappers, silk ties

Winston Megoran. Four etchings and aquatint. 'Running the Mark', 'The Fisherman's Creek', 'Schooners Running' and tallships. All but the latter pencil signed and titled. 27.5x36cm.

After J Cartwright. Pair of coloured engravings with aquatint. 'Fresh Breeze' and 'Morning'. 19.5x29.8cm; another C19th coloured engraving. All F&G. (3).

English School (late 20th century), The Forge; a extract from a poem by Seamus Heaney, printed text and aquatint, entire s. 49.5 x 35cm, the aquatint p. 17 x 29cm

T** H** Fielding, Kirkstone Spring; Penrith Castle; Deepdale; Ennerdale Water; Purple Tarn, top of Stockdale; Brougham Castle; Broader Water; Kirkstone Pass, each aquatint, each p. 17.5 x 22.5cm.

F. JUKES AFTER W. DAVEY 'View of Rougemont Castle - Exeter' aquatint, published by W. Davey 29th September 1794, size 32cm x 38cm, also 'South East View of the Cathedral Church of St. Peter, Exeter' published by W. Davey Oct 18th 1792, size 38cm x 48cm (2).

PETRARCH (Francesco) Le Rime Del Petrarca, 2 vols., Padova 1819/20, morocco, large paper edn. with 2 eng. portraits, 6 aquatint plates and 1 facsimile plate, folio. (2)

WILLIAM J. ALLINGHAM (Fl.c.1900-1930), AFTER JEAN BAPTISTE PATER (1695-1736) BLIND MAN'S BUFF; THE SWING; THE CONCERT; THE DANCE Four, stipple engravings printed in colour, published by The Museum Galleries, 1922-1926, each signed by the engraver, verre eglomise mounts and gilt frames Each 36 x 29cm. approx.; with a signed aquatint after Meissonier, published 1921 (5) ++ Fair/good overall.

AFTER HARRY HALL (1814-1882) THE MERRY BEAGLERS Aquatint with hand colouring, by J. Harris, a modern restrike 42 x 61cm.; with four coloured etchings of "Foxhunting" after S. Howitt, originally published 1798-1799, framed as one; and a stipple engraving of "The Woodman" by Bartolozzi after Barker of Bath. (3) ++ Hall and Howitts good; Barker fair to poor

A Spode Indian Sporting series source print (P904-4a): a hand-coloured aquatint from Williamson & Howitt's "Oriental Field Sports, Wild Sports of the East", published by Edward Orme in 1807, No.5 depicting "The Hog at Bay", etched by J. Clark, image size 16 x 23cm, mounted, framed and glazed

Contemporary British School, c1980- 'Stone, Musical Note'; aquatint signed, dated '83 and numbered 12/100 in pencil, 27.5x34.5cm: together with one other aquatint in colours by the same hand, two etchings by Antoine Gaymard after Meissonier, and one other lithograph by C.W. Radclyffe, various sizes, (5)

Thomas Shotter Boys- 'Piccadilly looking towards the City'; hand-coloured lithograph, 32x44cm. Provenance: with Frank T. Sabin, according to label on the reverse: together with a hand-coloured aquatint titled:'The Hall of the Auction Mart' , publ. by Ackermann, Aug 1 1811, 13.7x21cm., (2)

CLAUDE ROWBOTHAM St. Michael's Mount. Aquatint. Together with two other Penzance prints, unframed.

Alec Fraser- 'Skateraw Pier'; etching with aquatint, signed and titled in pencil, 22.4x14.8cm: together with ten other etchings by different hands including examples by: Percy B. Hart, Hedley Fitton, Percy Robertson, Joseph B. Pratt, and Sedgwick, various sizes, (11)

JEAKES, J [Engraver]. "A View from the Play Ground of Ealing School". Hand-coloured aquatint after W. Franklin. Published June 14th 1809 by the artist. Size within plate marks 15in x 19.5in, contemporary mahogany frame.

19TH CENTURY ENGLISH SCHOOL, a mounted huntsman with hounds, oil on canvas, 10"x 16"; and three aquatint engravings of cockfighting scenes, after Henry Alken, framed in one.

THOMAS ROWLANDSON (1756 - 1827), 'Front view of Christ Church Oxford', etching with aquatint, hand coloured, 8" x 12"; and another - 'View of Oxford Castle". (2)

JULIAN TREVELYAN (1910-1989), 'The Plough', etching and aquatint, pencil signed in the margin and numbered 69/150, 12.5" x 17.5".

ANDREW INGAMELLS, "St. George in the East, Wapping built in 1714 by Nicholas Hawksmoor", aquatint engraving with hand colouring, pencil signed in the margin and dated 1987, No.20/75, 18.5" x 11.5"; and another similar of Christchurch, Spitalfields. (2)

Aquatint - The Ruins of Bolton Abbey, c.1811

After Nicholas POCOCK, hand coloured aquatint 'H.M.S Brunswick After breaking the Enemies Line', 16.5" x 23.5"

Victorian aquatint, 'Meadow Pastures', in plaster and gilt frame with black glass slip

After William Lionel Wyllie, "U.S. 44-gun frigate Constitution (Old Ironsides)", handcoloured aquatint, unframed, 41 x 53.5cm.

Julian Trevelyan (1910-1988), Farnham, colour etching and aquatint, signed in pencil within the margin lower right, inscribed with title lower centre, numbered 13/50 lower left, p. 47.5 x 35.5cm

David Hockney (b. 1937), Study of Wallace Stevens, guitar and mark making, limited edition etching and aquatint, signed in the margin lower right, numbered 78/200 in the margin lower left, p. 34.5 x 42.5cm

Gluez, Venice canal; Venice with a bridge beyond, each etching and aquatint, the first signed within the margin lower right, inscribed 15/55 lower left, the second signed within the margin lower right, inscribed 69/77 lower left, the first p. 5 x 4cm, the second 10.5 x 8.5cm

F** Calvert, A View of the Temple of Concord in the Green Park; A View of the Chinese Bridge in St. James's Park, each aquatint, s. 39 x 46.5cm

A Scottish loch, aquatint, signed proof by Leonard R. Squirrell.

"The Chain, Harrow", aquatint, signed proof by Joseph Kirkpatrick; and "Ploughing", aquatint, signed proof by Joseph Kirkpatrick. (2)

"St. Albans Grand Steeple Chase", aquatint in the manner of Henry Alken, coloured by hand. (set of four)

"Un Printemps Suspendu" - limited edition, etching with aquatint, signed proof by Jean Solombre; "Wild Flowers", etchings with aquatint, limited edition, signed proof by Graham Evernden (a pair); and "Summer Solstice", etching, signed proof by David Beattie: all Christie's Contemporary Art. (4)

"The Return", Victorian aquatint, coloured by hand.

C. N. Smith- 'West Australian, Winner of The Derby 1853...', from Moore's Celebrated Winners, after A. F. de Prades, publ. Novr. 6th 1853 by J. Moore... corner West Street Upper Saint Martin's Lane; hand-coloured aquatint, 54.8x74cm: Richard Gilson Reeve- 'Partridge Shooting, September' and 'Snipe Shooting, November', after R. B. Davis, publ. Novr. 2nd 1836 Thos.McLean, 42.2x51ea3

Charles Turner, A.R.A.- 'Castle Street, Aberdeen', after Hugh Irvine, publ. April 8 1812 by Colnaghi & Co. Cockspur Street; hand-coloured aquatint, 45x59cm: together with two hand-coloured aquatints by Frederick Christian Lewis titled: 'View of Old Aberdeen incl Kings College and the Cathedral', and 'View of Aberdeen', both after R. Seaton, publ. by J. Ewen, 1 March 1808, 46.2x61.5cm., (3)

French School, c1960- Untitled abstract; aquatint in colours, signed and inscribed 'EA' in pencil, 75x58.2cm

Louis le Brocquy HRHA (b.1916) STUDY TOWARDS A HEAD OF SAMUEL BECKETT, signed lower right; inscribed with edition (67 out of 100) lower left, aquatint on wove paper, 39 by 39cm., 15.5 by 15.5in. €1500-€2000