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Click here to subscribe20th century A.D. Composed of mixed media items replicating ancient artefacts from a variety of time periods and cultures, including: engraved 'bone' wrist guard; Near Eastern animal amulets; stamp seals; weights; Egyptian Bes amulet and scarab bead; together with a variety of other items. 247 grams total, 14-92 mm (1/2 - 3 5/8 in.). Acquired on the UK art market. Property of a Ruislip, UK, gentleman, by inheritance. [28, No Reserve]
Late Period, 664-323 B.C. and later. Comprising: a blue-glazed shabti; remains of a rock crystal stamp seal and other stone items; carved pig figure; fragment of a Taweret amulet; together with other items. 43 grams total, 18-79 mm (3/4 - 3 1/8 in.). From an early 20th century collection, Carnavon, North Wales, UK. [8, No Reserve]
Late New Kingdom, 1290-1070 B.C. The obverse with a scene of Anubis recumbent on a pylon-shaped shrine with a standing sceptre in front; the reverse painted with a djed pillar flanked by two knots of Isis, remains of polychrome painted pigment; three piercings to both sides of the top; accompanied by a custom-made display stand. Cf. The British Museum, museum number EA29370, for similar; Feucht, E., Pektorale nichtköniglicher Personen, (ÄB 22), Wiesbaden, 1971, pls.XXIII-XXIV, for obverse and XXXVI, esp. 214, for reverse. 71 grams, 85 mm wide (223 grams total, 10.5 cm including stand) (3 1/4 in. (4 in.)). From an early 20th century collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11104-182800. Pectorals worn by the living were made from metal, usually gold; for the dead, glazed composition was an acceptable substitute, indicating the funerary nature of such objects. Circular piercings have been made through the cavetto cornice, enabling the piece to be stitched to the bandages covering a mummy's chest. The shape of the pectoral imitates that of a pylon, the rectangular tower which flanked the gateway into an Egyptian temple. The cavetto cornice is decorated with a winged and gilded sun-disk. All four sides are adorned with a block pattern. A jackal reclining on a pylon-shaped shrine represents Anubis, god of embalming. He has a magical tie or scarf around his neck and is shown with a flagellum. Such imagery is found in New Kingdom tombs at Thebes. In front of the shrine is the sekhem sceptre of power. The reverse depicts a djed pillar, believed to represent the backbone with ribs of Osiris, god of the dead, flanked by the Girdle of Isis or 'tit' amulet. Both were standard funerary amulets.
Mostly Late Period, 664-332 B.C. Comprising: a blue-glazed eye of Horus amulet with bifacial detailing, pierced for suspension; a glazed Shu amulet, suspended on a slender gold bar and pendant hoop; offered with a black stone stamp seal engraved with a bird standing left, pierced for suspension. 5.06 grams total, 13-26 mm (1/2 - 1 in.). Collected since the 1970s. Ex Everitt collection, acquired by descent 2017. [3, No Reserve]
1st millennium B.C. Comprising: a pillow-shaped carnelian amulet pierced through the notched upper edge, hatched panels to both faces; a triangular-section stamp seal displaying ring-and-dot motifs and a possible animal figure; a plano-convex stamp seal bearing a geometric motif; a square-shaped lapis lazuli amulet engraved with a horned quadruped standing right. 19.4 grams total, 12-24 mm (1/2 - 1 in.). Collected since the 1970s. Ex Everitt collection, acquired by descent 2017. [4, No Reserve]
Ca. 1550-1070 BC.A nice example of a rock crystal scarab amulet in the form of a scarab with naturalistic detailing the clypeus, prothorax, and elytra marked by single lines. The reverse is flat and undecorated. For a mirror see The Israel Museum, 76.31.2794. Size: L:20.6mm / W:15.2mm ; 4.27g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Late to Ptolemaic Period, ca. 664-30 BC.An amulet, meticulously crafted from pale blue glazed composition, presents a captivating portrayal of maternal affection as it depicts Isis nursing her son, Horus, and offering her breast to nourish him. This amulet portrays the goddess Isis in a seated position of divine authority, elegantly positioned on her throne, with Horus nestled upon her lap. Enhanced by her tripartite wig, symbolic of her elevated status, Isis is also adorned with a crown that further signifies her regal nature and celestial dominion. Isis, a revered figure in Egyptian mythology, embodied the ideals of motherhood, magic, and fertility. As the wife of Osiris, the god of the afterlife, and the mother of Horus, the falcon-headed deity associated with kingship and protection, Isis held a pivotal role in ancient Egyptian cosmology. Amulets featuring Isis and Horus served as potent talismans, believed to invoke the blessings of divine motherhood, ensuring the prosperity, well-being, and continuity of the pharaoh and the Egyptian civilization at large. Cf. The Art Institute of Chicago: 1892.52. Size: L:67mm / W:15mm ; 15g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1960s UK collection.
Classics. Winterton (Ralph, editor), Poetæ minores Græci [...], second edition, Cantabrigiæ [i.e. Cambridge]: Apud Thomas Bick, et al., 1652, Greek and Latin printing, title-page with ornamental border, decorative initials, final leaf with printer's device, pp: [viii], [1], 2-224, 227-533, discreet repair to upper-right outer-margin of title, not affecting text, graduating water stains throughout, never affecting legibility of text, Regency diced calf gilt, rebacked, some worn losses, marbled endpapers, modern armorial bookplate, 8vo, Virgil & Melmoth (William Henry, editor), The Whole Genuine Works [...], London: Printed for Alex. Hogg, et al., n.d. [?1788], printed in ruled double-columns, engraved frontispiece and plates, contemporary mottled claf gilt, relayed spine, early 19th century ink MS ownership inscriptions, later armorial bookplate, 4to, Dryden's Virgil, four-volume set, London: Printed for J. Coxhead, 1807, contemporaneous green quarter-calf over boards, some light losses, 12mo in 6s, further Latin texts, including leather bound editions of Horace, Caesar's Commentaries, Statius, Sallust, others, further miscellaneous works, Wotton's Baronetage 1741, volume III only, calf, 8vo, 1886 Life of General Gordon, contemporary prize binding, 8vo, The Amulet 1829, original publisher's moiré silk cloth, rare original publisher's pictorial sleeve, 12mo, 1792 Plantin Press Book of Hours, unexamined, stained, contemporary sombre black morocco, 8vo, Portland (The Duke of), Men, Women and Things: Memories, signed by the author, 1937, 3 loosely-inserted TLS on Welbeck Abbey writing-paper, defective original cloth, 4to, further devotionals and prayer-books, harlequin volumes of Milton, Spenser, etc., (approx. 35)
A Suite of Finnish Jewellery by Inari, Pendant and Screw Back Earrings, Traditional Komsiopallo Form, or Cradle Ball- The Cradle Ball is used in Sami Culture as an Amulet to Protect Children and Bring Good Fortune-Pendant Mounted on and Italian Silver Chain, 30.9gms Total, and all Hallmarked for Inari, One Screw Back Earring Back Slightly Warped.
A COLLECTION OF JADE ITEMS To include a pair of pierced matching oval shaped jadeite panels, with polished floral decoration to one side; a carved green and lavender jadeite pendant, carved with birds and foliage, with gold coloured foliate cap and bale, with Chinese gold marks; a further jadeite pierced amulet, with gold coloured bale stamped 585; a further oblong carved jadeite pendant; a polished pieced circular jadeite disc panel; together with further jade and carved hardstone pieces Size/dimensions: first panels 3.2cm long, first pendant 6.9cm including bale Gross weight: 204 grams Condition Report: Some light wear, some items have some hairline fractures The bangle is hardstone rather than Jade, some banding, no chips or cracks Condition Report Disclaimer
Ca. 1550-1070 BC.A beautiful green glazed steatite scarab amulet with stylised incised features such as clypeus, prothorax and elytra marked by carved lines. On the reverse, the scarab is depicting a three-stem papyrus plant flanked by an ankh and nefer symbol. For similar see: The Israel Museum, 76.31.4308. Size: L:12.7mm / W:9.7mm ; 1.52g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 664-332 BC.A faience funerary amulet of the god of mummification and the underworld, Anubis. Superb blue colour faience, in stylised pose with hands by the side. These amulets were stitched into the funerary bindings of a mummified person via the suspension loop to the back central pillar of the amulet. Size: L:38.2mm / W:8.5mm ; 3.18g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 664-332 BC.A pale turquoise faience amulet of the Djed pillar. The front is marked vertically between each crosspiece and below the bottom crosspiece, with horizontal bands above the shaft. There is a pillar to the rear. The djed-pillar is in the form of the hieroglyphic symbol for 'enduring', or 'stability', and was often considered a stylised representation of the backbone of Osiris, symboling resurrection. Size: L:29.7mm / W:9.9mm ; 1.3g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 664-332 BC.An Eye of Horus amulet with incised linear detail and complete with suspension loop. The Eye of Horus amulet is also known as Uzat or ‘Wedjat’, meaning “Whole One”. It is a symbol of protection and was used to deflect evil, as well as believed to have healing powers. For similar see: The Liverpool Museum, 56.21.506. Size: L:24.6mm / W:21.7mm ; 3.17g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 1070-664 BC.A faience amulet depicting a wadjet or wedjat, also known as an Eye of Horus, which was a symbol of protection. The eye components are glazed with blue-green. The pupil and eyebrow appear enhanced in a glossy black glaze. A narrow suspension hole is perforated lengthwise through the body once allowing it to be wrapped in the cloth of a mummy for protection in the afterlife. Size: L:15.8mm / W:11.6mm ; 1.07g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 1st millennium BC.A zoomorphic amulet crafted from bronze exhibits a U-shaped ribbed body. At each terminal, masterfully rendered animal heads emerge. The incorporation of animal symbolism within the amulet reflects the profound connection between ancient societies and the natural world. Zoomorphic amulets were believed to possess protective qualities, guarding the wearer against malevolent forces and bringing good fortune. The choice of animal depictions varied, encompassing a range of creatures such as birds, mammals, and mythical beasts. Each animal held specific symbolism and associations within the cultural context. This item comes with a modern necklace cord. Size: L:40mm / W:42mm ; 18.49g Provenance: Private London collection.
Ca. 664-332 BC.An amulet formed in the shape of a papyrus column known as a papyrus sceptre or Wadj sceptre. This delicately formed amulet has been crafted from a rich light blue glazed faience with a suspension hole. This amulet depicts a rolled papyrus scroll and was used a protective amulet to provide the deceased with eternal youth in the afterlife. These were found in the wrappings of the deceased and were used to prepare the deceased for their journey providing the magic of youth for eternity. C. Andrews, 1994. Amulets of Ancient Egypt. Pl. 81-83. Petrie, W.M. Flinders. 1914. Amulets. Pl. 12-13. Size: L:34.2mm / W:7.1mm ; 1.35g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 664-332 BC.An Egyptian faience amulet of the god Thoth. He is depicted striding forward, with arms by his side and his fists clenched. He wears a short kilt and tripartite wig and is shown with the head of an ibis. For similar see: W. M. Flinders Petrie, Amulets, Illustrated by the Egyptian Collection in University College, London (London, Constable, 1914. Size: L:33.4mm / W:8.3mm ; 2.22g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 1550-1069 BC.An amulet of the goddess Taweret made from expensive lapis lazuli. She is depicted as a hippopotamus, with bulbous pendulous human breasts and a pregnant belly. Her limbs are those of a feline, highly likely a lion. She strides forward with one foot in front, which is a common feature on amulets. There is a longitudinal loop on the head of the amulet, for suspension. The reverse remains flat and undecorated. Size: L:29.1mm / W:12mm ; 2.1g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 664-332 BC.A composition amulet of the dwarf god Bes in light faience. Modelled in a stylised grotesque manner, with a grimaced face, a protruding snout and pointy ears. He is depicted with a full beard and loose hair, wearing a tall headdress of four large incised plumes. His body is postured in his typical squatting position with hands on his knees, a prominent belly with a deep navel and wide chest and a long tail hanging down from his back. Size: L:23.5mm / W:9.5mm ; 1.68g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Egypt, ca. 30 BC-300 AD.A silver eagle with its wings gracefully folded, exuding a sense of regality and composure. Resting upon an integral and flat base, the amulet captures the commanding presence of the eagle, accentuating its association with authority and power. The simplified representation of the bird strikes a harmonious balance between artistic expression and its inherent recognizability. Completing the amulet is a suspension loop that extends from the back, allowing for convenient attachment to a chain or cord. In the context of the Romano-Egyptian world, eagles held profound significance as symbols of both Roman imperial power and Egyptian religious beliefs. The silver eagle amulet evokes a fascinating amalgamation of Roman and Egyptian cultural influences, immortalizing the interconnectedness of these ancient civilizations. Size: L:15mm / W:10mm ; 2.5g Provenance: Private London collection, pre-2000s.
Ca. 1200-1400 AD.An amulet crafted from silver exudes an air of mystique with its crescent-shaped body. The gracefully curved form of the crescent creates an elegant silhouette, evoking a sense of cosmic beauty. Intricate scrollwork decorations are adorning the upper side of the amulet. These ornate designs are characterized by delicate curves and interwoven patterns. In contrast, the reverse side of the amulet remains unworked. This duality of design, with a detailed front and a simpler back, suggests the amulet's intended function as a wearable object, meant to be displayed and revered when worn. Size: L:29mm / W:25mm ; 4.06g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 664-332 BC.An amulet in the form of a writing tablet which is unique to the Twenty-sixth Dynasty and later. Rectangular in form with a suspension tube at the top and made from green feldspar. Feldspar was mined in the Libyan desert and was highly prized by the ancient Egyptians. Its green colour made it symbolic of life. Feldspar was specifically the preferred medium for scribal amulets. Cf. Carol Andrews, Amulets of Ancient Egypt, p. 86, 98, no. 99b. Size: L:27.4mm / W:14mm ; 4.04g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 664-332 BC.An Egyptian faience amulet of the god, Khnum. He is depicted striding forward, with arms by his side and his fists clenched. He wears a short kilt and tripartite wig. Cf. C. Andrews, Amulets of Ancient Egypt, 1994, p. 22. Size: L:37mm / W:14.4mm ; 2.08g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 1550-1070 BC.A janiform Egyptian faience plaque amulet decorated on both sides. On one side there is an image of a goose facing right towards a neb symbol, on the reverse, a recumbent ibex. Horizontally pierced for suspension. Size: L:10.9mm / W:18.9mm ; 3.42g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 1070-332 BC.An Ancient Egyptian faience amulet of the Eye of Horus, with details of the eyebrow and pupil enhanced with black glaze. The amulet is pierced longitudinally for suspension and features a plain, plain reverse. Size: L:21mm / W:33.1mm ; 3.77g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Northern Europe, ca. 700-900 AD.A silver pendant with an integral loop shaped like a Viking axe head. Good condition. This type of amulet is modelled after the axe Molnia and is often seen as a counterpart to the common Mjölnir amulet. Some associate these axe pendants with Perun who was the ruler of the living world, sky, and earth who used the axe to kill the snake that stole the earthly light. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London. Size: L:25mm / W:18mm ; 2.7g Provenance: Private London Collection.
Ca. 300-100 BC.A silver frog amulet, crafted with meticulous detail. This captivating piece features a stylized representation of a frog, with its legs gracefully extended and a streamlined body. The frog's form, though simplified, exudes a sense of liveliness and agility. Adorned with tiny dots along its back, the frog amulet captures the essence of the creature's textured skin, adding an element of realism to the artistic rendering. At the forefront of the amulet, a suspension loop emerges from the frog's mouth. This loop allowed the amulet to be easily attached to a chain or cord, enabling it to be worn as a protective charm or pendant. Size: L:23mm / W:15mm ; 3g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 664-332 BC.An amulet made of apple green faience of the air god Shu. He is depicted kneeling, with one knee to the ground and the other raised. His arms appear raised and bent at the elbows. The sun is represented between his raised arms. The amulet is pierced through the middle for suspension. Cf. C. Andrews, Amulets of Ancient Egypt, 1994, p. 22. Size: L:34.3mm / W:20.2mm ; 4.64g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Egypt, ca. 30 BC-300 AD.A silver eagle amulet, crafted with exceptional artistry, depicts an eagle with its majestic wings folded, imparting a sense of regality and poise. Perched atop an integral, flat base, the amulet captures the bird's commanding presence and emphasizes its association with authority and power. The eagle amulet's simplified depiction maintains a harmonious balance between artistic expression and recognizability. A suspension loop protrudes from the back of the amulet, enabling it to be easily affixed to a chain or cord. Eagles held significant meaning in the Roman world, representing a variety of concepts and entities. As powerful birds of prey, eagles were associated with deities such as Jupiter, the supreme god of the Roman pantheon, and Mars, the god of war. Eagles were also revered as symbols of the Roman Empire and its military might, often adorning standards and military insignia. This item comes with a modern necklace cord. Size: L:16mm / W:10mm ; 4.95g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 664-332 BC.A rich vibrant blue faience amulet of the Egyptian dwarf god Pataikos. The figure is shown nude, crouching with his legs apart on top of a square base. Pataikos holds his hands to either side of the protruding belly. A groove along the chest and abdomen to the navel. Well-shaped facial features, with a line incised at the limit of the shaven hair. No back pillar. Legs and arms in open-work. Grooved loop for suspension to the back of the neck. Ptah the Dwarf, also known under the Greek name Pataikos, was considered a protector of children. For another example, cf. Petrie Museum catalogue UC52692. Size: L:41.8mm / W:16.1mm ; 5.18g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 1070-664 BC.An exquisite lapis lazuli amulet modelled in the shape of a blossoming palmette, likely a lotus flower. The petals feature well-defined details which have been accomplished through incised fine lines. The amulet features a small loop carved to the top for suspension. Both the obverse and the reverse are mirrored and carry the same features. Size: L:23.6mm / W:15.6mm ; 2.88g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Late Period, ca. 664-332 BC.A multi-coloured faience pendant necklace centred with a superior Eye of Horus faience amulet. Ward off evil spirits with style with this very striking and wearable necklace. Size: L:305mm / W:50mm ; 19.42g Provenance: Private London collection; Previously with I.G.; acquired from an East Coast, USA collectior prior to 1979.
Mixed bronze artefacts (7), including Byzantine cockerel, 57mm x 37mm, arched neck with detailed feathers, holding a seed in its mouth and standing on a circular plinth; locking pin with a bird finial; amulet pendant in the shape of a boar’s tusk; 15th century pin with a solid head; 14th century knopped mace head; Celtic bead; Roman spatula [7]. Mace head fine, others very fine £80-£100 --- Provenance: all from a UK collection
Anglo-Saxon, bronze amulet figure of Frey, 7th century, 52mm x 11mm, moulded in the round, the male figure has a large bearded oval face and wears a hood which is centrally parted and tapers to the back of the neck; three small inlaid gold discs are positioned each side of the head, while two more are inserted as eyes which are set closely together; the long nose and slit mouth are shallow features; the body is narrow with his arms folded across his midriff, while the legs are short with a penis showing. Fine with a green patina and slightly uneven surface £1,000-£1,200 --- Provenance: found near Friston (Suffolk) in 2006 (PAS SF-01ACA7) This figure belongs to a small group of six in total, all found at sites along the east coast of England, representing four males and two females. The British Museum has a silver-gilt example with a loop at the top (2001, 0902.1). Frey was an Anglo-Saxon deity of Germanic origin representing fertility, and called Freyr in Norse mythology.
A RARE MESOPOTAMIAN WHITE AGATE TURTLE AMULET.2nd millenium B.C.23 mmThe animal with a round shell and flat underside. The small, protruding head with two small perforations on top, once with inlays. The four extremities are elongated (missing feet). On top, engraved cross pattern (formerly inlaid). In Mesopotamia the turtle was not only a sought-after food but also attributed with healing power, the reason why it was worn as an amulet. Wear marks. Missing parts and deposits.Provenance: U.K. private collection
A LARGE FATIMID GOLD GRANULATED RING WITH A RECTANGULAR BEZEL TABLE SET WITH A LAPIS LAZULI. 10th-12th century A.D.Stone 11x14 mm; int. diam 15,5 mm; 9,31 gr.With rounded hoop and high extended shoulders fully decorated of granulation and surmounted by a "table bezel" set with a large lapis lazuli stone. This typology is referrable to the Fatimid Severe style. Very good overall condition. Intact surface with patina deposit. Beautiful variety of the stone.For the same typology see: Marian WENZEL, the Nasser D. Khalili Collection of Islamic Art, Ornament & Amulet, pp. 42 ffProvenance: U.K. private collection acquired on the art market.
An Egyptian turquoise faience amulet of striding Sekhmet Third Intermediate Period, circa 1069-664 B.C.4.1cm highFootnotes:Provenance:with J. J. Klejman, New York, 1966.Property Sold for the Benefit of the Mozes S. Schupf Foundation, Inc.: Sotheby's, New York, 8 June 1994, lot 316 (part lot).Private collection, London, acquired at the above sale.For further information on this lot please visit Bonhams.com
A small Egyptian carnelian amulet of Bes Third Intermediate Period, circa 1069-735 B.C.2.6cm highFootnotes:Provenance:Anonymous sale; Archéologie; François de Ricqlès, Paris, 30 September-1 October 1996, lot 320 (part lot).Private collection, London acquired from the above sale.For further information on this lot please visit Bonhams.com
An Egyptian blue faience amulet of Tawaret, with modern gold ring attachment Late Period, circa 664-332 B.C.2.8cm high Footnotes:Provenance:with B.M.S., Switzerland.Private collection, London, acquired from the above on the 14 September 1981.For further information on this lot please visit Bonhams.com
An Egyptian bronze heart amulet Late Period, circa 664-332 B.C.4.4cm longFootnotes:Provenance:Previously collection of the Egyptologist Otto Wegener, Munich, 1950-1960's; and thence by descent to Tom Wegener, Paderborn.with Aton Gallery, Oberhausen.Arnold Meijer collection, the Netherlands, acquired from the above April 2004.Published:C.A.R. Andrews and J. van Dijk, Objects for Eternity, Egyptian Antiquities from the W. Arnold Meijer Collection, Mainz, 2006, p. 128, no. 2.34g.Exhibited:APM, Archaeological Museum of the University of Amsterdam, 17 November 2006-25 March 2007.Carol Andrews notes that more naturalistic representations of the heart amulet have a crescent shaped marking at the top and a hoop-shaped marking above the base, as seen on the above lot, cf.Amulets of Ancient Egypt British Museum, 1994, p.72This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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