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Lot 502
H Buffham, oil painting on board, young boy with pipes, 93 cm x 67.5 cm, signed and dated Antwerp 1895, Number 201. CONDITION REPORT: The painting we believe to be on canvas which has been laid on to a pine board. There are some blebs in the canvas. There are some just above the right hand boot and on the left thigh. There is a larger lifted area on the right hand side just below the jacket bottom. There is a further bleb to the left hand side above the accordion. The painting has a number of surface scratches and small paint losses but no real significant damage other than the raised sections mentioned.
Lot 935
CHRISTOThe Accordion-Fold Book for the Umbrellas, Joint Project for Japan and U. S. A. Photography by W. Volz. Foreword and interview by Masahiko Yanagi. San Francisco, Bedford Arts, (1991). 35,5 x 29,5 cm. Mit 2 montierten Or.-Stoffproben der Schirme in Gelb und Blau sowie 1 mehrf. gefalt. Leporello. 7 SS. Illustr. OrPp. in OrLn-Kassette mit blindgepr. Deckeltitel.Dazu: 2 signierte Postkarten des Künstlers. (Deckel der Kassette mit minimalem Lichtrand).Ex. 298/400 der VA vom Künstler e. signiert, datiert u. nummeriert.
Lot 326
Hohner Verdi III piano accordion with travel case Condition: Bellows etc appear in good order, signs of use with some dents and wear allover, case has scuffs and marks, please see images. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 207
A collection of four accordions, comprising a Fiocchi Bruxelles 'Ballone' example, a Crucianelli example, a Ranco Antonio bass accordion and a Scarlatti accordion in caseProvenance - From the estate of the late Douglas ‘Dougie’ GrayCondition report: All of the instruments show signs of heavy use and have scratches, knocks, chips and assorted faults
Lot 215
A collection of four accordions, comprising a Cesare pancotti example, a Soprani Settimio Art Deco style accordion, a Co-Operativa - L'Armonica 'Super De Luxe' and a Paolo Soprani, Castelfidardo exampleProvenance - From the estate of the late Douglas ‘Dougie’ GrayCondition report: All of the instruments show signs of heavy use and have scratches, knocks, chips and assorted faults
Lot 586
AN ALBUM OF 50 STONE RUBBINGS DEPICTING LUOHAN, QING DYNASTYChina, 19th century. The accordion album with fifty leaves, each depicting a seated luohan beneath a title inscription, with plain hardwood covers, one with an old Chinese export seal in the lower right corner.Provenance: German private collection. Old German inscription in pencil to the back of one leaf, confirming the dating and description of the present lot. Old Chinese price label to the back of one leaf and another old Chinese label to the back of another leaf.Condition: Extensive wear, wormholes mostly backed with paper strips, soiling, creasing, tears, browning to edges, some loose leaves, the wood covers with minuscule nibbling to edges, scratches, and natural age cracks.Dimensions: Cover size 30 x 16.5 cmAuction result comparison: Compare with a closely related set of ten albums of smaller size at Christie’s London in Chinese Ceramics, Works of Art and Textiles on 13 May 2011, lot 1111, sold for GBP 10,625.清代石拓《羅漢應真圖》冊頁 中國，十九世紀。一共五十頁，顯示五十個羅漢應真圖。普通的硬木封面，右下角有一個中國老出口封條。 來源：德國私人收藏，冊頁背面用鉛筆注明冊頁時期以及相關描寫。背面亦可見舊時價格。 品相：廣泛磨損，蟲洞，污跡，起皺，撕裂，邊緣變成褐色，冊頁裝幀疏鬆。木封面邊緣損壞，划痕和自然的年齡裂縫。 尺寸：封面30 x 16.5 厘米 拍賣結果比較：一套十本冊頁但尺寸稍小的《羅漢應真圖》，見倫敦佳士得Chinese Ceramics, Works of Art and Textiles 拍場，2011年5月13日 lot 1111, 售價GBP 10,625.
Lot 651
A MANUSCRIPT OF THE AMITABHA SUTRA WITH SILK COVERS, DATED 1788China. Accordion album of approximately 88 leaves, ink on paper. Besides the text there are two depictions of Buddha, one surrounded by a retinue of monks and the other flanked by two disciples, likely the bodhisattvas Avalokiteshvara and Manjushri. The imperial yellow silk cover bears a paper label with an inscription, the outer blue silk cover also with a paper label and the same inscription.Inscriptions: To the front cover, Amituo Jing (‘Amitabha Sutra’), dated to winter of the year of wushen during the Qianlong reign (corresponding to 1788).Provenance: French private collection.Condition: Good condition with wear, soiling, minor creasing, browning to edges, the front of the blue silk cover has come apart, few small losses.Dimensions: Cover size 15.8 x 7.4 cmThe Shorter Sukhavativyuha Sutra, also known as the Amitabha Sutra, is one of the two Indian Mahayana sutras that describe Sukhavati, the pure land of Amitabha. This text is highly influential in East Asian Buddhism, including China, Korea, Japan, and Vietnam.The bulk of the Sukhavativyuha Sutra, considerably shorter than other Pure Land sutras, consists of a discourse that Gautama Buddha gave at Jetavana in Sravasti to his disciple Sariputra. The talk concerned the wondrous adornments that await the righteous in the western pure land of Sukhavati as well as the beings that reside there, including the Buddha Amitabha. The text also describes what one must do to be reborn there.《佛説阿彌陀經》，1788年 中國。葉子裝88頁，紙本水墨。除文字外，還有兩尊佛像，一尊被僧侶包圍，另一尊則由兩個門徒相伴，可能是觀世音菩薩和文殊菩薩。 皇家的黃色絲綢封面，帶有一個帶有銘文的紙標籤，藍色的絲綢外部覆蓋，還帶有一個紙質標籤和相同的銘文。 封面：《佛説阿彌陀經》，乾隆年間戊申年冬(1788年) 來源：法國私人收藏. 品相：狀況良好，有磨損，污跡，輕微起皺，邊緣變成褐色，藍色絲綢蓋的正面已經散開，幾乎沒有損失。 尺寸：封面 15.8 x 7.4 厘米
Lot 267
NO RESERVE Hiroshige (Ando) Tokaido 53, 55 colour-woodblock prints, lacking pictorial map, light marginal browning, some folds torn and repaired with tape, other folds weak, original boards in leporello accordion-style binding, a little discoloured, Kyoto, [1936] § The Lark, vol.2 only (of 2), illustrations, some light browning or occasional marks, San Francisco, William Doxey, 1897, first editions; and 10 others, childrens' and illustrated, including a duplicate of the first, v.s. (12)
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