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Lot 1172
P.A. Savey? - Portrait of a seated African woman, indistinctly signed, pastel, dated '82; Ribero - Abstract African scene, signed, watercolour, 47 x 65 cm; Tzanais Picabia - Clown in a jungle, oil on board, 45 x 35 cm; Brand - Desert at sunset, watercolour, 38 x 18 cm; Oval nude, watercolour, 33 x 19 cm; Cecil Collins; Semi nude native girl, oil on canvas, 60 x 50 cm; four abstracts, indistinctly signed, pastel, 30 x 24 cm; G. McKenner - Gingero-Sentinel, pen and ink, 22 x 14 cm (8)
Lot 1179
Andy Wild - Seagull, painted on glass, signed, 39 x 40 cm; A. Watson - Study of two birds, watercolour, signed and dated '87, 35 x 26 cm; N. Cayley - pair of Emu's, oil on board, signed, 35 x 25 cm; T. Caine - Portrait of a dog, oil on canvas, signed, 19 x 24 cm; Ian Bright - Three mice, signed and dated 88, 16 x 22 cm; W.S. - Barn owl, oil on board, 45 x 35 cm; A. Watson - Australian kookaburra, signed, watercolour, 28 x 41 cm; A. Watson - Australian Kingfisher, watercolour, signed, 40 x 18 cm; Manner of Tunnicliffe - Four geese, oil on board, bears signature, 65 x 45 cm; Abstract bird in nest, oil on board, 55 x 75 cm to/w four other pictures of birds (13)
Lot 1211
Hewar? - Abstract landscape, oil on board, indistinctly signed lower left, 31 x 40 cm; A river views, oil on board, 46 x 60 cm; Blanche Seward - Mediterranean building, oil on canvas, signed lower right, 50 x 40 cm; Boats and reflections, oil on board, signed lower left with initials, 49 x 39 cm (4)
Lot 1220
Gordon Bird - Head study, oil on canvas, signed and dated 1978, 49 x 39 cm and Mother and child, oil on canvas, signed and dated 1978, 40 x 30 cm; Kristin Behge - abstract, oil on board, indistinctly signed, 43 x 36 cm; Jaksic Brown - Sunday-nedelja, oil on board, indistinctly signed, 38 x 27 cm, and a similar one by same artist; Abstract, 30 x 23 cm; Hotel/restaurant polledior, oil on board, 27 x 37 cm; Abstract, 30 x 24 cm; Trivicik, abstract, 54 x 37 cm; Abstract oil on board, 40 x 48 cm; Abstract bowl of flowers, watercolour, 49 x 77 cm; D.Y. - Abstract, initialled and dated '92, 47 x 38 cm; English school - River and trees, indistinctly signed, oil on canvas, 50 x 60 cm; Heather - Irises, watercolour, signed, 49 x 39 cm; Still life, oil on board, 49 x 38 cm; Tita Church, flower study, watercolour, 15 x 10 (16)
Lot 90
A ruby and diamond feather brooch, the abstract feather set with brilliant... A ruby and diamond feather brooch, the abstract feather set with brilliant cut diamonds, approximately 1.06 carats total, with two marquise cut ruby accents, stamped 750, 5.9cm long Condition Some very light wear, diamonds are all present and correct, bright and lively
Lot 326
A CLOGAU 9CT GOLD PENDANT AND MATCHING STUD EARRINGS from the ""Gustav Klimt Collection"", the yellow oblong panel rub-over set with a cabochon polished small amethyst, similar moonstone and larger oval moonstones on a rhodium plated abstract overlay, on a fine 9ct gold chain necklace, the matching disc studs with one moonstone, cased (2)
Lot 83
Jian Jun Xi (Chinese, born 1962), untitled, 1991, abstract oil on canvas, signed and dated to verso (125 x 133cm). Jian Jun Xi has been living and working in the United Kingdom since the 1980s. He trained at the Central Academy of Applied Arts in Beijing and later at Goldsmiths College. He started working as part of a performance duo in the late nineties with their action Two Artists Jump on Tracey Emin`s Bed (1999) at Tate Britain`s Turner Prize Exhibition.
Lot 83
Jian Jun Xi (Chinese, born 1962), untitled, 1991, abstract oil on canvas, signed and dated to verso (125 x 133cm). Jian Jun Xi has been living and working in the United Kingdom since the 1980s. He trained at the Central Academy of Applied Arts in Beijing and later at Goldsmiths College. He started working as part of a performance duo in the late nineties with their action Two Artists Jump on Tracey Emin`s Bed (1999) at Tate Britain`s Turner Prize Exhibition.
Lot 307
Hodgson (John) The Picture of Newcastle upon Tyne... including an Account of the Roman Wall, and a detailed History of the Coal Trade, folding engraved maps, plates, illustrations, Newcastle upon Tyne, 1812, manuscript notes at end entitled 'Improvements and alterations in the various publich buildings &c in Newcastle since 1788', together with lists of the 17th- and 18th century recorders, town-clerks, vicars, judges, MPs and sheriffs of Newcastle and Northumberland; bound with: Burgess (A.) The Newcastle Freeman's Pocket Companion, Gateshead, 1808; Anno decimo quarto Georgii Tertii regis. An Act for confirming to the resident Freemen.... of Newcastle, their full right and and benefit to the herbage of the Town Moor....', 19 pp., [np, nd]; Abstract of an Act... for widening, enlarging, and cleansing the streets, lanes... within... Newcastle upon Tyne, Newcastle upon Tyne, 1786; with 2 other printed extracts relating to the making and storing of gunpowder in Newcastle, 12mo, later half calf, bookplate of Thomas Bell.
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