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Karl Korab (b.1937) AustrianAbstractSigned, lithograph, together with a companion work by the same hand and a print after Marino Marini, 34cm by 28cm, 32.5cm by 28cm and 38cm by 28cm respectively (3)

A Pair of South American Molas, together with an oil on canvas, depicting a tree lined road, an Abstract of a nude and a Bike to Work advertising sign (5)

Séguy (E.A.) Floréal: Dessins et Coloris Nouveaux, first edition, title, half-title and 17 (of 20) colour pochoir plates only, loose as issued, most with tissue-guard laid down to verso, lacking no.1, 5 & 18, no.9 with small patch of water-staining affecting image, a few with short marginal tears or frayed edges, some light foxing to margins, lacking portfolio case, folio, Paris, A. Calavas, [c.1925]. *** In these stunning semi-abstract designs, Emile-Allain Seguy uniquely combines Art Nouveau and Art Deco styles. The pochoir technique in particular, popular in France at the turn of the 20th century, allows the artist to capture the vibrancy of colour of the flora that visually underpin this work. 

A COLLECTION OF JEWELLERY ITEMS The first a Celina Serbri hardstone necklace, with brass flower head clasp with a central mabé pearl, to a multi strand sodalite bead and hardstone bead necklace, the clasp with engraved signature; together a Jane Waling abstract silver brooch, London 1995, with a pierced volcano like circular panel with gilt center, JMW maker's mark; and a further silver scrolled brooch by Jane Watling, London 1990, JMW maker's mark; a carved tigers eye gourd pendant suspended from a black stone and tigers eye bead necklace, with cast bead spacers; and additional freshwater cultured pearl and blue paste bead necklace Size/dimensions: first necklace 44cm long; first brooch 5.7cm diameter Gross weight: 546 grams Condition Report: The first necklace has a broken strand, benefit from restringing, clasp is base metal Brooches- some light wear commensurate with use Condition Report Disclaimer

Large mixed collection of assorted comics from various publishers to inc. Piranha Press, Antarctic Press, Speakeasy Comics, Monster Comics, Abstract Studio, etc. (approx. 125)

Matchbox Superfast MB Series later issues, a boxed group of Models to include, MB37 Nissan 300ZX "300ZX" - Yellow, MB55 Ford Sierra XR4I "Texaco", MB63 VW Golf GTI "Abstract" and others similar. Conditions appear Excellent to Mint in generally Fair to Excellent window boxes. (16)

John Mulvey (b. 1939), 'Forest Floor 1', verdigris effect cast bronze abstract sculpture, on a serpentine marble plinth base, signed and dated 1982, numbered 2/12, 68.5cm high

A large vintage Poole Pottery Delphis charger with brightly coloured abstract decoration on an orange ground

A large vintage West German pottery vase with a central band of abstract orange and red decoration on a mottled green glaze ground

Limited edition print by Angela Thorpe "Kitchen Window" 7/10, an abstract canvas picture and floral picture by Diane Woolley, print of a boy and a dog

A late Victorian silver topped glass inkwell, with a stylish green infused clear glass bottle of abstract shape, hallmarked by Hukin & Heath, London, 1900, on a later purpose made Edwardian rectangular oak desk pen and ink tray, with triangular silver mounts to sides, hallmarked London, 1902, on four circular feet, approx. 31cm wide x 21cm deep, ink well approx. 9.5cm high x 10.5cm wide. Further details: ink stand has split, nibbles, wear to leather, tarnishing to silver mounts. Glass ink well has minor nibbles, wear and slight scratching, silver top tarnished, minor dent / nicks and wear.

George Richard Deakins (1911-1982) - Three framed and glazed watercolours, all of same size, one of couple walking within trees by road, other two of abstract scenes, all signed to paper border lower right George. R. Deakins, each approx. 19.5cm x 14.4cm, framed approx. 31.8cm x 26.7cm (3). Further details: glass in good order, frames loose to all three, one has hanging rope broken, some marks / foxing to areas but paintings generally good.

A large Ulmer Keramik West German baluster vase with French town painted scene with French mottos and couple walking down street, approx. 38.5cm high; along with a Soholm of Denmark, large circular dish with stylish abstract design of various colours, approx. 36cm diameter. (2)

Raised abstract design colored in earth tones of browns and greens set on gilded metal stand. Round pull opens lid to felt lined interior. Dimensions: 15"L x 10"W x 10"HCondition: Age related wear. Right hand hinge needs repair. Minor chips.

An exquisite white plate, adorned with intricate floral and abstract patterns, beautifully framed by a luxurious golden rim. Meissen backstamp. Dimensions: 2"H x 10.5" dia. Manufacturer: MeissenCountry of Origin: GermanyCondition: Age related wear.

[BELL, Vanessa (1879-1961)] - Manet and the Post-Impressionists. Nov. 8th to Jan 15th 1910-11, London, Grafton Gallery, [1910], 8vo, 38-page exhibition catalogue, wrappers. FIRST EDITION, IMPORTANT ASSOCIATION COPY, SIGNED BY VANESSA BELL ON THE WRAPPER.[BELL, Vanessa (1879-1961)] - [Exhibition Catalogue:] Manet and the Post-Impressionists. Nov. 8th to Jan. 15th 1910-11. 10 a.m. to 6 p.m. (Under Revision). London: Ballantyne & Company Ltd [for Grafton Galleries], [1910]. 8vo (178 x 120mm). 38-page exhibition catalogue, advertisements (some very light mainly marginal spotting and staining, very lightly browned throughout). Original printed wrappers (detached, lacking backstrip, some fraying and short marginal tears not affecting letters, each wrapper lightly stained at one edge). FIRST EDITION, IMPORTANT ASSOCIATION COPY, SIGNED BY VANESSA BELL ON THE UPPER WRAPPER. The exhibition held at the Grafton Galleries in London was a ground-breaking succès de scandale which first established the term 'Post-Impressionist'. It contained previously unseen works by Manet, Cézanne, Gauguin, Matisse, Picasso, Seurat and Van Gogh, among others, and shocked the British artistic establishment which remained largely Victorian in outlook, as revealed in the vitriol of contemporary reviews with their accusations of 'degeneracy'. On the gallery's "Honorary" and "Executive" committees were Clive Bell - Vanessa Bell's husband - Roger Fry, Lionel Cust, Lady Ottoline Morrell and, its Secretary, Desmond MacCarthy. In the catalogue's 7-page introductory essay, unattributed but probably by Roger Fry, the writer (commenting specifically on Matisse, although his words could apply more generally to the artists on display) states: "... this search for an abstract harmony of line, for rhythm, has been carried to lengths which often deprive the figure of all appearances of nature. The general effect ... is that of a return to primitive, even perhaps of a return to barbaric, art. This is inevitably disconcerting ..." Vanessa Bell (née Stephen), who has signed the upper wrapper of this catalogue in ink, was an English painter and interior designer, a prominent member of the Bloomsbury Group and sister of Virginia Woolf. Provenance: Included in the lot is Sotheby's 'Charleston' catalogue for its sale held on 21st July 1980, containing 130 lots "... donated from various sources to be sold for the benefit of The Charleston Trust ..." and in which the present exhibition catalogue ("Vanessa Bell's copy") is included as lot 225 with the footnote "The celebrated exhibition which introduced Post-Impressionism into this country"; loosely-inserted is an accompanying autograph note from the buyer. RARE.

William Gear R.A. (British, 1915-1997)Abstract signed and dated 'W. GEAR//57' (lower right)oil on canvas64.5 x 74cm (25 3/8 x 29 1/8in).Footnotes:ProvenanceSale; Christie's, London, 16 October 2003, lot 689, where acquired by the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost R.A. (British, 1915-2003)Untitled Abstract signed and dated 'Terry Frost 84' (lower right)acrylic on collage on paper38 x 58cm (14 15/16 x 22 13/16in).Footnotes:ProvenanceThe Artist, from whom commissioned by the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Richard Smith (1931-2016)Untitled Abstract signed, dated and dedicated 'R Smith 94/love/Dick' (on canvas verso), also dedicated 'FOR GORDON + JO' (on canvas overlap)oil on canvas49 x 51cm (19 5/16 x 20 1/16in).(unframed)Footnotes:ProvenanceThe Artist, by whom gifted to the family of the present owner, and thence by descentPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Michael Ayrton (British, 1921-1975)Evening Shore signed and dated 'michael ayrton Dec 60' (upper left)oil on canvas61 x 73.5cm (24 x 28 15/16in).Footnotes:ProvenanceRobert Merrill, FloridaWith Matthiesen Ltd, LondonAyrton painted a series of near-Abstract images inspired by the Greek coast at evening and by night. We are grateful to Dr Justine Hopkins for her assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Paul Feiler (British, 1918-2013)Untitled Abstract signed and dated 'FEILER 63' (lower right)chalk, charcoal and gouache on paper26.5 x 25cm (10 7/16 x 9 13/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Wells (British, 1907-2000)Abstract Relief signed, dated and inscribed with Artist's address 'John Wells. 1966./Anchor Studio/Trewarveneth Street/NEWLYN./CORNWALL' (on board verso)oil on wood relief55.5 x 18.5cm (21 7/8 x 7 5/16in).(unframed)Footnotes:ProvenanceT. W. (Fello) Atkinson, and thence by descent to the present ownerPrivate Collection, U.K.For further information on this lot please visit Bonhams.com

Clarke Hutton (British, 1898-1984)Untitled Abstract signed and dated 'Clarke Hutton/1977' (to backboard)oil, ball-point pen and pencil on panel23 x 40cm (9 1/16 x 15 3/4in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A South West Persian Abadeh rug / carpet, hand-knotted with intricate pattern of abstract motifs, within a field of stylised floral stems, in rich tones of red, deep blue, pink, and white, 215cm x 165cm.

A South West Persian Lori rug / carpet, hand-knotted with a central hexagonal medallion in deep blue, within a field of abstract motif in red, blue, and white, 220cm x 173cm.

A colour patterned abstract by Elizabeth Allen titled 'Into the Labyrinth' unsigned, framed and glazed, 73cm w x 73cm hLocation:If there is no condition report shown, please request

A GOOD ABSTRACT BRONZE STANDING FIGURE on a rectangular base. 60cm high.

A LARGE ABSTRACT BRONZE VIOLIN. 94cms high.

Street art by Fan HC. A set of pine bi-fold doors from Camden Lock market painted by Fanakapan in 2014, then removed during market renovation in 2016. Fan, abbreviated from Fanakapan is a separate artist but often works in collaboration with the Horror Crew (hence Fan HC). Their popular work appears across East London and often creates non-offensive art that will bring a smile to people’s faces. Commonly depicting balloons, lifelike animals and abstract colourful objects, they pioneered the balloon style of street art. Instagram: @fanakapan . Approx W 244cm, H 206cm. All the doors offered in this sale were painted between 2014-15 by different established artists. The project was organised by an advocacy group called 'The Real Art of Street Art' to visually enhance the wider Camden Lock market area. Called 'an outdoor art gallery' by some at the time, the street art project received a great response from the public while erected. 

Street Art. A set of pine bi-fold doors from Camden Lock market painted by an unknown artist in 2014, then removed during market renovation in 2016. This portrait of a girl with blue hair is indistinctly signed ‘Marjie’(?) . Their abstract style has some stylistic overlaps with that of Brazilian artist Rodrigo Branco whose work was displayed only two sheds down from this one. Approx W 244cm, H 206cm. All the doors offered in this sale were painted between 2014-15 by different established artists. The project was organised by an advocacy group called 'The Real Art of Street Art' to visually enhance the wider Camden Lock market area. Called 'an outdoor art gallery' by some at the time, the street art project received a great response from the public while erected.  

Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Vase decorated with abstract figure, 1979  Glazed stoneware  Marked 'BR', together with signed Rooke Gallery certificate  60cm high  (ARR) Provenance  Bernard Rooke Gallery  Private collection, UK  Footnote  Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few. 

Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Abstract vase, 2000  High fired earthenware Marked 'BR', together with signed Rooke Gallery certificate  50cm high  (ARR)  Provenance  Bernard Rooke Gallery  Private collection, UK  Footnote  Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.    

Peter Wright (1919-2003) Two abstract interlocking figures, circa 1970s Porcelain Signed 'Wright' and numbered '78.200' 14cm high (ARR) 

A contemporary abstract framed print. Depicting small pattern circulars with depth illusion in a yellow and brown tones. Measures approx. 80cm x 80cm. Framed and glazed.

TWO VINTAGE ABSTRACT PAINTINGS

AN ASSORTMENT OF FRAMED COPPER ETCHINGS AND ABSTRACT IMAGES ETC

A collection of framed still life, abstract, watercolour scenes etc. Artists including artists A.Blockley.

A framed abstract watercolour painting titled View from Australia. Frame dimensions 70x70cm. This lot cannot be posted. NO RESERVE

A collection of framed abstract prints including Adrianne Wortzel Gift of the Nile 1993 etching. This lot cannot be posted. NO RESERVE

A collection of Framed abstract art including mid 20th century artist John Horwill. Frame Dimensions range from 40x48 to 44x64cm This lot cannot be posted

A collection of Framed abstract art including 21st century artist Jonathan Millward, Shirley Trevena still life pears. This lot cannot be posted

A collection of modern framed sketches and abstract art, prints etc. This lot cannot be posted

A large modernist abstract oil on canvas of a nude reclining and holding hands, 123 x 155cm

An ADRI 1970's tile top chrome coffee table with trestle base, abstract floral design, 108 x 46 x 41cm high 1 tile in corner of table has a corner crack 4 x 5 x 7cm

A large modernist abstract oil on canvas of turquoise reeds etc, 123 x 155cm

Donald Hamilton Fraser (British, B. 1929-2009) Limited Edition Screen-print Beachscape Sutherland By Contemporary Printmaker Limited Edition 17/195 In A Glazed Black Wood Frame 102 x 86cm Donald Hamilton Fraser Sadly Passed Away In September 2009. He Exhibited His Highly Acclaimed Work In Paris New York Tokyo Zurich And Many Other Cities Around The World. The List Of Galleries That Own Or Have Exhibited His Work Is Phenomenal. Donald Participated In Many Of The Most Significant Exhibitions Of British Work Including The Royal Academy 25 Years Of British Painting, Where He Was Also A Royal Academician And A Trustee Since 1995. Donalds Predominant Subject Matter Was Landscape. Here He Combined His Scottish Decent And His Affinity With French Painting From His Study There In The 1950 This Is Greatly Reflected In His Style And Execution. He Layered Thick Bright Paint With A Palette Knife To Produce An Almost Collage Effect. The Landscapes Remain Close To Their Origins Whilst Forming Abstract Almost Dream-Like Fields Of Colour. ( Asset No: HH/226)

Maureen Davis Flood Waters Soft Pastel And Gouache Signed Framed Art In White Wood Profile Frame 85 x 77cm Maureen Is A British Artist After Completing Her Foundation Course At St Albans College Of Art, Maureen Davies Attended The Central School Of Art In London Where She Obtained A BA In Textile Design And Won An RSA Bursary. Maureen Is A Multi-Award Winning Artist. In 2011 She Became A Member Of The Society Of Women Artists, And In 2017 Was Elected A SWA Council Member. Maureen Work Is Concerned Principally With Sunlight And The Way It Transforms The Landscape Into Colours And Patterns. Some Works Are Literal In Their Interpretation, While Some Are More Abstract. ( Asset No: HH/228)

Maureen Davis Forest Stream Mixed Media Signed Framed Art In White Wood Profile Frame 64 x79cm Maureen Is A British Artist After Completing Her Foundation Course At St Albans College Of Art, Maureen Davies Attended The Central School Of Art In London Where She Obtained A BA In Textile Design And Won An RSA Bursary. Maureen Is A Multi-Award Winning Artist. In 2011 She Became A Member Of The Society Of Women Artists, And In 2017 Was Elected A SWA Council Member. Maureen Work Is Concerned Principally With Sunlight And The Way It Transforms The Landscape Into Colours And Patterns. Some Works Are Literal In Their Interpretation, While Some Are More Abstract. ( Asset No: HH/230)

Donald Hamilton Fraser. (British, B. 1929-2009) Artist Proof Screen-print Beachscape Skerray By Contemporary Printmaker Donald Hamilton Fraser. (British, B. 1929) Limited Edition Series Of Which This Is The Artist Proof In A Glazed Black Wood Frame 102 x 86cm Donald Hamilton Fraser Sadly Passed Away In September 2009. He Exhibited His Highly Acclaimed Work In Paris New York Tokyo Zurich And Many Other Cities Around The World. The List Of Galleries That Own Or Have Exhibited His Work Is Phenomenal. Donald Participated In Many Of The Most Significant Exhibitions Of British Work Including The Royal Academy 25 Years Of British Painting, Where He Was Also A Royal Academician And A Trustee Since 1995. Donalds Predominant Subject Matter Was Landscape. Here He Combined His Scottish Decent And His Affinity With French Painting From His Study There In The 1950s. This Is Greatly Reflected In His Style And Execution. He Layered Thick Bright Paint With A Palette Knife To Produce An Almost Collage Effect. The Landscapes Remain Close To Their Origins Whilst Forming Abstract Almost Dream-Like Fields Of Colour. ( Asset No: HH/227)

Matthew Dibble, July 2018 American, Echoing Continental Mixed Media Oil And Paper On Canvas Matthew Dibble, July 2018 American artist Matthew Dibble creates abstract and distorted figurative paintings and collages that express the relationship between inner and outer states of being. Matthews Abstract Expressionist approach and gestural mark making echoes the styles of Willem de Kooning, Jackson Pollock and Lee Krasner. On a quest for sincerity, Matthew is fascinated with the nuances of modern and postmodern sensibilities. The energy that exudes from Matthew canvases is dynamic, direct and fearless; he creates art that is as powerful through its visual impact as it is through its sense of depth Matthew style is unique in its extreme versatility. His signature gestural abstract paintings stand at odds with his figurative collages to form a portfolio of work that is captivating through its complexities. Matthew collection of monochrome paintings draw the viewer in through advancing and receding planes that construct the depth of each piece. Just as detailed and energetic as Matthew colourful works, these pieces engage with one another as they merge motifs, shapes and brushwork Framed 132 x 160cm

Maureen Davies Framed Art Titled Winter Light Along The Itchen Mixed Media Signed And Dated 2017 In A White Wood Profile Frame 89 x 78cm Maureen Is A British Artist After Completing Her Foundation Course At St Albans College Of Art, Maureen Davies Attended The Central School Of Art In London Where She Obtained A BA In Textile Design And Won An RSA Bursary. Maureen Is A Multi-Award Winning Artist. In 2011 She Became A Member Of The Society Of Women Artists, And In 2017 Was Elected A SWA Council Member. Maureen Work Is Concerned Principally With Sunlight And The Way It Transforms The Landscape Into Colours And Patterns. Some Works Are Literal In Their Interpretation, While Some Are More Abstract. ( Asset No: HH/48)

Pooja Shah Acrylic On Canvas Abstract Acrylic Painting With Texture From The Etching In Of Marks In The Under Layers On Gallery Wrapped Canvas With A Gloss Varnish Signed Verso 125 x  65cm Pooja Shahs Unique And Fresh Style Uses A Lot Of Colour, Silhouettes, Sometimes Geometric Designs, And A Lot Of Different Art Styles That Range From Street Art To Cubism To Create Absolutely Unique And Fresh Art Pieces ( Asset No: HH/151)

Maureen Davis Alpine Stream Mixed Media Signed Framed Art In White Wood Profile Frame 60 x 76cm Maureen Is A British Artist After Completing Her Foundation Course At St Albans College Of Art, Maureen Davies Attended The Central School Of Art In London Where She Obtained A BA In Textile Design And Won An RSA Bursary. Maureen Is A Multi-Award Winning Artist. In 2011 She Became A Member Of The Society Of Women Artists, And In 2017 Was Elected A SWA Council Member. Maureen Work Is Concerned Principally With Sunlight And The Way It Transforms The Landscape Into Colours And Patterns. Some Works Are Literal In Their Interpretation, While Some Are More Abstract. ( Asset No: HH/229)

Corinne Natel (C.J. Natel) Everythings Vivid, Acrylic, Ink, Glitter And Mixed Media On Canvas signed and dated 2018 Now Everything Vivid is a series created during Corinne art residency at Bankside Hotel with Degree Art. The series is a collection of abstract paintings looking at colour and form, investigating how colour and form work together, their relationship with negative space, how colours work with one another to create a sense of energy and a language in themselves. The work aims to create a sense of energy from painting in a unique space with the city surroundings in London, the vibrancy of the south bank and the inspiration from being by the River Thames Corinne Natel is a contemporary London artist, specialising in mixed media abstract paintings. Her work is inspired by landscapes, nature, cities, travel, fashion, media and investigates colour, form, space and texture. She often works on seasons or nature based environments with colour, how colours work with one another and the colour relationship with the season or environment Working with different forms of mixed media, a blank white canvas takes on a new form through the expression of energy and begins to develop a life of it's own and a new entity, aiming to create vibrant and emotive works that allude to another world. Corinne has sold works in the UK and internationally, for homes, offices, hotels, cruise ships, restaurants; exhibited in solo and group shows, as well as at prestigious London Hotels and leading Art Fairs 106 x 106cm

MICHAEL MULCAHY (b.1952) Abstract study Pastel on paper, 65 x 50cm SignedProvenance: Sale, these rooms, Dublin 5 April 2005, lot no. 205

MICHAEL MULCAHY (b.1952) Abstract compositions A pair, charcoal and graphite on paper, 76 x 57.5cm Signed lower right Provenance: Sale, these rooms, Dublin 5 April 2005, lot no. 203

John Kingerlee (b.1936)Untitled - Grey AbstractMixed media, 22 x 30cmSigned with artist's device

MICHAEL MULCAHY (b.1952) Abstract form Oil and watercolour on paper, 76.5 x 57cm Provenance: Sale, these rooms, Dublin 5 April 2005. lot no. 204

Mid to late 20th Century oil on canvas, abstract composition, unframed, 90cm square

Pair of mixed media abstract studies, indistinctly signed, 29 x 22cm, framed