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Lot 766
A LARGE CHINESE FAMILLE ROSE FIGURE OF BUDAI HE SHANG EARLY 20TH CENTURY He sits in a relaxed pose with a cheerful expression on his face, dressed in bright turquoise and cherry-coloured robes decorated with blossoms and abstract designs, he holds a string of beads in one hand and a large sack in the other, the base with a four character impressed mark, together with a wood stand, 25.5cm high. (2) Provenance: from an English private collection, acquired in Asia c.1920, and thence by descent.
Lot 575
A SAFAVID GOMBROON WARE BOWL 17TH/18TH CENTURY The well with a circular raised boss painted with black stars, the medallion surrounded by underglaze blue prongs and further black stars, with a pierced abstract design to the cavetto, the rim painted with clusters of four black dots, decorated in a white glaze which stops short of the straight foot, 18.9cm. Provenance: from an English private collection, West Yorkshire, purchased from E & H Manners on 5th October 1992. A copy of the invoice is available. Cf. Christie's London, 17th April 2007, lot 6 for a very similar Gombroon bowl; see also Sotheby's London, 6th October 2010, lot 210 for another example; see also the Victoria & Albert Museum, museum no.C.1956-1910 for a related bowl.
Lot 424
A silver and silver gilt commemorative chess set Cyril Endfield, London 1973, each composed of abstract chess figures, the pawns contained in a plexi-glass tube, with the remaining pieces forming the outer case(Length: 24cm, combined weight: 15.8oz)Footnote: The chess set is an example of the official commemorative chess set for the 1972 chess match between the American player Bobby Fischer and the Russian Boris Spassky. The set was originally made in a limited edition of six, followed by a number of unsigned sets G S. May Esquire Private Collection.
Lot 722
A late 1960's Danish Georg Jensen silver and green enamel abstract brooch, designed by Henning Koppel, design no. 315, 37mm, gross 17.1 grams, with Jensen box.CONDITION: R.E.P. 1982 engraved on the back of the brooch. A few very minor scratches to the metal commensurate with some use. Enamel in good order. Marks clear.
Lot 1033
Cheng Xiangxun (geb. 1956)Flusslandschaft im Mondlicht. Datiert 1988, unter Glas gerahmt. Blaue Aquarellfarbe auf Papier. Unten rechts Signatur des Künstlers: „Chen Xiangxun“. Drei Siegel des Künstlers. Auf der Rückseite ist der Bildtitel in Bleistift notiert und das Bild datiert: „Der Mond ist in der Heimat am hellsten, 1988“ (yue shi guxiang ming, 1988)CHINA, datiert 198869 x 69 cm, R.Provenienz: Aus einer deutschen Privatsammlung, in den späten 1990er Jahren erworben - Gut erhaltenCHEN XIANGXUN (born 1956), River Landscape in Moonlight, China, dated 1988. Framed under Glass, 69 x 69 cm, blue water color on paper. At the bottom on the right signed by the artist: „Chen Xiangxun“. Three seals of the artist impressed on the painting.On the back of the picture the title of the painting is noted in pencil and the date given: „The Moon is Bright in the Homeland, 1988“ (yue shi guxiang ming, 1988). A River of South China flowing amidst tall pines shines bright in the moonlight diving the whole painting into a fresh blue color. Chen Xiangxun was born in Hangzhou in 1956 and lives and works there. He specialized in painting landscapes in a very abstract traditional style with color as the main mean of expression. His paintings have usually a square format and are framed in the Western tradition - Property from a German private collection, acquired in the 1990s - Good condition
Lot 385
A COLLECTION OF THIRTY-THREE JAPANESE BEADS, OJIME MEIJI PERIOD AND LATER, 19TH AND 20TH CENTURY Thirty made of metal and the three others in bone, variously shaped with abstract geometrical designs, stylised flowers, one a small frog on a rock, another Chokaro Sennin's gourd adorned with his horse, a third modelled as a coin, 2cm max. (33) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 386
A COLLECTION OF THIRTY-TWO JAPANESE BEADS, OJIME MEIJI PERIOD AND LATER, 19TH AND 20TH CENTURY Thirty made of metal and the two others in bone, variously shaped with abstract geometrical designs, stylised flowers, one a small Daruma doll, another a paper lantern, 2cm max. (32) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 267
FOUR JAPANESE PAPER FAN PAINTINGS EDO PERIOD AND LATER, 18TH CENTURY AND LATER The first in ink and mica on paper depicting a monkey, signed Sosen hitsu and with a red seal mark for Sosen, after Mori Sosen (1747-1821); the second with a large toad and its young, signed; the third with foliage and calligraphy, and the last with an abstract design in gold and colour, possibly inspired by Ainu textiles, 51cm max. (4)
Lot 67
δ Various ArtistsThe Penwith PortfolioThe complete portfolio comprising eleven lithographs and one screenprint in colours, 1973, the Lanyon with a stamped signature, the others all signed in pencil, numbered from the edition of 90, printed by Stanley Jones at Curwen Studio, London, published by Penwith Galleries Ltd., St Ives, on TH Saunders wove paper, the sheets loose in the original paper folders and brown linen covered portfolio, each sheet circa 559 x 763mm (22 x 30in) (11) (unframed)Artist's include: Robert Adams (Screen Form); Alan Davie (Bird Through The Wall); Merlyn Evans (St Ives Beach); Duncan Grant (Interior); Dame Barbara Hepworth DBE (Moon Landscape); Peter Lanyon (The Returned Seaman); Bernard Leach (Drawing for a pot); F E McWilliam (Women of Belfast); Henry Moore (Silhouette Figures with Border Design); Ben Nicholson OM (Abstract 1936); John Piper (Annunciation to the Sheperds); Michael Rothenstein (Sunrise at 36,000 feet).δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 6541
Huang-Anhänger, Nephrit-Jade, China, um 1900 Gebogener Amulett-Anhänger mit je einem Drachen-Emblem (kui-long) an den Enden. Trefflich abstrahierte Köpfe mit fein gearbeiteten Gesichtszügen. Die ineinander übergehenden Drachenkörper mit Lei-wen-Dekor. Der symmetrische Anhänger oben mittig mit zwei phönixähnlichen Vögeln. An der Bogenunterseite ein weiterer Drachen mit zwei Körpern. Dieser Huang-Typus gehört zu den sechs traditionellen Ritual-Jaden der chinesischen Frühzeit. Gelbbraune Nephrit-Jade mit Spuren von Verkrustungen. Intakt. Länge 15,1 cm. Provenienz: Aus süddeutscher Sammlung, erworben vom Vater in den 1920er und 1930er Jahren in China. Zustand: II A Chinese jade Huang-pendant, circa 1900 Curved amulet pendant with a dragon emblem (kui-long) at each end. Exquisitely abstract heads with finely worked facial features. The merging dragon bodies with Lei-wen decoration. The symmetrical pendant in the top centre with two phoenix-like birds. On the underside of the arch another dragon with two bodies. This Huang type belongs to the six traditional ritual jades of the early Chinese art. Yellow-brown nephrite jade with traces of incrustations. Intact. Length 15.1 cm. Provenance: From a South German family collection, acquired by the father in China in the 1920s and 1930s. Condition: II
Lot 2580
A pair of 18ct gold, cultured pearl and diamond set pendant earrings, each mounted with a grey tinted freshwater cultured pearl to the drop, the diamond surmount in an abstract design and with post and associated butterfly clip fittings, gross combined weight (excluding the butterfly clips) 8 gms.
Lot 2485
A 9ct white gold, grey tinted Tahitian cultured pearl and diamond set pendant, in an abstract design, with a silver neckchain, on a boltring clasp and a pair of 9ct white gold, grey tinted Tahitian cultured pearl and diamond set earrings, the backs with white gold posts and with silver butterfly clips, (2).
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65291 item(s)/page