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Fine Wine & Port, Curiosities, Fans, Textiles, Waterloo, Watches, Snuff Boxes & Country House Sales : A miscellany of topics featured in a collection of 19 academically & historically annotated and provenanced colour illustrated catalogues from premier auction houses dating from 20th. & 21st.C. A significant reference resource not always available elsewhere.' CONDITION REPORT: Vg/nf
JAMES POWELL WHITEFRIARS; a collection of clear glasses including a sherry glass with trumpet bowl and double twisted stem to plain foot, a wine glass with dimpled rounded square section bowl, baluster stem and part moulded foot, a pair of champagne goblets, a pair of liqueur glasses and eight further sherry/port glasses (15). CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
JAMES POWELL WHITEFRIARS; a set of four port/sherry glasses with engraving attributed to Hillebauer, the bowls decorated with ferns and floral sprays and monogrammed initials "TGW", height 11.6cm, also a pair of matching small wine glasses, height 11.2cm (6). CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
DOMINIC SERRES R.A. (1719-1793)Ships of Admiral (Lord) Rodney's Fleet escorting the captured French flagship Ville de Paris, into Port Royal, Jamaica after the Battle of the Saintes, April 1782signed and dated 'D. Serres 1788' (lower left)oil on canvas39 x 60 in (99.1 x 152.3cm)Literature:Alan Russett, Dominic Serres RA, 1719-1793, War Artist to the Navy, Antique Collectors' Club, Woodbridge, 2001, pp. 76-77 and colour plate 26 (for another version of this work), and pp. 154-156.The Battle of the Saintes was one of the many naval engagements of the eighteenth century fought amongst the immensely valuable 'sugar' islands of the West Indies. Towards the end of the American War of Independence, by which time both France and Spain had allied themselves to the infant republic of the United States in the hope of territorial gain at England's expense, the French campaign in the Caribbean had already been alarmingly successful. When, in the spring of 1782, the French prepared to mount a major offensive against the island of Jamaica, Admiral Rodney realised that a regular fleet action was his only means of stopping them. The French fleet, under the Comte de Grasse, sailed from Fort Royal, Martinique, on 8th April; Rodney soon intercepted it and a partial engagement took place the following day. To begin with de Grasse had the advantage but lost it, and the battle quickly developed into a running fight lasting another three days. On the morning of 12th April, Rodney finally brought the French to action off Les Saintes, a group of small islands situated in the channel between Guadeloupe and Dominica. Initially adopting the traditional strategy, Rodney then astonished the French by piercing their line of battle in two places and throwing them into utter confusion. Before long their flagship, the 104-gun Ville de Paris, was surrounded and forced to surrender, and although de Grasse's second-in-command escaped with a small number of ships, it was nevertheless a decisive defeat for the French and saved the precious island of Jamaica from invasion.Following this extremely welcome victory, six months after General Cornwallis's humiliating surrender at Yorktown, Virginia, Rodney kept the bulk of the fleet near Guadaloupe to refit as well as to keep watch for French stragglers, and it was not until 18th April that he set sail for Jamaica. Arriving off Port Royal a few days later, Rodney's fleet escorted their prizes, numbering no less than seven captured French ships-of-the-line, including the magnificent Ville de Paris, a frigate and a sloop, into harbour where they were accorded a triumphant welcome. Three months later, with the War now over, Rodney left Port Royal for home and arrived in England to receive yet another hero's welcome, a peerage and the 'Thanks of Parliament'.Once back in England, Rodney soon became one of Dominic Serres's patrons and commissioned several works illustrative of his exploits in the West Indies, not least at the Saintes. However, the painting offered here is something of an enigma in that not only is it dated 1788 - six years after the event - but there is also another version (but smaller at 12 x 18ins; 30 x 46cms.) for no obvious reason at Ickworth House in Suffolk which is likewise dated 1788.Moreover, the painting offered here once had a companion work [of the Battle of the Saintes] which was sold at Christie's, London, in 2006, at which time the sale cataloguer suggested a possible provenance stretching back to John Calcraft the Younger (1765 -1831), a long serving Member of Parliament. However, as there is no apparent connection between Mr. Calcraft and either Lord Rodney or the Royal Navy in general, it is intriguing to speculate who else might have commissioned such a pair. In view of the prominence given to the ship's name Ardent in this work, a likely candidate must surely be Captain Richard Lucas of the Ardent, the only clearly named vessel depicted. Lucas, hitherto a lieutenant, had been appointed to the rank of a commander in March 1782, having been repeatedly in action the previous month, and was then remarkably quickly promoted captain on 14th April. At the Saintes he was in command of the fireship Salamander and even though she was not needed in the close-fought action, when it was over he was immediately given command of the Ardent, a fine 64-gun English ship built in 1764 but which had been captured by the French off Plymouth on 17th August 1779. Recaptured at the Saintes, Ardent was a particularly valuable prize in terms of a morale boost if nothing else, and Lucas's pride as he sailed her into Port Royal - which, as it happened, proved to be the high point of his career - would seem an obvious subject to commemorate for posterity.We are grateful to Michael Naxton for his help in the cataloguing of this lot
16 1950/51 Swindon Town home football programmes to include Crystal Palce, Exeter City, Newport, Northampton, Bristol City, Bristol Rovers, Brighton all 1950, Bournemouth, Norwich City, Port Vale, Reading, Ipswich Town, Aldershot, Walsall, Millwall, and Chippenham Town in The Wilts Pro Shield Final overall gd with the usual scuffs to red covers
Cardiff City Football Club - Exceptional collection relating to the 1945/46 season to include season ticket card for Directors Box, privately taken photos of match action (4), team line up's cut from programmes with Port Vale signed by 11 CCFC players, v Leyton Orient signed by 8 CCFC & 11 LOFC players plus press cuttings of matches
A collection of eleven various pocket advertising Crown cork opener corkscrews including "Hennessy's Three Star Brandy", "James Moffat Old Steeple Bar Dundee", "Seager's London Gin", "Chapman's Crown Lemon Stone Ginger Beer", "Tolly Ales and Beano Stout / Great Eastern Section of the L & NER", "Welsh Hills Mineral Waters / Thomas & Evans Limited", "LMS Hotels Wastall's for Pavala Port", "Of Great Service to the Busy Housewife A Corkscrew" and "232 Flannel The Trousers for All the Year Round", together with five further pocket corkscrews (14)
Views of Channel Islands. Willmore after Birket Foster, Moulin Huet Bay, Guernsey, engraving; L Haghe after T Compton, St Peter's Port from Castle Cornet, lithograph; N. de Caris after W. Gauci, Elizabeth Castle, Jersey, engraving, pub. Hullmandel 1831; W. H. Toms after Bastide, Prospect of St Peter's Port and Town in the Island of Guernsey, engraving, c. 1735; with three others (7)
A Rennaissance, probably Richard II, sapphire-set gold ring, the pear-shaped cabochon sapphire is set in a plain yellow gold rubover closed back mount, with flat gold shank. Size J. The sapphires found in Medieval jewellery were mined in Sri Lanka, and were brought along the Silk Road - as they had been in Roman times - and through Constantinople to Venice, Genoa and other European port cities. Accompanied by report number 5776-6738 dated 1st September 2016 from GCS, London stating that the drop cabochon cut sapphire weighs approximately 1.30cts and is a natural sapphire with no indications of heating. Origin: Sri Lanka.
Collection of wines and spirits, to include Pierre Ponnelle 1947 wine, Stanton & Killeen Liquer Muscat, Haig's Gold Label Whisky, Cockburn's Fine Old Ruby Port, Clubland White Port, Glenfiddich Pure Malt Whisky, Lemon Hart Jamaica Rum, Napoleon Pure Grape Brandy, Captain Morgan Jamaica Rum, and Tia Maria. Condition report: see terms and conditions
A set of four William IV silver decanter labels, Charles Rawlings & William Summers, London 1833, each cast as a leaf mounted to tendril vine and suspended from chain, the centres with pierced text 'Claret', 'Sherry', 'Madeira' and 'Port', each measures approx 8.7cm x 6cm, total weight 3.7oz (4)
"The Act of Tonnage and Poundage and Rates of Merchandise..." London printed by John Baskett 1726, facsimile pages 419 to 432, rebound black library cloth "Reports from Committees of the House of Commons reprinted by Order of the House port of London with engravings 1793 to 1802" pub 1803, numerous maps, folding maps, tp appears to have had something cut out of the centre and repaired with a piece of similar paper, large folio
Berry, William "The History of the Island of Guernsey...", London published by Longman Hurst Reece Orme & Brown 1815, folding plate of St Peter Port and a folding map, rebound library clothLeland, Thomas"The History of Ireland...", three vols. printed for J Nourse 1773, rebound blue library cloth, title titles and library numbers[Owen, H and Blakeway, J B]"A History of Shrewsbury in two volumes", Harding, Lepard & Co 1825, folding plates, maps, ills, rebound red library cloth, some library blindstampsClark, James"A Survey of the Lakes of Cumberland, Westmoreland and Lancashire...", 2nd edition, London printed for the author 1799, folio, some foxing, rebound contemporary board laid down, half leather gilt titlesLewis, Samuel "A Topographical Dictionary of Wales...", two vols., maps, rebound blue library cloth, library number, some blind library stamps"South Wales Illustrated in a Series of Views...", London published by Jones & Co and other volumes (2 boxes)
A matched set of eleven George IV/William IV silver wine labels, by Reily and Storer, London 1829/30, oval form, gadroon border, pierced 'HERMITAGE', 'MADEIRA' (x2), 'MOSELLE', 'CLARET', 'BURGUNDY' 'VIN.DE.GRAVE', 'HOCK', 'CHAMPAGNE', 'SHERRY' and 'PORT', length 5.3cm, approx. weight 7.3oz. (11)

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