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68218 Los(e)/Seite
Los 185
2 large albums of loose-mounted PHOTOGRAPHS/POSTCARDS compiled by the late Alan A Jackson, historian & transport author, portraying transport etc developments from the late 19th century on. These cover the City of London: Port of London, Aldgate, London, Blackfriars & Southwark Bridges, Bank, Cannon St, Ludgate Hill, Fleet St, Temple etc. Contain real photos, commercial postcards and his own photos. Subjects include railway locos, trains, stations & infrastructure, buses, trams , streets, buildings etc. Albums contain 40 & 40 double-pages and approx 400 pictures. [2]
Los 97
Claude Muncaster PRSMA RWS ROI RBA (1903-1974) ''Saint-Flour, France'' Watercolour, together with a further watercolour by the same artist ''Port Scene'', 26.5cm by 37cm and 25cm by 36cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 10
6 BOTTLES MIXED LOT OF PORTS INCLUDING CROFT VINTAGE 1970 comprising : 1 bottle Croft Vintage Port 1970 (b/n), 1 half (37.5 cl.) bottle Cockburn’s Special Reserve Port, 1 bottle Finest Reserve Port in Presentation box, 1 bottle Rocha’s Special Tawny Port, 1 bottle St.Michael Vintage Character Port, 1 bottle Graham's Late Bottled Vintage 1981.This lot is cellared offsite. Please contact us to arrange viewing or collection.
Los 283
OUTSTANDING DSO AND BAR GROUP TO LIEUTENANT GEORGE FRANCIS LYON LABOUVERIE PAGE Commanding Officer of HMS Cyclamen. Decorated with the vbar for destroying an enemy Submarine DSO & Bar Massenia Earthquake Medal in Silver Italian Crown Knight decoration. 1914/15 Star - Lt CommR G F L L Page RN Pair - Lt Commr G F L L Page RN In Plush contemporary frame with associated photograph album of service and time in China. George Francis Lyon Labouverie Page was born on 20th May 1881. He was born at sea, while his father, Paymaster in Chief John L Page was serving in the Royal Navy. Page joined the Royal Navy on 15th 1897 as a Midshipman. He excelled in his chosen career and promoted to Lieutenant (31.3.1903) and Lieutenant Commander (31.3.1911) Page was serving on HMS Duncan when the Messina Earthquake took place and was awarded the Messina Earthquake Medal in Silver and the Insignia of Officer of the Order of the Italian Crown , London Gazette 15th April 1912. During the great War Page was in command of HMS Cyclamen a Minesweeping Sloop. He was awarded the Distinguished Service Order announced in the London Gazette on 17th May 1918 ' For Service on the Mediterranean Station' Page won the Bar to his DSO. The Cyclamen left Marseilles in early 1918 to search for an enemy submarine which was suspected to be in the vicinity of Cape Bon. The ship was towing two Anti-Submarine devices. At 9.48am the starboard device exploded and a depth charge was dropped on the same position. At 12.20 the Cyclamen again reached the same position on the port device exploded. The ship was brought back into the middle of the explosive area , and a depth charge was dropped there. The officer of the watch reported a black object in the water visible for a few seconds, which resembled the bow of a submarine. It was accepted by the admiralty that a Submarine was destroyed and Page was awarded the Bar to the DSO. LG 28th November 1918. Page tragically died on 27th October 1920. It seems likely that his death was the result of a shooting accident or a self-imposed gunshot wound.
Los 306
Château de de Myrat 2005 (2 half-bottles)Sauternes 2me Cru ClasséChâteau Rieussec 2005 (1 half-bottle)Sauternes 1er Cru ClasséChâteau Raymond-Lafon 2008 (2 half-bottles)SauternesRiesling Sélectionné par Jean Hugel, Vendange Tardive 1976 (1)Hugel(u. 5cms below base of capsule with signs of old seepage; badly bin-soiled label)Niersteiner Riesling Trockenbeerenauslese 1971 (1)Weingut Eugen Wirth(signs of seepage; stained label)Graacher Himmelreich Riesling Spätlese 1983 (9)Friedrich Wilhelm Gymnasium(bin-soiled, damp-affected & creased labels - 3 stained, 4 nicked, 1 torn; corroded capsules)Fonseca 1977 (2)(2 base of neck; bin-soiled, damp-affected & nicked label; lightly corroded embossed lead capsule)Gould Campbell 1983 (1 half-bottle)(marked label)The Wine Society Port Halves Case 2011 (12 half-bottles)2 half-bottles of each of the following shippers: Dow; Fonseca; Graham; Taylor; Croft & Warre 13 bottles & 18 half-bottlesFor further information on this lot please visit Bonhams.com
Los 569
Penfolds Grandfather Port 1945 (1)Barossa Valley(Bin S6, bottled 21/7/69; badly bin-soiled, damp-stained, nicked & worn label; corroded foil)Penfolds Grange 1983 (1)South Australia(top shoulder; lightly damp-affected & nicked label; slightly worn capsule)The Colonial Estate Exile Shiraz 2004 (11)Barossa Valley(5 very top shoulder; lightly bin-soiled & damp-affected labels - 1 creased, 2 scuffed)13 bottlesFor further information on this lot please visit Bonhams.com
Los 593
Taylor Crusted Port (3)Bottled 1973(stained labels; lead capsules)Jacks Crusted Port (3)Cockburn & CampbellTaylor 20 Year Old Tawny (1)(bin-soiled label; chipped wax seal)Barbeito Sercial Old Reserve 10 Year Old (2)(stencilled; stopper cork)Barbeito Boal Old Reserve 10 Year Old (1)(stencilled; stopper cork)10 bottlesFor further information on this lot please visit Bonhams.com
Los 144
INDIA, EGYPT AND PORT SAID - PHOTOGRAPHYAlbum of views in Egypt India, Port Said and Gibraltar, by F. Meissner, Hippolyte Arnoux, Christian Paier, William Baker, and others, albumen prints mounted between one and 2 per page verso only, most with pencilled English captions beneath, images approximately 192 x 165, a few smaller, 7 further albumen prints (including 'Kurrachee Treasury Establishment 17.7.[18]70', and Egyptian woman on mule) loose at end, contemporary red half morocco, worn, [1870s]Footnotes:Subject include; Egypt (21, including 5 by F. Meissner, 2 by C. Paier), India (13, including 7 by W. Baker), Port Said (13 by Hippolyte Arnoux, including the Canal, shipping, etc.), and Gibraltar (7). Egyptian views include Alexandria (2, Place de Consuls by Meissner; busy port), Cleopatra's Needle (3), Pompeii's Pillars (2, by Meissner, and Paier), Cairo, pyramids and sphinx (8, including Paier), and a 3-part panorama of a large port side encampment by an unidentified photographer. The Indian views includes a series of 7 of Lucknow by William Baker.Provenance: W.J. Coles, 1872, inscription inside upper cover.For further information on this lot please visit Bonhams.com
Los 30
Lieutenant Francis Henry Boyer (British, 1854-1926)Spain and Portugal: The Sierra Nevadas & Coast of Spain from the Mediterranean, 1879; Signal Station, Minorca, 1874; Sierra Nevada, Spain; La Mola, Minorca, ruins of a British Fort, Oct 1881; Sunrise, Port Mahone, Oct 1881; Cape St Vincent, 1881; Organ in Cathedral at Port Mahon, Minorca, 1874 six, four signed with initials 'FHB' (lower left and lower right), all bear title (on mount)all watercolour and gouache, unframedlargest 32.4 x 25cm (12 3/4 x 9 13/16in).(6)For further information on this lot please visit Bonhams.com
Los 82
Chinese School, late 19th CenturyAmoy oil on canvas45.7 x 78.1cm (18 x 30 3/4in).Footnotes:ProvenanceWith Paul Mason Gallery, London.Acquired from the above at the Grosvenor House Antiques Fair, London, by the present owner in 1987.With the signing of the Treaty of Nanking in 1842, the treaty that ended the First Opium War, Amoy, now Xiamen, would become one of the five treaty ports in Southeast Asia. The importance of this port for trade is symbolised by the array of international flags situated along the waterfront. In particular, its location - just north of Canton at the mouth of the Nine Dragon River - led to its prominence in the 19th century tea trade. The present view has been taken from the island of Gulangyu, a foreign enclave at the time of this work's completion. An array of Chinese and Western ships can be seen, including a number of distinctive Amoy junks with an eye painted on their bows.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 87
English School, late 18th/early 19th centuryA view of a Chinese city with port and fortified wall visible indistinctly inscribed 'City of Chinhae(?)' (upper right)watercolour and pencil17 x 28cm (6 11/16 x 11in).Together with two further works on paper depicting Chinese scenes. (3)For further information on this lot please visit Bonhams.com
Los 584
Circa 1350 AD. A gilded sheet-silver double-cup or doppelkopf comprising two shallow bowls with rims designed to lock together and each with a curved ledge handle forming a loop upon closure; the lower cup being slightly smaller than the upper, featuring a tiered foot with carinated profile and gilt beaded rim, inset roundel to the underside with similar gilt and beaded rim and low-relief engraved scene depicting a robed lady (perhaps representing Eve in the Garden of Eden?) kneeling on her right knee to pick one of two sprays of flowers in a dense foliage field, her left hand resting on the raised left knee; the handle a curved rectangular tab with gilt incised borders; the upper cup similar in form with indented roundel to the centre, lacking the applied foot, and beaded band to the shoulder. Eight other examples of this object type are known to exist all dating to the 14th century: one held at the Victoria & Albert Museum, London; one held at the Metropolitan Museum, New York, being part of the Cloisters collection acquired in 1983; one part of the Lingenfeld Treasure, unearthed 1894 and now in the Historisches Museum der Pfatz, Speyer; one part of the Colmar Treasure, found 1863, and now held at the Musée de Cluny, Alsace; one discovered in the garden of the Seedorf Convent, found 1606, and now held at the Historisches Museum, Basel; one as part of the Erfurt Treasure, unearthed 1998, and held at the Erfurt Synagogue; one held at the National Museum, Zurich, and the last example held at the Rijksmuseum, Amsterdam, acquired in 1960; see Treasures of the Black Death exhibition catalogue, p.72-3; also Meyer, G. L'Orfèvrerie médiévale au musée d'Unterlinden à Colmar, Cahiers alsaciens d'archéologie, d'art et d'histoire, vol.XXIV, 1981; Fritz, J.M. Goldschmiedekunst der Gotik in Mitteleuropa, Munich, 1982; Taburet-Delahaye, E. L'Orfèvrerie gothique, XIIIe-XVe siècle au musée de Cluny, Paris, 1989; and Taburet-Delahaye, E. Les Bijoux du trésor de Colmar in Le Trésor de Colmar, Paris, 1999. 385 grams total, 13.5cm each (5 1/4"). Property of a London collector; found in a gravel pit near to the River Danube, at Donauwoerth, Western Bavaria, in the 1960s; accompanied by an academic report and photographs, plus images of the other eight examples known; three found as part of treasures, and all held in museum collections. The doppelkopf is a pair of vessels which fit together so that the upper serves as a cover during storage and as a second drinking vessel when removed. It is a specific type of vessel which is known to have come into use in the 14th century. The place in which they were manufactured is presently uncertain but the majority of known surviving examples were discovered in the Rhineland and Switzerland. Examples were present in both the Erfurt and Colmar treasures dating from the early 14th century. It is understood that the format of two open shallow vessels forming an enclosed space may have been copied from wooden exemplars and others in more exotic materials such as ostrich eggs or coconuts. There are illustrations of the wooden forms from Freiburg in Brisgau in Taburet-Delahaye (1999"). The significance of the specific form of the vessel derives from the importance in medieval Germanic culture of taking strong drink in the making of celebrations (toasts) and the customs and rituals surrounding these celebrations and amuletic (even supernatural) powers ascribed to them. The custom of Minnetrinken in which commemorative celebrations were made to invoke the memory of dead family members and loved ones, was especially associated with weddings with the fictive inclusion of the dead 'ancestors' of both families as witnesses to the matrimonial act. In this connection, these cups appear to be connected specially with Jewish weddings where two drinks of wine are taken as part of the ceremony of blessing. In Christian contexts, the list of persons celebrated could be extended to saints, martyrs, Christ and the Virgin Mary - not always approved or sanctioned by the ecclesiastical authorities but firmly entrenched in secular custom and folklore. Over time, the church came to accept the custom of Johannesminne in honour of St. John the Evangelist. The double-cups can never have been numerous and indeed only a handful are known to survive; all but the present example being in museum collections. The circumstances of its discovery are intriguing: it was recovered in the 1960s from a gravel pit near the town of Donauwerth, western Bavaria, near the banks of the River Danube. The pit held many finds which were duly preserved by the landowners, including from Bronze Age down to Roman artefacts of bronze and iron with a smaller quantity of medieval items suggesting that the pit area was in use over many centuries (indeed, millennia) either as a place of deliberate deposition or perhaps a location where a difficult river crossing made casual loss unavoidable. The town of Donauwerth stands at the junction of the rivers Danube (Donau) and Wörnitz. A riverine trading port, the town became the last call for ships travelling inland from eastern Europe and Vienna. Its near neighbour is the city of Augsburg, which was granted the status of a Free Imperial City in 1276. Originally a Swabian settlement, political power in Donauwerth was held by the dukes of Upper Bavaria in the mid-13th century and in the 14th century, Donauwerth was made an imperial city. It adopted the Reformation in 1555. [2] Fair condition. Excessively rare, all other known examples held in museum collections.
Los 473
George Mnyaluza Milwa Pemba (South African 1912-2001) NEAR KING WILLIAM'S TOWN Signed, dated 1935 watercolour on paper George Pemba Retrospective Exhibition, South African National Gallery, April-July 1996. (Catalogue no. 9). Proud, Hayden and Feinberg, B.(1996). George Pemba Retrospective Exhibition.S.A. National Gallery and Mayibuye Centre, Cape Town.p.107 (29) 24 by 35cm Ignored for many years, George Pemba finally received national acclaim as a significant and authentic documenter of mid-century life in South Africa with a retrospective exhibition at the Iziko South African National Gallery in 1996 . He was a gifted water colourist and during the years 1933 – 1947 produced some of his best works.Born into a Xhosa lineage, his subjects included portrait studies of kinsmen around his home of Port Elizabeth in the Eastern Cape, as well as landscapes of the surrounding countryside and paintings with historic themes. Near King Wlliam’s Town depicts a peaceful, rural scene on first glance. However, the imposition of a colonial farmstead barn with outbuildings and cattle upon the historic landscape of the Amathole mountain bowl is loaded with the memory of hegemonic battles fought during the Frontier Wars.473During the 19th century, the focus of imperial ambition was to extend the Cape Colony border into the lands of independent Xhosa chiefdoms. Frequent wars were fought here - including the 7th Frontier War, known as the Amathole War or the War of the Axe - usually over the appropriation of faming land, cattle theft and the imposition of colonial jurisdiction. It was into the forested ravines of the Amathole range, that the Xhosa armies escaped, clearing the way for the invading Cape Colonial government to build military towns and fortified farms in order to secure the border areas for its farmers.The Amathole Range to this day holds significance for Xhosa people who revere it as an ancestral burial site of heroic chiefs and kings, including Maqoma (1798-1873) and Sandile (1820-1878).Pemba was posthumously honoured with the State Presidents highest award of merit – The Order of Ikhamenga. - C.K. 1.Proud, Hayden & Feinberg, Barry (eds.) 1996. George Milwa Mnyaluza Pemba: Retrospective Exhibition Catalogue. South African National Gallery, Cape Town.
Los 694
A Port Dundas stoneware whisky decanter, modelled as a Masonic mallet, decorated with Masonic symbols Condition Report:Has roughly circular firing crack, 2cm. dia. approx., under the glaze at the shoulder, which has two tiny chips at the edge. Otherwise good condition, 21cm. high, 12.5cm. dia. . .
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68218 Los(e)/Seite