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Lot 180
A refined pair of Halcyon Days gold-tone cufflinks featuring a vibrant red enamel design with an intricate geometric pattern. Crafted with precision, these round cufflinks showcase a rich enamel overlay on a gold-tone base. The reverse side bears the "Halcyon Days" hallmark, ensuring authenticity. Presented in a black display box, these cufflinks are an excellent addition to a sophisticated wardrobe or a collector's ensemble. Each cuff link measures approximately 1"W x 0.75" dia.Issued: 21st centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Lot 192
A stylish Coach leather shoulder bag in a deep purple hue, featuring a minimalist design with a single compartment and a zip closure. The bag measures 13"L x 12"H and is accented with a matching leather tassel and an adjustable strap for versatile wear. The front is marked with the Coach logo, showcasing its authenticity. The leather has a soft, supple texture with signs of gentle use, including light creasing at the bottom. A sophisticated and functional accessory for any wardrobe.Dimensions: See DescriptionCondition: Age related wear.
Lot 178
A pair of Halcyon Days gold-plated enamel cufflinks featuring a striking leopard motif against a black enamel background. These finely crafted cufflinks are set in gold-plated metal with a smooth, domed finish. The backings are engraved with the "Halcyon Days" mark, signifying their authenticity and quality craftsmanship. Comes in its original Halcyon Days presentation box, lined with velvet, showcasing the brand’s signature logo. A distinguished accessory, perfect for collectors or as a refined wardrobe addition. Each cufflink measures approximately 1"W x 0.75" dia.Issued: 21st centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Lot 21
An exquisite collection of 25 vintage gold-tone brooches, each showcasing unique craftsmanship and intricate designs. This set includes a variety of styles, from abstract and modernist forms to floral and filigree motifs. Some pieces feature textured finishes, sculptural detailing, and embellishments such as faux pearls and rhinestones. A mix of mid-century and contemporary-inspired pieces, this collection is perfect for collectors, fashion enthusiasts, or those looking to add a touch of vintage charm to their wardrobe. A stunning assortment that captures the elegance and artistry of vintage costume jewelry. Largest brooch measures 1.75"L x 5"H.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
Lot 20
A charming collection of 24 vintage gold-tone brooches featuring an array of intricate designs, from floral and filigree motifs to sculptural and abstract forms. This diverse assortment includes pieces adorned with faux pearls, rhinestones, textured metalwork, and whimsical charms, showcasing mid-century and retro aesthetics. Some brooches feature dangling elements, engraved details, and sculptural flourishes, adding to their distinct character. A highlight of the collection is a "SOLD" real estate-themed brooch with miniature charms, as well as a framed mirror pin and interlocking heart designs. Ideal for collectors, costume jewelry enthusiasts, or those looking to add a touch of vintage glamour to their wardrobe. Largest brooch measures 2.5"L x 4.25"H.Issued: Late 20th century-early 21st centuryDimensions: See DescriptionCondition: Age related wear.
Lot 1604
A late 20thC teak three door lockable wardrobe, with matching turned wooden handles, and brass effect clothes rail, 194cm high, 137cm wide, 58cm deep, together with another matching three door wardrobe, 194cm high, 137cm wide, 58cm deep, and a two door wardrobe, 194cm high, 91cm wide, 58cm deep.
Lot 26
Pablo Picasso (Spanish, 1881-1973). Graphite sketch on graph paper titled "Self Portrait with Marie-Therese Walter," depicting two portraits along the front of the artist and his lover and model, Marie-Therese Walter (French, 1909-1977). She was the mother of their daughter Maya Widmaier-Picasso (1935-2022). The verso of this piece renders several sketches of various objects including a wardrobe cabinet, a ball, a cage, a snail, a human figure, a dog, and an elegant hound voiding his bowels.Provenance: The Estate of Marie-Therese Walter, France; Private collection, Minnesota.Literature: Josep Palau I Fabre, "Pare Picasso," Barcelona: Ediciones Poligrafa, 1977.Lot Essay:A multi-faceted artist who worked as a sculptor, painter, printmaker, and theater designer, Pablo Picasso is known as the co-founder of the Cubist movement and regarded as one of the most influential artists of the 20th century.The artist was born on October 25, 1881 in Malaga, Spain to Don Jose Ruiz y Blasco (1838–1913) and Maria Picasso y Lopez. His father was a naturalist painter of birds and game as well as a professor of art at the School of Crafts and a curator of a local museum. From the early age of seven, Picasso received formal traditional artistic training from his father, copying work from old masters and rendering the human body through the use of live models and plaster casts.This training took place throughout Picasso’s childhood. In 1891, his family moved to A Coruna where they resided for four years while his father took a position at the School of Fine Arts there. Picasso’s artistic capabilities grew, and even Ruiz claimed that his son had surpassed his own talents. In 1895, his sister, Lola, died from diptheria, and the family moved once again, this time to Barcelona. As a professor at the School of Fine Arts, his father persuaded the institution to let Picasso take the entrance exam for advanced classes at the mere age of thirteen. Though this process typically took a month to complete, Picasso finished in a short week and was accepted into the advanced courses. At age sixteen, Picasso’s father and uncle sent him to the Real Academia de Bellas Artes de San Fernando in Madrid. However, soon after enrollment Picasso stopped attending classes but was instead invigorated by attractions such as the Prado with artistic works by masters Diego Velazquez, Francisco Goya, Francisco Zurbaran, and El Greco.By the time Picasso married his first wife, Olga Stepanovna Khokhlova, in 1918, he had risen to success and acquired some fame and fortune as a forerunner of the Cubist movement, though this contrasted greatly with his humble “starving artist†beginnings and continuing bohemian lifestyle. Khokhlova came from high society and introduced her new husband to formal dinner parties and life of the rich in Paris during the 1920s. This clashed with Picasso’s own world views and inevitably led to the couple’s demise.A long-standing secret affair began in 1927 between Picasso and the then 17-year-old Marie-Thérèse Walter. In 1935, Marie became pregnant and it was then that a friend told Khokhlova about Picasso’s mistress. Khokhlova and Picasso separated, never divorcing, until Khokhlova’s death in 1955. On September 5, 1935, Marie and Picasso’s child, Maria de la Concepcion, called "Maya", was born. Though Picasso financially supported Marie and Maya throughout his life, he never married her and had a number of affairs with other women.Marie was a model and muse for many of Picasso’s paintings, sculptures, and drawings including the sketch seen in this lot. She is typically portrayed as bright and blonde in contrast to the weeping woman persona of Picasso’s other lover, Dora Maar. Though the sketch on the recto of the artist and his lover is masterful and typical of Picasso’s greatest works, the verso renders drawings of dogs, a snail, and other random objects created for the amusement of his daughter, Maya. Both sides demonstrate Picasso’s virtuoso and ability to be playful yet skillful in his artistic works.Height: 5 3/4 in x width: 3 3/4 in.Condition: The drawing is in good condition overall. The drawing is executed on graph paper and has a deckled edge along the right. There is a paper loss along the lower right. A repair to a 1 inch tear that goes from the upper right edge, diagonally downward. Some areas of skinning along the upper left and right corners. Some light surface soiling. Some minor losses and one small tear along the lower edge. The drawing bears light impressions of the drawings on the verso. The drawing is not framed.
Lot 577
A GREEN JAPANNED AND GILT CHINOISERIE WARDROBE LATE 19TH OR EARLY 20TH CENTURY The panelled doors enclosing a shelf and a hanging rail 232cm high, 152cm wide, 60cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips, splits and losses. The gilt decoration with some areas of fragmentary loss, cracking and surface marks. A key is present but at the time of this report it does not operate the lock. However the lock is open. There is a later magnetic catch to the top of the right door to hold the doors in place when closed. The underside of the stand with some later cross stretchers applied. Some possible areas of retouching throughout. Please see all additional images as a visual reference to conditionCondition Report Disclaimer
Lot 856
A Victorian mahogany gentleman's sentry wardrobe, of inverted breakfront form, the central bank of six cedar lined graduated drawers with a carved open work foliate pediment, flanked by hanging cupboards, each with a cavetto cornice, applied with a pair of carved scroll corbels, all upon a plinth base, 212cm H x 230cm W x 69cm D (at fault)Condition reportChips to the lower RHS just above the plinth, please see additional images.Further minor chips to the veneer around the drawers, light scratches and marks commensurate with age and use.Drawers and doors are lacking escutcheons, overall the wardrobe appears to be structurally sound with no major faults or damage.
Lot 1295
A fine quality Edwardian inlaid satinwood serpentine fronted wardrobe, with detachable moulded cornice above a central mirrored door enclosing trays and drawers and flanked on either side by a full length door enclosing hanging space and all raised on a plinth. Height 213 cm, width 212 cm, depth 69 cm (see illustration).The side door handles are both present and have not been removed or moved. The wardrobe is really in extremely good order with no significant issues. The cornice is in good condition all round. There are no splits to the sides of the piece and the front panels and doors are all in very good order. There are some very minor marks to the plinth but nothing of any significance. The wardrobe has not been cut. The interior dimension front to back is 47 cm and the height from the floor to ceiling is 72 cm, all interior trays and drawers are present. There is no evidence of any woodworm. All doors close flush and crisply.
Lot 1236
Gus Honeybun Gus Honeybun display Gus Honeybun the display complete with working puppet Gus and a large number of his outfits, together with Honeybuns Teashop display of nine fine quality Rabbit figures in wonderful period style costumes taking tea .We believe this is one of the four Gus's that appeared on the TV. This is likely to be from the TSW era.He has internal workings and a wardrobe of clothes that add to his authenticity.There is a Boy-Scout shirt with 1982 badge and Devon badges and a Telethon jumper
Lot 1030
An oak cabinet or wardrobe, in late 17thC style, the top with a moulded cornice above a carved frieze, with an arrangement of two panelled doors flanking two panels, each with brass escutcheons and H hinges, the base with two false drawers and two drawers, on bracket feet, 179cm high, 150cm wide.
Lot 439
English Mid-Century three-piece bedroom suite, by Crown Furniture, comprising dressing table width 124cm depth 48cm height 76cm; and a gentleman's and a lady's wardrobe, the gent's wardrobe, width 127cm, depth 56cm, height 183cm; together with a freestanding dressing table mirror by Durlston Designs Ltd, brushed metal and teak, mirror diameter 25.5cm, height 39cm.Qty: 4Condition report:Large wardrobe; a few marks to the central door batons and apron, otherwise goodSmall wardrobe, a couple of scratches to the doors and marks to the door batons, legs are soundDressing table; a few light surface scratches to the top, drawers all run well, some scuffs to the legsMirror; glass pitting slightly, frame is good
Lot 552
Rare Art Nouveau-style oak four-piece bedroom suite, made for dolls, comprising a mirror-door wardrobe, decorated with carved, stylised flowerhead motifs above two short and one long drawer, 93cm high, 62cm wide and 30cm deep, a dressing chest with mirror, 61cm high, 46cm wide and 23cm deep, a wash stand with fixed tiled splash back and marble top, 51cm high, 46cm wide and 23cm deep, and a rail-back bed frame, 63cm long and 31cm wide. (4)
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