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STEIFF zwei Teddybären aus Sondereditionen, 1990, darunter der 'Harrods Musik Teddybär 1905' mit mechanischem Musikwerk, Mohair, goldbraun, limitiert auf 2000 Stück, H 26 cm und der 'Steiff Teddybär 1903', Replik des 1. Steiff Teddys, limitiert auf 6000 Stück zum 100jährigen Jubiläum der Firma Steiff, H 44 cm, Zertifikat anbei, beide im Orig.-Karton, Boxen mit Lagerspuren (vergilbt).| STEIFF two teddy bears from special editions, 1990, including the 'Harrods Music Teddy Bear 1905' with mechanical musical movement, mohair, golden brown, limited to 2000 pieces, H 26 cm and the 'Steiff Teddy Bear 1903', replica of the 1st Steiff Teddy, limited to 6000 pieces for the 100th anniversary of the Steiff company, H 44 cm, certificate enclosed, both in original box, boxes with signs of storage (yellowed).
STEIFF großer Teddy 'Molly', 1980er Jahre, brauner Webpelz, mollig weich, waschbar, Knopf, Fahne und zur Hälfte auch das Brustschild vorhanden, H ca. 70 cm, gut erhalten.| STEIFF large teddy 'Molly', 1980s, brown faux fur, cozy and soft, washable, button, flag and half of the breastplate are present, height approx. 70 cm, in good condition.
STEIFF 10-tlg Konvolut Tiere aus Sondereditionen, 2. H. 20. Jh. Teddybär 'Blond 42' exclusiv für Vedes, lim. Auflage von 6000 Stück, H 39 cm, 'Breuni-Bär', limitiert auf 1500 Stück, H 19, 5 cm; 5 Miniatur Bären, überwiegend aus Club-Editionen der Jahre 1997-2000, H 7-10 cm; 'Urfips', Replica des Affen auf einem mechanischem Dreirad in limitierter Auflage von 3000 Stück, je im Orig.-Karton. Dazu ein 'Betthupferl-Bär' (im Inneren befanden sich ursprünglich Süßigkeiten), H 12, 5 cm, ohne Karton und ein Steiff Werbe-Metallaufsteller, H 16 cm. Überwiegend sehr gut erhalten, Boxen tlw. mit Lagerspuren.| STEIFF 10-piece collection of animals from special editions, 2nd half of the 20th century. Teddy bear 'Blond 42' exclusively for Vedes, limited edition. Edition of 6000 pieces, H 39 cm, 'Breuni Bear', limited to 1500 pieces, H 19.5 cm; 5 miniature bears, mostly from club editions from 1997-2000, H 7-10 cm; 'Urfips', replica of the monkey on a mechanical tricycle in a limited edition of 3000 pieces, each in the original box (boxes partly with signs of age). Plus a 'bedtime bear' (originally there were sweets inside), H 12.5 cm without box and a Steiff advertising metal stand, H 16 cm.
STEIFF 4-tlg Konvolut karamellfarbener Plüschbären, 1968-1978 bestehend aus 1 großen Orig.-Teddy, Mohair, gegliedert, Maskengesicht, Pfoten-und Füße aus Synthetik Velours, Knopf und gelbe Fahne Art.-nr. 0202/66, H 63 cm, Ohren repariert, Brummstimme defekt sowie 3 Zottelbären 'Zotty' in versch. Größen, je Langhaar-Mohair, caramel gespitzt und gegliedert, Art.-Nr. 0300/43: Knopf und gut leserl. gelbe Fahne, H 45 cm, Brummstimme; 1 'Zotty' ohne Knopf und Fahne, Druckstimme defekt, H 37 cm und Art.-Nr. 0300/28 mit Knopf und Fahne, H 28 cm, Druckstimme defekt, je Altersspuren, jedoch gut erhaltene Filztatzen, -pfoten.| STEIFF 4-piece collection of caramel-colored plush bears, 1968-1978, consisting of 1 large original teddy, mohair, articulated, mask face, paws and feet made of synthetic velor, button and yellow tag item no. 0202/66, H 63 cm, ears repaired, growler defective and 3 shaggy bears 'Zotty' in different sizes, each made of long-haired mohair, caramel tipped and structured, item no. 0300/43: button and legible yellow flag, H 45 cm, growler; 1 'Zotty' without button and flag, printed voice defective, H 37 cm and item no. 0300/28 with button and tag, H 28 cm, voice defective, signs of age, but felt paws and paws in good condition.
STEIFF zwei Bären aus Sondereditionen, 21. Jh. bestehend aus Teddy 'Karl, der Kgl. Württembergische Oberzugmeister', limitierte Auflage von 2000 Stück, H 26 cm im Orig-Karton mit Zertifikat und Ersatzknopf und 'Leuthold-der Schweizer Gardist', limitiert auf 1500 Stück im Jahre 2005, H 34 cm, Karton anbei. Beide sehr gut erhalten.| STEIFF two bears from special editions, 21st century. consisting of Teddy 'Karl, the royal. Württembergische Oberzugmeister', limited edition of 2000 pieces, H 26 cm in the original box with certificate and replacement button and 'Leuthold-the Swiss Guardsman', limited to 1500 pieces in 2005, H 34 cm, box enclosed. Both in very good condition.
STEIFF 22-tlg Konvolut aus Handpuppen, Feld- und Waldtieren, 2. H. 20. Jh. darunter 6 Handspielpuppen: Hand-Hahn (Knopf, Fahne u. Brustschild), Hand-Hase (ohne Knopf, verfärbt), Hand-Uhu 'Wittie', Hand-Teddy Baby (beide ohne Knopf), Hand-Kasper (Knopf fehlt) und Hand-Seppl (Knopf anbei, Mütze fehlt), dazu 2 'Joggi'- Igel in versch. Größen, 2 Marienkäfer, Maulwurf, Schnecke, 2 Mäuse, Snuffy-Fuchs und 1 weiterer Fuchs, Schildkröte sowie 'Bambi', alle mit Knopf und gelber Fahne bzw. Fahnenreste sowie 1 Widder, 1 Miniatur-Widder (Steiff?), 1 Rehkitz und 1 Maulwurf ohne Knopf und Fahne. Tlw. bespielt und Altersspuren.| STEIFF 22-piece collection of hand puppets, field and forest animals, 2nd half of the 20th century. including 6 hand puppets: hand rooster (button, flag and breast plate), hand rabbit (without button, discolored), hand eagle owl 'Wittie', hand teddy baby (both without button), hand puppet (button missing) and Hand-Seppl (button attached, cap missing), plus 2 'Joggi' hedgehogs in different sizes, 2 ladybugs, mole, snail, 2 mice, Snuffy fox and 1 more fox, turtle and 'Bambi', all with button and yellow flag or flag remains as well as 1 ram, 1 miniature-ram, 1 fawn and 1 mole without button and flag. Partly played and signs of age.
Chopard. Großer Anhänger 'Happy Diamonds Teddy' an Kette. 18 kt. GG, gest., Anhänger gemarkt '750 LUC Chopard, num. 9201015 79/2528-20, Glasgravur 'Chopard', Kette gemarkt 'Chopard' 750. Die Teddy-Figur mit beweglichen Armen und Kopf, besetzt mit über 302 kl. Brill. und 3 zargengefassten, beweglichen Brillanten hinter Glas insges. ca. 5,75 ct. Feines Weiß(G)-Weiß(H).vvs. Anhänger mit Clip abnehmbar 58 x 35 mm, Erbskette mit Federringschließe B. 11 mm, L. 62 cm (Gew. ca. 102 g.). Gew. zus. ca. 168 g. Angaben laut Befundbericht Gemmologisches Institut Hamburg von Juli 2018. -
Konvolut zu Lilian Harvey 1930er bis 1950er Jahre, ca. 25 Postkarten, darunter mit org. Unterschrift und eine Karte von Teddy Stauffer, ebenfalls handschriftlich sign., teils Postkarten mit Willy Fritsch und Postkarte zum Film "Ein blonder Traum", mit dem Liedtext "Irgendwo auf der Welt", Kassettenaufnahme und Reisepass aus den 50er Jahren, drei Photos von Antibes, mit dem Wohnhaus und Grab von Lilian Harvey, insgesamt gut Erhalten, 4029 - 0010
Alexandra Helm Blue Electric Hug Screenprint with hand-colouring on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Through her drawings, paintings and prints Alexandra writes her narrative. She starts with observation, particularly of animals, the sea and abandoned landscapes. These drawings and moments become part of the texture of her work while the structure comes from her memories, emotional imprints and dreams. Through the rich connection that she has to her work, Alexandra hopes that the viewer will find something vital with which to connect. Alexandra is based in South London and coastal Suffolk. Education Alexandra studied at Chelsea College of Art and Design and Central Saint Martins. She has extended her practice more recently at the Royal Drawing School and with Turps Education. Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition Solo exhibition at Aldeburgh Beach Lookout Woolwich Contemporary Print Fair with East London Printmakers Hong Kong Design Institute and the Bower Ashton Library as part of World Book Night Statement about AOAP Submitted Artwork The monotype Teddy Chaos combines drawing onto the screen with stencil layers. It's a Yes from Me and Electric Hug are monoprints created in this size especially for Art on a Postcard. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Alexandra Helm It's a yes from me Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Through her drawings, paintings and prints Alexandra writes her narrative. She starts with observation, particularly of animals, the sea and abandoned landscapes. These drawings and moments become part of the texture of her work while the structure comes from her memories, emotional imprints and dreams. Through the rich connection that she has to her work, Alexandra hopes that the viewer will find something vital with which to connect. Alexandra is based in South London and coastal Suffolk. Education Alexandra studied at Chelsea College of Art and Design and Central Saint Martins. She has extended her practice more recently at the Royal Drawing School and with Turps Education. Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition Solo exhibition at Aldeburgh Beach Lookout Woolwich Contemporary Print Fair with East London Printmakers Hong Kong Design Institute and the Bower Ashton Library as part of World Book Night Statement about AOAP Submitted Artwork The monotype Teddy Chaos combines drawing onto the screen with stencil layers. It's a Yes from Me and Electric Hug are monoprints created in this size especially for Art on a Postcard. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Alexandra Helm Teddy Chaos Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Through her drawings, paintings and prints Alexandra writes her narrative. She starts with observation, particularly of animals, the sea and abandoned landscapes. These drawings and moments become part of the texture of her work while the structure comes from her memories, emotional imprints and dreams. Through the rich connection that she has to her work, Alexandra hopes that the viewer will find something vital with which to connect. Alexandra is based in South London and coastal Suffolk. Education Alexandra studied at Chelsea College of Art and Design and Central Saint Martins. She has extended her practice more recently at the Royal Drawing School and with Turps Education. Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition Solo exhibition at Aldeburgh Beach Lookout Woolwich Contemporary Print Fair with East London Printmakers Hong Kong Design Institute and the Bower Ashton Library as part of World Book Night Statement about AOAP Submitted Artwork The monotype Teddy Chaos combines drawing onto the screen with stencil layers. It's a Yes from Me and Electric Hug are monoprints created in this size especially for Art on a Postcard. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Collection of Merrythought Teddy Bears, including three 75th Diamond Anniversary Black Bears, with growlers, approx 16'' length, all boxed, together with a white Christmas 2000 bear in hat and scarf, 14'' boxed, The Coronation Bear, boxed, 14'', and a Merrythought black bear 20'' long. All in excellent condition.
Ca. 57 St. Darunter 5 x Elvis Presley 1950er Jahre mit Hits wie Heartbreak Hotel, Don't be cruel, Teddy Bear etc., in Originalhüllen, 7 x Comedian Harmonists 1930er Jahre, in Orig.hüllen. Rest Klassik/Oper 1. H. 20. Jh., aufbewahrt im Album oder im Holzkasten der Zeit. Dazu: ca. neun LPs aus Klassik u. Oper, 2. H. 20. Jh.
Lynn Chadwick R.A. (British, 1914-2003)Cloaked Figure IX signed with initial and numbered 'C 770 1/6' (on the side of the figure's cloak)bronze with a black patina185 cm. (73 in.) highConceived and cast in 1978Footnotes:ProvenanceThe Artist, from whom acquired directly by the family of the present owner circa 1978, and thence by descent to the present ownersPrivate Collection, U.K.ExhibitedLondon, Marlborough Fine Art, Chadwick Recent Sculpture, February-March 1978, cat.no.33 (another cast, ill.); this exhibition travelled to Zurich, Marlborough Galerie AG, April-May 1978Witley Court and Ragley, Jerwood Foundation (this cast, long-term loan, 2001-2011)Wakefield, Yorkshire Sculpture Park (this cast, long-term loan, 2012-2023)LiteratureArt International, Vol. 22/3, March 1978, p.49 (another cast)Dennis Farr & Éva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue 1947-1996, Lypiatt Studio, Stroud, 1997, p.320, cat.no.770, (ill.b&w, another cast)Sarah Chadwick (intro.), (exh.cat.), The Sculptures at Lypiatt Park, London, Blain Southern, 2014, pp.66, 94, cat.no.66 (col.ill., another cast)Michael Bird, Lynn Chadwick, Farnham, 2014, p.155, cat.no.7-3 (col.ill., another cast)Dennis Farr & Éva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue 1947-2005, Lund Humphries, Aldershot, 2006, p.328, cat.no.770 (ill.b&w, another cast)Dennis Farr & Éva Chadwick, Lynn Chadwick Sculptor, With a Complete Illustrated Catalogue 1947-2003, Lund Humphries, Farnham, 2014, p.334, cat.no.770 (ill.b&w, another cast)Lynn Chadwick's impressive Cloaked Figure IX encapsulates much of the artist's mature style and illustrates his increasing focus on the use of garments to dress and add dynamism to his figures. First suggested in his 1950s sculptures, in the Teddy Boy and Girl series, he moved to add ever more dramatic clothing as his work matured, leading to the billowing cloaks of the 1970s. Experimenting with the motif of the voluminous, blown cloak, as seen in his Jubilee sculptures, Chadwick created many variations on this, including with the fabric streaming out behind, swept to one side and, in the case of the present work, 'falling from the shoulders in ceremonial amplitude' (Michael Bird, Lynn Chadwick, Lund Humphries, Farnham, Surrey, 2014, p.156).Here, the female figure is shrouded in a long, draping cloak, the positioning of which lends the figure a sense of grandeur, and also of mystery. She seems to be a powerful, all-seeing presence, stately in her pose and inscrutability. As is typical with Chadwick, her female features are indicated only by the suggestion of her breasts and a triangular, block-like head, but she also seems imbued with a gracefulness that is particularly feminine. Her face is, as always, blank, with Chadwick once famously declaring 'no expression is an expression' (Lynn Chadwick: The Couple, exh.cat., Pangolin, London, 2011, p.3). He looked to body language as a more useful device for conveying attitude than facial features, which could be limiting. As ever with Chadwick, his ability to tell us so much with an incredible economy of form is notable.The angularity of Chadwick's style is writ large in this sculpture, and accentuated by the folds of the cloak. Chadwick studied closely the weight and properties of different fabrics and seems to have chosen for the present work one which hangs particularly heavily, with a weight that suggests ceremonial robes. Instead of flowing, curving fabric, we have grooved, geometric lines that accentuate the sharp posture of the shoulders and the strong stance of her legs, which are just visible. The addition of the cloak is also important in that it suggests movement, trailing as she seems to move silently forwards. Although the stance of her body appears apparently to be still, the flowing length of her cloak seems caught in movement, with dynamic ripples indicating her passage through the space. It is as though she walks among us with slow and considered steps, gliding past. As Chadwick explained, 'The important thing in my figures is always the attitude – what the figures are expressing through their actual stance. They talk, as it were, and this is something a lot of people don't understand.' (Lynn Chadwick, quoted in Edward Lucie-Smith, Chadwick, Gloucestershire, 1997, p.31). The mid-1970s brought about a subtle change in his approach to depicting the figure. As Michael Bird has written, ' 'Presences' was how he referred to his new figure sculptures; they were about being, not doing: 'I used to call them Watchers, but no longer. Sometimes they are not watching anything. What they are doing is illustrating a relationship – a physical relationship – between people'. It was through this relationship, not through purely formal or allusive qualities, that he wanted his sculptures to speak: 'If you can get their physical attitudes right you can spell out a message'' (Michael Bird, op. cit., p.147). Although Cloaked Figure IX is a single figure and not depicted, as so often in his work, with a male counterpart, her presence is undoubtedly a powerful one. Created as she is on a monumental scale, standing 185cm high, her full attitude cannot in fact be understood from one fixed viewpoint, but must instead be appreciated by walking around, taking in the full majesty of her flowing robes. Chadwick is thus encouraging the viewer themselves to actively interact with her stately, commanding presence, as though bearing witness to her regal procession, by ironically having us do the walking. Cloaked Figure IX was acquired directly from the artist by the family of the present owner, and has been enjoyed in this private collection for many years. It has also been exhibited publicly, both with the Jerwood Foundation at Witley Court and Ragley, and also most recently among the rolling hills of Yorkshire Sculpture Park. Number one from the edition of six, its appearance on the market is an exciting opportunity to acquire a monumental example of Chadwick's work, which is of museum quality.We are grateful to the Artist's Estate for their assistance in cataloguing this lot.Photography © Jonty Wilde, courtesy of Yorkshire Sculpture Park.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A GROUP OF SILVER AND SILVER MOUNTED WARES (11)Comprising; a twin handled bonbon stand with pierced decoration, raised on a circular foot, Sheffield probably 1913, a sauceboat, a condiment formed as a teddy bear (the head lacking), a small trophy cup, two dessert forks, a salt, a rectangular cigarette case, combined gross weight 430 gms, also an oval trinket box raised on four bun feet, Chester 1910 and two clothes brushesProvenance: Property from the collection of art critic Terence Mullaly
A selection of five Steiff teddy bears, 20th century and later, to include: a limited edition 'England's Rose' teddy bear, numbered 1888/5000, yellow ear tag, with certificate, 29cm high, boxed; a 'Harlequin' teddy bear, yellow ear tag, 15cm high; a 'Rupert Bear', yellow ear tag, 30cm high; a Cosy friends 'Fynn' teddy bear, yellow ear tag, within miniature suitcase, 25cm high; a 'Bear set with ball', white ear tags, 14cm high, with a Big Softie 'Tom' bear, 23cm high, and a Halcyon Days Enamels pill box, the cover decorated with a teddy bear, printed maker's mark, 2cm diameter (7)
A collection of assorted LPs and 45s, to include New Wave, Pop, and Reggae. Artists to include Kate Bush, David Bowie, Simple Minds, Teddy Wilson, New Order, The Specials, Symarip, XTC, Toyah, Prince, Supergrass, Pig Bag, Magazine, Blondie, Buggles, Bloodstone, Tears For Fears, Squeeze, etc. (qty).
FOOTBALL, signed Manchester United Player by Player softback, signed by most, inc. David Beckham, Bobby Charlton, Teddy Sheringham, Jackie Blanchflower, Ray Wood, Wilf McGuinness, Nobby Stiles, Garry Birtles, Lou Macari, Peter Schmeichel, Jordi Cruyff, Alex Ferguson etc., in red protective cover (removable), mix of inks, G
FOOTBALL, Manchester United signed selection, inc. white cards & trade cards laid down to page; Sir Bobby Charlton, David Beckham, Phil & Gary Neville, Lou Macari, Teddy Sheringham, Eric Cantona, Willie Morgan, Andy Cole, Jaap Stam, Paddy Crerand etc., all displayed in modern wallet album, 42 signatures total, VG to EX
FOOTBALL, Manchester United signed trade cards, inc. Bobby Charlton, Dwight Yorke, Jordi Cruyff, Teddy Sheringham, Paul Scholes, Phil Neville, Jaap Stam, Ole Gunnar Solskjaer, Alex Ferguson etc., some duplication (same player, different card), in Futera display album, with unsigned cards, EX, 116
AN UNBOXED MERRYTHOUGHT FOR DANBURY MINT LIMITED EDITION 'FOR THE FALLEN' TEDDY BEAR, from 2018, No.MFTFB01/XAB14TFB, light blonde mohair bear wearing Army uniform with cap and replica 1914 - 1918 medal, height approx. 35cm, limited edition No.961 of 1918 complete with Certificate of Authenticity, Merrythought label to sole of right paw, appears complete and in very good condition, with a Merrythought plastic bag
TWO UNBOXED O, BE JOYFUL BEARS TEDDY BEARS 'Murdoch' and 'Harold', designed by Polly Barton, Murdoch is a brown mohair bear with tartan sash and metal dirk, height approx. 54cm, Harold is a grey mohair bear with blue beret and replica 1930 - 1945 Defence medal, height approx. 38cm, both appear complete and in very good condition, both with swing tag and label to back seam
A BOXED DEANS RAG BOOK LIMITED EDITION TEDDY BEAR, 'V.E. Day - Airman Bear' from 2005, golden plush mohair bear, wearing flying jacket and helmet, height approx.33cm, limited edition No.28 of 200, complete with certificate of authenticity, swing tags, medallion and label to sole of right paw, box complete but has minor wear, with an unboxed Deans Rag Book Colour Box limited edition teddy bear 'Morris Minor' from 1993, golden plush mohair bear wearing school uniform and cap, height approx. 33cm, limited edition of 1000 with handwritten tag stating this is No.197, both in very good condition but Morris Minor's cap and trousers are dusty (2)

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