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A RARE AND IMPRESSIVE 19TH-CENTURY SCRIMSHAWED OX-HORN with Sheffield-plated rim mount, having naively scratch-engraved decorations including a three-masted man-o'-war, a mermaid, an angel, a fisherman with trident fish spear, a bird, an ox and two horses, one with groom, the other with rider, 40cm, (15.75in) overall, (small piercing for suspension)
Ruskin Spear, R.A., 1911-1990. man with chrysanthemums, signed, oil on canvas, 122x91.5cm.; 48x36in. The sitter of the present work is Tom Chalk, one of Spear's regular pub going friends. Having won a scholarship to Hammersmith School of Art when he was only 15, Spear quickly became well known for his paintings of common place scenes and situations in and around Hammersmith, West London.. The pub interior and the ordinary people who frequented them were amongst his favourite subjects and the present work is extremely similar in composition to another pub interior entitled Old Woman and a Rose (see Royal Academy of Arts, Ruskin Spear, A Retrospective Exhibition, London 1980, no.62, illustrated on p.32).. In the present work, the accumulation of every day details such as the sitter's flatcap, the pint of beer down to the advertising poster on the wall, re-creates a typical post war scene that is, as Robert Buhler concluded of Spear's work in the 1980 Retrospective, 'clearly stamped "Made in England"'. Exhibited Glasgow, Royal Institute of Fine Arts, 1960, no.34 Bournemouth, Russell Cotes Art Gallery and Museum,
A large chenille rug woven with classical Venetian scene depicting merchants selling their wares to ladies by a canal, on blue ground framed by foliate quatrefoil frieze; another chenille rug of Eastern design having central circular scalloped medallion with spear style motifs and scrolled spandrels on black ground, framed by black and white panels of Islamic design with maroon fringes; and two other small chenille panels, one woven with camels and the other as a green prayer rug. (4).
A PAIR OF CHAMBERLAINS WORCESTER VASES AND COVERS of hexagonal baluster tapering form, decorated in the Imari pallet with alternate panels of polychrome flowers and blue and white diaper segments highlighted with gilding with acanthus leaf scroll side handles, the domed covers with leafy gilt spear finials, the covers with printed mark, Chamberlains Worcester and 155 New Bond Street, London, 13.5".
Dent (R. K. & Hill, Joseph). Historic Staffordshire, twelve orig. parts (complete), n.d., c. 1880s, b&w illusts. after photos. etc., all orig. printed wrappers, 1st issue and one or two others a little chipped with minor loss to edges, slim folio, together with Society for Promoting Christian Knowledge, pub., Wild Flowers, n.d., c. 1870, approx. seventy - five individual sheets, each with col. illust. to upper portion, loose in orig. cloth backed printed wrappers, large 4to, plus The Spear, A Critical Probe of Passing Events, Literary and Artistic, vol. I, nos. 2 - 15, January 31, 1900 - May 2, 1900, num. b&w plts. and illusts., ads., etc., some minor foxing to endpapers, contemp. qtr. maroon morocco, rubbed and some wear to joints at head and foot of spine, folio (contains much material on the Boer War), and an incomplete set of forty - six orig. parts of With the Flag to Pretoria (60)
A Derby figure of Britannia with a lion, wearing a plumed helmet, floretted chiton and gilt peacock feather cuirass, her left hand resting on her shield, the lion and military trophies at her feet, before a bocage tree, on turquoise and gilt open-work shell bordered base 26cm h, patch marks, c1760-69 Neck and helmet restored, right hand restored and lacking the spear which it would have held, restoration to the trophies at the figure's feet, also to the corner of the flag, typical losses to the floral bocage on the most exposed parts
An Irish early Victorian rosewood bow fronted barometer, with engraved and silvered dial, bubble level signed Spear Dublin, mercury thermometer and hygrometer, the case inlaid with a border of mother o'pearl fretwork beneath the swan neck pediment, 102cm h, Small repairs to the pediment but otherwise and attractive
A rare German engraved horn powder-flask recording scenes from the Saxon Electoral Court Stag-Hunt, circa 1730 with cowhorn body of flattened triangular form fitted with a carved horn baluster nozzle inset with eye-like mother-of-pearl roundels, the body engraved with a German rhyming couplet on each face and with highly detailed representations of the organistation and formal process of shooting driven game in an enclosure, involving beaters, hunters and sportsmen in contemporary dress, one face illustrating a wood inhabited by deer and being enclosed in preparation, the canvas enclosure wall being unloaded from a cart bearing the monogrammed initials CA for Churfurst August, the wall itself bearing banners monogramnmed en suite, the reverse centring on the sportsmen shooting stags driven past their pavillion, another courtly figure holding a boar at bay with a spear, and all within an incised linear frame 26.6cm; 10.5in
A German partisan, late 17th/early 18th Century with slender wavey blade of diamond-section, formed with a reinforced tip, a pair of short flat lugs at the base and pierced with a series of drop-shaped apertures, moulded socket, and a pair of short straps, on an associated wooden haft fitted with an iron spike at the base; a German partisan, late 17th Century, with broad leaf-shaped head formed with cusped lower edges, moulded socket, on a later wooden haft; a spear, 17th Century, with small leaf-shaped blade, conical socket, on a later wooden haft with spiked iron shoe; a military spear, 17th Century, with broad leaf-shaped blade, moulded socket fitted with an up-turned hook at the base and with provision for another hook (now missing), and a pair of short straps, on a wooden haft fitted with spiked shoe, perhaps the original; and a haft for a boar spear, 17th/18th Century, the upper portion bound with a trellis pattern of leather, and the lower three-quarters spirally carved the first: 53.5 cm ; 21 in head (5)
A GOOD ARTS & CRAFTS OAK OPEN ARMCHAIR having a shaped toprail carved with a flowering plant, above three shaped rungs and a further rail, the square section uprights with wing ornament, two shaped arms with supports, linked to broadening square section front uprights with "spear"-form finials, extending as front legs, with shaped bracket supports and spade feet, the hide seat with brass studded surround, plain stretchers
A Marcolini Meissen figure of Minerva on a pedestal late 18th century, probably modelled by J.J. Kandler, wearing a plumed helmet, gilt scale-ground armour, a tunic with gilt florets and a puce robe with purple flowers, holding a spear in her left hand and her shield with Medusa mask in the right, an owl at her feet on the square base, all on a short plinth moulded with gilt-edged scrolls and musical trophies, crossed swords mark, asterisk and II in blue, impressed model number C53 to rear of base, 30cm., 11.75in. some restoration
A fine Bohemian enamelled 'Milchglas' tureen, cover and stand circa 1770, the oval form with shaped gilt-edged rim, painted with vignettes of courting couples in garden settings beside ruins alternating with flower sprays and scattered sprigs, the dome cover with faceted spear finial, the stand 31.6cm. long, 12.325in. some typical chips and typical losses to the gilding on the rims, (3)
A Bohemian enamelled circular bowl, cover and stand circa 1770, with cup-shaped bowl and stand with central depression, each with scalloped gilt-edged rims painted and gilt with flower sprays and scattered sprigs, the domed cover with gilt faceted spear finial, the stand with rosette-cut base, 23cm. diameter, 9in. some typical tiny chips and rubbing to gilding, (3)
Ruskin Spear, R.A. - 'A Thin Edge'; lithograph in colours, signed, titled and numbered 105/175, 45.7x107cm: Chris Orr- 'Banana Boat'; mixed technique print, signed, titled, dated 1998 and numbered 3/25cm: together with seven contemporary prints by different hands including: Julian Swindale, Catherine Taylor, Olga Sienko-Tatton and others, (9), (unframed)
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17325 item(s)/page