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Click here to subscribeWilly Mucha (1905 x 1995), by and after, ‘Abstract composition’, signed in pencil to margin, artist’s proof, coloured engraving, 65cm x 49cm; Leon Gischia, by and after, Abstract in red and yellow, signed in pencil to margin, limited edition number 132/200, silkscreen print, 25cm x 32cm, and another, number 133/200, (3).
Nissan Engel (Israeli, bn. 1931), by and after, ‘Adagio’, signed and titled in pencil to margin, limited edition number 4/150, aquatint engraving, 56cm x 40cm; Leon Gischia, by and after, abstract in red and yellow, signed, silkscreen print, limited edition number 131/200; Lansery??, still life study, number 126/220, etc, (4).
Sheila Robinson (British, 1935-1988). Silkscreen on paper titled "Monketon Coombe" depicting a village nestled amongst green hills, 1964. Pencil signed and dated along the lower right; numbered 66/100 and titled along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 16 1/2 in x width: 20 1/2 in. Framed; height: 22 3/4 in x width: 27 in.
Karl Gerstner (Swiss, 1930-2017). Silkscreen in colors on wove paper titled "Color Sounds #2," from the "Color Sounds" series, ca. 1973, depicting a brightly colored geometric composition. Pencil signed and numbered 119/175 in the composition along the lower right. Titled along the verso.Height: 31 1/4 in x width: 31 1/4 in.
Francois Morellet (French, 1926-2016). Silkscreen in yellow and white titled "40,000 Carres," published by Editions Denise Rene in Paris and New York, depicting a geometric abstract composition, 1971. Pencil signed along the lower right; numbered 126/300 along the lower left.Height: 31 1/4 in x width: 31 1/2 in.
Hannah Wilke (American, 1940-1993). Silkscreen on paper titled "In the Doghouse," 1973, depicting a linear background with blocks of pastel colors overlaid with an image of a dog resting in his house, looking at a pair of birds on his water bowl. Numbered 2/50 in pencil along the lower left. Signed and dated '73 in pencil along the lower right. Hannah Wilke is an artist known for her pioneering feminist artwork.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 17 3/4 in x width: 23 7/8 in. Framed; height: 25 1/2 in x width: 31 1/8 in.
20TH-CENTURY ART AND DESIGN COLLECTION OF CATALOGUES, LIMITED EDITIONS AND REFERENCE WORKS to include:Marcel Duchamp. The Bride Stripped Bare by her Bachelors, even. A Typographic Version by Richard Hamilton of Marcel Duchamp's Green Box, [2002]. [Together with:] In the Infinitive. A typotranslation by Richard Hamilton and Ecke Bonk of Marcel Duchamp's White Box, [2002]. 2 works, each one of 300 copies, 8vo, original boards, housed together as issued in grey cloth slipcase with accompanying bookplate Notes et/and Notations, also one of 300 copies; Andrew Holmes (born 1947). London: Architectural Association, 1986. [Modernism] signed limited edition, number 65 of 1000 copies. Portfolio (12 x 12 inches) of 20 silkscreen prints which when assembled form a print 1525 x 1120 mm, together with a 28-page catalogue printed in colour, housed in folding box with ribbon pull release, titled in white, hand-numbered and autographed to outer box cover.; and approx. 50 others, including: Skelton, Eric Gill, The Engravings, 1993; Grayson Perry, [Exhibition catalogue], Victoria Miro Gallery, 2004, with Grayson Perry tea towel laid in and unopened; Christie's, A Selection from the Barbara Streisand Collection of Fine and Decorative Arts Part I [-II], March 3 [-4] 1994, 2 volumes, original cloth and wrappers, first volume with dust jacket and inscribed 'Dear Christopher, I hope you can make the auction, B. S.', in original slipcase; and other reference books, including Jugendstil, Arts and Crafts and Secession interest
LUIS FEITO (Madrid, 1929- 2021).Untitled.Silkscreen, copy P.A.Signed and justified by hand.Measurements: 76 x 56 cm.Born and educated in Madrid, he was one of the founding members of the group El Paso. In 1954 he had his first individual exhibition, with non-figurative works, at the Buchholz gallery in Madrid. From then on Feito exhibited regularly in the most important cities in the world, such as Paris, Milan, New York, Helsinki, Tokyo and Rome. Appointed professor at the San Fernando School of Fine Arts in 1954, two years later he left teaching and went to Paris on a scholarship to study the avant-garde movements in force. During this period he was influenced by automatism and matter painting. In 1962 he became a founding member of the El Paso group, with which he had lost contact during his years in Paris. His first works were figurative painting, followed by a phase in which he experimented with cubism and finally moved fully into abstraction. At first he only used black, ochre and white colours, but when he discovered the potential of light he began to use more vivid colours and smooth planes. He evolved until he used red as a counterpoint in his compositions (from 1962) and, in general, more intense colours. In his abstract phase, which includes the 1970s, Feito showed a clear tendency towards simplification, with the circle predominating in his compositions as a geometric form. Possibly, the influence of Japanese art can be seen in his preference for large bands of black. Most of his works are untitled and can therefore be recognised by a number assigned to them. Among his awards is his appointment as an Officer of the Order of Arts and Letters of France in 1985. In 1998 he was awarded the Gold Medal of Fine Arts in Madrid, and was made a Full Member of the San Fernando Royal Academy of Fine Arts. In 2000 he was awarded the Prize of the Spanish Association of Art Critics at the Estampa Salon, in 2002 the AECA Grand Prize for the best international artist at ARCO, in 2003 the prize for the most important artist at the Osaka Art Fair (Japan), in 2004 the Prize for the Culture of Plastic Arts of the Community of Madrid, in 2005 the Francisco Tomás Prieto Prize of the Fábrica Nacional de Moneda y Timbre, and in 2008 the Jorge Alió Foundation Prize and the Grand Prize for Spanish Contemporary Art CESMAI. Luis Feito is represented in the most important museums all over the world, including the Gallery of Modern Art in Rome, the Guggenheim, the MoMA and the Chase Manhattan Bank in New York, the Museums of Modern Art in Tokyo, Paris, Rio de Janeiro and Montreal, the Lissone in Italy, etc.
MANUEL HERNÁNDEZ MOMPÓ (Valencia, 1927 - Madrid, 1992)Untitled.Silkscreen, copy H.C.Signed and justified by hand.Slight rust stains in the margins and a small tear.Measurements: 56 x 75 cm.The son of a painting teacher, Hernández Mompó alternated his basic and high school studies with classes at the School of Applied Arts and Artistic Trades in Valencia, where he entered in 1943. In 1948 he obtained a grant to paint in Granada, at the Residence for Painters, and three years later a new grant enabled him to travel to Paris. In the French capital he came into contact with the circles of informalist painters, whose influence would mark his later work, leaving behind the landscapes and portraits that had dominated his oeuvre until then. Between 1954 and 1955 he spent a long period in Rome, on a grant from the Department of Culture of the Ministry of National Education to study at the Spanish Academy of Fine Arts in the Italian capital. In 1954 he took part in the Viareggio International Exhibition, where he was awarded the Italian Navigation Prize. He left Italy and settled in Amsterdam, where he again frequented the informalist cenacles. In 1957 he returned to Spain and settled in Aravaca (Madrid). The following year he was awarded a grant from the Juan March Foundation in Madrid, and won the Grand National Painting Prize and a first medal at the National Exhibition of Fine Arts. During the sixties and seventies he alternated his residence between Madrid, Ibiza, and in 1973 he spent a year in California. On his return to Spain he settled in Mallorca. Hernández Mompó exhibited in the main capitals of Europe and the United States, and took part in national and international exhibitions. Among his most outstanding awards was the Unesco Prize received at the 34th Venice Biennale in 1968. In 1984 he was awarded the National Prize for Fine Arts by the Ministry of Culture. His youthful style was soon influenced in a definitive way by abstract expressionism and informalism, although his works never lost reality as a reference point. In his production, Hernández Mompó captures a figurative and poetic imagery, harmoniously mixed with abstract elements and rich superimposition effects. Hernández Mompó is represented at the IVAM in Valencia, the Museo Nacional Reina Sofía, the Museo de Arte Abstracto in Cuenca, the British Museum in London, the Centre Georges Pompidou in Paris, the Chase Manhattan Bank Collection in New York and the Winterthur Museum in Switzerland, among many others.
§ VICTORIA CROWE O.B.E., F.R.S.E., R.S.A. (SCOTTISH 1945-) DRAWN FROM NATURE: VIOLET AND BOG PALUSTUS Intaglio, silkscreen and chine colle, 20/30, signed, titled and numbered in pencil to margin, published by Graal Press, with their blindstampDimensions:the sheet 30cm x 38.5cm (11.75in x 15.25in)Provenance:Provenance: The artist's studio;The Scottish Gallery, Edinburgh.Note: Exhibited: The Scottish Gallery, Edinburgh, 'Victoria Crowe - 50 Years: Drawing & Thinking,' 28 August - 29 September 2019.
NEL WHATMORE - H.K. WHATMORE (BRITISH CONTEMPORARY) THREE SIGNED LIMITED EDITION PRINTS, comprising 'Hiawatha' a silkscreen print of a single flower, 297/395 no certificate, approximate size 65cm x 65cm, 'Minuetta' a silkscreen print depicting a single flower, 380/395 no certificate, approximate size 33cm x 33cm and 'Three for tea' a litho print depicting three teacups and saucers, 59/600 with certificate, approximate size 20cm x 43cm, all framed and glazed, Condition: prints are in good condition, scuffs and scratches to the frames (3)
Alex Zanda, Bone Dry, [Marilyn Munroe] 2015.- Signed limited edition silkscreen print on 300gsm Fabriano v fine art paper, Signed by the artist lower right, numbered in pencil 19/50 and stamped lower left, rolled, 40 x 40cm; with an accompanying COA from Printcave.Condition Report: mint condition.
"Ben", BEN VAUTIER (Naples, 1935)."Life is competition", 1992, from the Olympic Centennial Suite.Silkscreen on 270 gsm Vélin d'Arches paper, copy 138/250.Signed and justified by hand.Size: 63 x 90 cm.Benjamin Vautier has been, as well as a visual artist, a public agitator and art critic, interested in social vindication and multiculturalism. For him, all art must mean a shock, produce an intense emotion or reaction, and be novel. Although he was born in Naples, he spent his childhood in Naples, Turkey, Egypt, Greece and Italy. In 1949 he moved to Nice, where he spent most of his career. His contact in Nice with artists such as Fontan, Malaval, Klein and Arman was fundamental in shaping his style. In the 1960s he travelled to New York where he took part in the actions of the Fluxus group. His work would also become impregnated with conceptualism and minimalism, essential in his conception of art, which for him is not a purpose but a vehicle, a form of communication.The Olympic Suite is made up of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen are defined by diverse movements and pictorial trends, from the conceptualism and minimalism of "Ben" Vautier, the lyrical abstraction of Yasse Tabuchi, the painting of Oleg Tselkov who concentrates on the human figure, intensely expressive and treated with forceful forms and intense colours that seek to reflect the conflicts and violence of his time, and finally the work of André Arabis, clearly abstract and geometric.
JOSÉ ROYO (Valencia, 1945)."Woman with a pitcher".Oil on canvas.Signed in the lower right corner.Measurements: 100 x 81 cm; 129 x 110 cm (frame).A precocious painter, José Royo began his drawing studies when he was only seven years old. After studying with the best masters of his city, he entered the School of Fine Arts of San Carlos, and finally completed his studies travelling around the great museums of the world, immersing himself especially in Goya, Velázquez and the impressionist masters. These influences marked his pictorial development to the point of becoming a master of post-impressionism himself, heir to Renoir, Sorolla, Monet and Bonnard. The decisive change in his life came when the painter and his family decided to move to the countryside; in a small village near Valencia, Royo built the house that would bring light and colour to his work, which would be an exact replica of his iconography and vice versa, a house full of geraniums and orange trees where the light is precious at every moment of the day, in a different corner. However, the essence of the Mediterranean culture that this artist carries within him demanded, more and more insistently, to paint the sea. Royo then found his second paradise in Mallorca, in the Salmunia cove, where he has moved every summer to paint since the seventies. At the same time, his career became increasingly successful, first in Spain and soon throughout Europe. The Mediterranean charm modelled by Royo's virtuosity also seduced the Japanese and then the South American market, although it was above all his success in the United States that consolidated this artist as one of the key figures of our time. On the other hand, Royo's eagerness to investigate has led him to explore other fields such as sculpture and silkscreen printing, always accompanied by public recognition. He has also excelled as a portrait painter, portraying the presidents and High Magistrates of the Spanish Supreme Court, aristocratic personalities and His Majesty Don Juan Carlos I for the Spanish Embassy in Japan. Royo is currently represented in the Diocesan Museum of Barcelona, among other collections.
NAM JUNE PAIK (Seoul, 1932 - Miami, 2006).Untitled.Silkscreen on 270 gsm Vélin d'Arches paper, copy 229/250.Signed and justified by hand.Size: 63 x 90 cm.Nam June Paik worked throughout his career as a musical composer, but also as a video artist, painter and printmaker. He trained musically at the University of Tokyo, where he also studied Art History. He later travelled to Germany in the mid-1950s to study music theory in Munich, Cologne and Freiburg. He worked in the electronic music research laboratory of Radio Cologne, and participated in the artistic research groups Happening and Fluxus. In this and other lithographs he investigates the graphic possibilities through the serialisation of elements close to the aesthetics of the video game and even the "emoticon".
ANDY WARHOL (Pittsburgh, USA, 1928 - New York, USA, 1987)."Marilyn Monroe", 1967.Silkscreen on paper, copy 7/250.Numbered on the reverse. Hand signed on the reverse.Good condition.Provenance: Private collection, Madrid. Belongs to the property since the 1970s.Measurements: 91.4 x 91.4 cm, 96.5 x 96.5 cm (frame).In 1964, Andy Warhol made a series of five silkscreen prints of Marilyn Monroe, named Shot Sage Blue Marilyn. It belongs to a series of four screenprints (originally five) on 1 metre by 1 metre canvas made in Warhol's studio, The Factory, located on 47th Street in Manhattan, New York.The story behind the peculiar title states that one day Dorothy Podber, a friend of the studio's official photographer, Billy Name, was there when she saw the portraits of Marilyn stacked one against the other. Dorothy then asked Warhol if she could "shoot" them, a word that is also used in English to refer to taking a photograph. Warhol assumed the latter and agreed. To his surprise, Dorothy took a small revolver out of her handbag and shot the silkscreens, which thereafter became known as The Shot Marilyns. The fifth portrait was not in the stack to which Dorothy directed the single bullet fired.Of the five silkscreens originally created, the blue one was bought in 1967 by Peter Brant (a media and film entrepreneur) for $5,000; the red one by Philip Niarchos for $4.1 million; the orange one by Kenneth C. Griffin for an assumed price of over $200 million in 1998; and the turquoise one by Steve Cohen in 2007 for over $80 million.In 1967, Warhol again produced 10 series, with one colour attributed to each and a print run of 250 copies. One of these graphic works is the one that concerns us, the blue series being the most highly valued and quoted at international auctions.At the auction on 9 May 2022, Christie's sold the Blue Marilyn for 170 million dollars, making it the highest-priced 20th century work of art ever sold at public auction.Andy Warhol Andrew Warhola, commonly known as Andy Warhol, was an American visual artist, filmmaker and music producer who played a crucial role in the birth and development of pop art. Considered in his time a guru of modernity, Warhol has been one of the most influential artists of the 20th century. He is now represented in the world's most important contemporary art museums, including MoMA, the Metropolitan and Guggenheim in New York, Fukoka in Japan, the Kunstmuseum in Basel, the National Museum of 21st Century Art in Rome, MUMOK in Vienna, SMAK in Ghent and the Tate Gallery in London, as well as in the museums that bear his name in Pittsburgh and Medzilaborce (Slovakia).
Andy Warhol "Tigre" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Jasen Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Tijger" - 96 x 96 met blindstempel van de Warhol's meesterdrukker Rupert Jasen Smith met op verso de rode stempel van "Ronald Feldman"
Andy Warhol "Elepant" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Jasen Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Olifant" - 96 x 96 met blindstempel van de Warhol's meesterdrukker Rupert Jasen Smith met op verso de rode stempel van "Ronald Feldman"
Andy Warhol "Urang Utan" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Jasen Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Oerangoetan" - 96 x 96 met merk van de Warhol's meesterdrukker Rupert Jasen Smith met op verso de rode stempel van "Ronald Feldman"
Andy Warhol. " Untitled ". Color silkscreen on paper. Signed lower right. Numbered 30/100 lower left. Dry stamp Georges Israel publisher. Leo Castelli New York stamp on the back Dimensions: 56 x 38.5 cm. - Weight: 40 g - Region: Etats-Unis - Sizes: 560 mm x 385 mm - Author / artist: Andy Warhol
Andy Warhol. “Howdy Doody†from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in marker lower right. Howdy Doody Andy photographed by Warhol. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. "The Star" from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in black marker at the top. Photograph of Greta Garbo as Mata Hari by Clarence Sinclair Bull. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. "The Witch" from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in white marker at the bottom. Margaret Hamilton photographed by Andy Warhol. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. "Santa Claus" from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in black marker on the right. John Viggiano photographed by Andy Warhol. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. "Superman" from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in white marker on the right. Interpretation created by Andy Warhol. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. "Dracula" from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in white marker on the left. Sean McKeon photographed by Andy Warhol. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. "Mickeys Mouse" from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in white marker on the left. Interpretation created by Andy Warhol. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. “Mammy†from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in white marker on the left. Sylvia Williams photographed by Andy Warhol. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. "Uncle Sam" from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in black marker on the right. James Mahoney photographed by Andy Warhol. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol. "The Shadow" from the Myths series. Color silkscreen on paper. Signed "Andy Warhol" in black marker at the bottom. Andy Warhol photographed by Rupert James Smith. Published by Ronald Feldman Fine Arts, New York -Printed by Rupert Jasen Smith, New York,1981. Dimensions: 18 x 18 cm. - Weight: 5 g - Region: USA - Sizes: 180 x 180 mm - Author / artist: Andy Warhol
Andy Warhol (1928-1987)Golden Mushroom, from Campbell's Soup II (Feldman & Schellmann II.62) Screenprint in colours, 1969, on wove paper, signed in black ball-point pen and stamp-numbered 249/250 verso (there were also 26 artist's proofs), printed by Salvatore Silkscreen Co., Inc., New York, published by Factory Additions, New York, the full sheet, framedSheet 889 x 585mm. (35 x 23in.)For further information on this lot please visit Bonhams.com
ADAMI, VALERIO (1935), sig. b.r. "Catullo Voyage en Italie", dat. 1980, figurative portrait of the poet Gaius Valerius Catullus ca. 84 BC. silkscreen, 57/60, 77 x 57 cm. Frame and glass slightly damaged. Provenance: corporate collection of LeasePlan CorporationADAMI, VALERIO (1935), ges. r.o. "Catullo Voyage en Italie", gedat. 1980, figuratief portret van de dichter Gaius Valerius Catullus ca. 84 v. Chr. zeefdruk, 57/60, 77 x 57 cm. Lijst en glas licht beschadigd. Herkomst: Bedrijfscollectie LeasePlan Corporation.
Keith Haring (1958 - 1990) 'Swing Guy', green, 1983 Silkscreen poster, on half-matte coated paper 250gr. in five colours Signed and dated in the print by Keith Haring Printed by Albin Udrin workshops, Bern Size 70 by 100 cm. Notes: Haring was asked to produce a Jazz Festival Poster in 1982 featuring a dancing figure. Finally he made three different works all of which were published. ARR charges may be applicable
Keith Haring (1958 - 1990) 'Swing Guy', yellow, 1983 Silkscreen poster, on half-matte coated paper 250gr Signed and dated in the print by Keith Haring Printed by Albin Udrin workshops, Bern Size 70 by 100cm Notes: Haring was asked to produce a Jazz Festival Poster in 1982 featuring a dancing figure. Finally he made three different works all of which were published ARR charges may be applicable
Keith Haring (1958 - 1990) 'Swing Guy', pink, 1983 Silkscreen print poster, on half-matte coated paper 250gr. Signed and dated in the print by Keith Haring Printed by Albin Udrin workshops, Bern Size 70 by 100cm. Notes: Haring was asked to produce a Jazz Festival Poster in 1982 featuring a dancing figure. Finally he made three different works all of which were published. ARR charges may be applicable
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