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Unchain my Heart is an outstanding Limited Edition sericel inspired by the 1954 Looney Tunes The Cat's Bah featuring Pepe the Pew and Penelope Pussycat. Based on an original drawing by Darrell Van Citters, Laurie Dindis created a master inking transferred via silkscreen on Exlar paper. The original is archived at the Warner Bros. & Hanna-Barbera Animation Art in Burbank, California. Sticker on verso for CJ's Animation Art Gallery, Miracle Mile, Coral Gables, Fl. Edition number: 1135/1250. Housed in a black frame with a white and purple mat. Raised stamp on lower right of serigraph cell: WB. Animation Art Sericel, 1998. Sight size: 14.50"L x 11"H. Frame size: 21.75"L x 17.25"H x 1"W. Certificate of Authenticity included. Artist: Darrell Van Citters (American b. 1956)Issued: 1998Edition Number: 1135 of 1250 Country of Origin: United StatesCondition: Age related wear.

Takashi MURAKAMI (Né en 1962) December Remembrance, 2019 Epreuve offset en couleur sur papier, signée de la main de l’artiste au crayon. Numéroté à 100 exemplaires. 47 × 38 cm - 18 1/2 × 15 in Silkscreen offset on paper.Numbered 100 ex.

Sandra Blow (British, 1925-2006) Cambridge, 1999 Silkscreen print in colours  Signed and numbered 45/8547/100 Framed and glazed  Measures approx. 72cm x 72cm (28.5" x 28.5") Sandra Betty Blow (14 September 1925 – 22 August 2006) was an English abstract painter and one of the pioneers of the British abstract movement of the 1950s. Blow's works are characteristically large scale, colourful abstract collages made from discarded materials. Born in London, she suffered scarlet fever as a child, spending weekends and holidays at her grandparents' fruit farm in Kent. There she spent time painting, before enrolling at Saint Martin's School of Art between 1941-1946, and then the Royal Academy Schools, 1946-1947. She later enrolled at the Accademia di Belle Arti in Rome, where she met Alberto Burri, her partner of a few years. Blow and Burri travelled in Italy together before moving to and working in Paris, and Burri became a life long influence in her work. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Bambi (British, b.1982) Weapon of Voice - 2019 Silkscreen print on Somerset satin paper A/p and signed in pencil  Measures approx. 21cm x 21cm (8" x 8") If postage is required, any print within this sale will be posted rolled unless informed otherwise.     

Vivian Stanshall (1943-1995) British, founding member of the Bonzo Dog Doo-Dah Band, abstract study of a couple, silkscreen print on card, 38.5 cm x 30 cm. This lot, along with all others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall

GERRY HUNT, a mid-century geometric silkscreen print, signed and dated 1966, 73 x 51cmGood condition

Raffles Singapore by Perry King - A vintage 20th century 1980s silkscreen poster advertisement for Raffles of Singapore. Printed in full colours with central imagery and notation below. Framed and glazed. Damage to the frame. Measures approx. 92cm x 66cm. 

Steve Barraclough (Irish, 1953-1987) - A 20th century silkscreen print on paper. The abstract pattern printed on black woven paper. Framed. Measures approx. 85cm x 64cm.  

Annora Spence (British, b. 1963) - Horse and Flower - a print on paper. Edition no. 280/295. Signed and titles in pencil on margin. Framed. Measures approx. 39 x 52cm (15 1/4" x 20 1/2"). Annora Spence, (British, b 1963) initially studied printed textiles at Liverpool Polytechnic and the artist continued her education in the 1980s, by completing a master's degree in the same subject at Birmingham Polytechnic. Having completed her studies Spence worked as an independent artist and designer. Since 1990, she has concentrated on her career as a painter and has enjoyed multiple sell-out shows in London and overseas, having a large following abroad including North America and Asia. In 1994 she started producing limited edition Silkscreen prints and each new edition invariably completely 'sold out' within record time. Annora also went on to create etchings and even a bronze sculpture. Annora derives many of the ideas for her work from her extensive travels across Europe, India and Asia and is inspired by the characters, situations and colours she sees around her. Her palette varies from the rich, to pale and subtle, creating layers of tone and texture. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Simon Patterson (b.1967)'Untitled', silkscreen monoprint, signed and dated to the lower right, 77.5cm x 107cmProvenance: Lisson Gallery, London. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Peter Max (German/American, b. 1937). Silkscreen on paper titled "Data General 2000" depicting a figure shrouded in shadow with various objects surrounding him, 1981. Pencil signed and dated along the lower margin; numbered 192/250 along the lower left.Sight; height: 28 1/2 in x width: 20 in. Framed; height: 35 1/4 in x width: 26 1/2 in x depth: 1 1/4 in.Condition:The colors are bold and bright. There are no visible tears, losses, or creases. No signs of restoration under UV light. Not examined out of frame. Framed under plexiglass. Wear to frame.

Raul Guerrero (American, b. 1945). Silkscreen in multiple colors on Arches paper depicting a geometric circular composition of connecting lines, all in a rainbow of colors extending outwards from a central white circle, 1974. Pencil signed and dated April 19, 1974 along the lower right; numbered 14/50 along the lower left. Published by Cirrus Editions, Ltd. and with a certificate of authenticity.Sight; height: 21 1/2 in x width: 21 1/2 in. Framed; height: 23 1/4 in x width: 23 1/4 in x depth: 1 1/4 in.Condition:There are no visible tears, creases, losses, or restorations. The work is floated in frame. Framed under glass; light wear to the frame. Verso of the work not inspected; not inspected out of frame.

Roger Brown (American, 1941-1997). Silkscreen on paper titled "Cosi Fan Tutte" depicting two figures meeting in a darkened garden with two listening from behind foliage, 1979. Signed and dated along the lower right; titled along the lower center; numbered 19/75 along the lower left. The work's title is derived from a Mozart opera.Sight; height: 27 1/2 in x width: 19 1/4 in. Framed; height: 36 in x width: 27 1/2 in x depth: 1 1/4 in.Condition:The colors are bold and deep. The sheet is very slightly toned. There are no visible tears, creases, losses, or restorations. Framed under glass; light wear to the frame. Not inspected out of frame.

Millard Owen Sheets (American, 1907-1989). Silkscreen on paper titled "Indian Textures" depicting a woman hoisting a large fish above her head, 1984. Pencil signed along the lower right; titled along the lower right; numbered 66/95 along the lower center. With a label from the Pasadena Art Institute affixed to the verso.Provenance: Dalzell Hatfield Galleries, Los Angeles; Distinguished Corporate Collection, Minnesota.Sight; height: 26 in x width: 13 1/4 in. Framed; height: 36 in x width: 23 1/4 in x depth: 2 1/2 in.Condition:There are no major tears, creases, or losses. There are a few minute areas of foxing along the right side. There is a slight undulation to the sheet. No signs of restoration under UV light. Framed under plexiglass, not examined out of frame.

Ilya Bolotowsky (Russian/American, 1907-1981). Silkscreen on paper depicting a square geometric composition in red, blue, cream, and white. Pencil signed along the right margin; numbered 114/125 along the lower left.Sight; height: 34 1/2 in x width: 34 1/2 in. Framed; height: 35 3/4 in x width: 35 3/4 in x depth: 1 1/4 in.Condition:The colors are bold and bright. There are no tears, creases, or losses. There is a minute area of discoloration along the red area of the left side and along the margin of the right side. No signs of restoration under UV light. Framed under glass. Not examined out of frame. Wear to the frame.

Ilya Bolotowsky (Russian/American, 1907-1981). Silkscreen on paper depicting a horizontal rectangular geometric composition, largely in blue, with accents of red, yellow, black, and white. Pencil signed along the lower right; numbered 62/150 along the lower left.Sight; height: 12 in x width: 23 3/4 in. Framed; height: 22 in x width: 30 in x depth: 1 in.Condition:The colors are bold and bright. There are no tears, creases, or losses. There is a slight undulation to the sheet. No signs of restoration under UV light. Framed under glass. Not examined out of frame. Wear to the frame.

MERSAD BERBER (Bosnian, 1940-2012) “Flora III”. Lithograph & silkscreen with applied gold leaf, signed, inscribed & numbered 66/400, cm x cm, framed & glazed (cm x cm over-all).

Silkscreen print, The White Veil, Robert Heindel with gallery label to the reverse. H.87 W.92cm.

Joseph Albers-Homage to the Square Silkscreen 1968 on Paper Pinted Circa 1968

Andy Warhol (1928–1987) was an American artist, filmmaker, and leading figure in the visual art movement known as pop art. He played a crucial role in elevating popular culture to the level of fine art. Here are some key points about Andy Warhol:1. **Early Life and Education:** Andrew Warhola was born on August 6, 1928, in Pittsburgh, Pennsylvania, to Slovakian immigrant parents. He studied at the Carnegie Institute of Technology (now Carnegie Mellon University) and graduated with a degree in pictorial design.2. **Move to New York:** Warhol moved to New York City in the 1950s and began his career as a commercial illustrator for magazines and advertising. He quickly gained recognition for his unique and playful approach to graphic design.3. **Pop Art:** Warhol is widely considered a leading figure in the pop art movement, which emerged in the 1950s and celebrated everyday objects and popular culture. He transformed ordinary items into works of art, blurring the lines between high and low culture.4. **Campbell's Soup Cans:** One of Warhol's most famous works is the series of paintings depicting Campbell's Soup Cans. Each canvas featured a different flavor of soup, highlighting mass production and consumer culture.5. **Marilyn Monroe:** Warhol's depictions of iconic celebrities, including Marilyn Monroe, became iconic symbols of his art. The repetition of Monroe's image underscored the pervasive influence of mass media.6. **The Factory:** Warhol established "The Factory," a studio in New York City where he produced his artworks and collaborated with a diverse group of artists, musicians, and filmmakers. The Factory became a hub of artistic and social activity.7. **Silkscreen Technique:** Warhol developed a distinctive silkscreen printing technique, allowing him to mass-produce images and create multiples of his artworks. This technique played a significant role in his artistic process.8. **Exploration of Consumerism:** Warhol's art often explored themes of consumerism, celebrity culture, and the relationship between art and commerce. His works reflected the changing landscape of post-war America.9. **Filmmaking:** In addition to his visual art, Warhol was involved in experimental filmmaking. His films, often characterized by their duration and simplicity, captured everyday activities and interactions.10. **The Velvet Underground:** Warhol managed and collaborated with the influential rock band The Velvet Underground. His association with the band contributed to the merging of art and music scenes in New York.11. **Attempted Assassination:** In 1968, Warhol was shot and seriously wounded by Valerie Solanas, a radical feminist and writer. He survived the attack but experienced physical and psychological effects.12. **Later Works:** In the 1970s and 1980s, Warhol continued to produce art, including portraits of celebrities and influential figures. His later works explored themes of mortality and society.13. **Legacy:** Andy Warhol's legacy extends beyond his art, influencing contemporary art, culture, and society. His impact on the art world is profound, and his work continues to be celebrated and studied globally.14. **Death:** Andy Warhol died on February 22, 1987, in New York City, at the age of 58, due to complications following gallbladder surgery.Andy Warhol's contributions to art and popular culture have left an indelible mark, and his influence is still felt today. His ability to transform ordinary objects into art and his exploration of the intersection between art and consumer culture remain central to discussions about contemporary art.Measures 24 x 36.Mounted to linen.

Andy Warhol, a pioneering figure in the Pop Art movement, is renowned for his innovative approach to art, celebrity culture, and consumerism. Born in 1928, Warhol's contributions have left an indelible mark on contemporary art and popular culture.Warhol's artistic legacy can be encapsulated as follows:1. **Celebrity and Consumerism**: Warhol's art is characterized by its exploration of mass culture, celebrity, and consumerism. His iconic works often featured images of popular products, celebrities, and everyday objects, blurring the lines between high art and commercial imagery.2. **Silkscreen Technique**: Warhol's use of the silkscreen technique allowed him to mass-produce his art, reflecting the assembly-line nature of consumer culture. This technique became a signature element of his work.3. **Icons and Portraits**: Warhol's portraits of celebrities, such as Marilyn Monroe and Elvis Presley, elevated the status of these figures to modern-day icons. His art simultaneously celebrated and critiqued the cult of fame.4. **Exploration of Identity**: Warhol's art often explored questions of identity, fame, and the concept of the self in a media-saturated world. His "self-portraits" shed light on the constructed nature of personal identity.5. **Factory and Studio**: Warhol's "Factory" became a hub of creativity, collaboration, and experimentation, influencing not only his art but also the cultural scene of the time.6. **Transcending Mediums**: Warhol's creativity extended beyond painting to include film, music, and performance. His films, such as "Chelsea Girls," and collaborations with bands like The Velvet Underground, expanded the boundaries of his artistic expression.7. **Cultural Impact**: Warhol's art transcended the art world, influencing fashion, music, advertising, and the broader cultural landscape. His fusion of art and commerce challenged traditional notions of artistic purity.8. **Reflection of Society**: Warhol's work captures the essence of a changing society, addressing issues of celebrity obsession, consumerism, and the impact of mass media on identity and perception.Andy Warhol's legacy is synonymous with his ability to capture the essence of contemporary culture through his unique artistic lens. His iconic works, innovative techniques, and explorations of fame and consumerism continue to shape conversations about the intersection of art, society, and commerce, while inspiring subsequent generations of artists to challenge norms and embrace the transformative power of art.Measures 24 x 36.Mounted to linen.

Andy Warhol (1928–1987) was an American artist, filmmaker, and leading figure in the visual art movement known as pop art. He played a crucial role in elevating popular culture to the level of fine art. Here are some key points about Andy Warhol:1. **Early Life and Education:** Andrew Warhola was born on August 6, 1928, in Pittsburgh, Pennsylvania, to Slovakian immigrant parents. He studied at the Carnegie Institute of Technology (now Carnegie Mellon University) and graduated with a degree in pictorial design.2. **Move to New York:** Warhol moved to New York City in the 1950s and began his career as a commercial illustrator for magazines and advertising. He quickly gained recognition for his unique and playful approach to graphic design.3. **Pop Art:** Warhol is widely considered a leading figure in the pop art movement, which emerged in the 1950s and celebrated everyday objects and popular culture. He transformed ordinary items into works of art, blurring the lines between high and low culture.4. **Campbell's Soup Cans:** One of Warhol's most famous works is the series of paintings depicting Campbell's Soup Cans. Each canvas featured a different flavor of soup, highlighting mass production and consumer culture.5. **Marilyn Monroe:** Warhol's depictions of iconic celebrities, including Marilyn Monroe, became iconic symbols of his art. The repetition of Monroe's image underscored the pervasive influence of mass media.6. **The Factory:** Warhol established "The Factory," a studio in New York City where he produced his artworks and collaborated with a diverse group of artists, musicians, and filmmakers. The Factory became a hub of artistic and social activity.7. **Silkscreen Technique:** Warhol developed a distinctive silkscreen printing technique, allowing him to mass-produce images and create multiples of his artworks. This technique played a significant role in his artistic process.8. **Exploration of Consumerism:** Warhol's art often explored themes of consumerism, celebrity culture, and the relationship between art and commerce. His works reflected the changing landscape of post-war America.9. **Filmmaking:** In addition to his visual art, Warhol was involved in experimental filmmaking. His films, often characterized by their duration and simplicity, captured everyday activities and interactions.10. **The Velvet Underground:** Warhol managed and collaborated with the influential rock band The Velvet Underground. His association with the band contributed to the merging of art and music scenes in New York.11. **Attempted Assassination:** In 1968, Warhol was shot and seriously wounded by Valerie Solanas, a radical feminist and writer. He survived the attack but experienced physical and psychological effects.12. **Later Works:** In the 1970s and 1980s, Warhol continued to produce art, including portraits of celebrities and influential figures. His later works explored themes of mortality and society.13. **Legacy:** Andy Warhol's legacy extends beyond his art, influencing contemporary art, culture, and society. His impact on the art world is profound, and his work continues to be celebrated and studied globally.14. **Death:** Andy Warhol died on February 22, 1987, in New York City, at the age of 58, due to complications following gallbladder surgery.Andy Warhol's contributions to art and popular culture have left an indelible mark, and his influence is still felt today. His ability to transform ordinary objects into art and his exploration of the intersection between art and consumer culture remain central to discussions about contemporary art.Measures 24 x 36.Mounted to linen.

HUTTER, WOLFGANG (1928-2014) "Der Blumenball/Gefängnis der Pamina" 1973 Farbserigraphie, Ed. 436 / 999, signiert datiert unten rechts, HxB: 30/31 cm (Sichtmaß). Rahmen, HxB: 72/56 cm. Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| HUTTER, WOLFGANG (1928-2014) "The Flower Ball/Pamina's Prison" 1973Colour silkscreen, Ed. 436 / 999, signed dated lower right, HxW: 30/31 cm (visible size). Frame, hxw: 72/56 cm. Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.

HAUSNER, RUDOLF (1914 - 1995), "Adam zuversichtlich", Farbserigraphie, u. re. von Hand signiert, u. li. nummeriert "440/999". HxB Blatt: ca. 35x47 cm (HxB Rahmen: ca. 58,5x69 cm). Leichte Altersspuren. Im Passepartout hinter Glas gerahmt (Alters- und Beriebspuren). Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V. | HAUSNER, RUDOLF (1914 - 1995), "Adam confident", colour silkscreen, signed by hand lower right, numbered "440/999" lower left, HxW sheet: approx. 35x47 cm (HxW frame: approx. 58.5x69 cm). Slight traces of age. Framed behind glass in passepartout (traces of age and rubbing). Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery in Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.

ACKERMANN, MAX (1887-1975), "Weltall-Innenraum-Kinetik II", 1966, Farbserigrafie, u.r. sign. u. dat.: "Max Ackermann 66", Ed. 30/60, HxB: 54/45 cm (HxB Rahmen: 104/81 cm).Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| ACKERMANN, MAX (1887-1975), "Weltall-Innenraum-Kinetik II", 1966, Colour silkscreen, signed and dated lower right: "Max Ackermann 66", Ed. 30/60. HxW: 54/45 cm (HxW frame: 104/81 cm). Provenance: From the collection of Prof. Dr. Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.

GRIESHABER, HAP (Helmut Andreas Paul, 1909-1981), „Uracher Palme (Die Palme Attempto)"“ 1976, Holzschnitt, Exemplar Nr.: 82/299, mit weißem Siebdruck: „Attempto 500 Jahre Eberhard-Karls-Universität Tübingen 1477-1977“, u. mi. mit Blst. Sign. und nummeriert, hinter Glas gerahmt. HxB:112/71 cm, mit Rahmen 116/75 cm. Altersspuren, im unteren Teil gelbstichig, part. Stockfleckig.| GRIESHABER, HAP (Helmut Andreas Paul, 1909-1981), "Uracher Palme (Die Palme Attempto)""1976, woodcut, copy no.: 82/299, with white silkscreen print: "Attempto 500 Jahre Eberhard-Karls-Universität Tübingen 1477-1977", a. mi. with blst. Signed and numbered, framed behind glass. HxW:112/71 cm, with frame 116/75 cm. Traces of age, lower part yellowish, part. Some foxing.

Y CHARLES FAZZINO (American, b.1955) *ARR'The Lights of London', silkscreen serigraph, 3D collage, signed and titled lower edge, with certificate, Liss Gallery receipt dated 5/10/01 for $1988.38 x 60cm.

Conor Harrington (Irish 1980-), 'Fight Club (The Mess We Make)', 2013, giclee with silkscreen gloss and applied 22-carat gold leaf on 330gsm Somerset Satin paper, signed and numbered from an edition of 45 in pencil, published by Lazarides; 115.5 x 134.5cm inc frameARR 115.5 x 134.5cm inc frame In Very Good Condition No visible knocks, tears, or creases to the sheet This work has been framed to a very high standard by John Jones in a dark wood frame using UV Filtering Perspex This work has not been examined out of the frame or under the mount In Very Good Condition

Damien Hirst (British 1965-), 'For The Love Of God - Enlightenment' 2012, silkscreen in colours with diamond dust on wove paper, signed and numbered from an edition of 250 in white pencil, published by Other Criteria; sheet: 100 x 75cm (framed)ARR sheet: 100 x 75cm In very good condition No visible knocks, tears or creases to the sheet Framed to a high standard in a black Conservation frame, float mounted leaving all edges and corners of the sheet visible This work has not been examined outside of the frame.

Damien Hirst (British 1965-), 'Turps Banana', 2011, digital pigment print with silkscreen glaze on wove paper, signed and numbered from an edition of 75 in pencil; sheet: 50.6 x 42cm, 65 x 55 cm inc frameARR sheet: 50.6 x 42cm, 65 x 55 cm inc frame In very good condition No visible knocks, tears or creases to the sheet This work has been framed in a white frame with a white mount This work has not been examined outside of the frame.

Laurence Stephen Lowry (British 1887-1976), 'Bloomsbury Square', 1969, silkscreen in colours on wove paper, signed and inscribed in pencil, an Artist Proof with proof correction marks; 75 x 88.5cm inc frameARR 75 x 88.5cm inc frame In very good condition No visible knocks, tears or creases to the sheet This work has been framed in a wooden frame with a white mount This work has not been examined outside of the frame.

Connor Brothers (British Duo), 'Extraordinary People', 2020, giclee with silkscreen varnish on wove paper, signed, dated, and numbered from an edition of 300 in pencil; sheet: 42 x 29cmARR sheet: 42 x 29cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.

Connor Brothers (British Duo), 'Tell Me Beautiful Untrue Things', 2021, Giclee print with silkscreen varnish, signed and numbered from an edition of 150, sheet; 120 x 76 cmARR sheet; 120 x 76 cm In very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.

Connor Brothers (British Duo), 'Things May Come To Those Who Wait', 2021, hand painted vintage paperback with silkscreen, from an edition of 2 + 2 AP's; book: 27 x 20.5cm (framed)ARR book: 27 x 20.5cm (framed) In very good condition/artist's condition No sign of later paint loss. This work is executed on a vintage paperback book and is framed by the artist/to the artist's specifications Minor crease to the lower right hand corner, this is due to the nature of material This work has not been examined out of the frame.

CryptoPunks, '10,000 On-Chain', 2023, Archival pigment print on 330gsm Somerset Enhanced Radiant White paper with a silkscreen matte varnish seal, numbered from an edition of 829 verso; sheet: 60 x 60cm (Framed)sheet: 60 x 60cm (Framed)In very good condition No visible knocks, tears or creases to the sheetVery minor wear to the lower right hand edge of the sheet, visible upon close inspection This work has been framed in a white frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

James McQueen (British 1977-), 'It's All Shits and Giggles Until Someone Giggles and Shits', 2023, mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper, signed and numbered from an edition of 195; sheet: 101.5 x 67.5cmARR sheet: 101.5 x 67.5cm In Very Good Condition No knocks, tears, or creases to the sheet This work has been stored flat and never been framed In Very Good Condition

Connor Brothers (British Duo), 'Impossible Is Nothing', 2021, hand painted vintage paperback with silkscreen, from an edition of 2 + 2 AP's, book: 27 x 20.5cm (framed)ARR book: 27 x 20.5cm (framed) In very good condition/artist's condition No sign of later paint loss. This work is executed on a vintage paperback book and is framed by the artist/to the artist's specifications. This work has not been examined out of the frame.

Connor Brothers (British Duo), 'Call Me Anything But Ordinary', 2021, hand painted vintage paperback with silkscreen, from an edition of 2 + 2 AP's, book: 27 x 20.5cm (framed)ARR book: 27 x 20.5cm (framed) In very good condition/artist's condition No sign of later paint loss. This work is executed on a vintage paperback book and is framed by the artist/to the artist's specifications. This work has not been examined out of the frame.

Connor Brothers (British Duo), 'The Truth', 2022, giclee with silkscreen varnish on wove paper, signed, dated, and numbered from an edition of 8 Studio Proofs in pencil, the main edition of 75; sheet: 75 x 50cm (Framed)ARR sheet: 75 x 50cm (Framed) In very good condition No visible knocks, tears or creases to the sheet Deckled edges in good condition This work has been framed in a wooden frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

José Parlá (American 1973-), 'Seeing In Phosphene', 2023, UV pigment print with a matte varnish silkscreen seal on 410gsm Somerset Tub Sized Radiant White paper, signed and numbered from an edition of 380, published by Avant Arte; sheet: 53.6cm x 83.8cmsheet: 53.6cm x 83.8cmIn very good condition No knocks, tears or creases to the sheet This work has been stored flat inside its original Avant Arte crate, no apparent issues.

Mr Brainwash (French 1966-), 'Reach For Love', 2022, silkscreen in colours on wove paper, signed and numbered from an edition of 395 in pencil; sheet: 55.9cm x 76.2cm (Framed)ARR sheet: 55.9cm x 76.2cm (Framed) Charity Statement:Fundacja Ziemniaki i is a not-for-profit cultural organisation encouraging and nurturing early career artists, designers, craftspeople, writers and curators from Central and Eastern Europe.We believe that there is no future without culture. That’s why we strive to improve access, visibility, and working conditions in the creative arts and encourage their positive role in an open and free society.With your support, we can expand our reach and offer support to more artists and cultural workers. Together, we can sustain a creative space for learning and experimentation that tackles the most critical problems of our time.This piece has been donated by Clarendon Fine Art and all proceeds will be donated to the charity. In very good condition No visible knocks or tears to the sheet One very light crease to the upper left hand corner of the sheet and one very small crease to the lower right hand section of the border, visible upon close inspection Deckled edges in good condition This work has been framed in a black frame by the publisher to the artists specification and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

Conor Harrington (Irish 1980-), 'The Unveiling', 2014, pigment print with silkscreen gloss on 330gsm Somerset Satin paper, signed and numbered from an edition of 200 in pencil, published by Lazarides; sheet: 77.5 x 100cm (Framed)ARR sheet: 77.5 x 100cm (Framed)

JIMMY PIKE (AUSTRALIAN 1940-2002) UNTITLED - TWO ABSTRACT COMPOSITIONSboth signed and numbered J PIKE 39/95 & 24/95 in pencil lower margin; one dated 1987 lower margin both silkscreen printed in coloursone 47 x 63cm; 18 1/2 x 26in63 1/2 x 89cm; 29 x 35in (framed)the other 55 x 65cm; 21 1/2 x 25 1/2in 81 x 90cm; 32 x 35 1/2in (framed)(2)Property from a London CollectionJimmy Pike's early years were as a hunter-gatherer east of Japingka in the Great Sandy Desert in Western Australia, but he became part of the great exodus of desert people in the 1940s and 50s who moved into the cattle country of Kimberley, working on cattle stations. He had his first exhibition in Freemantle in the early 1980s. It followed several years spent in prison, a forced confinement that gave him the opportunity to explore his art, including his print technique but in particular the development of colour in his work which subsequently became a distinctive feature of his output, distinguishing him from other Aboriginal painters. Pike co-authored a number of story books with his wife Pat Lowe, detailing traditional life in the desert. His work is widely represented in public museums across Australia, including the National Gallery of Australia, The Art Gallery of New South Wales and The National Gallery of Victoria.offered for sale without reserve

Anthony Eyton (b. 1923) Silkscreen print "Uluru (Ayer's Rock)", limited edition, signed titled and numbered 21/75 in pencil within margin, dated '08, framed and glazed, image size 44.5cm x 45.5cm, bears Menier Gallery 2008 exhibition, and Browse & Darby labels verso Condition ReportIn very good condition with no apparent damage or fading.

Jayne Ivimey (contemporary) - untitled, silkscreen on wove paper, facsimile signed and dated '02 lower right, full sheet dimensions 56.5 x 76cm

Giorgos Mavroidis (Greek 1912-2003), Silkscreen on paper of a painting depicting Kyrenia Harbour as seen from the harbour castle with St Hilarion and the mountain to the background and the church of Archangel Michael on the right. This picture was used by Marios Tokas for the cover of his album "Φωνή Πατρίδας" 1998, signed in pencil lower right and numbered lower left 51/190. Measuring 46x67,5cm glazed and framed.

EINSTEIN ALBERT: (1879-1955) German-born theoretical physicist, Nobel Prize winner for Physics, 1921. An impressive, large signed 17.5 x 23 silkscreen print by Einstein, the image being a well-executed line portrait of the scientist by the artist Joseph Scharl, 1946. Signed (‘A. Einstein’) by Einstein with his name alone to the lower left corner and also bearing the facsimile signature and date of Scharl. Matted in white and framed and glazed in a modern frame to an overall size of 26 x 36. A highly attractive signed image, effective in its confident and bold lines. Rare and desirable in this form. About EX Joseph Scharl (1896-1954) German-born American expressionist painter and graphic artist. Labelled a ‘degenerate’ artist by the Nazi Party, Scharl found it impossible to work in Germany and his immigration to the United States in 1939 was sponsored by Einstein. Scharl was not only supported financially by Albert Einstein, whom he had first met in Berlin in the 1920s, but also in the realisation of various exhibition projects. Scharl often visited Einstein, whom he painted several times, in Princeton and the two engaged in friendly correspondence from 1941 onwards. The years 1944-46, when the present portrait was created, marked the peak of Scharl’s fame in America. When Scharl passed away in 1954, a few months before his friend’s own death, Einstein gave the eulogy at the artist’s funeral.

CHASE CHENOFF (CHINESE/AMERICAN, B. 1964) PRINT Silkscreen print, signed and editioned to lower edge ‘AP 5/65 Chase Chenoff’. Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Clarence Wells (b1950) - Peregrine Falcon - limited edition silkscreen print, signed, numbered 55/195 and dated January 1980; together with another similar - Owl - and numbered 150/195 (Clarence Wells is an acclaimed contemporary Pacific North West Coast First Nation's Artist), both framed & glazed, each 35 by 43cms (2).

Patrick Amos (b1957) - Bear and Wolf - limited edition coloured silkscreen print, signed and numbered 24/125 and dated 1992, framed & glazed, 37 by 37cms.

Bill Reid (1920-1998) - Haida Wolf - signed & dated '79 in pencil to the margin, coloured silkscreen print, framed & glazed, 14 by 22cms.

Danny Dennis (b1951 Canadian Indigenous) - Raven and First Man - signed in pencil to the margin, coloured silkscreen print & glazed, 21.5 by 14cms.

KIRILL SOKOLOV (RUSSIAN 1930 - 2004), HIGHLAND SCENE silkscreen on paper, signed and dated 1981mounted, framed and under glassoverall size 64cm x 74cm

James McQueen,British b. 1977-It Is What It Is, 2023; mixed-media, archival pigment and silkscreen on deckle-edged satin 410gsm paper,signed and numbered '40/195' in pencil, sheet: 149.9 × 99.1 cm, (framed)(ARR)Note: together with a certificate of authenticity issued by Washington Green Fine Art.

Takashi Murakami, Japanese b. 1962- School Entrance Ceremony, 2021; archival pigment print and silkscreen,signed and numbered 'SP 21/25' in pencil,sheet: 50 x 50 cm,(unframed)Note: together with original cardboard box.

After Andy Warhol, American 1928-1987,Querelle, 1982; acrylic, silkscreen and liquitex on paper, with later signature and date, sheet: 42 x 39 cm, (framed)Note: This is thought to be after the Warhol Querelle print of 1982 (111A.27 in F and S) as this was only known in two colourways. The original print was created for a poster for Rainer Fassbinder's 1982 film Querelle, based on the novel by Jean Genet.

Amendment: Please note, the 'Welsh Miners' print is a silkscreen, and not as previously stated. It is also a very rare edition of ten with watercolour, made for the Investiture of the then Prince of Wales, now King Charles III. Josef Herman OBE RA, Polish/British 1911-2000, Cockle Gatherers, 1974; Welsh Miners, 1969; Scene on the Shore, 1975;each lithograph in colours on wove, each signed and two inscribed 'Artist's Proof' in pencil, largest image: 49.2 x 64.5 cm, (framed)(ARR)(3)

Ai Weiwei,Chinese b.1957-Middle Finger in Red, 2023;handmade 2-colour silkscreen print on Somerset Tub Sized Satin White 410gsm paper,signed and numbered from the edition of 1285 in pencil,published by Avant Arte, Amsterdam,sheet: 60 x 60 cm,(unframed)

The Connor Brothers,  British b.1968- Extraordinary People; giclée with silkscreen varnish in colours on wove,  signed and inscribed AP in pencil,  sheet: 41.5 x 29 cm,  (framed) (ARR) 

Shepard Fairey, American b. 1970- Obey Lotus Crescent White and Gold, 2013;silkscreen and diamond dust on Somerset Satin Tub sized wove, signed and dated in pencil on the reverse and numbered 31/75, sheet: 87.3 x 66.4 cm, (unframed)