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Fine bone china figurine from the Family series. This piece depicts a mother reading to her two children. The figurine showcases detailed hand-painting with a vibrant color palette, featuring a mother dressed in a flowing gown with a shawl draped over her shoulders, seated alongside a young girl and boy. The expressive detailing captures a moment of storytelling. The base is signed in gilded ink by Michael Doulton. The underside bears the Royal Doulton backstampArtist: Leslie HarradineIssued: 1950 - 1996Dimensions: 5"HCountry of Origin: EnglandCondition: Age related wear.

A beaded evening bag, early 20th century, a Paisley pattern printed shawl, and a few others

A cream embroidered piano shawl from the early 1920s, deep pink floral design in large flowers and smaller coloured flowers in pink, lilac and turquoise.

A Louis Vuitton brushed cashmere shawl with tassel fringe.

Seán Keating PPRHA HRA HRSA (1889 -1977) The Trinity Oil on board, 55 x 83cm (21½ x 32½") Signed The Trinity is most commonly seen in visual representations of Christian art as the dove symbolising the Holy Spirit descending from heaven, accompanied by two figures representing God the father and Jesus Christ. In this instance, while the figures adopt the traditional triad format, they have been substituted with three ordinary people from the west of Ireland. An older man stands with his hat removed in reverence looking off into the distance, a younger woman with her back to us, her hand outstretched in amazement, towards the central figure of the composition, a woman wrapped in a tartan shawl, standing in the position most often associated with Christ. Her arms are outstretched and the palms of the hands facing upwards. The fingers or her right-hand point in a gesture usually representative of a blessing, an intervention of the sacred in the human world. There is a serene expression on her face and a bright light falls on her, as if a divine vision has broken through the clouds. She stands in front a donkey and cart, which immediately calls to mind Mary and Joseph travelling to Bethlehem on the eve of Christ’s birth and his own arrival into the Jerusalem riding on the back of one.Keating does not provide us with much narrative content and the arrangement of the composition also suggests that more may be occurring beyond the picture plane. The arched canvas is reminiscent of traditional altar pieces, it frames the landscape mirroring the rolling shapes of the hills and fields behind. The trees sway in wind as clouds amass on the horizon suggesting inclement weather to come. The colour palette of red and green is picked up in the dress of both women and repeated in the gate and door frame of the cottage. He has captured perfectly the chalky, whitewashed walls of the west of Ireland houses.Throughout his career Keating painted religious works, often for specific commissions in churches. He was not a stranger to the language and mythology of the genre. It makes this work quite interesting to witness his mixing of the two styles of which he was so adept. It is not a straightforward image, as was common of Keating’s work, he enjoyed employing allegory and symbolism that moved beyond a linear narrative format. In works such as this and in his well-known history paintings, he was commenting not only on contemporary times but also on the greater arc of traditions that had formed Irish society. In many ways Keating became the official artist of the Irish Free state helping to shape, in visual terms, the new identity of an independent Ireland.

A 20th Century embroidered cream silk shawl with gold coloured extra long tassels and embroidered floral design, measures approx 45" x 45" not inc tassels. Location:RailCondition: Areas of stains, no holes when held up to light, red embroidered initials to one corner which can be unpicked.

A 1980's black mink fur jacket having bellow sleeves, side pockets and a shawl collar, approx 44" chest x 28" long. Location:RailCondition:Good, no loss of fur or stiffening, no strong smells, lining intact and stain free.

A chestnut brown mink paw fur coat having a shawl collar, approx 40" chest x 45" longLocation: RailCondition: Lining clean and intact, no strong smells or stiffening.

Two early 20th Century Chinese hand-embroidered sections A/F, the black panel using various stitch techniques to include the Chinese knot. Location:Condition: The peach remnant is a section from a shawl 56" x 25" and the black ground remnant from an item of clothing 36" x 17".

An early 20th Century cream silk embroidered crinoline shawl with extra long cream silk tassels, approx size 48" x 48" not inc tassels. Location:RailCondition: Areas of faint marks, no apparent holes when held up to the light-see additional photos

A modern paisley shawl having a brown border with terracotta, blue, yellow and brown colour-way, approx 125cm x 225cm. Location:Condition:As new

Collection of oddments to include: Classical Revivals design porcelain jar on silver plated stand, two vintage soft toys in the form of a farmer and his wife, model study of wooden boat, shawl with tassels etc. (B.P. 21% + VAT)

A group of mixed vintage textiles comprising a reptile skin clutch bag, unmarked, length 25cm, a cane riding crop, length 44cm, a vintage 1920s black and sequinned fringed scarf/shawl/wrap, maker's label for Maude, 91 x 43cm, and two Peruvian short blankets, one with llamas and farmers, 93 x 78, the other with green, red and white stripes, 120 x 97cm (6).

A late 19th/early 20th century silk floral decorated piano shawl, approx 180 x 180cm, also six further vintage silk and embroidered shawls (7).

LIBERTY OF LONDON: VARUNA WOOL SHAWL, red floral pattern on blue ground, printed Liberty name and label, approx. 130 x 124cms, and Liberty Varuna wool shawl, blue/indigo floral pattern on black ground, approx. 130 x 130cmsProvenance: private collection GwyneddComments: circa 1980

A Simon and Halbig 122 baby doll, with blue lashed sleeping eyes, light brown mohair wig, composition bent limbs, silk and lace dress with under clothes and shawl —13in. (33cm.) high

A beautifully crafted Lladro Mother Kiss Child gres bust sculpture, featuring a tender moment between a mother and her child. This limited-edition piece is part of the prestigious Lladro Gres collection, known for its warm, earthy tones and intricate hand-painted details. The mother, draped in a richly textured shawl, leans in to kiss her child, who gazes outward with a charming, affectionate expression. The delicate floral and fabric detailing on the child's attire showcases Lladro's exceptional artistry. This figurine is signed by the artist and numbered 176.Artist: Francisco CatalaIssued: 1976 - 1986Dimensions: 16"HCountry of Origin: SpainCondition: Age related wear.

HERMÈS SHAWL "BRIDES DE GALA". by Hugo Grygkar, features a display of equestrian bridals on a pale blue background, silk, made in France,137cm x 132cm approx.

HERMÈS SHAWL “AVEC L’AIMABLE AUTHORISATION DU LALBHAI DALPATBHAI INSTITUTE OF INDOLOGY”. the artist Michel Duchene and Hermès had received the authorisation from the Institute of Indology, green and lilac pattern with East Indian scene, 135cm x 137cm, made in France, lighter summer silk.

HERMÈS SHAWL “FLEURS D’INDIENNES”. designed by Aline Honore, with stylized flowers and geometric motifs, made in France, silk, 133cm x 136cm approx.

TRADITIONAL LARGE WELSH PAISLEY CASHMERE WOOLEN SHAWL (SIÔL), possibly cotton silk and fine wool, 300 x 170cmsProvenance: private collection Ynys Môn (Anglesey)Comments: colour good, condition good, small area of potential darning (approx. 4 x 4cms) to middle right, small area of broken thread to bottom right

CHANEL Blazer, Gr. 42 (fr. 44), Koll.: La Pause 2019. Tweed in verschiedenen Blautönen mit schimmernden Akzenten, Pattentaschen, Schalkragen und Knopfverschluss. Guter Erhalt.| CHANEL Blazer, size 42 (fr. 44), coll.: La Pause 2019. Tweed in various shades of blue with shimmering accents, flap pockets, shawl collar and button fastening. In good condition.

An embroidered wool shawl, 227 x 90cm

A pair of modern table lamps and shades, 65cm high, together with a collection of Art books and a shawl

A fine quality Chinese Canton export double-sided embroidered silk shawl - early 20th century, both sides decorated with mirrored decoration of peacocks, pheasants, other birds, butterflies, peonies and other flowers on an ivory ground, within a conforming border, the edge decorated with pale gold crochet and long fringes, 156 x 152.5cm plus fringes, in very good condition.* Condition: In fine condition - has been very carefully stored, so it has no fading, no significant holes, splits or tears and no losses or significant pulls to the stitching. There are a few tiny pinhead spot marks to the ivory ground to one corner and a few tiny pinhead sized holes to the opposite edge outside the border. The stitching has a few tiny pulls but these are barely noticeable. Overall, it is in fine, original condition.

A 19th century sampler on linen, by Margaret Gray, dated 1866, a cream Paisley wool shawl, with fringed edge and an early 20th century child's linen apron and cuffs with embroidered detail and name tape for Jean A Gray.

An early 20th century black piano shawl - embroidered with flowers with a long fringe, together with a blue shawl and three other various shawls.

An early 20th century black silk piano shawl, profusely embroidered with exotic birds, flowers, and butterflies, with knotted and tasseled fringe (AF)

A hand knit Polo by Ralph Lauren cardigan with shawl collar in colour-work geometric pattern

Gieves & Hawkes, Saville Row, dinner jacket with waist coat and trousers, wool mohair blend with shawl collar, single button, approx 44" chest, trousers approx 29" leg, zip fly and side fastenings, jacquard pattern waistcoat

An Amanda Wakeley silk velvet full length evening dress in purple, bias cut with gathered bust, asymmetric wrap back, straps ruched at shoulder, together with shawl, UK size 10

An early 20th century red silk piano shawl with floral embroidered detail (AF), knotted and tasseled fringe, 57.5" width

A late 19th/early 20th century silk tartan shawl with tasseled ends, 280cmL

An Aquascutum pin strip dressing gown/robe with dark blue piping and shawl collar

Royal Doulton, Three lady figuresPaisley Shawl HN1988, Florence HN2745 and Minuet HN2019. One with reglued foot. (3)

This framed limited-edition print by renowned Native American artist R.C. Gorman captures the essence of Southwestern art. Known for his depictions of Navajo women, Gorman's work is characterized by soft gradients, bold forms, and a serene atmosphere. This piece features a contemplative woman draped in a traditional shawl, seated beside an intricately decorated pottery vessel. The print is hand-signed and numbered by the artist, marked as 29 of 200, and dated 1986. It is elegantly framed under glass with a double-matted design in warm, earth-toned hues, enhancing its visual appeal. R.C. Gorman (1931–2005) was a celebrated Native American artist known for his distinctive and vibrant depictions of Native American women. Born in Chinle, Arizona, on the Navajo Nation, Gorman belonged to the Navajo (Diné) tribe and is often considered one of the most important Native American artists of the 20th century. Gorman's work primarily focused on portraying the strength, beauty, and grace of Native American women, often shown in relaxed, sensual poses. His signature style was characterized by bold, flat colors, rich textures, and an emphasis on form. He often used gouache, lithography, and other mediums, combining traditional Navajo motifs with modern techniques. Gorman was also known for his large-scale paintings and drawings. In addition to his art, Gorman became an influential figure in the art world, opening galleries in Santa Fe, New Mexico, and contributing to a broader understanding and appreciation of Native American art. His works are included in collections around the world, and his influence extended beyond visual art to cultural advocacy. A valuable addition for collectors of R.C. Gorman's work and Native American art. Artwork can be unframed and rolled for shipment.Artist: R.C. Gorman (Navajo 1931-2005)Issued: 1986Dimensions: 46"L x 38"HCountry of Origin: United StatesCondition: Age related wear.

A limited edition lithograph by renowned Navajo artist R.C. Gorman (1931-2005), titled Reflection. This artwork, numbered 206/225, features Gorman's signature depiction of a Native American woman draped in a flowing red shawl, gazing at a traditionally decorated pottery vessel against a serene desert landscape. R.C. Gorman (1931–2005) was a celebrated Native American artist known for his distinctive and vibrant depictions of Native American women. Born in Chinle, Arizona, on the Navajo Nation, Gorman belonged to the Navajo (Diné) tribe and is often considered one of the most important Native American artists of the 20th century. Gorman's work primarily focused on portraying the strength, beauty, and grace of Native American women, often shown in relaxed, sensual poses. His signature style was characterized by bold, flat colors, rich textures, and an emphasis on form. He often used gouache, lithography, and other mediums, combining traditional Navajo motifs with modern techniques. Gorman was also known for his large-scale paintings and drawings. In addition to his art, Gorman became an influential figure in the art world, opening galleries in Santa Fe, New Mexico, and contributing to a broader understanding and appreciation of Native American art. His works are included in collections around the world, and his influence extended beyond visual art to cultural advocacy. Gorman, often referred to as the Picasso of American Indian Art, was celebrated for his bold use of color and fluid line work, particularly in his portrayals of Indigenous women. Signed and numbered in pencil by the artist, the piece is elegantly matted and framed. Artwork can be unframed and rolled for shipment.Artist: R.C. Gorman (Navajo 1931-2005)Issued: 1950Dimensions: 46.25"L x 41.25"HCountry of Origin: United StatesCondition: Age related wear.

A KASHMIRI SHAWL-STYLE KALAMKARI HANGING Possibly Isfahan, Qajar Iran, or India, 19th centuryOf rectangular shape, the white cotton hanging painted and printed in blue, red, ochre, and black, the design reminiscent in style of a Kashmiri shawl, the ends with wide borders of long buti (paisley leaves) infilled with smaller curled leaves and minuscule flora, typical Indian birds, within multiple narrow borders, the centre with repeating rows of floral sprigs, the corners invaded by four floral buti, edged with a twisted fringe flanking the trimmed workshop signature cartouche only partially legible ('Hasan').244cm x 130cm 244cm x 130cm Qty: 1

Percy Lancaster: two watercolours, "The Blue Shawl" and "Interval in Business", both 10" x 9", both in gilt scrolled frames (damages)

ST JOHN; a black Santana knit long cardigan, with frill detailed trim to bottom and edges, with belt, size US 4, a black Santana knit knee length long coat, with small front button closure, size US 2 and a black Santana knit shawl with wool fringing, one size (3).

YVES SAINT LAURENT; a black striped long silk evening scarf, with embroidered logo to end and fringing, 152 x 27cm, and an Emanuel Ungaro 100% wool large paisley style shawl with fringing (2).

Royal Doulton porcelain figurine titled Forty Winks, model number HN1974. This charming figurine depicts an elderly woman dozing in an armchair, draped in a green shawl over a red blouse, with a black and white cat nestled at her feet. Designed with rich hand-painted details, the piece embodies warmth and nostalgia, characteristic of Royal Doulton's beloved figurine collections. Marked on the base with the Royal Doulton backstamp, Corp 1945, Doulton & Co. Limited.Artist: Henry Fenton Issued: 1945 - 1973Dimensions: 6.75"HCountry of Origin: EnglandCondition: Age related wear.

Box with Faulty Paisley Shawl, Other Fabrics etc

Royal Doulton figure of 'The Flower Seller' circa 1926-38, printed green marks, HN789, impressed numerals, modelled by Lesley Harradine, she modelled carrying a babe in arms and a basket of flowers, wearing a green and black plumed hat, green and purple edged shawl, puce bodice, white apron and buff coloured skirt with printed green dot and flowerhead ornament, 22cm high Condition ReportGood overall condition. No obvious signs of damage or restoration. Crazing to the body and faces. General wear and tear.

A carved oak twin branch wall light, 1930s, surmounted with a kneeing nude holding a shawl, 29cm wide, 48cm high, and another carved wood and gesso twin branch wall light, c.1900, with a ram's head mask, 38.5cm wide (2)Condition ReportBoth wired, but need rewiring. Rams head light repaired to the branches. Oak light - some splits to the sconces and branches.PAT test - One passed, other failed

Charming Royal Copenhagen porcelain figurine, model 1257, featuring a young girl knitting. Designed in the traditional Danish blue-and-white color palette with finely detailed hand-painted accents, the figure captures a serene moment of concentration. The girl wears a period-style bonnet, a flowing white dress, and a delicately decorated shawl, reflecting the craftsmanship and artistry for which Royal Copenhagen is renowned. The base bears the classic Royal Copenhagen mark with the three blue waves and the green stamp, indicating its authenticity.Issued: 20th centuryDimensions: 7.75"HCountry of Origin: DenmarkCondition: Age related wear.

Royal Copenhagen porcelain figurine titled The Knitter, style number 1317. This finely crafted piece features a young woman seated on a bench, engrossed in knitting. The delicate detailing captures the softness of her attire, including a traditional headscarf and shawl, with hand-painted blue and white hues characteristic of Royal Copenhagen’s signature aesthetic. The figurine bears the Royal Copenhagen backstamp on the underside, along with the style number 1317, ensuring authenticity.Artist: Lotte BenterIssued: 20th centuryDimensions: 8.75"HCountry of Origin: DenmarkCondition: Age related wear.

Elegant Royal Copenhagen porcelain figurine titled Amager Girl Knitting, style number 1314. This beautifully hand-painted piece portrays a young girl from the Amager region, seated on a bench and diligently knitting. Dressed in traditional Danish attire, she wears a detailed headscarf, a patterned shawl, and a flowing skirt, all rendered in the signature soft blue, white, and earthy tones characteristic of Royal Copenhagen's craftsmanship. The figurine bears the Royal Copenhagen hallmark on the base along with the style number 1314. A fine example of Danish porcelain artistry, perfect for collectors and admirers of classic European figurines.Issued: 20th centuryDimensions: 4"L x 6"HCountry of Origin: DenmarkCondition: Age related wear.

A vintage blonde mink shawl, having a wide collar and taupe satin lining.

An Egyptian Assuit silver shawl, highly embellished, possibly antique. Assuit (also known as tulle-bi-telli or Asyut where it was made) is a traditional Egyptian technique of weaving small strips of hammered gilt / white metal into a cotton mesh base, to create complex designs and patterns. A time consuming and highly skilled technique, which dates back to the 18th century. These items enjoyed a surge in popularity during the late 1910s and 1920s, especially after 1922 when King Tutankhamen's Tomb was discovered, leading to an explosion in Egyptian revival and Egyptomania. Smaller examples were made en masse for the tourist trade and for western export, becoming extremely fashionable, while larger, heavier shawls such as this one are rare finds, preserved as they were for elite customers. Measures 24x82', weighs 268g. CONDITION REPORT: Shawl is in lovely condition, with no holes or visible repairs having been made,

An embroidered wool shawl, 225 by 104cm.

A Kammer & Reinhardt S&H bisque socket head doll, with brown glass sleeping eyes, open mouth, applied teeth, pierced ears, wood and composition jointed body, white dress and cream shawl, numbered 70, 28" long (Est. plus 24% buyer's premium inc. VAT)Condition Report: Generally good, head appears ok, but ears do not fully close. One replaced hand.

An S & C bisque socket head doll, with brown glass sleeping eyes, open mouth, applied teeth, pierced ears, wood and composition jointed body, lace dress, shawl and bonnet, numbered 62 4 1/2, 27" long (Est. plus 24% buyer's premium inc. VAT)Condition Report: Generally good, no visible damage to head. Body ok.

An embroidered shawl.

A pink fox fur stole, a mink shawl, assorted cashmere jumpers, still in packing, assorted pictures and other items (3 boxes)

Black netted mourning shawl, 2 intricate hand embroidered table cloth sets with matching napkins, wool hand embroidered paisley shawl (A/F), tasselled cream tablecloth.

Hand decorated figure of a woman in a long red dress, red bonnet with a blue ribbon, and multicolored shawl. She is standing on a windy day. Royal Doulton backstamp.Artist: Leslie HarradineIssued: 1937-1971Dimensions: 5"L x 4.25"W x 7.25"HCountry of Origin: EnglandCondition: Age related wear.

Part of the New Pretty Ladies series is designed wearing a black gown with white petticoat and gray shawl. Signed by Michael Doulton. Royal Doulton backstamp.Artist: John BromleyIssued: 2005 - 2009Dimensions: 6"L x 5"W x 9"HCountry of Origin: EnglandCondition: Age related wear.

Royal Doulton figurine April HN4520 from the Classics collection, crafted from fine bone china. Produced in England, this hand-painted figurine depicts a graceful lady in a flowing pink gown with floral detailing on the bodice, complemented by an ivory shawl. The base features the Royal Doulton backstamp, model number, and artist signature. Includes original box.Issued: 2002Dimensions: 8.5"HCountry of Origin: EnglandCondition: Age related wear.

Colored in red dress with blue shawl carrying a colorful basket of flowers. Figure is part of the Harradine Classics. Royal Doulton backstamp.Artist: Leslie HarradineIssued: 1952 - 1959Dimensions: 3.5"L x 3.5"W x 7.5"HCountry of Origin: EnglandCondition: Age related wear.