J. Halden & Co., Manchester, an early 20th century comprehensive draughtsmen set, the top drawer with instruments, the lower for rulers and paper, contained within a Hobbs & Co., London burr walnet case, 37 x 15 x 9cmJoseph Halden & Co of Manchester specialised in scientific instruments, early photocopying devices and drafting tables. Operating from 8, Albert Square in the city, Halden the company expanded over several decades to hold premises in London, Newcastle, Leeds, Birmingham and Glasgow. Established in 1878, initially in partnership with fellow local specialist, A.G. Thornton. When the latter cancelled this partnership, Halden continued to occupy the same address.
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AN ENGRAVED BRASS CELESTIAL GLOBE WITH CONSTELLATIONS Possibly Lahore or Lucknow, Northern India, 19th centuryOf spherical shape, finely engraved with Arabic inscriptions denoting constellations and Zodiac signs like Gemini, Leo, and Pisces, featuring a learned man flanked by two angels whilst reading a book, divided into celestial coordinates with meridian and equatorial rings, mounted on a tripod stand with an equatorial ring engraved with Arabic letters.81.5cm circumference and 29.5cm high including the stand Brass was a favoured material for scientific instruments, especially celestial globes, thanks to its durability, malleability, and resistance to corrosion, allowing artisans to engrave detailed star maps and celestial coordinates with precision. Its smooth surface and ability to maintain a polished finish over time made it ideal for long-lasting use in scientific instruments. 81.5cm circumference and 29.5cm high including the stand Qty: 1
Measuring instruments, to include a Velocity in Feet meter by the Cambridge Scientific Instrument Co., no. 8539, in leather case; a chemist's scale with two sets of cased weights; assorted lenses etc. together with a cased monocular microscope by C. Reichert, Wien Condition Report:Available upon request
A REGENCY MAHOGANY AND LACQUERED BRASS TWO-INCH REFRACTING TELESCOPEDOLLOND, LONDON, EARLY 19th CENTURYThe 28.75 inch slightly tapered mahogany tube with brass dust cap to the objective end opposing rack-and-pinion focus adjustment and telescopic eyepiece assembly threaded into the tube end piece engraved DOLLOND * LONDON to circumference, mounted via an universal pivot joint onto a rotating column turned upright over folding tripod supports cast as cabriole legs with pad feet, in original mahogany box with additional eyepiece tube, eyepiece lens and a filter.The box 77cm (30.25ins) long, 16.5cm (6.5ins) deep, 10cm (4ins) high. Peter Dollond is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1680-1860 as born 1730 and died 1820. He was the son of John Dollond, a Huguenot silk weaver and started business as an optician in 1750. He was joined by his father in 1752 until his death in 1761, and then by his brother, John, until his death in 1804. The family business was continued by Peter Dollond's nephew, George Huggins, who changed his surname to Dollond. George Dollond became instrument maker to William IV and Queen Victoria, exhibited at the Great Exhibition in 1851 and died 1856. The firm became one of the largest makers and suppliers of scientific and optical instruments and continued trading under various guises throughout the 19th and 20th centuries.
Y A WILLIAM IV ROSEWOOD CASED SYMPIESOMETERDOLLOND, LONDON, CIRCA 1830The glazed rectangular case with concave upstand and cavetto cornice to pediment above rectangular silvered scale inscribed Improved Sympiesometer nest to the applied central siphon tube filled with pink-stained oil incorporating low cistern bulb to the left limb beside tube terminating with a further sealed bulb at the top, the left hand margin with mercury tube Fahrenheit scale thermometer, opposing vertical scale for degrees Fahrenheit ranging between 10 and 110 set behind slide with scale annotated for barometric inches 27-31 and with the usual weather observations to the right, the upper edge of the slide fitted with angled brass pointer for calibration against the temperature scale behind and with rack-and-pinion screw adjustment via a brass knob to the exterior of the case, the lower edge with recessed circular level recording disc labelled Register, engraved with barometric scale visible through an arched aperture in the plate and manually adjusted via projecting rim to the left hand side of the case, the lower margin signed DOLLOND, LONDON.59cm (23ins) high, 7.5cm (3ins) wide. Provenance:The Dr. Castle Collection of barometers and other weather instruments. Purchased at Bonhams, London sale of FINE CLOCKS Wednesday 7th July 2016 (lot 7) for £1,820. Peter Dollond is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1680-1860 as born 1730 and died 1820. He was the son of John Dollond, a Huguenot silk weaver and started business as an optician in 1750. He was joined by his father in 1752 until his death in 1761, and then by his brother, John, until his death in 1804. The family business was continued by Peter Dollond's nephew, George Huggins, who changed his surname to Dollond. George Dollond became instrument maker to William IV and Queen Victoria, exhibited at the Great Exhibition in 1851 and died 1856. The firm became one of the largest makers and suppliers of scientific and optical instruments and continued trading under various guises throughout the 19th and 20th centuries. The sympiesometer was invented by Alexander Adie of Edinburgh in 1818 and is essentially an improved version of Robert Hooke's thermobarometer which was subject of a paper presented to the Royal Society in 1668. The instrument works by having a syphon tube filled with liquid open to the air at one end and with trapped gas at the other (sulphuric acid and hydrogen were used in later sympiesometers). As barometric pressure increases the liquid will be forced down the tube causing the gas to be compressed, resulting in a change in level in the tube; however the volume of the gas changes with temperature so before a reliable reading can be taken the instrument would first need to be calibrated by adjusting the position of the movable barometer scale in relation to the temperature scale behind to reflect the reading provided by the thermometer. The sympiesometer was conceived by Adie as an alternative to the mercury marine barometer as it was smaller and believed to be less susceptible to the motion of a vessel at sea.
A FINE GEORGE II/III MAHOGANY MERCURY STICK BAROMETER WITH LARGE SCALE THERMOMETERJOHN BENNETT, LONDON, MID 18th CENTURYThe break-arch case with central brass Classical bust finial over cavetto cornice and hinged brass-framed arch glazed door enclosing silvered Vernier scale calibrated in barometric inches to right hand side opposing the usual observations to the left beneath signature Bennett, LONDON to upper section, the caddy moulded trunk applied with a tall shaped-top silvered Fahrenheit Scale alcohol thermometer incorporating drilled brass shield to the bulb and with annotations ranging from Extreme Cold to Extreme Hot, over rounded base applied with a hemispherical cistern cover and incorporating level adjustment screw to underside.101cm (39.5ins) high overall 16.5cm (6.5ins) wide. Provenance:The Dr. Castle Collection of barometers and other weather instruments. Purchased at Sotheby's, London sale of Important Clocks, Watches & Wristwatches 14th December 2006 (lot 7) for £4,322.50. John Bennett (III) is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as gaining his Freedom of the Clockmakers' Company in 1733, and working from Hatton Wall, London, until 1746, when he relocated to Old Bailey before finally moving to Fleet Street in 1751. Nicholas Goodison in ENGLISH BAROMETERS 1680-1860 notes that John Bennett worked up until 1768 and illustrates an undated trade card indicating that he was located at 'The Globe, Crown Court, between St. Ann's, Soho, and Golden Square'. Bennett was a fine maker who held warrants to three members of the Royal Family and most likely had a working relationship with the eminent scientific instrument maker Jonathan Sisson.
Y A VICTORIAN CASED SET OF GILT BRASS ANEROID POCKET BAROMETER WITH A COMPASS AND A THERMOMETERNEGRETTI AND ZAMBRA, LONDON, LATE 19th CENTURYThe 1.75 inch circular silvered register inscribed NEGRETTI & ZAMBRA, LONDON, 19510 beneath Compensated and with blued steel pointer to centre within concentric scale calibrated for barometric inches 25-31 divided down to twentieths of an inch and with the usual observations, within outer 0-6,000 altimeter scale divided into fifty foot intervals, the frosted gilt brass case with recording pointer applied to the inside of the knurled rotating glazed bezel beneath suspension post fitted with a ring, set beside a conforming compass with engraved rose and signed NEGRETTI & ZAMBRA, LONDON to the recessed centre divided N, NE, E, SE, S, SW, W and NW within a raised outer scale divided for degrees numbered for every ten, beneath needle-locking plunger to the suspension post, the green velvet-lined D-ended folding case also inset with an ivory scale mercury tube Fahrenheit and Reaumur scale thermometer inscribed NEGRETTI & ZAMBRA to lid incorporating embossed gilt crown trademark to the velvet, the exterior covered in iron-red Morocco leather gilt inscribed E.E.P. to the domed lid within a tooled border.The compass and barometer each 4.8cm (1.875ins) diameter; the leather case 13.5cm (5.25ins) wide, 9cm (3.5ins) deep, 3.5cm (1.375ins) high closed. Provenance: Gifted by Elizabeth Palmer (Huntley and Palmer) to the vendor. The firm of Negretti & Zambra are recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as being established in 1850 when a partnership between Enrico Negretti and Joseph Warren Zambra was formed. The firm became one of the most prolific makers of scientific instruments and continued trading well into the 20th century. Condition Report: IVORY LICENCE REF - ZTP65TZ9Barometer needle did move when bag tested suggesting the vacuum chamber is sound however the reading provided does not reflect barometric pressure hence attention to mechanism is required. The silvering is in fine condition with negligeable discolouration. Barometer case retains original finish albeit with notable discolouration to circumference band, a spot to the rear cover and the suspension post/ring. Compass is working and scales are in good condition with almost no discolouration. Gilt brass case has similar patchy discolouration/tarnishing as the barometer. Thermometer is in fine condition. Travelling case has wear and overall aging/discolouration to the exterior surface and the interior of the lid around the clasp hook. The velvet lining is in fine condition. Condition Report Disclaimer
A FINE FRENCH CHAMPLEVE ENAMELLED GILT BAMBOO CASED CENTRE-SECONDS REPEATING ALARM CARRIAGE CLOCKUNSIGNED, PARIS, LATE 19th CENTURYThe two train eight-day gong striking movement with silvered platform lever escapement regulated by sprung bimetallic balance, the inside of the frontplate indistinctly stamped with number 559 to lower margin, the backplate with alarm mechanism with hammer sounding on the hour gong to upper left corner and stamped with number 11355 to lower left, the circular gilt Roman numeral dial with blued steel hands incorporating sweep centre seconds, set within rectangular champleve enamelled mask polychrome decorated in the Japonesque style with floral blooms and leafy trails into a turquoise blue ground and incorporating gilt Arabic alarm setting dial to lower margin, the bevel-gazed case with frame modelled to resemble sections of bamboo overlapping at the corners and with each segment champlevé enamelled with further polychrome floral sprays into a turquoise blue ground ground, with conforming hinged carrying handle to the gilt panel-glazed top, pin-hinged glazed door to rear and on angled bamboo feet. 16.5cm (6.5ins) high with handle down, 11cm (4.25ins) wide, 9.5cm (3.75ins) deep. French carriage clocks in bamboo cases which feature enamelled decoration to the frame itself are particularly notable in their rarity. A centre-seconds clock (but with plain white enamel dial), with closely related enamel decoration to the frame of the current lot, is illustrated in Roberts, Derek CARRIAGE and Other Travelling Clocks on page 202 (Figure 12.9). Another very similar clock to the present example, but with cream ground to the enamel and no centre seconds, was sold in these rooms FINE CLOCKS, BAROMETERS & SCIENTIFIC INSTRUMENTS 2nd October 2019 (lot 129) for £2,400 hammer. Condition Report: The movement is fully operational and appears complete with no visible evidence of alteration or noticeable replacements. The strike train sounds correctly and the alarm mechanism will wind, set and release as it should. The movement is generally a little discoloured hence a gentle clean/service is advised. The dial is in good condition with no visible damage, the black of the numerals however have been re-touched. The case is in good original condition although there is a general degree of light bruising and some touching-in to the turquoise ground enamel of the frame most notably to the handle, front rail and left hand upright (as well as other areas to a lesser degree). There is a chip revealing the brass beneath to the front lower rail towards the left corner (images available on request). The front glass has a noticeable chip to the upper left corner and both the bottom corners have slight chips. The top glass also has a slight corner chip; otherwise the side and rear glasses appear free from visible chips (the left hand side glass may be a replacement). The gilding to the case is in fine condition and overall the clock presents well.Clock does not have a winding key. Condition Report Disclaimer
Ɵ SOTHEBY'S HOROLOGICAL AUCTION CATALOGUESFOUR VOLUMES:Masterpieces from The Time Museum, Including Watches, Clocks and Scientific Instruments New York, Thursday 2nd December 1999, dj; MASTERPIECES FROM THE TIME MUSEUM, PART TWO New York, 19th June 2002, softbound; MASTERPIECES FROM THE TIME MUSEUM, PART FOUR, VOLUME II, CHRONOMETERS AND SCIENTIFIC INSTRUMENTS New York, 13th and 14th October 2004, softbound, and The Justice Warren Shepro Collection of Clocks New York, Thursday 26th April 2001, dj, (4).
A RARE GEORGE III MAHOGANY HODOMETER OR WAYWISERDOLLOND, LONDON, CIRCA 1800With 31.5 inch diameter wheel bound with an iron tyre and with six tapered spokes around a brass hub engaging with take-off gearing contained within the left hand fork of the handle assembly, the right hand fork incorporating a hinged section to allow removal of the wheel with locking via a knurled brass screw, the upper section with inverted 7.25 inch circular silvered register engraved Dollond, London to centre within concentric inner scale calibrated in Roman numeral Miles (I to X) and Arabic Furlongs (0 to 8 for each mile) to be read by the shorter of the two blued steel hands within outer scales calibrated in Poles (0 to 40) and Yards (0 to 220) to be read by the longer hand, set behind a hinged glazed circular moulded wooden bezel beneath elaborate yoke-shaped handle.137cm (54ins) high overall, 30.5cm (12ins) wide at the handle. Provenance:Private Collection. Peter Dollond is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1680-1860 as born 1730 and died 1820. He was the son of John Dollond, a Huguenot silk weaver and started business as an optician in 1750. He was joined by his father in 1752 until his death in 1761, and then by his brother, John, until his death in 1804. The family business was continued by Peter Dollond's nephew, George Huggins, who changed his surname to Dollond. George Dollond became instrument maker to William IV and Queen Victoria, exhibited at the Great Exhibition in 1851 and died 1856. The firm became one of the largest makers and suppliers of scientific and optical instruments and continued trading under various guises throughout the 19th and 20th centuries. The current lot would have been a particularly valuable instrument for surveyors charged with creating maps and plans during the latter years of the 18th century. The importance of the instrument's role is reflected in the quality of its construction with the dial in particular being finely engraved and finished. When reviewing comparable surviving instruments of this type it becomes clear that different makers such as Dollond, Thomas Rubergall, William Frazer, and W. and S. Jones appear to have sold essentially identical instruments. This would suggest that they were probably made in one workshop who then supplied them to various makers for retail. One possible candidate for the supplier would be the workshop established by George Adams, as several earlier variants of this design by him are known including an example in the King George III collection housed at The Science Museum, London. This suggests that Adams was used to making such instruments hence was best suited to supply them in reasonable numbers to other makers.
Y A RARE GEORGE V SHIBAYAMA INSECT DECORATED SILVER CARRIAGE TIMEPIECETHE CASE BY A. AND J. ZIMMERMANN LIMITED, BIRMINGHAM 1911 The French rectangular eight-day single train movement with platform lever escapement regulated by sprung monometallic balance, with integral winder to backplate stamped with standing lion trademark for Duverdry and Bloquel, the 2 inch circular white enamel Roman numeral dial with blued steel spade hour hand set behind a convex glass within moulded bezel, the rectangular case with hinged C-scroll carrying handle over front and sides inlaid in mother-of-pearl, amber, abalone and other materials with random crawling insects incorporating engraved legs and antennae and with very small Japanese character signature to lower right hand corner of the front panel, the front also with canted surround to the fascia and the rear with conforming hinged door, on disc feet, Hallmarks for London 1911 makers A. &. J. Z within a shield.The clock 11.5cm (4.5ins) high with handle down, 7.5m (3ins) wide, 5.7cm (2.25ins) deep. The firm of A. and J. Zimmermann Limited were a firm of silversmiths mostly specialising in small decorative items who worked from Regent Street, Birmingham from 1899 until 1929 when they were placed into voluntary liquidation. The clockmaking factory of Duverdry and Bloquel is noted by Leigh Extence as originally founded by Albert Villon in the town of Saint-Nicolas-d'Aliermont in 1867. Paul Duverdry joined the firm as a director in 1887 followed by Joseph Bloquel in 1910. The execution of Shibayama 'insect' decoration of the current lot would have been undertaken by a specialist Japanese craftsman resulting in a highly unusual luxury product. A similar but much smaller timepiece, with decoration apparently executed by the same Japanese craftsman into a silver case by Charles and Richard Comyns, London, was sold in these rooms FINE CLOCKS, BAROMETERS & SCIENTIFIC INSTRUMENTS 2nd March 2022 (lot 196) for £3,800 hammer.
A FINE AND RARE GEORGE III INLAID MAHOGANY MERCURY WHEEL BAROMETERWHITEHURST, DERBY, CIRCA 1790The 10 inch circular silvered register calibrated in barometric inches 29-31 divided into hundredths to outer track, the centre signed Whitehurst, DERBY within inner track annotated FAIR, CHANGEABLE, RAIN, with steel hand and a pierced recording pointer set behind convex glazed cast brass cavetto moulded bezel and fitted with recording adjustment knob to right hand side, the arch-top case decorated with a with fan-inlaid roundel over recessed silvered Fahrenheit scale alcohol thermometer set within generous glazed moulded surround surmounted by fan lunette inlay, with a larger conforming lunette beneath within a geometric parquetry strung border, the rounded base with further parquetry fan lunette and strung border.101.5cm (40ins) high, 30.5cm (12ins) wide. Provenance: The Dr. Castle Collection of barometers and other weather instruments. Purchased at Christie's, London sale 500 Years: Decorative Arts, Europe 23rd September 2010 (lot 144) for £3,881.25. John Whitehurst (I) was born in Congleton, Cheshire in 1713, he was apprenticed as a clockmaker to his father (of the same name) before setting up business in Derby in 1736 - the same year he installed a turret clock to the newly completed Guildhall. He was an accomplished maker and scientist who had a particular interest in geology. He moved to London in 1780 in order to take up position at the Royal Mint as 'Stamper of the Money Weights' as well as pursue his scientific interests. He was founder member of the Lunar Society and was elected to the Royal Society in 1783. He died in 1788 leaving the Derby clockmaking business to his nephew also called John (II) who in-turn took his son of the same name (John III) into partnership in 1809. The firm traded as 'Whitehurst & Son' until 1834 when the business reverted to just 'Whitehurst' on the death of John (II). The business continued under the Whitehurst name until the death of John (III) in 1855 when it was sold to Roskell of Liverpool who subsequently wound-up operations in 1862. However, a former employee, John Smith, resurrected the business which is still trading today as 'Smith of Derby'. John Whitehurst (I) is known for his distinctive design of angle barometer, an example of which was sold in these rooms in the THE BANFIELD COLLECTION OF BAROMETERS 4th September 2007 (lot 125) for £8,000 hammer. His son was one of the first to make wheel barometers, with his earliest models constructed with a Classical column forming the upright above the dial (see Goodison, Nicholas ENGLISH BAROMETERS 1680-1860 page 284, Plate 193). Condition Report: Barometer is generally in good original untouched condition. There is currently no siphon tube fitted (hence is not in working order) however the pulley assembly and recording pointer mechanism are present and in working order. The dial is in fine condition with slight oxidation/mellowing to the silvering only; the glass has probably been reset as the plaster which secures it to the bezel appears relatively fresh. The thermometer is in fine original working condition. The case is essentially untouched retaining fine old surface. The only notable faults are two vertical shrinkage cracks (from movement within the carcass) to each side the lower (drop) section and a small veneer patch repair to the lower edge. Otherwise faults are very much limited to minor age-related bumps, scuffs and minor shrinkage. Condition Report Disclaimer
A George III chinoiserie birdcage, the wirework cage of pagoda form, with canted corners and turned mahogany finials and pendants, enclosing three feeders and a galvanised metal drinker, on a mahogany base with a pull-out drawer and bracket feet,31cm wide24cm deep56cm highProvenance: Dreweatt Neate, 'Antique Furniture, Clocks & Scientific Instruments', 30 January 2002, lot 548;the Bunny Campione Collection.Condition ReportOverall good. Some wear, catch to door later, some wires bent. Base is warped and stands with a bit of wobble. See additional images.
Table clock, reproduction of the Jeremias Metzger modelIn gilt and silvered metal, with chiseled, pierced and molded decorationThe dome-shaped top with edges conceals the bell and features rich pierced decoration with vegetal scrolls and hunting scenes inspired by Virgil Solis's engravings (Nuremberg, 1514-1562). The edges are decorated with winged horses and, crowning the dome, a full-round representation of the goddess Fortuna on a classically-inspired pedestalOn the sides, arranged between the various dials and on a background engraved with arabesque patterns and vegetal scrolls, there are five female figures in relief, each with an animal, possibly with allegorical significance alluding to the five sensesThe base is decorated in low relief with a military procession, depicting armed figures marchingThe main dial, flanked by astronomical and calendar subsidiary dials, includes a celestial astrolabe dial, a perpetual calendar indicating Saints' days, a Golden Number dial, and various scales associated with time measurement and astronomical cycles. These dials replicate the complexity of Renaissance examples but, like other 19th-century reproductions, are merely decorativeStructure flanked by Corinthian columns and ornamented with engraved inscriptionsMechanism present, of simple construction, characteristic of 19th-century reproductions of this modelEurope, 19th century(minor losses and wear; mechanism untested; key missing)29×19×12 cmThis model reproduces the famous astronomical clocks created by Jeremias Metzger (active c. 1563-1564), goldsmith and clockmaker from Augsburg. During the Renaissance, these complex mechanisms were valued for their technical sophistication and their scientific and astrological symbolism.The first reproductions of this model appeared between 1864 and 1865, during a period of great interest in Renaissance heritage and ancient scientific instruments. The process was driven by the development of electroplating, allowing the production of meticulous replicas of historical objects. The Viennese firm C. Haas & Co. was one of the pioneers in this process, creating copies for museums and collectors.These nineteenth-century replicas are distinguished by their high aesthetic fidelity, accurately replicating the intricate decoration of astronomical dials, inscriptions, and figurative elements. Although the astronomical and calendar dials are decorative, maintaining only an ornamental function, the mechanism preserves the time-keeping functionality.Today, these nineteenth-century examples are appreciated not only for their historical value but also for their quality of execution and collectible interest, representing a fusion between Renaissance mastery and nineteenth-century scientific and artistic revivalism.
Maull & Polyblank, Albumen Print of Frederick Walter Simms, F.R.A.S.,Maull & Polyblank, the image, with arched top mounted on period paper with manuscript title 'F. W. Simms, F.R.A.S.' the the base of the image, depicting a seated gentleman next to a Smith Beck & Beck, No.1 folding microscope with Varly stage, image 155mm x 208mm, in modern card mountFrederick Walter Simms (24 December 1803 – 27 February 1865) was a British civil engineer, known for his association with the Greenwich Observatory. He was the brother of William Simms (1793–1860), who, alongside his partner Edward Troughton formed the company of scientific instrument makers Troughton & Simms.Before joining the Greenwich Observatory in 1830, Simms apprenticed as a surveyor and contributed to the Trigonometrical Survey of Ireland. His tenure at the Observatory began when Thomas Glanville Taylor departed for the Directorship of the Madras Observatory. By 1835, Simms' responsibilities, as listed by John Pond, included observations with the Zenith Tube alongside John Henry Belville, occasional work with other instruments, proofreading printed observations with Henry, and overseeing the publication process of the annual volumes of Greenwich Observations. While Pond commended Simms as "very able and diligent," he also noted irregularities in chronometer rates, which eventually led to expectations of retirement.Despite being paid a modest salary supplemented by earnings from navigation lessons and surveying tasks, Simms found the financial arrangement insufficient. His dissatisfaction culminated in his resignation on 21 October 1835, shortly after the arrival of the new Astronomer Royal, Airy. Airy, in his autobiography, remarked that Simms had hoped for the position of First Assistant, a role for which Airy deemed him unfit.Following his departure from the Observatory, Simms pursued a new career path as a railway surveyor and engineer. In 1836, Simms commenced his role as a resident engineer with the South Eastern Railway Company, embarking on various significant projects, including the construction of the Bletchingley and Saltwood tunnels. He authored several books on surveying and tunnelling and produced the 1838 Map of The Parish of Greenwich in the County of Kent for the Tithe Commissioners.In 1846, the East India Company, seeking to expand railway infrastructure in their territories, approached Simms to serve as their consulting engineer in India. Despite grappling with health issues exacerbated by the climate, Simms briefly sojourned in Mauritius before resuming his duties. Among his responsibilities was overseeing the comprehensive survey and mapping of Calcutta, primarily conducted by local assistants.Upon concluding his tenure with the East India Company, Simms returned to England in 1851, his health notably deteriorated due to the harsh conditions in India. He subsequently retired from active professional life.
Andreas Vesalius, Rufus of Ephesus & Girolamo Fabrizio d'Acquapendente,three books bound in contemporary velum on pasteboards with fabric ties, recent bookplate for 'Ex Libris lato Ivan Pozeg', as:Book1: Andreas Vesalius, Anatomia, 1604, Venice: Giovanni Antonio and Giacomo de Franceschis, 2 parts in 1 Vol. engraved title with Vesalius proforming a dissection surrounded by architectural boarder incorporating bodies in various staes of dissection, with tabel at base arranged with surgical instruments, minor Contemporary manuscript to some margins, light browning but generally very goodAndreas Vesalius (1514–1564), often hailed as the "Father of Modern Anatomy," was a pioneering Flemish anatomist and physician whose then groundbreaking work revolutionized the study of the human body. Educated at the University of Louvain and the University of Padua, Vesalius challenged the prevailing reliance on ancient texts by advocating for hands-on dissection and observation. His monumental work, De Humani Corporis Fabrica (1543), was a masterpiece of anatomical precision, featuring intricate illustrations that set a new standard for medical texts.Vesalius's insistence on empirical evidence over traditional authority laid the foundation for modern medical science. His dissections and detailed observations corrected many errors in Galenic anatomy, earning him both acclaim and controversy in his time. Later in his career, Vesalius served as court physician to Emperor Charles V and King Philip II of Spain. His work continues to influence medical education and anatomical research.Book Description:The 1604 edition of Anatomis by Andreas Vesalius is a significant publication that underscores his revolutionary contributions to anatomy. This folio volume is a refined and expanded work, incorporating Vesalius's earlier findings alongside updated insights that reflect the evolving understanding of human anatomy in the early 17th century.The text is richly illustrated with detailed woodcut engravings, showcasing Vesalius's approach to the study of the human body. Each anatomical structure is depicted with artistic precision and scientific clarity, making this edition a valuable resource for physicians and scholars of the period. The work includes sections on skeletal, muscular, and organ systems, accompanied by annotations that highlight both anatomical function and surgical relevance. Book 2: Rufus of Ephesus, with commentary by Fabius Paulinus, Universa Antiquorum Anatome, Tam Ossium, Quam Partium & Externarum, & Internarum, 1604, Published in Venice by Io. Antonium and Jacobum de FranciscisRufus of Ephesus was a physician and anatomist of the 1st century CE, whose contributions to medical science were foundational in antiquity. Active during the height of the Roman Empire, Rufus was noted for his studies in anatomy and clinical medicine. His works, which often integrated practical medical advice with philosophical insights, greatly influenced subsequent generations of physicians in both the Greco-Roman and Islamic worlds. His detailed anatomical observations, particularly on the human body’s internal organs, were a precursor to later advancements in anatomical studies.The 1604 edition was edited and expanded by Fabius Paulinus, a Renaissance scholar who brought Rufus’s works to a wider audience. Paulinus supplemented the original text with additional commentary and illustrations, translating some previously inaccessible Greek fragments into Latin for the first time, including sections from the writings of Soranus of Ephesus, another influential ancient physician.Book Description:This 1604 folio edition, Universa Antiquorum Anatome, is a landmark in anatomical literature. It presents the detailed anatomical knowledge of Rufus of Ephesus, supplemented with the scholarly additions of Fabius Paulinus. The text explores both external and internal structures of the human body, providing insights into ancient medical practices and observations. A key feature of this edition is the inclusion of a fragment from Soranus of Ephesus, newly translated into Latin, which discusses the anatomy and function of the uterus.The title page is adorned with an intricate engraving, symbolizing the union of classical learning and Renaissance scientific inquiry. Published in Venice by Io. Antonium and Jacobum de Franciscis, the work reflects the high standards of early 17th-century Venetian printing.Book 3: Girolamo Fabrizio d'Acquapendente, Le Opere Chirurgiche di Girolamo Fabrizio d'Acquapendente, 1683, Printed in Padua by Giacomo CadorinoGirolamo Fabrizio d'Acquapendente (1537–1619) was an Italian anatomist and surgeon, often called the "Father of Embryology." Educated at the University of Padua, Fabrizio was a key figure in the development of anatomical and surgical sciences during the Renaissance. His teaching and writings laid the foundation for modern anatomy and surgery, with particular contributions to understanding the venous system, the mechanics of the human body, and the development of embryos.Fabrizio was appointed as the chair of surgery and anatomy at Padua, where he taught for over 50 years. He is best remembered for his discovery of the valves in veins and his detailed studies of fetal development, which were milestones in medical science. His influence extended to many of his students, including William Harvey, who would later discover the circulation of blood. Fabrizio's writings and illustrations were groundbreaking, combining scientific rigor with artistic excellence.Book Description:This 1683 edition of Le Opere Chirurgiche is a comprehensive compilation of Girolamo Fabrizio d'Acquapendente’s surgical works, translated into Italian and expanded with additional commentary. Divided into two parts, the first section covers the treatment of tumors, wounds, ulcers, fractures, and other surgical conditions. The second part focuses on major surgical operations and includes insights into techniques and instruments used during the Renaissance.Printed in Padua by Giacomo Cadorino, this folio edition also features a supplement by Marco Aurelio Severino, providing a concise overview of surgical principles, making it an invaluable resource for surgeons and anatomists of the time. The elaborate engraved title page reflects the artistic and intellectual spirit of 17th-century Padua, a hub of medical innovation.
### Eclectic Collection of Vintage and Antique Items A diverse assortment of vintage and antique artefacts, dating from the late 19th to mid-20th century, comprising decorative, utility, and personal memorabilia. ### Description: 1. **Keepsake Boxes**: - An oval-shaped lacquered box with a painted jungle scene featuring a tiger, likely of Asian origin, early 20th century. - A rectangular brass box with a smooth, polished finish, possibly for cigars or stationery items. - A black and gold rectangular lacquered box with intricate patterns, referencing Middle Eastern or South Asian art. - A smaller octagonal brass box, decorated with engraved motifs, likely a snuff or trinket box. - A wooden box with marquetry inlay, depicting floral or scenic elements, possibly European, 19th or early 20th century. 2. **Framed Photographs**: - A rectangular military portrait of a uniformed man, likely WWI-era (1914–1918), housed in a black frame with an inscription partially visible. - An oval frame containing a sepia-toned photograph of a young child, mid-20th century. - A silver-toned ornate rectangular frame with visible text, “R.H.L.,” mounted with floral embossing. 3. **Metalware**: - A hammered metal hip flask, potentially dating to the interwar period. - A curved stainless flask and another with textured detailing, consistent with early to mid-20th-century designs. - A miniature brass desktop armillary sphere, decorative but inspired by scientific instruments of the 19th century. 4. **Books and Ledgers**: - A leather-bound book with gold gilt detailing, late 19th to early 20th century design. - A green leather ledger embossed with “Midland Bank Limited,” indicative of personal financial use, mid-20th century. 5. **Scientific Equipment**: - A brass field microscope with a black base, late 19th to early 20th century, with adjustable focus features. - A pair of black binoculars, early 20th century, likely military or recreational. 6. **Stationery and Desk Accessories**: - A wooden stamp with a polished handle, likely for sealing wax, 19th or early 20th century. - A circular leather tape measure case or pocket accessory, early 20th century style. ### Historical and Collectible Context: The collection showcases fine craftsmanship and proportions reflective of the late Victorian through to the mid-20th century. Military memorabilia, scientific instruments, and decorative items within the grouping suggest it originates from a private collector or estate sale.
Bolygó, Bálint (Hungarian, 1976-present); b. Pécs, moved to England 1985 ENGLAND, Perpetual Mechanic Composition I, 2001, a cast bronze plaque by B. Bolygó [Edinburgh College of Art] for the British Art Medal Society, components of early mechanical devices, 110 x 100mm, 535.52g (Attwood 157; The Medal 39, p.122). Very fine and as made, aged green patina £60-£80 --- Edition of 29. The medal was inspired by components of early mechanical devices such as clocks, gauges and scientific instruments, rendering mechanical parts that engage the viewer in a process of animation
EARLY VICTORIAN MAHOGANY AND EBONISED STICK BAROMETER, BY HENRY FRODSHAM, LIVERPOOL MID 19TH CENTURY the bow-front case with silvered vernier scale from 27 to 31 inches and a thermometer, signed ‘H. Frodsham, Liverpool’, beneath a concave-moulded pediment, the base with ebonised urn-shaped cistern cover 100cm long For a comparable example, see Christies, London, Important Clocks & Scientific Instruments, 11 Jul 2003, Lot 125, sold for £5,375
A vintage sequence camera crafted by Adam Hilger Ltd, London, a renowned manufacturer of scientific equipment. Made in England, this piece features a solid oak wooden construction with brass hardware and a functional optical lens. The manufacturer's marking, "Adam Hilger Ltd, London, Made in England," along with the serial number "No. N.52.301 41206," is prominently displayed. Adam Hilger Ltd specialized in precision optical instruments, making this a collectible item for scientific history enthusiasts. Issued: Mid 20th centuryDimensions: 6.5"HCountry of Origin: EnglandCondition: Age related wear. Functionality not guaranteed.
'A Society of Gentlemen in Scotland' Encyclopaedia Britannica; or, a Dictionary of Arts and Sciences compiled upon a New Plan. In which the Different Sciences and Arts are digested into Distinct Treatises or Systems; and the Various Technical Terms, etc. are explained as they occur in the order of the Alphabet. Edinburgh: printed for A. Bell and C. MacFarquhar; and sold by Colin MacFarquhar, 1771. 3 volumes, 4to in half-sheets (26.1 x 20cm), contemporary calf-backed glazed blue paper boards, viii 586 [10] 587-697, [4] 1009 [3], [4] 280 283-678 879-953 [1] pp. (volume 3 textually complete despite erratic pagination), half-title to each volume, 159 engraved plates (of 160, lacking plate 112, in ‘Midwifery’ section), plates 117-132 printed on either side of 8 sheets, plate 146 folding, volume 2 also containing 3 folding chemistry tables and one folding grammatical table, bindings rubbed with some loss of paper, volumes 2 and 3 each with loss to head of spine and front free endpapers removed, plates 64 and 78 each with small closed tear to upper inner corner, plate 111 (depicting foetuses in utero) marked and with closed tear to foot, plate 133 (music score) bound slightly askew and consequently shaved at lower fore edge, plate 146 somewhat creased, closed tear to grammatical table in volume 2 [Printing and the Mind of Man 218] (3) From the library of the Murrays of Dollerie, Crieff, Perthshire. First edition of ‘the most famous of all encyclopaedias in the English language’ (PMM). A landmark Enlightenment text, it was originally issued in 100 weekly parts between 1768 and 1771; sets in any state of completeness are rare on the market and it was been remarked that the three gynaecological plates illustrating the midwifery article were considered so graphic by contemporary audiences that they were often ripped out and threats of legal action were made against the publishers (Kogan, The Great EB: The Story Of The Encyclopaedia Britannica, 1958, p. 13). The other plates include depictions of human anatomy, animals and other natural history subjects, scientific instruments and industrial apparatus, geometrical propositions, and miscellaneous subjects ranging from types of cannon to specimens of shorthand; there are also several plates of music score and a small number of maps. A second edition appeared in London in 1773.
Miscellaneous Historical Subjects Music and Astronomy Themed Sets (32), mainly stored in plastic leaves, Sarony Origin of Games, Bucktrout Inventors Series, Hill Scientific Inventions and Discoveries, Ogdens (4), includes Records of the World, Modes of Conveyance, Marvels of Motion, Edwards Ringer & Bigg Musical Instruments, CWS Musical Instruments, Stephen Mitchell Money, BAT Modes of Conveyance, Players (4), Lambert & Butler Interesting Musical Instruments, Wills (5) includes Four Aces, Modes of Conveyance, Churchmans (7), includes Pipes of the World, Musical Instruments, Curious Signs, Interesting Door Knockers, BAT Regimental Uniforms, Godfrey Phillips Famous Boys 1924 (25), Cadburys, Transport 1925 (25), Hustler Regimental Nicknames 1934 (30) P-VG, mainly G-VG, (32)
A WOOD POND YACHTEARLY 20TH CENTURYprobably of the Lake District Sharpie 'Mavis', the hard chine hull with a weighted drop keel, planked and screwed deck with brass cleats and eyes and fitted cockpit, the mast with rigging, a yard boom and brick coloured linen sails, with a detachable rudder and a pair of oars145 x 134cm (approx)ProvenancePurchased by the current vendor at Charles Miller Ltd, Maritime and Scientific Models, Instruments and Art, 1st May 2018, lot 336. A copy of the catalogue is included with this lot.
A collection of Victorian brass scientific instruments, comprising a small microscope by Casartelli of Manchester, a miniature telescope, a rain-band spectroscope by John Browning of London, and a miniature folding microscope, a 'Edney' dial thermo-hydrometer, by Pastorelli and Rapkin of London. (5)
A box containing a collection of scientific instruments, including two late 19th/ early 20th century brass monocular microscopes, both unmarked, a cased travelling microscope, a cased proportional dividers, J. Casartelli & Sons of Manchester thread counter microscope, boxed rule, etc (1 box)
[Dorset, Catherine Ann]. The Peacock "at Home:" a sequel to the Butterfly's Ball. Written by a Lady, and illustrated with elegant engravings, London: printed for J. Harris, successor to E. Newbery at the original Juvenile Library, 1808, six engraved plates, after William Mulready, 16 pp of text, some light toning and offsetting from plates to text, bookplate of Marjorie Moon to front pastedown, original cream printed wrappers, stitched as issued, rubbed and some soiling, 16mo, together with The Newtonian System of Philosophy, explained by familiar objects, in an entertaining manner, for the use of young persons. By Tom Telescope, A. M. Illustrated with copperplates and Cuts. A new improved edition, with many alterations and additions to explain the late new philosophical discoveries, & c. & c., London: printed for Ogilvy and Son; Longman Hurst, Rees, & Orme; J. Walker; Lackington, Allen, and Co. and Darton and Harvey, 1806, vii, [1], 136 pp., 4 engraved plates, wood-engraved illustrations to text (including several full-page to appendix at rear of scientific instruments), a few marks, contemporary green morocco-backed marbled boards, rubbed and some wear to edges, with a little loss to head and foot of spine, with later pale pink protective paper wrapper, 12moQTY: (2)NOTE:Provenance (for Peacock at Home): Marjorie Moon.Exhibited: Childhood Re-Collected. Early Children's Books from the library of Majorie Moon, Christchurch, Oxford, 1994.
A Scottish mahogany cased barograph, early 20th century, containing vacuum bellows, recording drum and ivorine thermometer, the case with five bevelled glass panels, on bracket feet, with ivorine plaque for J. B. Watson EDINBURGH, 19cm high, 37.5cm wide, 22.5cm deepPlease note Roseberys do not guarantee the working condition of any scientific instruments offered for sale.
PHARMACY/APOTHECARY/MEDICAL BALANCE SCALES | MEOPTA PRAGUE | Around year 1940 | 47 x 38 x 29 cm (height x width x depth) | Wooden glass cabinet | Personal pickup only or use a third-party company (Kunsttrans) | www.kunsttrans.cz | | Provenance: private pharmacy museum | Lot description | These laboratory analytical balances were manufactured by Meopta Praha, which was a Czech company specializing in the production of precision measuring instruments. The scales are housed in a glazed wooden case, which protects the sensitive weighing mechanism and enables accurate measurements without external influences. The mechanism is carefully crafted and ensures a high level of accuracy, which is key for analytical work in laboratories. Neopta Praha was known for its reliability and quality, which ensured that their products were widely used in various scientific and industrial sectors. These balances exemplify the combination of traditional craftsmanship and technical innovation that has been typical of this company's production of laboratory equipment. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
A collection of books on The Decorative Arts - Mixed Janneau, Guillaume Le luminaire par Guillaume Janneau, 3 séries. suivi de Le luminaire moderne par Gabriel Henriot, Art Deco Lampen 1925-1937, 1992 Bulley, Margaret H Art & Everyman: A Basis for Appreciation (Vols I & II), 1951 Anawalt, Patricia Rieff The Worldwide History of Dress, 2009 Gruber, Alain The History of Decorative Arts: Classicism and The Baroque in Europe, in Slipcase, 1996 Piccirillo, Michele The Mosaics of Jordan, 1997 Rossi, Ferdinando Mosaics, A survey of their History and Techniques, 1970 Toscano,Salvador Arte precolombino de Mexico y de la America Central, 1944 Department of Scientific and Industrial Research. The Cleaning And Restoration Of Museum Exhibits. Third Report Upon Investigations Conducted at the British Museum, 1926 Zagorsk History & Art Museum Chukchi and Eskimo Art in the Collection of the Zagorsk History and Art Museum. In Slipcase (Text in Russian), 1981 Papini, Roberto Decorative Arts and Architecture of the 1920s, 2005 Launert, Edmund Perfume and Pomanders: Scent and Scent Bottles Through the Ages, 1987 Battersby, Martin The Decorative Thirties, 1971 Wetzel, J. Voyage Pittoresque Aux Lacs Suisses / Picturesque Journey to Swiss Lakes Limited Edition Copy 356/500 (World Economic Forum), 1987 Fahr-Becker, Gabriele Art Nouveau, 1997 Greenhalgh, P. Art Nouveau 1890-1914, 2000 Honour, Hugh Romanticism, 1979 Buchner, Alexander Musical Instruments Through the Ages, c1960's Praz, Mario, On Neoclassicism, 1969 Menkes, Suzy, The Windsor Style, 1987 Levenson, Jay A. Circa 1492 Art in the Age of Exploration, 1991 Hazlitt Gooden & Fox Design, Drawings for Architecture Costume and the Decorative Arts from 1570, 1989 Various, The Age of Neo-classicism, The Fourteenth Exhibition of the Council of Europe, The Royal Academy and The Victoria and Albert Museum, September-November, 1972 Hobson, Anthony Great Libraries, 1970 Various Period Rooms in The Metropolitan Museum of Art, 1996 Fleming, John & Honour, Hugh The Penguin Dictionary of Decorative Arts (Second Edition), 1989 Meier-Graefe, J Entwicklungs-Geschichte der Modernen Kunst [History of the Development of Modern Art], 2 Volumes, 1904 Poulet, W Kunst und Brille durch funf Jahrhunderte, Band II. [The Glasses Volume II. Art and Glasses through Five Centuries], 1978 Strong, Roy The Spirit of Britain, 1999 Clark, Kenneth Civilisation, A Personal View, 1969 Rome, R C UNION CLUB, An Historical & Descriptive Record of the oldest Members' Club in London, founded c1799 (limited edition of 750), 1948 (32)
BECQUEREL HENRI: (1852-1908) French physicist and engineer, the first person to discover radioactivity. Nobel Prize winner for Physics, 1903. A good autograph manuscript, unsigned, incorporating several explanatory drawings, two pages (written to the first and fourth sides of the bifolium), n.p., n.d. (circa 1895), in French. Becquerel's manuscript is entitled Historique des machines, and particularly concerns direct current dynamo-electric machines, and was most likely prepared as an aide-memoire for one of his first physics courses at the Ecole Polytechnique in Paris. Becquerel has listed the names of various famous inventors alongside the dates of their discoveries and summary notes, several with explanatory scientific drawings alongside, including Faraday ('1831 Anneaux de fer......d'une bobine'; Translation: '1831 Iron rings......a coil'), Pixii ('En 1832......aimants dans un disque bois mobile devant des bobines'; Translation: 'In 1832......magnets in a moveable wooden disk in front of coils'), Ritchie ('bobines mobiles'; Translation: 'moving coils'), Clarke, Nollet, Siemens, Wilde ('aimants et electro aimants'; Translation: 'magnets and electro magnets'), Ladd, Pacinotti, Gramme, Varley, Wheatstone, Alteneck and Edison. To the foot of the first page appear various scientific equations and drawings in pencil, most crossed through. A good manuscript featuring the names of many inventors and physicists who inspired and influenced Becquerel. Some very light, extremely minor age wear, VGMichael Faraday (1791-1867) English scientist who contributed to the study of electromagnetism and electrochemistry.Hippolyte Pixii (1808-1835) French instrument maker who built an early form of alternating current electrical generator based on the principle of electromagnetic induction discovered by Faraday.Edward Samuel Ritchie (1814-1895) American inventor and physicist who made important contributions to science and navigation.Hyde Clarke (1815-1895) English engineer, philologist and author.Floris Nollet (1794-1853) Belgian physicist, engineer and inventor who designed plans for large-scale generators.Werner von Siemens (1816-1892) German electrical engineer, inventor and industrialist.Henry Wilde (1833-1919) English electrical engineer who invented the dynamo-electric machine.William Ladd (1815-1885) English manufacturer of microscopes and other scientific instruments including the Dynamo-Magneto-Electric machine (1867).Antonio Pacinotti (1841-1912) Italian physicist, best known for inventing an improved form of direct-current electrical generator (1860).Zenobe Gramme (1826-1901) Belgian electrical engineer, inventor of the Gramme machine, a type of direct current dynamo capable of generating smoother and much higher voltages than the dynamos known to that point (1871).C. F. Varley (1828-1883) English engineer particularly associated with the development of the electric telegraph and the transatlantic telegraph cable.Charles Wheatstone (1802-1875) English scientist and inventor who made many scientific breakthroughs during the Victorian era.Friedrich von Hefner-Alteneck (1845-1904) German electrical engineer, one of the closest aides of Werner von Siemens.Thomas Edison (1847-1931) American inventor of the electric light bulb among many other items.
A 19th Century Marine Chronometer By Weichert In A Brass Bound 'Campaign' Style Coromandel Case. The chronometer has a three quarter plate, 56 hour fusee and chain movement with detent escape, 12cm face with silvered engraved dial, a two day up/down dial and subsidiary seconds with the words ''W.WEICHERT LONDON & CARDIFF' engraved to the centre. It is is contained in a brass bowl and gimbals while held in a lockable Coromandel and brass bound 'campaign' style three piece case with flush set brass carry handles and original key. The top section of the case is hinged to the rear, with a small brass push to release button, enabling it to open and view the face through a pane of glass. It is also hinged to the rear in the middle of the case allowing access to the chronometer itself. Mounted by four small brass screws to the front middle section of the chronometer is an ivory plaque engraved with the makers name and 'No. 2107.' The case measures 19cm high and 17.5cm square. William Weichert was born in Austria in 1830, later on in life he moved to Cardiff Wales, where he worked producing chronometers. The chronometers that he produced were of a high calibre and were used by the Austrian Navy prior to WW1 with some examples of his works bearing the 'Golden Cross and Crown from His Majesty the Emperor of Austria' (1) Condition No visible signs of damage or excessive wear. The case would benefit from a clean and oil to bring the colour back in to the wood. All scientific and horological instruments are sold as untested. Cites Submission reference: CFCMGUYA

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