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A Sèvres Style Porcelain and Gilt Metal Mounted Ewer, early 20th century, blue ground, with tooled gilding and enamelled with two panels depicting putti at various persuits41cm highSome general wear. No repair.

A Pair of Gilt-Metal-Mounted Sèvres-Style Porcelain Vases and Covers, 19th century, of urn shape with leaf-sheathed finial, ram mask and ring handles and stiff leaf borders, painted with 18th century lovers in landscape and with flowersprays within jewelled gilt panels on a bleu ciel ground, on fluted circular socles and stiff leaf cast bases, both covers with inscriptions to inside and bearing dates 183430cm high, on giltwood standsNo chips, cracks or repair to the porcelain. Gilding and mounts in good condition. Mounts slightly loose. Some very minor loss to the jewelling on the cartouches.

SOLITAIRE MIT RANKENDEKORATIONEN UND TIEFBLAUEM FOND. Frankreich. Datierung: 19.Jh. Meister/Entwerfer: In der Art von Sèvres. Technik: Porzellan, kobaltblauer Fond, farbig staffiert. Beschreibung: Bestehend aus Kännchen, gefußter Kuchenplatte, Zuckerdose, Milchkännchen, Tasse und Untertasse. Maße: Höhe des Kännchens 10,5, ø der Platte 22,5cm. Marke: Marke in der Art von Sèvres. Voraussichtliche Versandkosten für dieses Los: Deutschland: 52,00 Euro inkl. 8,30 Euro MwSt EU: 70,00 Euro inkl. 11,18 Euro MwSt Weltweit: 140,00 Euro inkl. 22,35 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Frankreich Porzellan Solitaire

cassa in metallo dorato di gusto neo rococo', sormontata da un'urna e decorata con placche in porcellana policroma azzurre e blu nei modi di Sèvres, nella base, piccole placche raffiguranti un giovane amorino e una ghirlada fiorita. Quadrante in smalto bianco con numeri romani, lancette a fiore in acciaio brunito, movimento a pendolo con scappamento ad ancora, sospensione a filo di seta, suoneria ore e mezze su campana; Alt.33 cm, larg. 24 cm, prof. 11 cm. AN ORMOLU MANTEL CLOCK AND PAINTED PORCELAIN PLAQUES, FRANCE, CIRCA 1880

CREDENZA, Victorian ebonised, gilt metal inlaid and mounted with Sèvres style plaques, panel door and bowed glazed doors, 154cm X 42cm D x 105cm H.

Sèvres, an exceptionally large vase with a hand-painted decor, France, 19th century.'Lapis Lazuli' glazed ceramics, mounted with gilt bronze. On the inside marked with red mark: Decoré à Sèvres, 67' for 1867. Romantic decor signed S. Baldisseroni, 1867.  Condition report: - Missing the upper bronze ring on the backside. - The vase is Probably missing the lid. Otherwise in excellent condition.Dimensions: (L:37 x W:52 x H:76 cm)

After Claude Michel, CLODION (1738-1814) 'Group with a Satyr'.Bisque porcelain with Sèvres marks. marked on the underside with a Sèvres mark. The first half of the 20th century. Dimensions: (L:18 x W:27 x H:51 cm)

Limoges and Sèvres marks, a lamp base and a tazza with a hand-painted flower decor.Dimensions: (H:40 cm)

Paar PrunkvasenFrankreich2. Hälfte 19. Jahrhundert Bronze gegossen & feuervergoldetBlauer Porzellankörper wohl SèvresHöhe 55 cm

TafelaufsatzWohl SèvresPorzellan (beschädigt)BronzemontierungLänge 39 cm, Breite 21 cm, Höhe 26 cm

mid 19th Cent. European neoclassical cabinet in burr of walnut with mountings in guilded bronze and with plaques in Sèvres-porcelain || EUROPA - ca 1850 fraai neoclassicistisch tweedeursmeubel in zeer mooi gevlamd wortelhout versierd met ingelegde filets, met gedoreerd bronsbeslag en met ovale plaketten in Sèvres-porselein met mooi beschilderde vrouwenbustes

mid 19th Cent. European neoclassical display cabinet (sideboard model) in burr of walnut with mountings in guilded bronze and with plaques in Sèvres-porcelain || EUROPA - ca 1850 door het model vrij apart neoclassicistisch meubel in zeer mooi gevlamd wortelhout zie onder andere naar het bovenblad) met ranke zuiltjes met bronzen kapiteeltjes en versierd met kleine en grote plaketten in Sèvres-porselein, waarvan twee met fijn beschilderde damesbustes - met centraal twee deuren, aan elke zijde geflankeerd door een spiegelpaneel en een gegalbeerde vitrinedeur

Paar Porzellanteller im Stile SÈVRES 19./20. Jahrhundert, flache Form mit glattem Rand, im Spiegel und auf der Fahne ornamentales Golddekor, am Rand vegetabile Bordüre in grün und rot, Manufakturmarke "ligiertes C und Sèvres", D 22cm

Fragment eines SÈVRES Porzellantellers im Holzrahmen um 1820, im Spiegel ornamentales Goldmedaillon mit einer polychromen Darstellung Julius Cäsar in Kameeoptik, Manufakturmarke, D 17cm, im Holzrahmen (zum Teil mit Vergoldung), D 31cm

Vier ZiervasenUnterschiedliche Formen. Ansichten und Landschaftsveduten mit Figurenstaffage, u.a. große Fürstenberg-Potpourrivase mit antikisierenden Portraitmedaillons von Apuleus bzw. Zeno. Polychrome sowie Grisaille- und Schwarzlotmalerei. Golddekor. Teilw. stark besch.;/rep./rest./ber.; Teilw. Manufakturmarken. Beigabe: Glockenbechertasse, im Boden bez. Sèvres (?) in Gold. Vasen-H. 25 cm - 49 cm. A 4-piece mixed lot of German, Bohemian and French porcelain vases. Partly damaged/repaired/restored/rubbed. Partly manufacturer's mark. In addition a bell-shaped cup.Fürstenberg. Frankreich. Böhmen. Um 1780 - 1850.Abb. im Internet

18th century-style porcelain and gilt metal box, circa 1900, the hinged cover having painted panel of a maiden carrying a basket of roses with a winged cherub, the interior of white ground with floral bouquets, Sèvres-style mark to base, 11cm x 13cm

Sèvres bust of a faun by Maurice Guiraud-Rivière (1881-1947), with rectangular base, 53cm highThe base has been repaired. Otherwise in good overall condition with a couple of small chips.

18th century Sèvres biscuit figure of a gardener - La Jardinière au Vase - after Francois Boucher, incised initial to base, 23cm highSome minor losses but overall displays very well. No signs of restoration.

A pair of Sèvres cabinet plates painted with figural scenes on a bleu celeste ground with floral panels, together with two Sèvres plates painted with portraits, all with marks, 22cm to 25cm diameter (4)One has the footrim drilled for hanging. Otherwise in good condition with some gilt wear.Update: please note one plate has suffered a rim chip since this condition report was originally made.

Victorian ebonised and gilt metal mounted breakfront credenza, with central glazed door and flanking cupboards, each centred by Sèvres style figural porcelain plaque, raised on plinth base, 188cm wide x 46cm deep x 110cm high

Fine quality large 19th century French ormolu clock garniture by Lerolle à Paris with Sèvres-style porcelain panels, the clock mounted with three classical female figures and cherub emblematic of spring and summer, the dial painted with cherubs and trophy of musical instruments and quiver of arrows, cylinder movement signed by maker and striking on bell (pendulum and key present), 64 cm wide and 47cm high, the pair of candlebra with putti supports and with painted cherubs and musical trophies 50cm high.An identical model, in cleaned condition, was sold at a Sotheby during the 'Freddy Mercury Auction', with a result of £17.780,00. https://www.sothebys.com/en/buy/auction/2023/freddie-mercury-a-world-of-his-own-at-home/a-louis-xvi-style-gilt-bronze-and-sevres-style Good original condition, the clock runs ( not tested for timekeeping), the case has some wear to the gilding and is generally dirty, the harvest figure is missing a scythe from her hand, the porcelain dial and panels are in good order. The pair of candlelabra are in good original order. They are generally dirty and one small lower porcelain panel has a small chip.  Please see the extra images on our website

French Sèvres style metal mounted porcelain table lamp, of bottle form with mask and scroll ornament and decorative reserves, 57cm high

A pair of Coalport vases and covers, 19th century, in the Sèvres manner, painted with panels of exotic and aquatic birds within gilt panels on a turquoise ground, a pair of Continental porcelain vases and covers in the same shape, painted with panels of flowers, and a tall English porcelain vase and cover of hexafoil shape, painted with stripes of rose, cornflower and barley, the handles formed as ribbons, some damages and restoration, 31.5cm max. (10)

A group of early Derby and Chelsea-Derby teawares, c.1770-90, including four teabowls and saucers decorated with flower and leaf garlands, cornflower sprigs and a Sèvres-style design of pink S scrolls on a trellis band, a chocolate cup and cover with green camaieu flowers on a striped gilt ground, and a teacup and saucer with gilt leaves and white jewelling, various marks, some faults, 13.7cm max. (12)

An early Sèvres or Vincennes cheese dish (fromager), c.1754-59, the shallow cylindrical form pierced with elaborate scroll designs edged in gilt, around small holes edged in blue, with dry blue flower sprays, raised on three peg feet, interlaced blue LL mark, one handle lacking, 13.5cm across.This model was first designed at Vincennes in 1752 and made in two sizes, of which this was the smaller. Cf. Victoria and Albert Museum, Accession No. C.366-1909 for a plateau de fromagier in the same pattern.

A pair of Minton porcelain vases and covers, 19th century, decorated in the Sèvres style with panels of birds and flowers on a blue ground, a Minton vase of the same shape painted with landscape panels and boats at sea, a two-handled vase and cover painted with a courting couple, and a lamped Sèvres-style vase and cover painted with birds on a blue caillouté ground, damages, 38cm max. (8)

Three Paris porcelain rouge pots, c.1800-20, one painted with colourful birds on short branches, another with panels of birds on a dark pink ground, pseudo Sèvres mark, the last painted with a butterfly and flying insects, some damages, 3.8cm max. (3)Provenance: the Judith Howard Collection.

A Sèvres rouge pot, c.1770-80, one side decoration with a gilt inscription reading 'Rouge de Mlle Martin', the reverse with a spray of flowers including rose and forget-me-not, gilt dentil rim, blue interlaced Ls mark, 3.5cm high.Provenance: the Judith Howard Collection. Formerly the Hector Binney Collection, Sotheby's, Billingshurst, 6th December 1989, lot 1113.Mademoiselle Martin was not the first to develop a vegetal rouge, but she was the person who had the confidence of Marie Antoinette and as a result served only a few crowned heads of Europe and other ladies of the court.

Literature: BGC Yale, The Sèvres Porcelain Manufactory; The Camondo Legacy, The Passions of a Paris Collector; Museum of Fine Arts, Boston, The Forsyth Wicks Collection; The Jack and Belle Linksky Collection in the Metropolitan Museum of Art; Porcelaine de Sèvres, Le Service de la Princesse des Asturies; and a number of other books and catalogues on ceramics and French decorative art. (A lot)

A small study collection of English and French porcelains, 18th century, including a Worcester plate, a Chelsea-Derby vase and cover with flowers on a turquoise ground, a Chelsea-Derby saucer and two plates, a Sèvres teabowl painted with monogrammed initials, a small ecuelle painted with puce putti, and two saucers painted with flowers, 26.3cm max. (10)

A pair of Sèvres ormolu-mounted small vases, 2nd half 18th century, painted with flower sprays within gilt foliate borders on a later bleu celeste ground, and a pair of Sèvres-style vases of campana form, ormolu-mounted and decorated with putti and Classical motifs, 7.7cm max. (4)

A Sèvres preserve stand (plateau à deux pots de confiture), date code for 1788, painted with scattered convolvulus flowers and continuous garlands of convolvulus within narrow yellow bands with further floral tendrils, the U-shaped bowls fixed to the base and each with a flat cover with simple gilded knop, blue interlaced Ls mark enclosing date letters LL, 24cm. (3)Provenance: from an English private collection, Sussex.This service was supplied to William Eden, British Envoy-Extraordinary and Minister-Plenipotentiary to France, who was in Paris in 1787 following negotiation of the Anglo-French Treaty of Navigation and Commerce. Correspondence indicates that the service may have been a gift for George Rose, Secretary to the Treasury in the British Government. Cf. David Peters, Sèvres Plates and Services of the 18th Century, Vol. IV, pp.821-823 for a discussion of the service.

Two Sèvres rouge pots, c.1770-80, one painted with butterflies and other insects, blue interlaced Ls mark and painter's mark LG perhaps for Le Guay, the other decorated with a gold ground, yellow crowned mark, some damages, 3.5cm max. (2)Provenance: the Judith Howard Collection.

A Sèvres plate, the porcelain 18th century, probably later decorated with a central roundel of pink roses within a garland and concertina ribbon border, interlaced blue LL marks and probably spurious painter's mark 'LG', 24.3cm.The decoration bears close resemblance to that on a number of plates made for William Beckford in 1792. However, the recorded plates from that service do not have the lobing to the rim as seen on this example.

A Paris porcelain rectangular plaque, 19th century, painted by Celeste Breton (née Colen) with the portrait of a smiling man within a wooden frame, surrounded by an artist's accoutrements, various books and playing cards, signed bottom right 'Celeste Breton née Colen d'apres Grimaud', signed again to the reverse stating that Breton was a pupil of Madame Jaquotot, 24.1cm x 19.6cm.Marie-Victoire Jaquotot was a former painter at the Sèvres factory who painted the 1811-12 Tea Service of Famous Women. Between 1816 and 1836 she ran a painting school at her workshop and this plaque was executed by one of her pupils.

Three Derby plates or dishes, c.1780-1800, one with an armorial shield to the well, the rim with a Sèvres-style border of diagonal flower stems, one a soup plate painted with green camaieu flowers around a pink ribbon band, the last probably made as a replacement for a Meissen service, decorated in Kakiemon enamels with a flying red fox above a squirrel and grapevine, blue and puce factory marks, 24.5cm max. (3)

Four Sèvres-style circular dishes (compotiers rond) and eight plates, probably late 18th century, painted with colourful birds to the wells, the rims with panels of flowers within gilt trellis borders on a bleu celeste ground, together with two oval dishes in the same pattern, and two Sèvres saucers, one with ormolu mounts to form a chamberstick, various marks, 29.5cm max. (16)

A Sèvres style card case 19th century, of rectangular form, painted with a portrait of Marie Antoinette signed 'A. Vegren' and panels of floral sprays, reserved on a blue and gilt ground, with gilt metal mounts, 9.5cm high.

A Continental porcelain set of eight custard cups and covers with stand, late 19th century, painted in the Sèvres style with panels of colourful birds reserved on a green ground, later red painted marks inscribed 'Le Rosey Rue de la Paix', original marks obscured in gilt, 28.7cm. (17)

A Bloor Derby tray in the Sèvres style, 1st half 19th century, painted with a panel of birds reserved on a royal blue ground, with an elaborate pierced rim, a Sèvres-style cylindrical spill vase and a teacup and saucer with similar decoration, pseudo interlaced LL marks to the latter, some faults, 23.8cm max. (4)

Two Continental porcelain coolers (seaux), 18th/early 19th century, one Vienna and painted with flower sprays, the other Sèvres and painted in puce monochrome with European landscape scenes, together with a Sèvres-style jardinière, painted with panels of birds and fruit within elaborate gilt borders on a turquoise ground, damages, 24cm across max. (3)

A large Sèvres teapot, c.1760, the globular body painted with sprays of European flowers on a white ground, with gilt dentil rims, with gilt metal mounts to the spout and handle, attaching the cover by a hinge, traces of a puce mark, the spout cleanly broken and restuck, 24cm across.

Four Sèvres cups, date codes for 1767 and 1791, one cup painted by Jean-Baptiste Tandart with flowers and an urn on a bleu mazarin ground, another with a girl holding a furled parasol on a green ground, another with a figure mooring a boat on a bleu celeste ground with gilt dots, the last with a potted plant and a continuous floral border, blue interlaced LL marks, damages, 8.3cm max. (4)

A 19th century porcelain and gilt metal mounted kingwood banded and marquetry bonheur du jour, canted rectangular superstructure with a pair of panel doors applied with oval porcelain plaques painted in the manner of Sèvres with flowers, enclosing a shelf, the lock stamped Hobbs & Co, London, above two small drawers, the projecting base with a folding writing surface and a long frieze drawer, French cabriole legs, 137.5cm high, 85cm wide, 56cm deep, c.1870

Georges MATHIEU (1921-2012). Bonbonnière.1968. Une boîte en porcelaine bleue du service de Mantes. L'extérieur est orné d'un motif grand feu bleu profond connu sous le nom de "bleu de Sèvres", tandis que l'intérieur est peint de petits motifs dorés sur fond blanc. Basée sur une conception originale de l'artiste, créée en 1968. Sous la base, signature de Georges Mathieu avec l'année "68" en doré, la marque de la Manufacture de Sèvres en vert, et le tampon "Doré à Sèvres, manufacture nationale" en rouge. Livré dans son emballage d'origine de la Manufacture Nationale de Sèvres. Dimensions : 14,5 x 14,5 x 9 cm.

Paar Meissen Prunkvasen mit Limoges-EmailmalereiAuf hochgezogenem Rundfuß balusterförmiger Korpus, umzogen von reliefierten, goldstaffierten Ornamentfriesen. Seitliche, an der Schulter ansetzende, in großen Blattvoluten aufsteigende Henkel. Beidseitig der Wandungen antikisierende, szenische Darstellungen, u.a. nach Kupferstichvorlagen von Jean Francois Janinet und Zeichnungen von Jean Guillaume Moitte in weißer, reliefartig aufgetragener sog. Limoges-Emailmalerei auf kobaltblauem Fond. Reiche Goldstaffage mit "Goldbronze". Entw. Ernst August Leuteritz. Modell-Nr. E 103. Schwertermarke. H. 56 cm.Diese von Limosiner Maleremail-Arbeiten beeinflusste Maltechnik wurde im 19. Jh. auf Porzellan adaptiert, zunächst von Manufakturen wie Sèvres, Worcester und Minton ausgeführt und erstmals 1865 auf Betreiben des Modelleurs Ernst August Leuteritz auf Meissener Porzellanvasen angewandt. Dabei wird der weiße, dünnflüssige Schlicker schichtweise aufgetragen und erhält dadurch einen reliefartigen Charakter. Zu den beliebten Themen zählten klassische figurenreiche Darstellungen, zumeist nach Kupferstichvorlagen oder Reliefdarstellungen des Klassizismus.Vgl. Berling, Festschrift, S. 88 und 91, Fig. 228; Jedding, Meißener Porzellan des 19. und 20. Jhs., Taf. 1, Siemen, Von den Ursprüngen, S. 368.A pair of splendid porcelain vases with classical figural scenes painted in Limoges-enamel painting. Crossed swords mark.Meissen. 2. Hälfte 19. Jh.

A SÈVRES PORCELAIN PLATEAU BOURET 18th century, of shaped outline, enamelled to the centre with three birds within gilded turquoise borders, date code for 1756/7, 3cm high x 21cm diameter; together with an 18th century Sevres porcelain coffee can, enamelled with portrait of a lady, 5cm high (2)Note: In the second half of the 18th century, Sévres produced a celebrated service for Louis-René-Édouard, Prince de Rohan- Guéménée (1734-1803), all of the pieces were decorated in a similar rich turquoise blue celeste colour and were decorated with birds. The cost of the service was recorded at 20,772 livres, which equated to approximately twice the annual income of a doctor. Parts of the collection are now in The Metropolitan Museum, accession number 1976.155.69.

A GROUP OF FOUR FRENCH ORMOLU MOUNTED SOFT PASTE PORCELAIN BOXES of 18th century Sèvres style and shaped outlines, 19th century, all with enamelled lids and sides depicting figures and landscape vignettes, within richly gilded dark blue borders, all bearing gilded date ciphers to undersides, the largest 5cm high x 11cm wide x 8cm deep

A FRENCH ORMOLU MOUNTED SOFT PASTE PORCELAIN JEWELLERY CASKET of 18th century Sèvres style and shaped outline, 19th century, the lid and sides enamelled in colours with courting couple and landscape vignettes, within richly gilded dark blue borders, bearing gilded date cipher to underside for 1757, striped and floral fabric interior lining, 8cm high x 16cm wide x 14cm deep

A late Victorian ebonised and inlaid side cabinet, the plain top with brass beaded edge over a satinwood strung frieze with central Sèvres style oval medallion, over two glazed panelled doors, enclosing a red velvet lined interior of two shelves, flanked by cast brass capped side pilasters, on a plinth base to turned feet, 177 cm wide x 34 cm deep x 107 cm high

GASTON CONTESSE (1870-1946)Maternité, circa 1925Biscuit.Monogrammé.Cachet de la Manufacture de Sèvres.Biscuit.Gemonogrammeerd.Stempel van de Manufacture de Sèvres.Biscuit.Monogrammed.Stamp of the Manufacture de Sèvres.H.31 cm Long.40 cm Larg.13,5 cmFootnotes:Bibliographie :Manufacture nationale de Sèvres, Années folles et Art Déco le renouveau, coll. Sèvres, une histoire céramique, éd. courtes et longues, Paris, 2007, p.69 (reproduit).For further information on this lot please visit Bonhams.com

A Napoleon III ebonised and gilt composition vitrine table, with serpentine glazed lifting top and sides and Sèvres pattern mounts on foliate capped plain cylindrical tapering legs with beaded collars, 72cm high, 87cm wide, 50cm deepGlass panels to each side loose. Partial beaded moulding loss to apron and around ceramic plaques. Cracking to moulding around top, moulded edge with corners rubbed and worn with small loss to one corner. Three legs with strong wear to gesso and paint to exterior and feet, cracks and losses to gilding. No obvious signs of woodworm. Velvet lining worn and discoloured. 

A Coalport (Coalbrookdale) Sèvres style pattern pink-ground dessert service painted by William Cook, mid-19th Century, each painted with sprays of fruit and flowers within wide borders, with shaped panels of flowers and gilt foliage, comprising a pair of large two-handled baluster ice pails with covers and liners, 40.5cm high, four tall circular tazze, 15.8cm high, one smaller, 11.5cm high, three low, 7.5cm high, eighteen dessert plates, a pair of two-handled sugar bowls and covers, 12.7cm high, twenty-one cups (in two sizes) and twenty-two saucers, some with CBD monogram, the pails with printed Daniell retailers marks, together with two matched mid-size and one low comportsLot 34Pair of icepails, covers and liners - one icepail finial cracked and detached (but present) from cover, the other cover with minor chipping to finial, finial with 19th century metal bolt, several hairline cracks to rim, one icepail with a series of deep cracks stemming from the bolt at socle (which has been restored and overpainted), these deep cracks run through the body and up to the rim and as a result this icepail is very fragile and in need of repair and restoration, the liner has a short firing and hairline crack to rim.Four tall circular tazza - one with four radiating hairline cracks from centre, another with four hairline cracks and a very deep crack in need of repair, another with minor glaze crack to centre, the fourth in good order.One smaller tazza - four hairline cracks radiating from centre.Three low tazza (not two as catalogued) - all with hairline cracks radiating from centre.18 dessert plates - one with glaze crazing visible to underside, one with stained hairline crack to centre, one with rim chip and associated hairline crack. Some scattered minor footrim chipping, otherwise ok.Pair of sugar bowls and covers - in good order.21 cups (in two sizes) - one cup with hairline crack to rim.22 saucers - one chipped to rim, with associated short hairline crack, some wear to pink ground at lobes.Two matched comports (mid size) - in good order.One matched low comport (not two as catalogued) - detached from foot (foot present).The replacement pieces are a darker pink ground colour. The pink ground varies throughout and is slightly patchy in places. There is some wear, slight scratching to enamels and gilding overall.

A pair of Minton turquoise glazed figures of gardeners, circa 1860, modelled with a hat and apron full of flowers, together with a figure similar, the Minton figures with imitation Sèvres marks, 20.5cm highMale figure with a glued break across shoulder and neck, a break to left arm at top of sleeve, a break to left wrist and a break to right hand. Watering can lacking handle. The lady figure in good condition. Figure of child with basket broken out of hands and through left elbow. Small chip to back footrim.

A Louis XV style ormolu mounted kingwood and tulipwood two-tier gueridon, the rectangular lifting top on square cabriole legs, applied with a Sèvres-style porcelain panel, 70cm high, 30cm wide, 22cm diameterVeneer losses to cross banding of top and legs and other veneer losses throughout as pictured. Metal fittings a little corroded. Velvet interior with wear and pressure marks. Lock and locking plate missing, lacking key. One sabot detached but present

A French ormolu and Sèvres style porcelain mantel clock late 19th Century, of Louis XVI design, the striking movement signed 'Hry. Marc à Paris', the circular dial with Roman numerals, the architectural case flanked by two putti and a bust of Diana garlanded with flowers on sedant greyhounds, the shaped plinth on toupie feet, decorated overall with frolicking putti, 40cm high, 34cm wideThe front Sevres-style rectangular panel decorated with putti has been cracked across, very minor wear overall, sold as viewed and not in working order.

A Sèvres style bowl, 19th Century, of cabbage leaf design, the raised leaves edged with gold and painted with panels of flowers and birds on a bleu celeste ground with tooled gilt floral sprigs, 23cm wide, together with a Continental porcelain pierced oval basket, 30cm longSevres style bowl - some misfiring to enamels and gilding, scattered firing faults, blow-outs to enamels and gilding and patchy blue ground colour. The oval basket is in good order, some very minor wear overall.

A pair of Napoleon III calamander pier cabinets, the fronts set with Sèvres style porcelain panels, each with marble top above a single drawer and cupboard door, gilt brass mounts throughout, bears label Lucia Portman, 110cm high, 77.5cm wide, 43cm deepSlight veneer movement and cracking. Key not present. Ceramic plaques all present but frames a little loosened. A few water marks to veneer. Multiple scuffs, scratches and wear. Marble top with a few edge chips underneath. Door movement has caused a few scratches. Some wear and pressure marks to velvet lined interior. Dents to pilasters

A French ormolu mounted Sèvres style porcelain garniture de Cheminee, late 19th Century, of Louis XVI style comprising a mantel clock, the striking movement by Japy Freres, the case of arched architectural form surmounted by an urn on shaped base, inset with panels of figures at a gaming table in a wooded landscape, on giltwood plinth, 47cm high, 37cm wide and a pair of two-handled potpourri vases and covers similar, 34cm highThe Sevres-style porcelain with some wear and losses to the applied 'pearls', rubbing to gilding and enamels, the dial with some wear, the mounts on the vases have been removed, cleaned and replaced and are slightly loose (with receipt for cleaning dated 1997), pendulum is present. Some wear to giltwood stands, some worm holes present to stands, velvet faded and worn, minor wear to ormolu overall, clock is sold as viewed and not in working order.

A French gilt brass mounted kingwood and tulipwood centre table, mid 19th Century, of Louis XV design, with a frieze drawer applied with Sèvres pattern porcelain panels, the cabriole legs applied with female busts and terminating in sabots on castors, 77cm high, 57cm wide, 39cm deepGenerally fair condition with a little veneer cracking and small loss to crossbanding. Metal mounts lifting and brass bound edges detaching. Pop out drawer mechanisms functional. Some oxidisation to metal mouldings. Original ceramic castors.