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Vittore Carpaccio, an Italian Renaissance painter of the 15th and 16th centuries, emerges as a masterful storyteller through his vivid and meticulously detailed artworks. Born around 1465, Carpaccio is celebrated for his narrative skill, innovative compositions, and his contributions to Venetian painting.Carpaccio's artistic legacy can be encapsulated as follows:1. **Narrative Painting**: Carpaccio's paintings often tell intricate stories, capturing both historical events and religious narratives with a keen eye for detail and emotion. His ability to convey complex narratives through visual storytelling is a hallmark of his artistic prowess.2. **Venetian Color and Light**: Carpaccio's works are characterized by their luminous color palettes and skillful use of light. His sensitivity to the interplay between light and shadow adds depth and realism to his scenes, creating a palpable sense of atmosphere.3. **Diverse Subjects**: From religious scenes and mythological tales to historical events and portraits, Carpaccio's body of work covers a wide range of subjects. His versatility allowed him to excel in various genres, leaving a diverse and impactful artistic legacy.4. **Innovative Compositions**: Carpaccio's compositions often feature intricate architectural details and carefully rendered settings. His imaginative arrangements and attention to spatial relationships showcase his innovative approach to composition.5. **Civic Pride**: Carpaccio's depictions of Venice and its landmarks reflect his pride in his city. His "Cycle of Saint Ursula," a series of paintings in the Scuola di San Giorgio degli Schiavoni, provides a visual record of Venetian life and customs.6. **Influence and Recognition**: Carpaccio's works influenced other Venetian artists, and he was appreciated by his contemporaries for his ability to infuse his paintings with narrative depth and aesthetic beauty.Vittore Carpaccio's legacy endures through his contributions to Renaissance art, his storytelling prowess, and his innovative approach to composition and color. His works continue to captivate audiences, offering glimpses into the historical, religious, and cultural tapestry of his time while showcasing his artistic brilliance.Measures 19.5 x 40.

Albrecht Dürer (1471–1528) was a German painter, printmaker, and theorist who is widely regarded as one of the greatest artists of the Northern Renaissance. He was a highly skilled and versatile artist known for his exceptional draughtsmanship, innovative use of various mediums, and significant contributions to printmaking.Key points about Albrecht Dürer and his legacy:1. **Humanism and Renaissance:** Dürer was influenced by the humanist ideas and artistic principles of the Italian Renaissance. His works combined technical precision with intellectual depth and a keen interest in the natural world.2. **Printmaking:** Dürer is renowned for his contributions to the art of printmaking, particularly woodcuts and engravings. His prints often explored religious, mythological, and allegorical themes, as well as portraiture and landscapes.3. **"The Four Horsemen of the Apocalypse":** One of Dürer's most famous works is the series of woodcuts titled "The Apocalypse." This series consists of intricate and highly detailed images depicting scenes from the Book of Revelation.4. **"Melencolia I":** Another iconic work by Dürer is the engraving "Melencolia I." This mysterious and complex image has captivated art historians and enthusiasts for its intricate symbolism and enigmatic atmosphere.5. **Self-Portraits:** Dürer was also known for his self-portraits, which offered insights into his changing appearance over the years and his exploration of identity and self-expression.6. **Theoretical Writings:** Dürer wrote treatises on art theory, including "Underweysung der Messung mit dem Zirckel und Richtscheyt" (translated as "Instruction in Measurement with Compass and Straightedge"). This work explored principles of geometry and perspective in art.7. **Naturalistic Detail:** Dürer's works are characterized by their remarkable attention to detail and meticulous rendering of textures, light, and shadow. He was deeply interested in observing and representing the natural world.8. **Influence:** Dürer's art had a profound impact on subsequent generations of artists and printmakers. His technical innovations and exploration of different styles left an indelible mark on the development of art.9. **International Recognition:** Dürer's reputation extended beyond his native Germany. His works were celebrated throughout Europe, and he had significant interactions with other artists and intellectuals of his time.Albrecht Dürer's contributions to printmaking, his exploration of symbolism and perspective, and his role in bridging the influences of the Italian Renaissance with Northern European art make him a central figure in the history of art. His legacy continues to inspire artists, scholars, and art enthusiasts around the world.Measures 28 x 36.

This Kuba palm wine cup, decorated with a head, is a rare and precious piece. It was carved in the early 20th century by an unknown artist from the Kuba tribe, an ethnic group in Central Africa. The bowl is made of wood and is approximately 20 cm high. It is decorated with geometric motifs and a head carved in relief. Kuba palm wine cups are important ritual objects. They are used to serve palm wine, a sacred drink for the Kuba. Palm wine is served at religious ceremonies, weddings and other important events. This Kuba palm wine cup is a unique and precious piece of art. It bears witness to the art and culture of the Kuba tribe. It is also an important ritual object for the Kuba. - Weight: 420 g - Shipping available - Region: Afrique - Sizes: H 200 MM L 120 MM - At first glance: good condition

This magnificent Kuba palm wine cup is a rare and precious piece. It is adorned with two stylised heads that act as communicating bowls. The bowl is made of carved wood. The bowl is richly decorated with geometric and figurative motifs. The bowl is in excellent condition and dates from the early 20th century. The Kuba are a people from Central Africa who live in the Democratic Republic of Congo. They are renowned for their complex and refined art. Palm wine cups are an important part of Kuba culture. They are used in religious and social ceremonies. The cup represents fertility and prosperity. It is also a symbol of power and prestige. This Kuba palm wine cup is a unique and rare piece. It bears witness to the richness of Kuba art. It will be a precious addition to any collection of African art. - Weight: 520 g - Shipping available - Region: Afrique - Sizes: H 185 MM L 150 MM - At first glance: good condition

A quantity of religious' posters and art paper Collect only

Jean Albert Errard, French SAS and French Resistance:- An Interesting Collection of Photographs and Ephemera, including citations for Croix de Guerre, Medale Militaire etc., numerous hand written letters, an S.N.P.P. medallion in maroon leather cloth case, two F.N.F.L. cap talleys, a pocket compass, button plate, pewter sandwich box/flask, numerous photographs, SAS publications etc.; "Amicale des Anciens Parachutistes SAS et des Anciens Commandos de la France Libre" - a Longwy Pottery Charger, numbered 021 and inscribed "A Notre Camarade S.A.S. Jean Errard; a Lizio Art Pottery Dish, incised with a parachutist below St. Marcel (the Maquis of St. Marcel were resistance fighters in the war); also an MBE Breast Badge, in case of issue to his wife Josephine Errard, for her post-war work in the British Embassy in Paris, where she worked for the welfare of British nationals and their repatriation, together with the citation.Footnote:- Jean Albert Errard, known as "Shell Head", due to the unusual shape of his head, was abandoned when he was born in 1916, and was taken in by a farming family in the Meuse region of Belgium/France, where he was treated like one of the family. He worked on the farm until he joined the sub-mariners at the age of 19. He was in Brest when the Germans invaded in June 1940 and went to England with the evacuating British Expeditionary Forces. He was one of the first to join the French Libre Forces and was sent to Dakar, Gabon and French Equatorial Africa, and took part in the Syria Campaign 1941. He returned to England in March 1942 and volunteered to serve with Captain Philippe Kieffer's group of Commandos. In August 1942 he was involved in Operation Jubilee (Raid on Dieppe) where heavy casualties were incurred, and he was one of the few to get back to the UK alive. He was awarded the Croix de Guerre with bronze star "To show evidence, on the 19th August 1942, of the highest qualities of courage and was a cog in the team which took part in three successive attempts at Bonneval after his convoy was attacked by German motorboats, and in spite of deadly artillery fire and automatic gun fire, made it to land". In November 1943, with the 4th Battalion Parachutists SAS, he parachuted into France and went on to work with the French Resistance with their sabotage programme. He was later dropped behind enemy lines before the D-Day landings, where he was responsible for "harassing" the enemy. He left the war zone of St. Marcel by escaping from the Germans with the help of the religious order of Malestroit who hid him in their convent. During Jean's time in the war, he sustained injuries from a hand grenade and met his future wife Josephine Lovegrove, whilst recuperating. Jean was a friend of General de Gaulle and the French spy Marie Clair. After the war, Jean's wife Josephine, travelled around Afghanistan after being inspired by the book "Where the Four Worlds Meet - Hindu Kush, 1959" by Fosco Maraini, which is included in this lot.

A pair of Arts & Crafts 1940s religious prints. Both depicting an angel with foliate floral decoration around with religious saying. 'Thou wilt shew me the path of life, in my presence is fulness of joy; at my right hand there are pleasures forevermore. With wood tramp art frames. Measures approx. 30cm x 35cm.

Woodblock printing is a traditional printing technique that originated in ancient China and has been used across various cultures throughout history. It involves carving an image or design onto a block of wood, applying ink or paint to the carved surface, and then transferring the image onto paper or another surface. This method has been pivotal in the development of visual arts, communication, and culture.Woodblock printing's significance can be summarized as follows:1. **Historical Origins**: Woodblock printing has ancient roots, dating back to ancient China over a thousand years ago. It was initially used for printing texts, images, and religious texts, contributing to the spread of knowledge and culture.2. **Cultural Diffusion**: The technique spread to other parts of Asia, such as Japan and Korea, where it played a vital role in shaping artistic and cultural expressions. In Japan, for instance, woodblock printing evolved into ukiyo-e, a style known for its intricate and colorful prints depicting various subjects, including landscapes, kabuki actors, and scenes from daily life.3. **Mass Communication**: Woodblock printing facilitated the mass production of images and texts, allowing for the dissemination of information, art, and literature to a broader audience. This marked a significant advancement in communication methods.4. **Artistic Expression**: Woodblock printing is an artistic process in itself. The carving of intricate designs on woodblocks required skill and precision, resulting in detailed and finely crafted images. Artists often utilized color blocks to create multi-colored prints.5. **Impact on Printing**: The woodblock printing technique paved the way for the development of other printing methods, such as movable type and later, modern printing technologies like letterpress and offset printing.6. **Cultural Preservation**: Woodblock printing has played a role in preserving cultural heritage, as it was often used to reproduce important religious texts, historical records, and artistic creations.7. **Modern Revival**: While digital printing has largely replaced traditional woodblock methods for mass production, the technique remains relevant in contemporary art and craft. Artists continue to use woodblock printing to create unique, handmade prints with a distinct tactile quality.Woodblock printing's legacy endures through its contributions to art, culture, and the evolution of printing techniques. Its historical importance, role in communication, and artistic value have left an enduring impact on visual arts and continue to inspire artists and enthusiasts today.Measures 6 x 8.

Woodblock printing is a traditional printing technique that originated in ancient China and has been used across various cultures throughout history. It involves carving an image or design onto a block of wood, applying ink or paint to the carved surface, and then transferring the image onto paper or another surface. This method has been pivotal in the development of visual arts, communication, and culture.Woodblock printing's significance can be summarized as follows:1. **Historical Origins**: Woodblock printing has ancient roots, dating back to ancient China over a thousand years ago. It was initially used for printing texts, images, and religious texts, contributing to the spread of knowledge and culture.2. **Cultural Diffusion**: The technique spread to other parts of Asia, such as Japan and Korea, where it played a vital role in shaping artistic and cultural expressions. In Japan, for instance, woodblock printing evolved into ukiyo-e, a style known for its intricate and colorful prints depicting various subjects, including landscapes, kabuki actors, and scenes from daily life.3. **Mass Communication**: Woodblock printing facilitated the mass production of images and texts, allowing for the dissemination of information, art, and literature to a broader audience. This marked a significant advancement in communication methods.4. **Artistic Expression**: Woodblock printing is an artistic process in itself. The carving of intricate designs on woodblocks required skill and precision, resulting in detailed and finely crafted images. Artists often utilized color blocks to create multi-colored prints.5. **Impact on Printing**: The woodblock printing technique paved the way for the development of other printing methods, such as movable type and later, modern printing technologies like letterpress and offset printing.6. **Cultural Preservation**: Woodblock printing has played a role in preserving cultural heritage, as it was often used to reproduce important religious texts, historical records, and artistic creations.7. **Modern Revival**: While digital printing has largely replaced traditional woodblock methods for mass production, the technique remains relevant in contemporary art and craft. Artists continue to use woodblock printing to create unique, handmade prints with a distinct tactile quality.Woodblock printing's legacy endures through its contributions to art, culture, and the evolution of printing techniques. Its historical importance, role in communication, and artistic value have left an enduring impact on visual arts and continue to inspire artists and enthusiasts today.Measures 6 x 8.

Mount Fuji, also known as Fuji-san or Fujisan in Japanese, is an iconic and majestic stratovolcano located on the Honshu island of Japan. It is the tallest mountain in Japan and one of the most famous symbols of the country. Here are some key facts about Mount Fuji:1. Height: Mount Fuji stands at an impressive height of 3,776.24 meters (12,389 feet) above sea level, making it the highest peak in Japan.2. Location: The mountain is situated about 100 kilometers (62 miles) southwest of Tokyo, Japan's capital city. Its location near the populous Kanto region makes it easily visible from Tokyo and the surrounding areas on clear days.3. Sacred Mountain: Mount Fuji holds great cultural and religious significance for the Japanese people. It is considered a sacred mountain and has been revered as a spiritual symbol for centuries.4. UNESCO World Heritage Site: In 2013, Mount Fuji was designated as a UNESCO World Heritage Site, recognizing its cultural significance and influence on Japanese art and culture.5. Climbing Season: The climbing season for Mount Fuji typically lasts from early July to mid-September when the weather is more stable and the snow has melted. During this period, thousands of climbers, both locals and tourists, ascend the mountain to reach the summit.6. Summit and Sunrise: The summit of Mount Fuji offers breathtaking panoramic views of the surrounding landscapes, especially during sunrise. Many climbers undertake the challenging hike in the dark to reach the summit in time for the spectacular sunrise known as "Goraiko."7. Hiking Trails: There are several hiking trails that lead to the summit of Mount Fuji, with the most popular ones being the Yoshida Trail, Subashiri Trail, and Fujinomiya Trail.8. Shinto Shrines: On the lower slopes of Mount Fuji, there are several Shinto shrines that are visited by pilgrims and hikers seeking blessings for a safe journey.9. Volcanic Activity: Mount Fuji is classified as an active stratovolcano but has been dormant since its last eruption in 1707. Despite its dormant status, it is still closely monitored by geologists and volcanologists.10. Inspiring Art and Literature: Mount Fuji has been a recurring theme in Japanese art, literature, and poetry for centuries. It has inspired countless artists, including the famous woodblock print series "Thirty-Six Views of Mount Fuji" by Katsushika Hokusai.Mount Fuji's graceful silhouette, its cultural significance, and the opportunity to witness a breathtaking sunrise from its summit make it a bucket-list destination for travelers to Japan and a symbol of the country's natural beauty and spiritual heritage.Measures 24 x 36.Mounted to linen.

After Sirio Tofanari (Italian, 1886-1969). Large cast bronze panther sculpture. Depicting the snarling big cat sitting and looking downwards. Incised signature along the base. Brown and verdigris patination throughout.Sirio Tofanari was born into a family of sculptors and artists. He attended the Florence Academy of Art from 1902-1907. At the age of 18 he fell in love and eloped to Paris before moving to London. While there he devoted himself to the study of animals, visiting the zoo and Natural History Museum often. Throughout the first two decades of the 20th century he exhibited his work around Europe including the 1909 Venice Biennale.Sadly, his home, studio, and its contents in Milan were destroyed during an Allied bombing raid in 1942 during World War II. He spent much of the remainder of his life creating reliefs of religious scenes, but animals remained ever in his focus.Height: 24 in x width: 14 1/2 in x depth: 24 1/2 in.Condition: There are no major dents, breaks, losses, or restorations. Wear and weathering throughout and signs of exposure to the elements. Verdigris patination throughout. Some accretions along the lower areas of the sculpture. Some dirt/dust collected in the recessed areas of the work. Dirt/dust collected along the underside and interior of the work.

Two boxes of assorted items to include: 19th Century spelter figural clock with stand, Moorcroft Art pottery tube lined bowl, glass decanters with stoppers, glass vase, cranberry glass oil lamp reservoir, frosted and cut glass lampshade, glass vinaigrette, carved wooden religious figure, brass bell, tile, continental figurines, table lamp base, Wedgwood Jasperware teapot, blue and white and other jugs, oriental slipware vase, lustre teapot, brass candlestick, metal enamel tray, Carlton Ware 'Baby's Plate' etc. (2).(B.P. 21% + VAT)

A LACQUER MINIATURE KODANSU (CABINET) WITH SCENES FROM SHITAKIRI SUZUME (THE TALE OF THE TONGUE-CUT SPARROW)Japan, 19th centuryOf rectangular form with recessed gold fundame edges, bearing a rogin-nuri ground finely decorated in iro-e togidashi-e and e-nashiji to depict scenes from Shitakiri Suzume, with elaborately dressed humanoid sparrows leading the elderly man into the bamboo grove to meet his sparrow friend, and others dancing and playing musical instruments to entertain the man while he enjoys a feast, the top of the box with a fan and a chest filled with treasure including jewels, coral, and shells. The top of the box with a silvered-metal handle and the hinged door with silvered-metal fittings chased and incised with foliate designs against a ring-punched ground. The door opening to three drawers decorated with clouds and mountain peaks designs on nashiji, the interior of the door decorated in gold and silver hiramaki-e and takamaki-e with mura-nashiji and hirame to depict the man's farmhouse.SIZE 10.6 x 8 x 11 cmCondition: Very good condition with minor wear, light surface scratches, minor age cracks.Provenance: Collection of Drs. Edmund and Julie Lewis, no. 98 (label to base). Bonhams, Property from the Collection of Drs. Edmund and Julie Lewis, Part I, 11 September 2019, lot 562. A private collection in New York, USA, acquired from the above. Drs. Edmund Jean and Julia Breyer Lewis are renowned experts in nephrology who met professionally and later married in 1997, and have since continued to collect Japanese art together, actively seeking the best they could find from the finest dealers in the field. Known for their keen scholarship and high aesthetic standards, for the past three decades Ed and Julie have focused on collecting lacquer art, painting, and Buddhist sculpture from Japan. As they traveled widely their desire to collect Buddhist art grew, and they have expanded their collection to include important Pan-religious sculptures from Greater Asia.Shitakiri Suzume, translated literally into 'Tongue-Cut Sparrow', is a traditional Japanese fable telling of a kind old man, his avaricious wife, and an injured sparrow. The story explores the effects of greed, friendship and jealousy on the characters.

India, 20th century A.D. Showing a vibrant scene in watercolour composed of a couple with a child seated on a rug by a religious figure, being blessed; their attendant fans them whilst their horses stand behind, set in a landscape, panel of text to one side; set in a reveal within a glazed wooden frame. 795 grams, 37.5 x 29.5 cm (14 3/4 x 1 5/8 in.). Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art.

(Japan), a Japanese woodblock printing illustrated book, modern pencil and pen notes on leaf loosely inserted state the book to be 'Bumpo Gafu', c.1813, woodblocks by Inoue Jihei, publishers Chojiya Genjiro and Kochiya Kihei, m/s pen notes beneath "Notes by British Museum Asian expert made at the Museum Prints & Drawings Dept 21.10.80. The book was described as being in very good condition...", [72] pages of illustrations, original decorative stitched wraps, housed in modern slipcase; together with 3 other 19th Century illustrated books of Japanese woodblock prints, housed together in modern slipcase; plus 'Choice masterpieces of Korin and Kenzan', [edited by Shungo Murayama], Tokyo, The Kokka Company, 1906, 1st edition, title page, preface and contents followed by 11pp text in English language, 2 b/w ilustrations in text, preceding 11 mounted colour plates depicting artwork, lacquer and ceramics produced by the two brothers Korin and Kenzan Ogata, all accompanied by guard sheets with descriptive letterpress in Japanese and English, folio (45 x 31cm), original decorative cloth covered boards very worn, lacks lower board, string ties, together with a similar circa early 20th Century Japanese work in 2 volumes, 30 double page chromolitho plates of Japanese art and antiquities, architecture etc, including Samurai swords, jewellery, bronze dishes, lacquer box, fabrics, houses, beds?, text in Japanese language, folio (35 x 25cm), uniform original decorative cloth, printed title labels in Japanese mounted to covers; plus Lafcadio Hearn, 2 titles: 'Kotto: Being Japanese Curios, with Sundry Cobwebs', New York, Macmillan, 1902, 1st edition, 1st issue (with title page illustration printed upside down), illustrations by Genjiro Yeto throughout, original pictorial cloth gilt, top edge gilt, 'Kwaidan: Stories and Studies of Strange Things', London, Kegan Paul, 1904, 1st edition, 2 plates as called for, original cloth gilt. Two titles on Japanese folklore, mythology, supernatural tales, social and religious life and customs, by Patrick Lafcadio Hearn (1850-1904), Irish-Greek-Japanese writer, translator, and teacher who introduced the culture and literature of Japan to the West; Yoshio Markino: 'A Japanese Artist in London', L, C & W, 1919, 5th impression, signed & inscribed by the author/artist in English and Japanese on FFEP, 8 colour plates + 4 b/w plates as called for, original decorative cloth gilt, dust wrapper; 'Hanasaki Jiji [The Old Man Who Made the Dead Trees Blossom]', Tokyo, Kobunsha, c.1885, illustrated colour woodblock book, in French language, [18]pp, original pictorial wraps (18 x 12.5cm); Kazunori Ishibashi (illustrated); William N. Porter (translated): 'A Year of Japanese Epigrams', OUP, 1911, colour frontis + 12 b/w plates for each month of the year as called for, some contemporary manuscript to verso of half title and verso of last leaf of introduction, orig. cloth gilt; Ernest Adolphus Sturge: 'The Spirit of Japan', [Tokyo] : Sturge Zenshu Kankokai, [1934], 2nd edition, 44 colour & b/w plates as called for, in English language, original cloth gilt, printed card slipcase; together with 2 early 20th Century German titles on Japan by Emil Schiller and Otto Kumel, plus two mid 20th Century similar by Klabund [i.e. Alfred Henschke], plus 2 others (19)

Francesco Clemente is an Italian contemporary artist known for his eclectic and diverse body of work. Here are some key points about Francesco Clemente:1. Varied Styles and Subjects: Clemente's artwork encompasses a wide range of styles, including painting, drawing, printmaking, and sculpture. He often incorporates elements of surrealism, symbolism, and spiritualism into his works. His subject matter varies from portraits and self-portraits to mythological and religious themes, as well as explorations of the human body.2. Collaboration with Writers and Poets: Clemente has collaborated extensively with writers and poets, including Allen Ginsberg, Robert Creeley, and J.M. Coetzee. These collaborations often involve combining visual art with poetic texts, resulting in richly layered and interdisciplinary works.3. Influences from Eastern Philosophy and Mysticism: Clemente's interest in Eastern philosophy and mysticism is evident in his artwork. He has spent considerable time in India, which has deeply influenced his artistic practice. Concepts of spirituality, transcendence, and the exploration of the self are recurrent themes in his work.4. Symbolic and Dreamlike Imagery: Clemente's paintings often feature symbolic and dreamlike imagery. He incorporates elements such as animals, plants, religious iconography, and personal symbols into his compositions. These elements contribute to the enigmatic and poetic quality of his artworks.5. Use of Color and Texture: Clemente's use of color is vibrant and expressive. He employs a wide palette, ranging from rich and bold hues to delicate pastels. His artworks also exhibit a varied texture, combining areas of loose brushwork with finely detailed elements.6. International Recognition: Clemente's artwork has been exhibited in prestigious museums and galleries worldwide. He has participated in major international exhibitions, including the Venice Biennale, Documenta, and the Whitney Biennial. His works are held in significant collections, such as the Metropolitan Museum of Art in New York and the Tate Gallery in London.7. Blending of Cultures: Clemente's art reflects his interest in blending diverse cultural influences. He draws inspiration from both Western and Eastern artistic traditions, merging elements of Italian Renaissance art with Indian iconography and spirituality. This fusion of cultural references adds a unique dimension to his artwork.Francesco Clemente's multidisciplinary approach, exploration of spirituality, and incorporation of diverse cultural influences have made him a highly regarded and influential figure in contemporary art. His thought-provoking and visually captivating works continue to resonate with viewers around the world.Measures 10.25 x 10.25.Mounted to archival quality paper.

The Ptolemaic period refers to the dynasty of rulers who governed Egypt from 305 BCE to 30 BCE. It was named after the founder of the dynasty, Ptolemy I Soter, a general under Alexander the Great. Here are some key points about the Ptolemaic period:1. Greek Rule in Egypt: The Ptolemaic dynasty was of Greek origin, and their rule marked a period of Greek influence and cultural integration in Egypt. The Ptolemies adopted many Egyptian traditions and assimilated into the Egyptian society while maintaining their Greek heritage.2. Alexandria as the Capital: The Ptolemaic rulers established Alexandria as their capital city, which became a major center of trade, culture, and learning in the ancient world. The city housed the famous Library of Alexandria and the Pharos Lighthouse, one of the Seven Wonders of the Ancient World.3. Blending of Cultures: The Ptolemaic period witnessed a fusion of Egyptian and Greek cultures. The ruling class embraced Egyptian religious practices, including the worship of traditional Egyptian deities such as Isis and Osiris, while Greek language and customs remained prevalent among the elite.4. Greek and Egyptian Society: Greek and Macedonian settlers formed the ruling class and held most of the political and administrative positions. Egyptian society was structured hierarchically, with Greeks at the top, followed by Egyptians, and then other ethnic groups. However, there were instances of upward mobility for Egyptians within the Ptolemaic administration.5. Hellenistic Art and Culture: The Ptolemaic period was a time of significant artistic and cultural development. Greek art and literature flourished, blending with Egyptian artistic traditions. The Fayum portraits, painted funerary portraits on wooden panels, are notable examples of the art from this period.6. Cleopatra and the End of the Dynasty: The most famous ruler of the Ptolemaic dynasty was Cleopatra VII, who is remembered for her alliances with Roman leaders, particularly Julius Caesar and Mark Antony. After Cleopatra's death in 30 BCE, Egypt became a Roman province, marking the end of the Ptolemaic dynasty.The Ptolemaic period in Egypt represents a unique era in ancient history, characterized by the blending of Greek and Egyptian cultures, the development of Alexandria as a major center of knowledge, and the reign of notable rulers such as Cleopatra.Produced after the Ptolemaic period.Measures 13 x 5 x 10.Bronze.

Ca. 5th-8th century AD.A bronze cross pendant of a symmetrical form, meticulously cast to create an evocative and aesthetically pleasing design. Its central region is skillfully raised, commanding attention and symbolizing the elevated spiritual aspirations of the wearer. Adorning each finial of the cross are raised bosses, strategically positioned to accentuate the overall symmetry and balance of the piece. These distinctive elements not only contribute to the pendant's visual appeal but also hold symbolic meaning, perhaps representing the virtues of fortitude, steadfastness, and divine protection sought by the pilgrims who wore such crosses. Situated at the top of the cross is a thoughtfully crafted suspension loop, allowing the pendant to be easily worn or displayed. Byzantine bronze pilgrim's crosses, were cherished possessions that accompanied individuals on their sacred journeys, providing solace, protection, and a tangible connection to their faith. These crosses acted as personal talismans, reflecting the devout nature of their owners and their commitment to their religious beliefs. Size: L:41.6mm / W:30mm ; 7.12g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Old Kingdom, ca. 2686 to 2181 BC.An offering bowl carved from alabaster. This vessel possesses a distinct aesthetic and functional design. With a flattened base that gracefully ascends to a flat shoulder and corseted neck, the bowl's wide rim gently flares outward, offering both visual allure and practical utility. The choice of alabaster as the material for this bowl holds profound significance. Alabaster creates a captivating effect when exposed to light, showcasing a delicate interplay of translucency and opacity. The exterior of the bowl, enhanced by a meticulous polishing process, exhibits a lustrous sheen that accentuates the inherent beauty of the stone while showcasing its natural white veining. Alabaster bowls of this type served as vessels for offerings within the religious and funerary practices of ancient Egyptians. The use of alabaster, a highly prized and luxurious material, not only attests to the reverence placed upon the act of offering but also symbolizes purity and divine connections. Size: L:95mm / W:185mm ; 2.7kg Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.

Ca. 3000-2500 BC.A terracotta bowl with its generous size and flaring, deep body resting upon a flat base. While the exterior of the bowl remains smooth and unadorned, the interior unfolds a captivating display of complexity through its intricate decorations. At the center, a resplendent nine-petaled rosette takes prominence, captivating the viewer's gaze. Moving outward, the cavetto of the bowl showcases exquisite depictions of zebu bulls, animals of great significance in the Indus Valley society. These representations exhibit elongated bodies, distinct humped backs, and remarkable attention to detail in their large dewlaps, slightly bowed heads adorned with stylized, large eyes, and crowned with majestic pairs of horns. Positioned on opposite sides, the bulls are separated by an intricately rendered pattern consisting of large 'X' motifs against a netted background. Such bowls were used for various culinary and ceremonial functions, capable of holding significant quantities of food, liquids, or ritual offerings. The depictions of zebu bulls, symbolic animals associated with strength, fertility, and agricultural prosperity, suggest that these bowls may have played a role in religious or fertility-related rituals. Furthermore, their artistic and ornamental qualities make them valuable cultural artifacts, reflecting the artistic expressions and aesthetic sensibilities of the Indus Valley society. Size: L:85mm / W:215mm ; 580g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Elamite, Ca. 2nd millennium BC. A finely crafted bronze beaker boasting an exquisite concave body with an everted, flat rim. Its striking decoration is comprised of a register featuring stylised, horned animals walking along the baseline. These creatures are distinguished by their slender bodies, long legs, detailed hooves, and heads with large eyes and pronounced snouts. Their most notable features, however, are the impressive pairs of horns that crown their heads, lending them a regal and formidable appearance. The register is bordered by intricate upper and lower bands of interlocking patterns, which add depth and complexity to the piece. In terms of its function, this beaker likely served as a vessel for drinking or pouring liquids and would have been a luxurious and highly prized possession. It's intricate design and expert craftsmanship suggests that it may have also held symbolic significance, perhaps serving as a status symbol or a representation of religious or cultural values. Size: L:220mm / W:150mm ; 660g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.

Ca. 100-300 AD.A bronze stag figurine. This captivating sculpture depicts the creature standing on all fours, capturing the vitality and grace of the stag in its lifelike pose. The body of the figurine is pierced transversely, suggesting the possibility of suspension, which may have allowed it to be displayed or worn as a personal adornment. The distinguishing feature of this bronze stag is its long, elegant neck, culminating in a head adorned with majestic antlers. The snout of the stag figurine exhibits meticulous attention to detail, with recessed nostrils, an open mouth, and expressive eyes, imbuing the sculpture with a sense of life and energy. Stags held a prominent place in Roman culture, where they were often associated with various deities, particularly those linked to wilderness, fertility, and hunting. Their representation in art and mythology underscored their symbolic significance, representing attributes such as courage, vitality, and the cycle of life. Stag imagery frequently appeared in religious iconography, decorative arts, and even military insignia, showcasing the enduring appeal and cultural importance of this noble creature. Size: L:48mm / W:55mm ; 50g Provenance: Private London collection; formerly acquired in the US in the 1990s.

Ca. 1100-1200 AD.A bronze oil lamp with its form both functional and aesthetically pleasing, featuring a flaring, concave foot that provides stability and balance to the overall composition. The round body of the lamp is adorned with a hinged lid with a bird finial. The rear handle of the lamp, with its perching bird, is an elegant touch that allows for easy transport of the lamp from one place to another. The arched spout with its ivy-leaf-shaped nozzle is yet another testament to the skill and craftsmanship of the maker, as it is both functional and visually pleasing. The lamp's design is a testament to the sophisticated and refined tastes of the Seljuk period. Oil lamps like this one were widely used for both practical and symbolic purposes. They were used to provide light in homes, mosques, and other public spaces, and were often adorned with intricate designs and calligraphy that reflected the religious and cultural values of the time. Cf. The Metropolitan Museum of Art, Accession Number: 53.204.2. Size: L:130mm / W:150mm ; 390g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.

Ca. 1100-1200 AD.A stone fragment of a frieze with its slender profile and rich decorative embellishments on the upper face. This fragment exhibits a masterful display of artistic skill through the intricate interweaving of tendrils, animal heads, and floral motifs that adorn its surface. These meticulously crafted elements create a captivating visual composition, demonstrating the artistic sophistication and cultural heritage of the Seljuk period. Similar friezes can be found in various architectural contexts, such as palaces, mosques, and tombs, reflecting the diverse applications of this artistic form. These friezes served as decorative elements, enhancing the visual appeal of the structures they adorned. In addition to their aesthetic function, Seljuk friezes often carried symbolic significance, depicting scenes from mythology, nature, or religious narratives, contributing to the overall narrative and visual language of the architectural ensemble. Size: L:170mm / W:235mm ; 740g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. 1500-1200 BC.Sculpted from fine, thick-walled red terracotta, the relief showcases a slender nude woman with prominent, protruding breasts, her right hand gently resting along her body while her left hand is gracefully bent. The portrayal features an accentuated belly button and a visage bearing a serene expression, characterized by a broad nose and hair framing the face, adding a sense of intricate detail to the artwork. The reverse side remains flat and unworked. Such reliefs served as symbols of fertility, emphasizing the vital role of women in procreation and the perpetuation of the community. Additionally, it is likely that it was also dedicated to venerating goddesses associated with fertility and motherhood, embodying divine femininity and life-giving powers. This depiction might have been also utilized in religious rituals, acting as a talisman to safeguard women during childbirth or to invoke divine blessings for their well-being and that of their offspring. Custom mounted. Size: L:105mm / W:60mm ; 195g Provenance: Property of a London Art gallery; Ex. David Hendin collection.

Ca. 1100-1200 AD.A bronze oil lamp resting on a tall splayed foot ensures both stability and visual appeal, while the hollow oil compartment takes on a graceful rounded shape, culminating in an ivy-leaf-shaped spout, a hallmark of the lamp's exquisite craftsmanship. Further enhancing its allure, the rear of the lamp features a loop handle, carefully shaped to offer a practical means of transportation. The handle and the hinged lid of the oil compartment are both decorated with lovely depiction of a bird. Bronze lamps of this nature held profound cultural significance within the Seljuk milieu. While fulfilling their primary function of illuminating spaces through the burning of oil, these lamps transcended their utilitarian purpose and assumed roles as objects of decoration and emblems of opulence and refinement. Adorning the abodes of the affluent, they became integral to ceremonial events and religious observances, symbolizing the wealth and sophistication of their owners. Cf. The Metropolitan Museum of Art, Accession Number: 53.204.2. Size: L:125mm / W:140mm ; 285g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.

Ca. 3000-2000 BC.Carved from stone, the jar exhibits an inverted piriform body, evoking a graceful and harmonious silhouette. Its tubular, squat neck, terminating in an everted rim, further enhances the vessel's functional design and aesthetic appeal. The jar stands firmly on a circular flat base, ensuring stability and practicality in its use. Stone containers held significant importance in ancient Egyptian society, playing a vital role in various aspects of daily life. These stone jars were widely employed for storage purposes, preserving essential commodities such as grains, oils, and other valuable materials. Due to the durability and resilience of stone, these containers offered an ideal solution for long-term storage needs, safeguarding resources from environmental factors and spoilage. Moreover, stone containers were also employed in religious and funerary contexts, as offerings to deities or as burial items to accompany the deceased on their journey to the afterlife. Size: L:200mm / W:145mm ; 2.75kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. 3rd-2nd millennium BC.Crafted from schist, this bowl showcases a distinct combination of form and ornamentation. The bowl features a flat base, straight walls, and a cylindrical shape that culminates in a circular opening. While the interior of the bowl remains smooth, the exterior presents a captivating register adorned with a series of low-relief depictions of scorpion-like creatures. Arranged in a continuous line, these creatures exhibit finely ribbed bodies, outstretched legs, and menacing pairs of pincers. Similar bowls were likely utilized for ritual or ceremonial practices, serving as vessels for offerings, libations, or even as decorative elements in sanctuaries or sacred spaces. The imagery of the scorpion-like creatures may have held symbolic meaning within the cultural and religious context of Bactria, possibly associated with protective or apotropaic qualities. Size: L:60mm / W:100mm ; 420g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. 330-200 BC. The slender terracotta rhyton formed with a flaring lip and conical shaped body terminating into a stag protome with the head drawn back on its long neck, its ears perked upright. The eyes and mouth are well defined. The animal’s antlers are drawn back on its neck. This form of rhyton is a fine example of its type used by the Greeks for religious rituals. The determination of the work rhyton derives from the Greek verb “to pour through,” which describes what happens when the liquid is added to the rhyton’s flared mouth. Item comes with a professional historical report from Ancient Report Specialists. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. For similar see: Miho Museum Japan: Accession Number 00002005e. Size: L:520mm / W:195mm ; 1.3kg Provenance: From the private collection of a gentleman; previously with A.R. London; formerly in an old British collection, formed in the 1980s on the UK / International art markets.

Ca. 3rd - 4th century AD. A remarkable intaglio featuring the captivating imagery of Mercury riding a rooster, nestled within a resplendent gold ring. This intriguing composition showcases an oversized rooster, elegantly portrayed in a left profile, its magnificent tail feathers dramatically fanned out. Serving as a divine steed, this majestic creature carries the esteemed god Mercury, unmistakably characterized by his distinctive attributes of the caduceus staff and the iconic petasos hat. Mercury, an esteemed deity within the Roman pantheon, holds a multifaceted role as the messenger of the gods, the patron of commerce, travellers, and eloquence, and the guide of souls to the underworld. The depiction of Mercury astride a rooster conveys his swiftness and agility, symbolic of his ability to traverse realms with ease. This scene exemplifies the rich symbolism and narrative complexity found in Roman glyptic art, where mythological figures and animals intertwine to convey allegorical and religious themes. The accompanying gold ring, possibly dating from a later period, exhibits a D-shaped hoop adorned with twisted strands along its entire circuit between raised edges. The finials of the hoop gracefully extend into scrolls embellished with applied spheres, providing an ornate support for the bezel cell adorned with a ropework border. Size: D: 16.92mm / US: 6 1/2 / UK: M 1/2; 5.94g Provenance: Private London collection, UK art market before 2000.

Ca. 1st millennium BC.A vessel hewn from schist, a metamorphic rock, and characterized by its elegantly rounded body, which embodies a harmonious balance of form and proportion. The rim of the vessel is adorned with meticulously incised concentric circles, exuding a sense of intricacy and attention to detail. Above the circles, a row of herringbone patterns further enhances the vessel's aesthetic appeal, exhibiting a mastery of decorative techniques. Notably, the vessel features four vestigial handles positioned around its mid-body. This vessel might have been employed as a ritualistic or symbolic container, holding significance in the cultural and religious practices of the Amlash society - an ancient civilization that flourished approximately from 1000 to 650 BC. Renowned for their sophisticated artistic expressions and material culture, the Amlash people left behind an impressive array of artifacts, including pottery, metalwork, and stone craftsmanship. Their art often featured intricate designs and decorative motifs, reflecting their aesthetic sensibilities and technical expertise. As an important cultural and trade hub, the Amlash culture facilitated interactions between various communities, fostering artistic exchange and influencing neighboring societies. Size: L:110mm / W:130mm ; 1.4kg Provenance: Bonhams 24 April 2002, lot 531.

Ca. 3000-2500 BC.A terracotta cup featuring a flat base and a bulbous body that gently tapers towards a mouth boasting an everted rim. The cup's exterior showcases a captivating polychrome scene, depicting a zebu bull and a lion. The zebu bull stands majestically with its body adorned in alternating colorful stripes, exemplifying its significance within the Indus Valley symbolism. Its robust physique is gracefully positioned on all four legs, each accentuated with meticulously rendered hooves. Similarly, the lion, with its elongated legs, possesses an upper body adorned in vibrant stripes reminiscent of the zebu bull's design. The entire scene is framed at the top and bottom by beautifully arranged circumferential bands in shades of green, red, and black, further enhancing the visual impact. In the Indus Valley civilization, both lions and zebu bulls held profound symbolic value. The lion, as a powerful and regal creature, symbolized strength, courage, and authority. Its depiction in the context of this cup suggests a connection to concepts of power, dominance, and perhaps even royal or noble associations. On the other hand, the zebu bull, characterized by its distinctive hump and long, curved horns, represented fertility, agricultural abundance, and prosperity. The inclusion of these animals in the artistic motifs of the Indus Valley ceramics signifies the importance of these symbols in the cultural and religious practices of the civilization, possibly serving as auspicious or protective elements. Size: L:110mm / W:100mm ; 330g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

* SIMON LAURIE RSW RGI (SCOTTISH b. 1964) TWO GONDOLAS acrylic on board, signed, titled verso framed and under glassimage size 80cm x 85cm, overall size 101cm x 106cmNote: Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Laurie was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections including Aberdeen Art Gallery, Contemporary Arts Society, London; Feren Art Gallery, Hull; Freshfields, London; Leicestershire Education Committee; Lillie Art Gallery, Milngavie; Nationwide Building Society, London; Royal Bank of Scotland; TSB Headquarters, London; Unilever PLC; William Teacher and Sons Ltd; Wyse Group; Walter Scott Investments Ltd, Edinburgh; Biggart Baillie; Aberdeen Asset Management; The Whisky Society, Edinburgh; Adam and Co Bank; Provident Financial; The Scottish Arts Club, Edinburgh.

SIMON LAURIE RSW RGI (SCOTTISH b. 1964), STOVE acrylic and mixed media on board, signedframed and under glassimage size 81cm x 85cm, overall size 90cm x 95cm Note: Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Laurie was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections including Aberdeen Art Gallery, Contemporary Arts Society, London; Feren Art Gallery, Hull; Freshfields, London; Leicestershire Education Committee; Lillie Art Gallery, Milngavie; Nationwide Building Society, London; Royal Bank of Scotland; TSB Headquarters, London; Unilever PLC; William Teacher and Sons Ltd; Wyse Group; Walter Scott Investments Ltd, Edinburgh; Biggart Baillie; Aberdeen Asset Management; The Whisky Society, Edinburgh; Adam and Co Bank; Provident Financial; The Scottish Arts Club, Edinburgh.

Albrecht Dürer was a German painter, printmaker, and theorist who lived from 1471 to 1528. He is considered one of the greatest artists of the Northern Renaissance and is particularly renowned for his meticulous attention to detail, innovative techniques, and profound artistic skill.Born in Nuremberg, Germany, Dürer showed early talent as an artist and received training in various artistic techniques, including painting, printmaking, and drawing. He traveled extensively throughout Europe, studying and assimilating different artistic styles and ideas.Dürer's works encompassed a wide range of subjects, including religious themes, portraits, landscapes, and natural studies. He was a master of various mediums, including oil painting, watercolor, woodcut, and engraving. His mastery of printmaking, in particular, revolutionized the field and established him as a leading figure in the development of the medium.Dürer's artworks are characterized by their technical precision, harmonious compositions, and intricate detail. He had a remarkable ability to capture the texture, light, and naturalistic qualities of his subjects, whether it be the human form, animals, or natural landscapes. His attention to detail and his emphasis on the realistic portrayal of objects set new standards for artistic representation.In addition to his artistic achievements, Dürer was also a prolific writer and theorist. He authored treatises on art, including his famous book "Underweysung der Messung" (Treatise on Measurement), which explored the principles of perspective and proportion in art.Dürer's influence extended beyond his own time and had a lasting impact on subsequent generations of artists. His innovative techniques, meticulous craftsmanship, and intellectual approach to art-making inspired countless artists who followed, both in Germany and beyond.Today, Albrecht Dürer's artworks are held in prestigious museums and collections worldwide, and he is considered one of the most important and influential artists of the Renaissance. His contributions to the fields of painting, printmaking, and art theory continue to be celebrated and studied by art historians and enthusiasts alike.Measuers 23.5 x 30.

Vincent van Gogh (1853-1890) was a Dutch post-impressionist painter who is widely regarded as one of the most influential figures in the history of Western art. He was born on March 30, 1853, in the Netherlands. Van Gogh's life and artistic career were marked by intense passion, emotional struggles, and a relentless pursuit of artistic expression. Van Gogh's early years were influenced by his work as an art dealer and various religious pursuits. However, it was in his late twenties that he decided to become an artist. He produced over 2,000 artworks, including paintings, drawings, and sketches, in just a decade. Van Gogh's distinctive style is characterized by bold colors, expressive brushwork, and dramatic, swirling compositions. His subjects ranged from landscapes, portraits, and still life to self-portraits, where he explored his own emotions and inner turmoil. Some of his most famous paintings include "Starry Night," "Sunflowers," and "The Potato Eaters." Throughout his life, van Gogh battled with mental illness and experienced episodes of depression, anxiety, and self-doubt. He famously cut off a part of his own ear during a period of emotional turmoil. Despite these challenges, his art continued to evolve and resonate with viewers. Unfortunately, Vincent van Gogh's artistic career was largely unrecognized during his lifetime, and he sold only one painting. Tragically, he died by suicide on July 29, 1890, at the age of 37. However, after his death, his work gained immense recognition and has since influenced countless artists and art movements. Van Gogh's impact on the art world and popular culture cannot be overstated. His emotionally charged and visually striking paintings have touched millions of people and continue to be celebrated for their unique and timeless qualities. Today, his artworks are showcased in major museums and galleries worldwide, and he is widely considered one of the greatest artists in history. Measures 7.01 x 9.24 Verso is blank.Mounted to archival quality paper.

Vincent van Gogh (1853-1890) was a Dutch post-impressionist painter who is widely regarded as one of the most influential figures in the history of Western art. He was born on March 30, 1853, in the Netherlands. Van Gogh's life and artistic career were marked by intense passion, emotional struggles, and a relentless pursuit of artistic expression. Van Gogh's early years were influenced by his work as an art dealer and various religious pursuits. However, it was in his late twenties that he decided to become an artist. He produced over 2,000 artworks, including paintings, drawings, and sketches, in just a decade. Van Gogh's distinctive style is characterized by bold colors, expressive brushwork, and dramatic, swirling compositions. His subjects ranged from landscapes, portraits, and still life to self-portraits, where he explored his own emotions and inner turmoil. Some of his most famous paintings include "Starry Night," "Sunflowers," and "The Potato Eaters." Throughout his life, van Gogh battled with mental illness and experienced episodes of depression, anxiety, and self-doubt. He famously cut off a part of his own ear during a period of emotional turmoil. Despite these challenges, his art continued to evolve and resonate with viewers. Unfortunately, Vincent van Gogh's artistic career was largely unrecognized during his lifetime, and he sold only one painting. Tragically, he died by suicide on July 29, 1890, at the age of 37. However, after his death, his work gained immense recognition and has since influenced countless artists and art movements. Van Gogh's impact on the art world and popular culture cannot be overstated. His emotionally charged and visually striking paintings have touched millions of people and continue to be celebrated for their unique and timeless qualities. Today, his artworks are showcased in major museums and galleries worldwide, and he is widely considered one of the greatest artists in history. Measures 6.99 x 9.24 Verso is blank.Mounted to archival quality paper.

Vincent van Gogh (1853-1890) was a Dutch post-impressionist painter who is widely regarded as one of the most influential figures in the history of Western art. He was born on March 30, 1853, in the Netherlands. Van Gogh's life and artistic career were marked by intense passion, emotional struggles, and a relentless pursuit of artistic expression. Van Gogh's early years were influenced by his work as an art dealer and various religious pursuits. However, it was in his late twenties that he decided to become an artist. He produced over 2,000 artworks, including paintings, drawings, and sketches, in just a decade. Van Gogh's distinctive style is characterized by bold colors, expressive brushwork, and dramatic, swirling compositions. His subjects ranged from landscapes, portraits, and still life to self-portraits, where he explored his own emotions and inner turmoil. Some of his most famous paintings include "Starry Night," "Sunflowers," and "The Potato Eaters." Throughout his life, van Gogh battled with mental illness and experienced episodes of depression, anxiety, and self-doubt. He famously cut off a part of his own ear during a period of emotional turmoil. Despite these challenges, his art continued to evolve and resonate with viewers. Unfortunately, Vincent van Gogh's artistic career was largely unrecognized during his lifetime, and he sold only one painting. Tragically, he died by suicide on July 29, 1890, at the age of 37. However, after his death, his work gained immense recognition and has since influenced countless artists and art movements. Van Gogh's impact on the art world and popular culture cannot be overstated. His emotionally charged and visually striking paintings have touched millions of people and continue to be celebrated for their unique and timeless qualities. Today, his artworks are showcased in major museums and galleries worldwide, and he is widely considered one of the greatest artists in history. Measures 7 x 9.24 Verso is blank.Mounted to archival quality paper.

In Roman mythology, Venus is the goddess of love, beauty, and fertility. She is the Roman equivalent of the Greek goddess Aphrodite. Venus was revered as the divine embodiment of love and desire, and she played a significant role in Roman religious and cultural practices.According to myth, Venus was born from the sea foam when the Titan Cronus (Saturn) castrated his father Uranus (Caelus) and threw his genitals into the sea. As she emerged from the waves, she was carried on a seashell to the shore of Cyprus. Venus is often depicted as a beautiful and alluring goddess, with her most famous portrayal being the statue Venus de Milo.Venus was associated with various aspects of love and desire, including romantic love, fertility, and the power of attraction. She was also considered the patroness of gardens and vegetation. Venus was married to Vulcan, the god of fire and craftsmanship, but she had numerous love affairs and was often depicted with her lover Mars, the god of war.In Roman art and literature, Venus is commonly depicted in various forms, such as a naked or semi-nude figure, often accompanied by Cupid, the god of love. She is often shown in graceful poses and with attributes symbolizing love, such as roses, doves, or a mirror.The worship of Venus was widespread in ancient Rome, and her temples and cults were present in many cities. Festivals, such as the Veneralia and the Venus Genetrix, were dedicated to her. The myth and symbolism of Venus continued to influence art and culture throughout the centuries, and she remains an iconic figure associated with love, beauty, and desire.Measures 7 x 2.5 x 2.Marble.

Francis Bacon (1909-1992) was an Irish-born British painter and one of the most significant and influential artists of the 20th century. He was born on October 28, 1909, in Dublin, Ireland. Bacon's artistic career spanned several decades, during which he developed a unique and powerful style characterized by raw and emotionally charged imagery. He is best known for his figurative paintings that depict distorted and often grotesque human figures, conveying a sense of psychological intensity and existential angst. Bacon's works were heavily influenced by various sources, including classical art, religious iconography, photography, and modernism. His paintings often featured isolated figures, often in distorted or contorted poses, set against ambiguous and abstract backgrounds. He employed bold brushwork and a vibrant color palette, creating a sense of tension and visceral impact.Throughout his career, Bacon explored themes such as the human condition, mortality, violence, and the human psyche. His works often reflected his own personal struggles, traumas, and relationships. Bacon's art confronted the viewer with the rawness and vulnerability of the human experience, pushing the boundaries of representation and challenging conventional notions of beauty and aesthetics. Bacon gained international recognition and critical acclaim during his lifetime. His work was exhibited extensively, and he received numerous awards and honors, including the prestigious Turner Prize in 1985. His paintings continue to be highly regarded and sought after, with his works fetching record-breaking prices at auctions. Francis Bacon passed away on April 28, 1992, in Madrid, Spain. His artistic legacy and his impact on contemporary art remain significant, with his work continuing to inspire and provoke contemplation on the human condition and the nature of art itself. Measures 7.02 x 9.02 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Francis Bacon (1909-1992) was an Irish-born British painter and one of the most significant and influential artists of the 20th century. He was born on October 28, 1909, in Dublin, Ireland. Bacon's artistic career spanned several decades, during which he developed a unique and powerful style characterized by raw and emotionally charged imagery. He is best known for his figurative paintings that depict distorted and often grotesque human figures, conveying a sense of psychological intensity and existential angst. Bacon's works were heavily influenced by various sources, including classical art, religious iconography, photography, and modernism. His paintings often featured isolated figures, often in distorted or contorted poses, set against ambiguous and abstract backgrounds. He employed bold brushwork and a vibrant color palette, creating a sense of tension and visceral impact.Throughout his career, Bacon explored themes such as the human condition, mortality, violence, and the human psyche. His works often reflected his own personal struggles, traumas, and relationships. Bacon's art confronted the viewer with the rawness and vulnerability of the human experience, pushing the boundaries of representation and challenging conventional notions of beauty and aesthetics. Bacon gained international recognition and critical acclaim during his lifetime. His work was exhibited extensively, and he received numerous awards and honors, including the prestigious Turner Prize in 1985. His paintings continue to be highly regarded and sought after, with his works fetching record-breaking prices at auctions. Francis Bacon passed away on April 28, 1992, in Madrid, Spain. His artistic legacy and his impact on contemporary art remain significant, with his work continuing to inspire and provoke contemplation on the human condition and the nature of art itself. Measures 7.5 x 9.02 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Francis Bacon (1909-1992) was an Irish-born British painter and one of the most significant and influential artists of the 20th century. He was born on October 28, 1909, in Dublin, Ireland. Bacon's artistic career spanned several decades, during which he developed a unique and powerful style characterized by raw and emotionally charged imagery. He is best known for his figurative paintings that depict distorted and often grotesque human figures, conveying a sense of psychological intensity and existential angst. Bacon's works were heavily influenced by various sources, including classical art, religious iconography, photography, and modernism. His paintings often featured isolated figures, often in distorted or contorted poses, set against ambiguous and abstract backgrounds. He employed bold brushwork and a vibrant color palette, creating a sense of tension and visceral impact.Throughout his career, Bacon explored themes such as the human condition, mortality, violence, and the human psyche. His works often reflected his own personal struggles, traumas, and relationships. Bacon's art confronted the viewer with the rawness and vulnerability of the human experience, pushing the boundaries of representation and challenging conventional notions of beauty and aesthetics. Bacon gained international recognition and critical acclaim during his lifetime. His work was exhibited extensively, and he received numerous awards and honors, including the prestigious Turner Prize in 1985. His paintings continue to be highly regarded and sought after, with his works fetching record-breaking prices at auctions. Francis Bacon passed away on April 28, 1992, in Madrid, Spain. His artistic legacy and his impact on contemporary art remain significant, with his work continuing to inspire and provoke contemplation on the human condition and the nature of art itself. Measures 8 x 9.02 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Francis Bacon (1909-1992) was an Irish-born British painter and one of the most significant and influential artists of the 20th century. He was born on October 28, 1909, in Dublin, Ireland. Bacon's artistic career spanned several decades, during which he developed a unique and powerful style characterized by raw and emotionally charged imagery. He is best known for his figurative paintings that depict distorted and often grotesque human figures, conveying a sense of psychological intensity and existential angst. Bacon's works were heavily influenced by various sources, including classical art, religious iconography, photography, and modernism. His paintings often featured isolated figures, often in distorted or contorted poses, set against ambiguous and abstract backgrounds. He employed bold brushwork and a vibrant color palette, creating a sense of tension and visceral impact.Throughout his career, Bacon explored themes such as the human condition, mortality, violence, and the human psyche. His works often reflected his own personal struggles, traumas, and relationships. Bacon's art confronted the viewer with the rawness and vulnerability of the human experience, pushing the boundaries of representation and challenging conventional notions of beauty and aesthetics. Bacon gained international recognition and critical acclaim during his lifetime. His work was exhibited extensively, and he received numerous awards and honors, including the prestigious Turner Prize in 1985. His paintings continue to be highly regarded and sought after, with his works fetching record-breaking prices at auctions. Francis Bacon passed away on April 28, 1992, in Madrid, Spain. His artistic legacy and his impact on contemporary art remain significant, with his work continuing to inspire and provoke contemplation on the human condition and the nature of art itself. Measures 7.5 x 9.02 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Francis Bacon (1909-1992) was an Irish-born British painter and one of the most significant and influential artists of the 20th century. He was born on October 28, 1909, in Dublin, Ireland. Bacon's artistic career spanned several decades, during which he developed a unique and powerful style characterized by raw and emotionally charged imagery. He is best known for his figurative paintings that depict distorted and often grotesque human figures, conveying a sense of psychological intensity and existential angst. Bacon's works were heavily influenced by various sources, including classical art, religious iconography, photography, and modernism. His paintings often featured isolated figures, often in distorted or contorted poses, set against ambiguous and abstract backgrounds. He employed bold brushwork and a vibrant color palette, creating a sense of tension and visceral impact.Throughout his career, Bacon explored themes such as the human condition, mortality, violence, and the human psyche. His works often reflected his own personal struggles, traumas, and relationships. Bacon's art confronted the viewer with the rawness and vulnerability of the human experience, pushing the boundaries of representation and challenging conventional notions of beauty and aesthetics. Bacon gained international recognition and critical acclaim during his lifetime. His work was exhibited extensively, and he received numerous awards and honors, including the prestigious Turner Prize in 1985. His paintings continue to be highly regarded and sought after, with his works fetching record-breaking prices at auctions. Francis Bacon passed away on April 28, 1992, in Madrid, Spain. His artistic legacy and his impact on contemporary art remain significant, with his work continuing to inspire and provoke contemplation on the human condition and the nature of art itself. Measures 7 x 10.26 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Francis Bacon (1909-1992) was an Irish-born British painter and one of the most significant and influential artists of the 20th century. He was born on October 28, 1909, in Dublin, Ireland. Bacon's artistic career spanned several decades, during which he developed a unique and powerful style characterized by raw and emotionally charged imagery. He is best known for his figurative paintings that depict distorted and often grotesque human figures, conveying a sense of psychological intensity and existential angst. Bacon's works were heavily influenced by various sources, including classical art, religious iconography, photography, and modernism. His paintings often featured isolated figures, often in distorted or contorted poses, set against ambiguous and abstract backgrounds. He employed bold brushwork and a vibrant color palette, creating a sense of tension and visceral impact.Throughout his career, Bacon explored themes such as the human condition, mortality, violence, and the human psyche. His works often reflected his own personal struggles, traumas, and relationships. Bacon's art confronted the viewer with the rawness and vulnerability of the human experience, pushing the boundaries of representation and challenging conventional notions of beauty and aesthetics. Bacon gained international recognition and critical acclaim during his lifetime. His work was exhibited extensively, and he received numerous awards and honors, including the prestigious Turner Prize in 1985. His paintings continue to be highly regarded and sought after, with his works fetching record-breaking prices at auctions. Francis Bacon passed away on April 28, 1992, in Madrid, Spain. His artistic legacy and his impact on contemporary art remain significant, with his work continuing to inspire and provoke contemplation on the human condition and the nature of art itself. Measures 7.77 x 10.27 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

During Roman times, coins played a crucial role in the economy and everyday life of the Roman Empire. The Romans developed a sophisticated system of coinage that served as a medium of exchange, a symbol of power and authority, and a means of propaganda.Roman coins were made primarily of precious metals such as gold, silver, and bronze. They featured various designs and inscriptions that reflected the political, cultural, and religious aspects of Roman society. The obverse side of the coin typically displayed the portrait of the ruling emperor or an influential figure, while the reverse side depicted various symbols, gods, or important events.The Roman coinage system went through several changes over time, reflecting shifts in political power and economic conditions. Different denominations of coins were issued, ranging from the gold aureus and silver denarius to the smaller bronze coins like the sestertius, dupondius, and as. These coins were used not only for commerce but also for paying taxes, rewarding soldiers, and promoting political messages.Collecting and studying Roman coins, known as numismatics, provides valuable insights into the history, art, and culture of the Roman Empire. These coins are valuable artifacts that have survived for centuries, serving as tangible reminders of the ancient world and the economic system that shaped it.Measures 30mm.Modern.

Francis Bacon (1909-1992) was an Irish-born British painter and one of the most significant and influential artists of the 20th century. He was born on October 28, 1909, in Dublin, Ireland. Bacon's artistic career spanned several decades, during which he developed a unique and powerful style characterized by raw and emotionally charged imagery. He is best known for his figurative paintings that depict distorted and often grotesque human figures, conveying a sense of psychological intensity and existential angst. Bacon's works were heavily influenced by various sources, including classical art, religious iconography, photography, and modernism. His paintings often featured isolated figures, often in distorted or contorted poses, set against ambiguous and abstract backgrounds. He employed bold brushwork and a vibrant color palette, creating a sense of tension and visceral impact.Throughout his career, Bacon explored themes such as the human condition, mortality, violence, and the human psyche. His works often reflected his own personal struggles, traumas, and relationships. Bacon's art confronted the viewer with the rawness and vulnerability of the human experience, pushing the boundaries of representation and challenging conventional notions of beauty and aesthetics. Bacon gained international recognition and critical acclaim during his lifetime. His work was exhibited extensively, and he received numerous awards and honors, including the prestigious Turner Prize in 1985. His paintings continue to be highly regarded and sought after, with his works fetching record-breaking prices at auctions. Francis Bacon passed away on April 28, 1992, in Madrid, Spain. His artistic legacy and his impact on contemporary art remain significant, with his work continuing to inspire and provoke contemplation on the human condition and the nature of art itself. Measures 8 x 9.02 Printed circa 1960sVerso is blank.Mounted to archival quality paper.

Vincent van Gogh (1853-1890) was a Dutch post-impressionist painter who is widely regarded as one of the most influential figures in the history of Western art. He was born on March 30, 1853, in the Netherlands. Van Gogh's life and artistic career were marked by intense passion, emotional struggles, and a relentless pursuit of artistic expression. Van Gogh's early years were influenced by his work as an art dealer and various religious pursuits. However, it was in his late twenties that he decided to become an artist. He produced over 2,000 artworks, including paintings, drawings, and sketches, in just a decade. Van Gogh's distinctive style is characterized by bold colors, expressive brushwork, and dramatic, swirling compositions. His subjects ranged from landscapes, portraits, and still life to self-portraits, where he explored his own emotions and inner turmoil. Some of his most famous paintings include "Starry Night," "Sunflowers," and "The Potato Eaters." Throughout his life, van Gogh battled with mental illness and experienced episodes of depression, anxiety, and self-doubt. He famously cut off a part of his own ear during a period of emotional turmoil. Despite these challenges, his art continued to evolve and resonate with viewers. Unfortunately, Vincent van Gogh's artistic career was largely unrecognized during his lifetime, and he sold only one painting. Tragically, he died by suicide on July 29, 1890, at the age of 37. However, after his death, his work gained immense recognition and has since influenced countless artists and art movements. Van Gogh's impact on the art world and popular culture cannot be overstated. His emotionally charged and visually striking paintings have touched millions of people and continue to be celebrated for their unique and timeless qualities. Today, his artworks are showcased in major museums and galleries worldwide, and he is widely considered one of the greatest artists in history. Measures 7.25 x 9.24 Verso is blank.Mounted to archival quality paper.

Exceptional oil on canvas painting in quintessential turn-of- the Century Art Nouveau style. It represents the Virgin Mary holding Jesus and surrounded by two androgenous angels. Baby Jesus sits on her lap blessing the viewer with one hand raised as his mother looks down at the crown of thorn by her feet. On each side of Mary's stone throne, natural vistas with mounts in the distance are reminders of Golgotha where Jesus will be crucified. Otto Nowak painted this religious scene for the house of Art Nouveau architect Maximillian Hegele. Housed in the original custom made iron frame that includes two brackets used to hang in its first space. Painted on the lower left side: "Herr, Frau, Architekt, Max Hegele, Zur vermahlung, Gewidmet, Otto Nowak, 1902" (Dedicated to M. and Mrs. Max Hegele, Architect for their wedding.) Artwork size: 58"L x 40"H. Frame size: 60"L x 41.50"H x 1.10" W. Artist: Otto Robert NowakIssued: 1902Country of Origin: AustriaCondition: Age related wear. Small holes in the canvas on the upper and center left, Paint loss on the lower right side

Lovely piece of religious art , Roman Catholic woman whose constitutions are based on the Rule of St. Augustine.Issued: Early 1900’sDimensions: 3"W x 4.5"HCountry of Origin: FranceCondition: Age related wear.

Ca. 500 BC.A lebes gamikos, an exceptional ceramic artifact, features an inverted bell-shaped body that tapers towards the base. Its distinctive design is complemented by a pair of horizontal strap handles symmetrically positioned on each shoulder, providing a firm grip for handling. The vessel showcases a mouth with a raised rim, adding an element of elegance and refinement. Resting on a flared small foot, the vessel exhibits a well-balanced and stable structure. Its exterior is embellished with decorative bands in bichrome, displaying a captivating combination of red and brown hues. The lebes gamikos was primarily used as a ritual container, employed in various religious and ceremonial practices. The vessel played a central role in weddings and marriage ceremonies, where it functioned as a symbolic representation of the marital union. It would typically contain sacred substances or offerings associated with the nuptial rituals, such as water, oil, or other ritualistic liquids. Size: L:110mm / W:95mm ; 130g Provenance: Property of a London Ancient Art gallery, formerly English private collection, according to the heirs possibly purchased in some auction or Art Gallery during 1970s-1980s.

Ca. 1100-1200 AD.A silver bracelet showcases an open type design, allowing for glimpses of the wearer's wrist and enhancing its overall elegance. The round-section shank, meticulously modeled in round form with a twisted effect, adds a touch of complexity to the bracelet's structure. At each end of the bracelet, bulb-shaped finials create a visually striking element, drawing attention to the meticulous craftsmanship displayed in this Seljuk silver jewelry. The central section features a flat surface adorned with an etched border and intricate X patterns, serving as focal points of decorative interest. The combination of the smooth central panel and the textured shank creates a captivating interplay of design and craftsmanship. Seljuk silver jewelry served a range of functions within the society. These pieces were worn by both men and women as personal adornments, representing not only a sense of beauty but also social status and wealth. They were worn on various occasions, including formal gatherings, celebrations, and religious events, acting as statements of personal style and cultural identity. Size: L:70mm / W:60mm ; 44.82g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.

Ca. 1-200 AD.A carnelian intaglio set in a later gold ring, showcasing a skillfully rendered portrait of the god Mercury. As a prominent figure in Roman mythology and religion, Mercury holds a multifaceted significance within the pantheon. Mercury is commonly associated with communication, commerce, travel, and eloquence, making him a central deity in Roman religious and social contexts. In this particular portrayal, Mercury is depicted facing left, capturing the artist's attention to detail in presenting a distinct and lifelike representation. The gaze of the god is depicted with a nuanced complexity, with the artist employing masterful techniques to convey Mercury's divine presence. The gaze may exude a sense of alertness, intelligence, and an aura of confidence, encapsulating the god's associations with cunning and intellect. The intaglio further accentuates the fine features of Mercury's face, carefully carved with precision and delicacy. Notably, the artist has paid special attention to the depiction of the god's hair, etching intricate details that lend a sense of texture and realism to the composition. Depictions of gods in Roman glyptic art served as a means of visual communication, expressing religious beliefs and asserting cultural identities. These representations not only conveyed the physical characteristics of the deities but also encapsulated their associated attributes, powers, and narratives. Size: D: 17.93mm / US: 7 3/4 / UK: P; 9.89g Provenance: Private UK collection; Ex. old Swiss family collection formed in the 1990s.

Ca. 1-200 AD.A double balsamarium crafted from pale green glass, displaying meticulous modeling and attention to detail. The vessel consists of two conjoined tubular phials, each with a slightly flared and thickened rim. The outer sides of the phials feature applied handles, while an additional handle protrudes from the top. A decorative trailing adorns the mid-height of the phials, adding an ornamental element to the design. A balsamarium is a vessel specifically designed for the storage and application of precious oils, unguents, or perfumed balms. These aromatic substances were highly valued in ancient Roman society for their use in personal hygiene, cosmetics, and religious rituals. The double phial design of this balsamarium allowed for the separation and storage of different oils or fragrances within the same vessel, ensuring their preservation and preventing mixing or contamination. The flared and thickened rims facilitated controlled pouring and application of the aromatic substances, while the handles provided a secure grip during use. For a similar, see The Museum of Fine Arts, Houston, Object Number 31.115. This item comes with a custom-made stand. Size: L:175mm / W:80mm ; 270g Provenance: Property of a London Ancient Art gallery, formerly a private NYC collection, acquired from Arte Primitivo, auction 19, lot 212. Ex. collection of Muriel Russell, Miami, FL., active 1960’s - 1970’s.

Ca. 2750-1900 BC.A terracotta idol characterized by its pillar-shaped body and flat flared base. The hands of this figure are positioned along the body, while the face features are highly stylised and showcase oversized pierced eyes and a prominent nose. The head is crowned with a short hat, and the neckline is adorned with an elaborate D-shaped necklace. These pillar idols find their origin within the cultural milieu of the Syro-Hittite civilization, which emerged in the Late Bronze Age. Functionally, Syro-Hittite idols are believed to have served as votive objects or representations of deities within religious rituals. Their distinctive pillar shape, combined with the stylized facial features, suggests their association with worship and divine reverence. For a similar, see The Princeton University Art Museum, Object number 2002-25. Size: L:130mm / W:45mm ; 145g Provenance: Property of a Central London gallery, acquired on the US Art market; Ex. David Hendin collection.

Ca. 1000 AD.A bronze cross pendant with a flat-section body showcases a refined simplicity, emphasizing the elegance of its form while allowing the ornamental details to take center stage. The upper face of the pendant boasts two low-relief crosses adorning the longer arms, imbuing the piece with a striking visual symmetry and reinforcing its sacred significance. Enhancing the pendant's visual allure, the transverse bar is adorned with an intricately etched large 'X' pattern. This distinctive motif not only adds a captivating aesthetic element but also carries symbolic weight, potentially representing the intersecting realms of the divine and the human, the union of heaven and earth. A suspension loop positioned at the top facilitates the pendant's wearability, enabling it to be proudly worn as a personal emblem of faith. Bronze cross pendants of this nature served as tangible manifestations of religious devotion, conveying both personal belief and a sense of communal identity within the Byzantine world. Size: L:34.6mm / W:21.7mm ; 5.05g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.

Ca. 500 AD.A painted pottery model of a bullock pulling a cart showcases the attention to detail and technical skill of Northern Wei artisans. The bull is meticulously crafted with realistic depictions of its muscles and facial features. Its head is held high and its eyes are focused on the path ahead. The animal is harnessed to a cart, which is constructed with precision, complete with large wheels, a sloping roof, and ornate details. This model likely served a ceremonial or religious function, possibly as an offering to the gods or ancestors. For a similar example, see Christie's Live Auction 15706 Fine Chinese Ceramics and Works of Art, 14 September 2018, Lot 1275. Size: L:310mm / W:400mm ; 4.45kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.

Ca. 3rd Millennium BC.A creme-coloured ceramic figurine of a zebu bull. Painted with stripes on the back, and shoulders, and on exaggerated crescent horns. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull's importance in religious sacrifice. Restored. For a similar, please see The Dallas Museum of Art, Accession Number: 2009.14. Size: L:62mm / W:82mm ; 64.23g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Late Ptolemaic Period - early Roman Period, ca. 100-1BC.The upper portion of the mask is adorned with a striking black hairpiece, carefully styled to convey a sense of volume and grandeur. The small face of the mask is painted in ocher, with meticulous attention to detail given to the facial features. The eyes, outlined in black, possess an alluring intensity, while delicately crafted eyelashes and eyebrows further enhance their expressive quality. A finely sculpted nose imparts a sense of naturalism to the visage, while the lips, delicately curved in a smiling expression, exude an aura of serenity. The ears, decorated with earrings, add an element of elegance and adornment to the overall composition. Moreover, a beaded necklace gracefully encircles the neck, enhancing the mask's aesthetic appeal. Completing the ensemble, a raised brown painted headgear adorns the top of the mask, imparting a regal and dignified aura to the wearer. The function of this Egyptian Mummy Mask was twofold. Firstly, it served as a protective covering for the mummified remains, providing a safeguard against the elements and potential damage. Secondly, it played a significant role in religious and funerary beliefs of ancient Egypt, symbolizing the transformative journey of the deceased into the afterlife. It was believed that the mask would help the deceased recognize their own face and maintain their identity in the realm of the spirits. The Egyptian culture of the time was deeply rooted in the belief in the afterlife. Egyptians held the conviction that death was merely a transition, and meticulous funeral practices were carried out to ensure a successful journey to the afterlife. The construction of elaborate burial masks, such as this example, exemplifies the importance placed on preserving the individual's identity and facilitating their journey to the realm of the gods. These masks were imbued with symbolic and religious significance, reflecting the cultural and spiritual beliefs of ancient Egyptian society. This item comes with a custom-made stand. Size: L:430mm / W:350mm ; 1.62kg Provenance: Private London collector; formerly in the collection of M.H.; formerly acquired on the UK art market in the 1980s.

Ca. 12th century BC.A bronze fangyi, a ritual wine vessel crafted from bronze characterized by its unique and intricate design. The rectangular shape of the vessel resembles a small hut or granary, and it is adorned with a fitted roof-like lid and a central knob that mimics the shape of a roof. The edges of the vessel are embellished with vertical flanges, which not only serve as decorative elements but also contribute to the overall structural integrity. These flanges showcase meticulously incised patterns that add a touch of sophistication to the piece. One of the most striking features of this bronze fangyi is the presence of taotie masks on each wall. The taotie is a mythical creature commonly depicted in ancient Chinese art and is characterized by its distinctive facial features, typically comprising large, bulging eyes, a protruding snout, and stylized horns or antlers. In the context of this fangyi, the taotie masks serve as a significant symbolic representation, perhaps conveying notions of protection or auspiciousness. Fangyi, refers to a specific type of bronze vessel primarily used for ritualistic purposes. These vessels were utilized in various ceremonial activities, including ancestral worship and banquets hosted by the ruling elite. The fangyi served as a prestigious container for wine, a symbol of wealth and social status during the Shang Dynasty. Its significance extends beyond its utilitarian function, as these vessels were integral to the performance of rituals and the establishment of religious connections with ancestral spirits. Possible Restoration. For a similar, see The Metropolitan Museum of Art, Accession Number: 49.135.4a, b. Size: L:205mm / W:115mm ; 1.76kg Provenance: UK private collection of Asian Art; formerly acquired in the early 1990s in Hong Kong.