We found 2837 price guide item(s) matching your search

Miscellaneous Shooting Medals. A First Surrey Rifle Volunteers Medal, 43mm, silver, the reverse engraved ‘The Pollock Challenge Cup 1866 Won by Colr. Sergt. R. A. Puckle. No.4 Compy.’; a circular stuck medal, 39mm, silver, the reverse engraved ‘4th L.R.V. Won by Henry Lord, 2nd. Best Shot. 1st Period 1871’; a silver cross, 28mm, the obverse engraved ‘3rd. Company 39th. Mid. R.V.C. Champion Badge’, the reverse engraved ‘Won by Serjt. G. Page 1877.’, with ring suspension; and a silver-gilt shield medal, 40mm x 30mm, the obverse engraved ‘1st V.B.W.R. Regt.’, the reverse engraved ‘E Company Efficiency and Shooting won by Corpl. W. Miller 1899’, with ring suspension, edge bruising and contact marks, generally nearly very fine and better (4) £80-£100 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---

A lot comprising a late Victorian oak Arts & Crafts Pollock & Stewart, Glasgow barometer/thermometer, 84cm high x 26cm wide and an Art Nouveau style pokerwork spinning chair, 94cm high (2) Condition Report:Available upon request

Pollock,J.: The Last Sketchbook. Introduction by William S. Lieberman. Text-Heftchen und fadengebundenes Faksimile des Skizzenbuches von Jackson Pollock. New York, Johnson Reprint Corporation, 1982. In schwarzer Olwd.-Kasette. Nr. 300 von 500 lat. num. Ex. (GA 525).

Franz Kline (1910–1962) was an American abstract expressionist painter known for his bold and expressive black-and-white paintings. Here are key points about Franz Kline:1. **Early Life:** Franz Kline was born on May 23, 1910, in Wilkes-Barre, Pennsylvania. He grew up in an industrial town, and his surroundings had a significant impact on his later artistic style.2. **Artistic Education:** Kline initially studied art at Boston University but dropped out and later attended the Heatherley School of Fine Art in London. He also studied at the Art Students League of New York.3. **Early Style:** In his early years as an artist, Kline was associated with Social Realism. However, his style evolved towards abstraction, influenced by his exposure to avant-garde art movements and the works of artists like Willem de Kooning.4. **Abstract Expressionism:** Kline became a prominent figure in the Abstract Expressionist movement, which emerged in the post-World War II era. This movement emphasized spontaneous, gestural, and non-representational forms of painting.5. **Black-and-White Paintings:** One of Franz Kline's distinctive contributions to abstract expressionism was his focus on bold, black-and-white paintings. His large-scale works featured dynamic and energetic brushstrokes, often creating a sense of movement and intensity.6. **Action Painting:** Kline's painting technique was associated with "action painting," a term used to describe the physical and gestural approach to creating art. He would use broad strokes and dynamic movements to apply paint to the canvas.7. **Major Works:** Some of Kline's notable paintings include "Chief" (1950), "Mahoning" (1956), and "C & O" (1958). His works are characterized by their powerful and abstract compositions.8. **Influence of Calligraphy:** Kline was influenced by calligraphy, and his paintings often resembled large, abstract brushstrokes. The contrast between black and white, as well as the dynamic compositions, contributed to the impact of his work.9. **Recognition:** Kline gained recognition for his contributions to abstract expressionism, and his work was exhibited in major galleries and museums. He was associated with influential artists like Willem de Kooning and Jackson Pollock.10. **Short Career:** Franz Kline's artistic career was relatively short, as he passed away at the age of 51 in 1962. Despite the brevity of his career, he left a significant impact on the trajectory of abstract expressionism.11. **Legacy:** Franz Kline's black-and-white paintings continue to be celebrated for their boldness and energy. His influence on abstract expressionism and his unique approach to abstraction have left a lasting legacy in the history of American art.Franz Kline's powerful and dynamic paintings have made him a notable figure in the abstract expressionist movement. His distinctive use of black and white, along with his emphasis on gestural brushstrokes, contributed to the evolution of abstract art in the mid-20th century.Measures 40 x 28.25.

Harold Storey (Scottish 1888-1965) Collection of 26 Watercolours, Drawings and Etchings; annotated landscapes, coastal and harbour scenes, street scenes predominantly around Pollock Castle, Newton Mearns, Renfrewshire and Macduff, Aberdeenshire, a self portrait in red chalk and two etchings, dates range from 1910s-1950s, signed and annotated, (total 26 works)Provenance: The Artist, thence by descent

After Jackson Pollock (1912-1956) Convergence, 1952 Print on paper A 1988 Jackson Pollock Albright-Knox Art Gallery; Buffalo exhibition poster.  Measures 100cm x 70cm. Framed and glazed.  This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Naval Interest; An American Sterling shell dish, by Wallace, inscribed 'To LIEUT. CHARLES H. POLLOCK, R. N. OF H.M.S. "DUNDEE" BRITISH EMPIRE CLUB PROVIDENCE, RHODE ISLAND, U.S.A. September 24, 1936', 92gms, 16 x 10 x 3cm Condition Report:Available upon request

Accles & Pollock archery set, early 20th century, comprising an Apollo Kestrel two-part bow, mixed accessories, two boxes of Sherwood arrows and a badged club cap, all within a canvas case. UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

A group of three Boxed Corgi 1/50 diecast model truck issues in the livery of Pollock, including multi-vehicle set. Look to be generally good with original boxes.

Autographs - Multi-signed 2008 Alfred Dunhill Links Championship Golf Programme - signatures internally features Johan Cruyff, Kapil Dev, Hugh Grant, Shane Warne, Sir Bobby Charlton, Franz Klammer, Shaun Pollock, Sir Steve Redgrave, Sir Ian Botham, Padraig Harrington, Ernie Els, Nick Dougherty, Graeme McDowell, Jean Van De Velde, Lee Westwood, Darren Clarke, Henrik Stenson, Paul Casey, et al, 25x Total - G condition overall. Private Autograph Collection

Sam Francis (American, 1923-1994). Color screenprint on Arches 88 wove paper titled "Toward Disappearance" depicting splatters of colors forming an arch, 1973. Pencil signed along the lower left; numbered 9/72 along the lower right.Lot Essay:Sam Francis came to be an artist under unlikely circumstances. After serving the Air Force during World War II, Francis was injured during flight test maneuvers and subsequently hospitalized. It was while he was recovering that he first began to paint. Francis went on to graduate from the University of California, Berkeley in 1950 with a degree in art and began his European travels. His first stop was Paris, where he studied Monet’s “Water Lilies†and developed a relationship with the Matisse family and artists such as Al Held, Joan Mitchell, and Jean-Paul Riopelle. He went on to develop and maintain studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California.Sam Francis was considered a revolutionary master of color, space, and light. His works call to various art movements - New York Abstract Expressionism, Impressionism, Art Informel, and color field painting. They are characterized by bright, vibrant splashes of color against a luminous white background. Francis took great interest in the creative process, but his understanding of the relationship between color and light set him apart from contemporaries such as Jackson Pollock and solidified him as a key player in contemporary art history.Sight; height: 37 in x width: 31 1/4 in. Framed; height: 43 in x width: 37 1/4 in.br/>Condition:No visible tears, losses, or restorations. A few light creases along the corners. All four corners have a rectangular spot of acidic burn, likely from the tape along the verso. The work is floated in frame. Framed under glass; light wear to the frame. Not inspected out of frame.

Very large oil on canvas painting in yellow, orange, red, and black in the style of Jackson Pollock (American, 1912-1956). The canvas is not stretched. In the style of Pollock's iconic Abstract Expressionist drip style paintings.Height: 110 in x width: 105 in.br/>Condition:The artwork is in fair condition overall. The artwork has been rolled and has several areas of tenting, surface cracks and paint loss. There appears to be no areas of restoration. The canvas is soiled and is attached to a wooden bar. The canvas is not stretched and has several creases and folds.

Allan Kaprow. Assemblage, Environments & Happenings. Widmungsexemplar. New York, Harry H. N. Abrams, (1965). 341 S. 4°. Grobes OLeinen mit DTitel und RTitel in OUmschlag. Erstausgabe. - Mit hs., signierter und datierter Widmung Kaprows an Virgil Milano auf dem Titelblatt: "To Virgil with best wishes - Allan Kaprow. Oct. 28, 78". - Milano ein Cinematograph, insbesondere bekannt für seine spätere Arbeit an "Stirb langsam (1988)" oder "Blade Runner (1982)". - Bedeutendes Dokument der Happening-Bewegung, das nicht nur einschlägige Beiträge zu Künstlern wie Jim Dine, Claes Oldenburg, Jackson Pollock, Robert Rauschenberg und anderen enthält und diese mit zahlreichen Abbildungen dokumentiert. Diese Photographien entstanden im Rahmen berühmter Happenings aus den frühen 1960er Jahren. - Äußerst wohlerhaltenes und sauberes Exemplar. Presentation copy. Orig. brown burlap binding with title on cover and spine in orig. wrapper. - First edition. - With Kaprow's handwritten, signed and dated dedication to Virgil Milano on the title page: "To Virgil with best wishes - Allan Kaprow. Oct. 28, 78". - Milano a cinematographer, particularly known for his later work on "Die Hard (1988)" or "Blade Runner (1982)". - Very well preserved.

A George II silver sauce boat, John Pollock, London 1749, of typical form with acanthus leaf capped scroll handle and raised on three steeped feet, 11cm high, together with a similar early 20th century silver sauce boat, Sheffield 1937, 9.5cm high, total weight approx 15oz (2)

CORGI, 75205 & CC12903 ERF EC Series Curtainside Pollock (Scotrans) Ltd. Helensburgh and Scania Topline Curtainside - Currie European Transport, boxed

Corgi - Three boxed 1:50 scale diecast trailers. Lot includes Corgi 'Hauliers of Renown' CC 19902 Fridge Trailer 'Gibbs of Fraserburgh' plus CC19905 Curtainside 'Pollock (Scotrans) Ltd.'; and CC19901 Blue Curtainside Trailer. Models appear Mint in Fair Plus - Good window boxes with some storage imperfections. (3) (This does not constitute a guarantee) (K)

Corgi - Four boxed Limited Edition diecast trucks predominately from Corgi's 'Truckfest' series. Lot includes CC12817 Scania T Cab 'Fuller'; CC13704 Scania R Series 'Pollock'; CC13220 DAF XF Space Cab 'Laidlaw'; CC13802 Mercedes Benz Actros Megaspace 'Jack Richards'. Three of the models appear Mint - the Pollock Scania appears Good but is very display dusty and would benefit from cleaning. All models come with certificates and accessories, presented in mainly Very Good boxes - the Pollock Scania has some fading appearing Fair Plus overall. (This does not constitute a guarantee) (K)

Oxford Diecast - Corgi - Five boxed Limited Edition 1:76 scale model trucks. Lot consists of Corgi 'Roadscene' CC18003 Volvo FH Curtainside with Fridge Unit ' Mansel Davies';with four Oxford Diecast Scania turcks comprising SCA03CS 'Tinnely'; SCA02CS 'Pollock Scotrans'; SC04CS 'Stan Robinson'; and SCA01FR 'LE Jones'. Corgi model comes with certificate and loose mirrors and has some surface marks on roof appearing Very Good on the whole in an Excellent box. The Oxford models are in perspex cases only and comes with certificates some faded - models appear Mint in Fair Plus - Good slightly dusty cases with storage wear. (This does not constitute a guarantee) (K)

Siku - Corgi - Other - A collection of boxed diecast model vehicles in various scales. lot includes Siku 3816 Lorry & Trailer (Express Air Systems); Corgi 23301 Ford Transcontinental with sheeted load 'Pollock of Musselburgh'; Corgi CC15309 Scania Flatbed with Load 'Pollock Scotrans' and similar. The models have previously been on display and as a result appear very dusty - the majority of the lot have missing or broken parts, missing accessories and certificates (some could be utilised for spares / restoration). Overall conditions range from Poor - some Good, and all models would benefit from cleaning. Boxes generally appear Fair Plus - Good with storage related imperfections. All models are unchecked for completeness. (This does not constitute a guarantee) (K)

Britains - Corgi - EFE - Others - An unboxed group of over 20 diecast models including trucks, buses, truck trailers and truck accessories. Lot comprises of Corgi 13905 Foden S21 8-wheel lorry with Sheeted Load 'The Rugby Portland Cement Co.'; Corgi CC11610 Albion Reiver Platform 'Pollock'; Britains Pottinger Loader and similar. Items have all been previously displayed and as a result are in dusty condition - many items have missing / broken parts. Conditions range Fair - some Good, and all would benefit from cleaning. All items are unchecked for completeness. (2) (This does not constitute a guarantee) (K)

A large Jackson Pollock print

A BOX AND LOOSE THE FOLIO SOCIETY BOOKS, twenty-six titles of classic fiction comprising Animal Farm; George Orwell, The Arabian Nights; with illustrations by Detmold, Jane Austin Seven Novels, Paradise Lost; John Milton, with illustrations by Ian Pollock, The Eagle Of The Ninth; Rosemary Sutcliffe, The Jungle Book and The Second Jungle Book; Rudyard Kipling, The Railway Children; E. Nesbit, Alice's Adventures in Wonderland and Through the Looking-Glass; Lewis Carroll, The Compete Winnie-The-Pooh and When We Were Very Young and Now We Are Six; A.A. Milne, Hans Andersen's Fairy Tales; with illustrations by W. Heath Robinson, Perrault's Fairy Tales; illustrated by Edmund Dulac, The Lost World; Arthur Conan Doyle, Robinson Crusoe; Daniel Defoe, A Traveller's Christmas; illustrated by Sue Bradbury, The Golden Fleece; Robert Graves, Moby Dick; Herman Melville, A Treasury Of Mark Twain; illustrated by Rod Waters, Huckleberry Finn and Life on the Mississippi; Mark Twain, Sagittarius Rising; Cecil Lewis, Journey to the Centre of the Earth; Jules Verne, Dr. Jekyll & Mr. Hyde; Robert Louis Stevenson Charles Dickens Christmas Books; illustrations by Charles Keeping, all in slip cases except Jane Austen

Oxford Diecast a mixed 1/76 scale boxed group to include "Eddie Stobart", "Pollock" and others Conditions generally appear Excellent Plus in generally Good Perspex cases. See photo.

Corgi - Pollock. A boxed Limited Edition 1:50 scale Corgi #CC99130 'Scotland's Finest - Pollock (Scotrans) Ltd' set. The set contains three tractor units and a curtainside trailer, and appears to be in Excellent condition, with comes with three sealed bags containing mirrors and booklet / certificate. The set sits within an Excellent polystyrene inner, contained within a VG overall presentation box with some storage related wear. (This does not constitute a guarantee). [MP]

JACKSON POLLOCK, 'Number 33', off set lithograph, 77cm x 102cm, framed.

THIRTEEN BOXED CORGI CLASSICS 1:50 SCALE DIECAST MODEL TRANSPORT AND COMMERCIAL VEHICLES, to include a limited edition British Rail Bedford Platform Trailer & Railway Container, numbered 20301, a limited edition British Rail Scammell Scarab, numbered 15003, a limited edition British Rail Foden S21 Platform Trailer, numbered 13903, a Atkinson Elliptical Tanker Pollock of Musselburgh, numbered 97162, a Pickfords, Scammell Highwayman Crane, numbered 97368, a Foden 8 Wheel Rigid Robsons of Carlise, numbered 97971, a ERF Flatbed with Chains/Barrels Flowers, numbered 97942, a Scammel Scarab Railfreight, numbered 97913, a Websters Scammel Scarab with barrels, numbered 97318, a British Railways Scammell Scarab, numbered 97911, an Eddie Stobart Atkinson 8 wheel Rigid With Load, numbered 97327, a Tennant Atkinson 8 wheel rigid with trailer and load, numbered 97366 and a Cadbury Bros, Bournville Scammell Highwayman Ballast and trailer, numbered 16002, all appear in new condition however contents not checked, inside their plastic casing and outer cardboard boxes, boxes are in good conditions some with light scuffs and dust and some with previous price stickers to them

Scotland.- Scott (Robert, engraver) [Views of Scottish country houses, scenery etc.], no title, 10 engraved plates with accompanying leaves of text (?of 12, with text for but lacking plates of Melrose Abbey and Pollock House), with 4 additional engravings by Scott (New Battle House, Hopetoun, view of Edinburgh from NW, Craigie-hall Bridge) from a different suite bound in at end, foxed and water-stained, from the library at Prestonfield House, Midlothian with contemporary ink inscription to front free endpaper, contemporary half calf, rubbed, upper joint split, spine ends chipped, [?Edinburgh], R.Scott, [c.1798] § Lizars (W.H.) Views in Renfrewshire, engraved vignette title, 24 engraved plates on india paper and mounted, some foxing to mounts, with hand-coloured engraving of a mounted Lt. Gen. Sir Ralph Abercrombie in front of the pyramids of Egypt (Rich. Evans, 1816) loosely inserted, contemporary half calf, Edinburgh [& others], [c.1840] § Aiton (William) A History of the Rencounter at Drumclog, and Battle of Bothwell Bridge...1679, first edition, the first book printed in Hamilton, half-title, folding engraved frontispiece, lightly offset on title, stitched in original blue wrappers, preserved in modern dust-jacket and morocco-backed cloth slip-case, spine gilt, Hamilton, W.M.Borthwick & Co., 1831, rubbed; and 8 others, Scotland, including the 1882 sale catalogue of the Duke of Hamilton's pictures (lacking illustrations) and a catalogue of the pictures at Hendersyde Park, v.s. (11)

• ALAN DAVIE (BRITISH 1920-2014) SNAKE PIT signed, titled, inscribed and dated Alan Davie 1998 / SNAKE PIT/ OPUS O.1384 / 30 X 38 INS on the reverse oil on canvas 76 x 96cm; 30 x 38 1/4in 110 x 87cm; 43 1/4 x 34 1/4in (framed)Property from a Deceased Estate, LondonProvenanceGimpel Fils, LondonAlan Davie grew up in Grangemouth, near Edinburgh. His early career was dominated by music, his love of jazz, and playing tenor sax in the Tommy Sampson Orchestra. Davie travelled extensively and was introduced to the work of Paul Klee, Jackson Pollock and Joan Miro while in Venice. It was the American Abstract Expressionists which, along with his interest in Zen Buddhism, had the greatest influence on his work as an artist and, especially, brought about his love of the spontaneous. Davie worked in a similar way to Pollock: he would stand over a painting which was laid on the floor adding multiple layers of paint, often covering over the original work many times. As his technique became more controlled, recognisable symbols began to appear in his compositions often inspired by aboriginal art and native American ceramics as in the present lot and lot 50.

Fourteen Corgi Classics diecast model vehicles including 97018 Dundee Corporation, 97363 Edinburgh Corporation, 97840 Shell MEX/BP, 97955 Moore Ltd, 97162 Pollock of Musselburgh, 97825 Daimler CVD6, 97213 Red and White, 97942 ERF Flatbed Flowers, 97952 Hovis etc. some models not with correct boxes. (14)

11 Corgi limited edition 1:76 scale Roadscene diecast models including CC18203 John Mitchell, CC18201 Charles Gee & Co Ltd, CC18003 Mansel Davies & Son Ltd, CC18006 Ralph Davies, CC18204 The Camden Group, CC18001 Pollock Scotrans Ltd, CC18205 Jack Richards, CC18002 Whitelink Seafoods, CC18005 Knowles Transport, CC18206 Craven Transport and CC18301 Pollock, and five other models. (16)

Grohmann (Will). Paul Klee, 1st English edition, London: Lund Humphries, 1954, colour and monochrome plates, original black cloth in dustwrapper, a little rubbed, together with:Wingler (Hans Maria). Oskar Kokoschka, The Work of the Painter, Gallerie Welz/Faber & Faber, 1958, tipped-in colour plates, monochrome illustrations, original cream cloth in dustwrapper, rubbed and a little frayed to edges, plusSeuphor (Michel). Piet Mondrian, Life and Work, 1st English edition, New York: Harry N. Abrams, circa 1960, tipped-in colour plates, monochrome plates and illustrations, original red cloth in dustwrapper, and other monographs on 20th century artists, including Bryan Robertson, Jackson Pollock, 1st English edition, Thames & Hudson, 1960, Reinhold Hohl, Giacometti, Sculpture Painting Drawing, 1st English edition, Thames & Hudson, 1972, H. H. Arnason, Robert Motherwell, 1st edition, New York, Harry N. Abhams, 1977, Lawrence Rubin, Frank Stella, Paintings 1958 to 1965, A Catalogue Raisonné, 1st edition, New York, 1986, Yves Klein 1928-1962, A Retrospective, 1982 (inscribed to Lawrence Gowing by Nan Rosenthal), Hans Hess, Lyonel Feininger, 1st English edition, Thames & Hudson, 1961, Michel Seuphor, Abstract Painting in Flanders, 2nd edition, 1974, Thomas B. Hess, Barnett Newman, Museum of Modern Art, 1971, Frank Stella, Working Space, The Charles Eliot Norton Lectures 1983-84, Harvard University Press, 1986, Art Since 1950, American and International, Seattle World's Fair, 1962 exhibition catalogue, and a proof edition in printed wrappers of Frank Stella's Working Space, all 4toQTY: (14)

JACKSON POLLOCK (1912-1956)Number 25, 1951Offset Lithograph, Printed in the 1980s7 1/2" x 7 3/4"

JACKSON POLLOCK (1912-1956)Untitled, 1950Offset Lithograph, Printed in the 1980s6 1/2" x 8"

BARBARA E POLLOCK, God Bless Our Home, limited edition etching, numbered 1/8, signed in pencil to the margin, framed and glazed. 46 x 40.5 cm.

Hans Hartung 1904 Leipzig - 1989 Antibes P-1961-72. 1961. Farbige Ölkreide. Links unten signiert und gewidmet '17 11 65 à M et Mme Schmidt très cordialement'. Verso mit der Werknummer bezeichnet sowie mit Richtungspfeil. Auf glattem weißen Karton. 49,5 x 72,5 cm (19,4 x 28,5 in), Blattgröße. [JS]. • Charakteristische, energiegeladene Komposition aus der besten Schaffenszeit. • Der Strich ist das zentrale Charakteristikum in Hartungs facettenreichem Œuvre, das er in zoomartiger Ausschnitthaftigkeit zur energiegeladenen Geste steigert. • Geschenk des Künstlers und seither Teil einer deutschen Privatsammlung. • Bereits 1975 widmet das Metropolitan Museum of Art, New York, dem europäischen Protagonisten der informellen Malerei eine Einzelausstellung. • Hartungs dynamische Schöpfungen wurden u. a. 2008 in der Ausstellung 'Action Painting' der Fondation Beyeler, Riehen/Basel, neben den Werken der amerikanischen Vertreter de Kooning, Pollock und Twombly gezeigt. Die Arbeit ist im Archiv der Fondation Hartung/Bergman, Antibes, registriert. Wir danken für die freundliche Beratung. PROVENIENZ: Privatsammlung Deutschland (1965 direkt vom Künstler erhalten, seither in Familienbesitz). Aufrufzeit: 08.12.2023 - ca. 14.05 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONHans Hartung 1904 Leipzig - 1989 Antibes P-1961-72. 1961. Color Oil crayon. Lower left signed and dedicated '17 11 65 à M et Mme Schmidt très cordialemnént'. Inscribed with the work number and a direction arrow on the reverse. On smooth white board. 49.5 x 72.5 cm (19.4 x 28.5 in), size of sheet. [JS]. • Characteristic, energetic composition from the best creative period. • The line is the key characteristic of Hartung's multifaceted oeuvre, which he increased to an energetic gesture in zoom-like detail. • Gift from the artist and ever since part of a German private collection. • As early as in 1975, the Metropolitan Museum of Art, New York, dedicated a solo exhibition to the European protagonist of informal painting. • Hartung's dynamic creations were shown in, among others, the 2008 exhibition 'Action Painting' at Fondation Beyeler, Riehen/Basel, next to the works of the American representatives de Kooning, Pollock, and Twombly. The work is registered in the archive of the Fondation Hartung / Bergman, Antibes. We are grateful for the kind support in cataloging this lot. PROVENANCE: Private collection Germany (gifted from the artist in 1965, ever since family-owned). Called up: December 8, 2023 - ca. 14.05 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Mike Bidlo 1953 Chicago - lebt und arbeitet in New York Not Pollock (Study for No 8, 1949). 1983. Emailfarben und Öl auf Leinwand. Verso auf der Leinwand signiert, datiert und betitelt. 78,8 x 140,5 cm (31 x 55,3 in). [CH]. • Besonders frühe Arbeit des Künstlers aus der Werkserie 'Not Pollock', in der er mit großer Wertschätzung und Hingabe Jackson Pollocks berühmte 'Drip Paintings' nachbildet. • Mike Bidlo macht sich insbesondere ab den 1980er Jahren mit Performances und äußerst präzisen Nachbildungen berühmter Kunstwerke des 20. Jahrhunderts einen Namen, u. a. von Andy Warhol, Yves Klein und Jackson Pollock. • 1984 folgen weitere Performances wie 'Guernica: A Painting in Progress', in der Bidlo innerhalb von vier Wochen vor Publikum Picassos berühmtes Gemälde reproduziert. • Zusammen mit Elaine Sturtevant, Louise Lawler, Sherrie Levine u. a. zählt Bidlo zu den Vertretern der Appropriation Art, in der sich Künstler:innen als Hommage oder im Sinne einer Kunstkritik bereits vorhandener Werke bedienen. PROVENIENZ: Galerie Bruno Bischofberger, Zürich. Privatsammlung Süddeutschland (direkt vom Vorgenannten erworben). 'Grundsätzlich verstehe ich meine Arbeit als politischen Akt: eine Aneignung der Ikonen moderner Kunst, die ich der Kunstwelt für mich (und andere) wegnehme.' Mike Bidlo, 1988, zit. nach: Galerie Bruno Bischofberger, https://www.brunobischofberger.com/bidlo-bio?lang=de Aufrufzeit: 08.12.2023 - ca. 14.36 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONMike Bidlo 1953 Chicago - lebt und arbeitet in New York Not Pollock (Study for No 8, 1949). 1983. Enamel paint and Oil on canvas. Signed, dated and titled on the reverse. 78.8 x 140.5 cm (31 x 55.3 in). [CH]. • Particularly early work by the artist from the 'Not Pollock' series, in which he reproduces Jackson Pollock's famous 'Drip Paintings' with great appreciation and dedication. • Mike Bidlo made a name for himself in the 1980s, in particular with performances and extremely precise reproductions of famous works of art from the 20th century, including works by Andy Warhol, Yves Klein and Jackson Pollock. • Further performances followed in 1984, such as 'Guernica: A Painting in Progress', in which Bidlo reproduced Picasso's famous painting in front of an audience over the course of four weeks. • Together with Elaine Sturtevant, Louise Lawler, Sherrie Levine and others, Bidlo is one among the representatives of Appropriation Art, in which artists use existing works as homage or in the sense of art criticism. PROVENANCE: Galerie Bruno Bischofberger, Zürich. Private collection Southern Gemany (acquired from the above). 'Basically, I see my work as a political act: an appropriation of the icons of modern art that I take away from the art world for myself (and others).' Mike Bidlo, 1988, quoted from: Galerie Bruno Bischofberger, https://www.brunobischofberger.com/bidlo-bio?lang=de Called up: December 8, 2023 - ca. 14.36 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

André Butzer 1973 Stuttgart - lebt und arbeitet in Berlin Ohne Titel (N-Krankheit). 2007. Öl auf Leinwand. Rechts unten signiert. Verso auf der Leinwand signiert und datiert. Auf der umgeschlagenen Leinwand seitlich links bezeichnet '(Gebrannte Mandeln) N - Schweinstall' und auf der umgeschlagenen Leinwand seitlich rechts betitelt 'Tödliche Wurstfabrik im Himmel (N)'. 260 x 340 cm (102,3 x 133,8 in). [CH]. • Großformatige, charakteristische Arbeit mit pastosem, leuchtend-buntem Farbauftrag. • André Butzer entwickelt eine ganz eigene Kunstauffassung, mit der er die überraschend schmale Grenze zwischen Figuration und Abstraktion auslotet. • Ein Künstler voller Widersprüche: Seine Werke sind düster, rätselhaft und doch erfrischend farbgewaltig. • Seit 2005 widmet sich der Künstler einer fast schon harmonischen Patchwork-Malerei mit Anklängen an das 'Dripping' von Jackson Pollock, mit Reminiszenzen an Willem de Kooning, Mark Tobey oder der 'Art brut' von Jean Dubuffet. • Mit einer Fülle an Symbolen, Andeutungen aus figurativen wie abstrakten Formengebilden sowie gestischen Pinselhieben schafft Butzer komplexe, vielschichtige Kompositionen, die er selbst als 'Science-Fiction-Expressionismus' bezeichnet. • Die Werke des Künstlers sind Teil bedeutender internationaler Sammlungen, darunter das Museum of Contemporary Art, Los Angeles, die Charles Saatchi Collection, London, und die Pinakothek der Moderne (Bayerische Staatsgemäldesammlungen), München. Das Werk wird in das in Werkverzeichnis der Gemälde aufgenommen. Wir danken Herrn Christian Malycha, André Butzer Archive, für die freundliche Beratung. PROVENIENZ: Galerie Bernd Kugler, Innsbruck. Privatsammlung Nordrhein-Westfalen (2007 vom Vorgenannten erworben). AUSSTELLUNG: PLAY. The Frivolous and the Serious, me Collectors Room, Berlin, 16.5.-25.8.2013. André Butzer. Viele Tote im Heimatland - Fanta, Sprite, H-Milch, Mickey und Donald (Gemälde 1999-2009), Kunsthalle Nürnberg im KunstKulturQuartier, Nürnberg, 18.6.-23.8.2009, S. 98f. (m. ganzs. Farbabb.). 'Utopien haben ja bekanntermaßen keinen Ort. Sie sind nicht realisierbar. Außer in der Kunst. Und die ist selbst eine Utopie, die nicht realisierbar ist. [..] Ich habe einfach bestimmte Bilder im Kopf. Und wenn ich sie sehe und mit ihnen zugleich das Sehen sehe, gelange ich zu Klarheit. In meinen Bildern ist es Nacht. Ich sehe Maschinen, Fließbänder, Fordismus. Da sind Leben und Fleisch und serielle Vernichtung. Das Fleisch wird auf Bändern bewegt. Es zirkuliert als Ware. Das Leben ist ein schrecklicher Widerspruch. Die Malerei kämpft mit diesem Widerspruch. Sie besteht aus Fleisch und Luft. Sie ist Körper und Atmosphäre. Und in der Atmosphäre ist natürlich auch Wasser. Daher sind Fleisch und Limonade mein Sinnbild für die Malerei. Limonade ist das industrialisierte, verzuckerte, den Körper umgebende Wasser, Cola das Fleisch auffressende Wasser. [..] N ist das nicht realisierbare bildnerische Maß. Ich brauche solche Konstrukte, um irgendwo anzukommen. Ich begreife mich ja nicht als Kunstmaler. Ich will wohin durch die Kunst. Ich will wer anders werden. Und N hat mich in all den Jahren begleitet als Größe, als Maß, als Buchstabe, als Zahl, als Formel und als Ort. [..]. N beschreibt die Schwelle zum Bild, doch nicht das Bild selbst. Als Größe verhindert N, dass allein das rein Bildhafte sich in der Kunst ausbreitet. N ist eher ein Maß für die Möglichkeitsform des Bildes, nicht für seine Wirklichkeitsform. Weil die meisten Bilder aber nur die Wirklichkeitsform kennen, sind sie so langweilig.' André Butzer im Gespräch mit Michael Stoeber, in: André Butzer. Ich putze so lange, bis die Dinge leuchten, Kunstforum, Bd. 218 (Der urbane Blick), 2012, S. 234–243. Aufrufzeit: 08.12.2023 - ca. 15.44 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONAndré Butzer 1973 Stuttgart - lebt und arbeitet in Berlin Ohne Titel (N-Krankheit). 2007. Oil on canvas. Signed in lower right. Signed and dated on the reverse. Inscribed '(Gebrannte Mandeln) N - Schweinstall' on the folded canvas in left and 'Tödliche Wurstfabrik im Himmel (N)' on the folded canvas in right. 260 x 340 cm (102.3 x 133.8 in). [CH]. • Large-format, characteristic work with impasto and bright paint application. • André Butzer develops his very own concept of art, with which he explores the fine line between figuration and abstraction. • An artist full of contradictions: his works are dark, enigmatic and yet refreshingly colorful. • Since 2005, the artist has devoted himself to an almost harmonious patchwork painting with echoes of Jackson Pollock's 'dripping' and reminiscences of Willem de Kooning, Mark Tobey or the 'Art brut' of Jean Dubuffet. • With a wealth of symbols, hints of figurative and abstract shapes and gestural brushstrokes, Butzer creates complex compositions that he himself describes as 'science fiction expressionism'. • The artist's works are part of important international collections, among them the Museum of Contemporary Art, Los Angeles, the Charles Saatchi Collection, London, and the Pinakothek der Moderne in Munich. The work will be included into the catalogue raisonné of paintings. We are grateful to Mr Christian Malycha, André Butzer Archive, for the kind support in cataloging this lot. PROVENANCE: Galerie Bernd Kugler, Innsbruck. Private collection North Rhine-Westphalian (acquired from the above in 2007). EXHIBITION: PLAY. The Frivolous and the Serious, me Collectors Room, Berlin, May 16 - August 25, 2013. André Butzer. Viele Tote im Heimatland - Fanta, Sprite, H-Milch, Mickey und Donald (Gemälde 1999-2009), Kunsthalle Nürnberg at KunstKulturQuartier, Nuremberg, June 18 - August 23, 2009, pp. 98f. (full-page color illu.). 'Utopias are known to have no place. They cannot be realized. Except in art. And that itself is a utopia that cannot be realized. [..] I simply have certain images in my head. And when I see them and at the same time see seeing with them, I achieve clarity. It is night in my pictures . I see machines, assembly lines, Fordism. There is life and flesh and serial destruction. The meat is moved on belts. It circulates as a commodity. Life is a terrible contradiction. Painting struggles with this contradiction. It consists of flesh and air. It is body and atmosphere. And in the atmosphere, of course, there is also water. That's why meat and lemonade are my symbols for painting. Lemonade is the industrialized, sugared water that surrounds the body, cola is the water that dissolves meat. [..] N is the unrealizable pictorial measure. I need such constructs in order to get somewhere. I don't see myself as a painter. I want to get somewhere through art. I want to become someone else. And N has accompanied me all these years as a size, as a measure, as a letter, as a number, as a formula and as a place. [..]. N describes the threshold to the picture, but not the picture itself. N prevents the purely pictorial from spreading in art. N is rather a measure of the possibility of the picture, not of its reality. But because most pictures only know the form of reality, they are so boring.' André Butzer in a talk with Michael Stoeber, in: André Butzer. Ich putze so lange, bis die Dinge leuchten, Kunstforum, vol. 218 (Der urbane Blick), 2012, pp. 234-243. Called up: December 8, 2023 - ca. 15.44 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Corgi Commercials CC13603 DAF - Tyson Burridge, CC13231 DAF James Irlan, CC13517 Volvo - N Irvine, CC13228 DAF - Craib, CC13103 Volvo - Elddis, CC13809 Mercedes - Pollock and CC12816 Scania - UBC Bulk (all E boxes E) (7)

Corgi Commercials CC13202 DAF - Longs of Leeds, CC13612 DAF - Bedmax, CC13507 Volvo - R F Fielding, CC12012 MAN - Phillips, CC13107 Volvo - Pollock, C13608 DAF - Kettlewells and CC13713 Scania - Prestons (all E boxes E) (7)

Corgi Hauliers Of Renown CC15801 Mercedes - Pollock, CC13745 Scania - Nooteboom, CC13768 Scania - Eddie Stobart, CC12941 Scania - S Walker, CC14040 Volvo - Currie and CC15501 Volvo Pickford Axle King (all E boxes E) (6)

*ALAN DAVIE (1920-2014) 'Les Grands Musicians Initiatiges No.1, 2006' signed, titled and dated verso, oil on canvas, 91.4cm x 76.2cmProvenance: With Gimpel Fils, 30 Davies Street, Mayfair, London W1K.Alan DavieIn the 1950's Alan Davie was recognised internationally as a new radical force in modern painting and was hailed by art critic Alan Bowness as, alongside Francis Bacon, one of the most influential artist of his time. He was an artist who created his own unique style, thoroughly spontaneous, and on drawing from a number of different interests, including his own experiences of primitive art, Abstract Expressionism, Surrealism and Zen Buddhism. However, despite his diverse influences, a Davie painting could never be mistaken for anyone else's work.Alan Davie first trained as a painter at Edinburgh College of Art where he also took up jazz music, and earned money as a musician, poet and jeweller. After his marriage in 1947 to fellow art student Janet Gaul, he travelled widely in Europe and for the first time was exposed to Italian masterpieces such as Cimabue and Giotto in Florence, before meeting Peggy Guggenheim in Venice who introduced him to Pollock's early work. Her recognition and later patronage of his work propelled him onto the international arena. When Davie returned to England he was taken on by the London gallery Gimpel Fils, where he had his first solo exhibition and from then on had the support of both the gallery and the Gimpel family. Initially however, it was in America where he experienced the greatest success; at his first New York exhibition, every painting sold mostly to major institutions and in 1956, when he first visited New York, the city's major artists of the day turned out to meet him, including Pollock and Rothko. In 1957 he showed work at the Museum of Modern Art in Paris and at the Guggenheim in New York. In 1958 he was part of the Critic's Choice Exhibition selected by David Sylvester and in the same year he represented Britain at the Venice Biennale.Alan Davie's work has been widely exhibited and is included in numerous international public and private collections, including the Tate Britain, the Arts Council of Great Britain, the Victoria & Albert Museum, the Foundation Maeght and the Museum of Modern Art, New York. His exuberant and expressive paintings posses a unique force that can be associated with the New York School and also the St Ives School, yet he also stood alone from these groups. He borrowed freely from all cultures and it is the combination of these experiences, together with his freedom of expression that gives Davie his unique style.

Romul Nutiu1932 Bilbor, Rumänien - 2012 RumänienIguazú. 2011Links unten signiert und datiert. Öl auf Leinwand. 120 x 200 cm. Rahmen (122 x 202 cm).Die Iguazú-Wasserfälle sind die Wasserfälle des Flusses Iguaçu/Iguazú an der Grenze zwischen dem brasilianischen Bundesstaat Paraná und der argentinischen Provinz Misiones.Romul Nutiu (1932-2012), ein bekannter rumänischer Künstler, studierte am Kunstinstitut in Cluj und später bei Prof. Alexandru Cuicurencu in Bukarest. Er lebte in Timisoara und wurde zu einer der führenden Persönlichkeiten des rumänischen Abstrakten Expressionismus. Nutiu brachte Struktur und Improvisation gekonnt in Einklang und schuf so eine einzigartige künstlerische Welt. Sein innovativer Ansatz erstreckte sich auch auf Installationen und die Integration von Objekten in seine Gemälde. Er leistete Pionierarbeit in der Technik der "aquatic experience", bei der er Wasser- und Industrielle Farben mischte, deren Form er durch die Interaktion mit einer Stange beeinflusste. Danach wurden die Kompositionen von der Leinwand aufgenommen. Diese Methode der Aktionsmalerei mündete in seine Serie "Dynamic Universe". In diesem Zusammenhang bezeichnete der Kritiker Coriolan Babeti Nutiu als "Pollock der rumänischen Westküste". Nutius Werk verkörpert die Harmonie zwischen dem Greifbaren und dem Ungreifbaren und macht ihn zu einem Innovator in der rumänischen Kunstszene. Die drei letzten großen Ausstellungen Romul Nutius waren: Im Jahr 2017 fand im Pollock-Krasner House in East Hampton, NY, die Ausstellung "Abstract Expressionism behind the Iron Curtain" statt, bei der Nutiu zusammen mit vier weiteren osteuropäischen Künstlern teilnahm: Andrej Jemec (Slowenien), Jan Kotik (Tschechien), Edo Murtic (Kroatien) und Tadeusz Kantor (Polen). Auch diese Künstler widmeten sich dem Abstrakten Expressionismus hinter dem Eisernen Vorhang. Die Direktorin des Museums und Kuratorin der Ausstellung ist Helen Harrison. Im Jahr 2022 fand eine umfangreiche Nutiu Retrospektive in Cetate, Rumänien statt, die von der 418 Gallery organisiert wurde, welche auch seinen Nachlass verwaltet. Diese Ausstellung konzentrierte sich auf sein gesamtes Werk und wurde chronologisch und thematisch aufgebaut. Die Kuratorin der Ausstellung, Flavia Frigeri aus London, bei der Tate Modern und National Portrait Gallery tätig, ist auch die Autorin des Main Essays im Katalog "Romul Nutiu Dynamic Universe" (2022). Im Juli und August dieses Jahres wurde die umfangreichste Nutiu Ausstellung in Timi?oara, der europäischen Kulturhauptstadt 2023, im nationalen Kunstmuseum präsentiert. Die Ausstellung fokussierte sich auf verschiedene Epochen seines Werdeganges auch im Kontext der politischen Entwicklungen in Rumänien. Andreea Foanene, die leitende Kuratorin des Kunstmuseums Timisoara hat zusammen mit der Tochter des Künstlers Simona Nutiu diese Ausstellung zusammengestellt.Provenienz: Privatbesitz Süddeutschland

CORGI; ten diecast model vehicles, seven from the 'Eddie Stobart' range, also a '76401 Scania Curtainside Pollock (Scotrans) Ltd', '75604 Renault Premium Curtainside Kent Connections Ltd' and '75805 M.A.N. Curtainside Safegard Storage' (10).

A presentation hatchet and billhook handle, circa 1890, mounted to a mahogany shield with applied silver shield engraved 'Hatchet & Billhook used by the City Solicitor on rendering rent service on the part of the Corporation of London to the Crown on the 23rd October 1890, present George F. Pollock Esq, Queen's Remembrancer, H. Homewood Crawford Esq, City Solicitor, Thos. Roderick Esq, Secondary'61 x 50cm

BOARDMAN, GLOSSOP & CO; a George V hallmarked silver three vase epergne, Sheffield 1921, inscribed 'Presented to M. Pollock Esq, by the M/C Hebrew Tontine Society for services rendered as Chairman 1911-20, March 18th 1922', on wooden plinth base, approx weight 41ozt/1275.2g.

Sm. archive of paper Pollock's scenes, ca. 1880-1910. Incl. a.o.: (1) Figures and backgrounds for var. plays, approx. 65. Most cut out, hand col., and mounted on (reused) sheets of paper. (2) Juvenile Drama. Miller and his Men. Three copies of this toy theatre play, but by 3 different publishers: Pollock, Skelt and Webb. (3) Facsimiles of uncut sheets of Pollock's scenes and figures, approx. 20. (4) Fawdry, K., ed. Toy Theatre. London, Pollock's, 1980. (total approx. 89 in 1 binder)

Corgi - 2 x limited edition trucks in 1:50 scale, Volvo F88 sheeted flatbed trailer in Pollock Scotrans livery number 1548 of 3100 made # CC13107 and ERF EC series in Anderton & Rowland livery number 61 of only 2300 made. The models appear Mint with mirrors and certificates in Good boxes with storage wear. (This does not constitute a guarantee) [ba-2]

Corgi - 3 x limited edition trucks in 1:50 scale, Atkinson refrigerated in Gibb's Of Fraserburgh livery number 580 of 3500 made # 28201, Atkinson Borderer in Pollock livery number 697 of 4000 # CC12504 and a Scammell Crusader in BRS livery number 859 of 5200 # CC12603. They appear Mint with certificates in Good boxes, the Scammell has no mirrors. (This does not constitute a guarantee) [ba-3]

Corgi - 2 x limited edition trucks in 1:50 scale, Renault Premium powder tanker in Damac livery number 1179 of 2900 made # 76101 and a DAF CF in Pollock livery number 1982 of only 2270 made. They appear Mint with mirrors and certificates in Good boxes. (This does not constitute a guarantee) [ba-2]

A framed and glazed Jackson Pollock screen print

A framed and glazed poster, Jackson Pollock The Museum of Art, New York

A collection of five corgi truck vehicles includes smith Anderson lorry vehicle & Pollock flat bed trucks

A collection of two corgi Pollock lorry vehicles to include flat bed lorry

A collection of four truck models to include corgi AEC mammoth Munro of Aberdeen flat bed truck & Pollock flat bed truck

A collection of loose truck models to include Pollock trucks

A Collection of four lorry vehicles to include Corgi Pollock flat bed lorry & B.P tanker

A collection of three Corgi Pollock lorry vehicles

A collection of two corgi flat bed truck vehicles to include Pollock flat bed lorry's

A framed and mounted D.M Pollock Watercolour depicting a bowl of Anemones.

A quantity of glass negatives in two pine boxes mainly relating to family life in Stirling and Lanark, together with a pine box retailed by Pollock & Stewart, Glasgow, containing 33 envelopes of negatives from 1917-1920's with detailed descriptions of contents and a box retailed by 'The Imperial Dry Plate co' containing glass negatives of the offices in Liberty Chambers, Hull.