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Cricket an Album of variety signed Autograph/Biography, signed photos, signed postcards signature includes Graeme Swann, Alan Knott, Darren Pattinson, Luke Wright, Gareth Hopkins, Daniel Vettori, Paul Collingwood, Steve Harmison, Ashwell Prince, Shaun Pollock, Ryan Sidebottom, Corey Collymore plus many more. Programmes, entry ticket and cut outs. Approx 50 pages. Various sizes 11.25x8 Inch / 6x4 Inch / 5.75x5 Inch / 4x3.25 Inch / 7x4.75 Inch. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

A quantity of Corgi and Matchbox diecast model wagons including Pollock, Scalextric, TNT, etc

§ ‡ Alan Davie C.B.E., R.A., H.R.S.A. (British 1920-2014) Flutter By Night, 1962 signed, titled, dated and inscribed Opus O.445 (verso) oil on canvas Dimensions:122cm x 152.4cm (48in x 60in) Provenance:Provenance Gimpel Fils, London, where acquired by Mrs Charles Benenson, August 1963 Gimpel Fils, London, where acquired by the present owner, November 2007Literature Alan Bowness, Alan Davie, Lund Humphries, London, 1967, cat. no.381, Note: Alan Davie once noted: ‘Painting is a continuous process which has no beginning or end. There never really is a point in time when painting is NOT’. This sentiment remained his guiding principle across a career spanning over 70 years. Difficult to pin-down as an artist, he worked across disciplines throughout his life: as well as exhibiting his paintings and printmaking internationally, he also designed and made jewellery, wrote poetry and performed as a professional music, most notably as a jazz saxophonist, but also as a cellist and pianist. Davie felt that all these interests and outputs supported and evolved across each other, rather than existing as distinct entities. Davie was equally as diverse in the sources of his inspiration, seeking it across space and time. He, like many artists of his generation, had a specific interest in Jungian ideas of the ‘collective unconscious’, aiming to paint without thought and consideration and to utilise symbols that had recurred across time periods and distance, a method similar to that of improvisation in jazz. Yet, as was so concisely put in the artist’s obituary, published in The Guardian, ‘the miracle was that out of an eclectic art that was part Celtic, part tribal Hopi, part Hindu or Jain or Tibetan Buddhist, part African and part pre-Columbian, with a hint of William Blake, there came painting of power and individuality.’ Despite such wide-ranging influences and inspirations, Davie’s art is always unmistakeably his and this is particularly clear in an example like the present work. Flutter by Night dates from 1962, an interesting moment in Davie’s artistic life. With the benefit of hindsight and the awareness of the longevity of his career, it feels like a relatively early work but is in fact from a period in which he had already gained significant momentum as an artist. It follows his visit to the U.S.A. in 1956 where he exhibited (with the ground-breaking Catherine Viviano Gallery) and also met artists including Willem de Kooning, Robert Motherwell, Jackson Pollock and Mark Rothko. It also follows a significant retrospective at the Whitechapel Gallery in London in 1958. Another retrospective took place at the Stedelijk Museum in Amsterdam, in the same year as this painting was made. It is easy to feel a sense of this inspiration and energy in Flutter by Night; expressive and energetic, the gestural brushwork and bright colour break their way through the swathes of grey. Davie was said to have developed his understanding of the role of the artist from Paul Klee: ‘he neither serves nor rules – he transmits.’ In Flutter by Night Davie succeeds in this quest, his painterly improvisation viscerally conveying his vigorous vision, reaching across time and space all the way out to reach us, in the here and now.

Corgi 1/50 Scale Lorries (4) - CC13229 DAF XF Curtainside David Murray Transport, CC13601 DAF CF Curtainside R Swain & Sons Ltd, CC13107 Volvo F88 sheeted flatbed trailer Pollock Scotrans Ltd, CC12205 Scania curtainside Stan Robinson, all boxed (4)

Corgi 1/50 Scale Lorries (4) - CC13803 Mercedes Benz actros curtainside - Robert Summers Transport Ltd, 75205 Series curtainside Pollock (Scotrans) Ltd, 75405 Leyland DAF curtainside - Knights of Old, CC12204 Scania fridge trailer - Norfolkline, all boxed (4)

Corgi Classics Road Transport Diecast Commercial Toys (10) incl' Blue Circle ERF 97930, North Eastern Gas Board AEC 97932, Robson's of Carlisle Foden 97971, Pollock of Musselburgh Atkinson 97162, Flowers ERF 97942, Greenall Whitley AEC 97931, plus British Road Services Bedford 22501, BRS Leyland 25101, BRS ERF tipper 10201 and BRS Bedford S Type 19901 - all boxed - Box

Corgi 1/50 Scale Truckfest Diecasts (4) - CC14004 Volvo FH J G McWilliam Ltd, CC13702 Scania R Series Garn Transport Ltd, CC13908 Foden Alpha Reids of Minishant, CC13704 Scania R Series Pollock (Scotrans) Ltd, all boxed (4)

Corgi 1/50 Scale Truckfest Diecasts (3) - CC13218 DAF XF space cab Jack Richards & Son Ltd, CC13410 MAN TGA XXL Pollock (Scotrans) Ltd, CC13218 DAF XF space cab Jack Richards & Son Ltd, all boxed (3)

MASSON, André(1896 Balagny-sur-Thérain - 1987 Paris) "Le Coeur Volé"Farblithografie. Bleistiftsignatur. Verso Stempel "Jahresgabe 1961 Kunstverein Hamburg". Blatt: 66,5 x 45,3 cm. Französischer Maler, Grafiker und Bildhauer, dessen Malstil Künstler des Abstrakten Expressionismus - wie Jackson Pollock - maßgeblich beeinflusste. Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:34 Uhr (CET) MASSON, André(1896 Balagny-sur-Thérain - 1987 Paris) "Le Coeur Volé"Color lithograph. Pencil signature. Verso stamp "Jahresgabe 1961 Kunstverein Hamburg". Sheet: 66.5 x 45.3 cm. French painter, graphic artist and sculptor, whose painting style significantly influenced artists of Abstract Expressionism - such as Jackson Pollock. Call time 26 | Oct 2023 | expected 18:34 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

12 Corgi Commercial Vehicles. Albion Reiver Platform Lorry, Pollock. Scammell Highwayman Articulated Tanker, ESSO. Bedford KM Platform Trailer, British Railways. ERF Flatbed, Eddie Stobart. Leyland 4 Wheel Flatbed with Container, BRS. Scammell Scarab, British Railways. AEC 8-Wheel Platform Lorry, Eddie Stobart. Volvo Truck and trailer, Stobart. Cement Mixer Pioneer. Refuse Truck, Biffer. Scania artic, James Irlam and a Ford Transit Van, Eddie Stobart. All boxed, many items loose. Some wear to boxes. Vehicles VGC. £60-80

12 Corgi Commercial Vehicles. "Hauliers of Renown" series Volvo F10 Fridge Trailer (CC15506), Dukes Transport Limited, UK. Leyland Octopus Platform Lorry, AEC Ergomatic Platform Lorry and Bedford TK Platform Lorry, all 3 Pollock. Bedford TK Luton Van, Pickfords. ERF Cab & Container, Royal Mail. Plus 6 others, all in Eddies Stobart livery- Ford Transit, Bedford TK Box Van, Ford Cargo Box Van, Thames Trader Dropside Lorry, Volvo Curtainside Trailer and a Leyland Beaver Platform Lorry. All boxed, some wear/cleaning required to a few, some vehicles loose in their boxes. Vehicles VGC. £70-90

Eight boxed ltd edn 1/50 Corgi haulage diecast models to include 75604 Kent Connection Ltd, CC12223 A.E Hawkins Ltd, 75807 John Raymond Transport Ltd, 76401 Pollock Scotrans Ltd, 76601 H.E. Payne (Transport) Ltd, CC12409 McBurney Transport, 74904 W.R. Wood (Haulage) Ltd and CC13504 W.H. Malcolm Ltd, with certificates, diecast ex, boxes are mostly vg with some showing signs of storage wear

Six boxed Corgi ltd edn diecast models to include CC12111 TNT, CC13809 Pollock, 76403 Guinness, 76401 Pollock, 75206 Massey Wilcox, 75701 TNT, all with certificates, diecast ex, boxes gd overall with some showing signs of storage wear

Seven boxed Corgi ltd edn Hauliers Of Renown 1/50 diecast models to include CC13421 Sloan Transport, CC13227 L.V. Transport Ltd (De-Certified), 76602 Eddie Stobart Ltd, CC13415 Eddie Stobart Ltd, 76403 Guinness, CC10309 Pollock (De-Certified) and CC11611 Pollock (De-Certified), with certificates unless stated, diecast ex, boxes vg with some signs of storage wear

Corgi Toys, 1:50 scale Diecast Trucks inc CC12931 Sights and Sounds Scania Topline Curtain side in livery of Pollock Scotrans Ltd, Haulers of Renown, Lawsons Scania R series High Roof flatbed trailer and rails, CC13708; Scammell Highwayman Generator with closed pole trailer and Dodgem set, Anderson & Rowland's, 15901, etc, 8 boxed others unboxed (10 total)

Lledo and Lledo Vanguards diecast, including trackside DG14900 AEC Mammoth with flat bed trailer and brick load London Brick Company, DG186003 ERF LV sheeted trailer Pollock, DG186004 ERF LV platform trailer Saxload Ken Thomas Limited, KT1002 Ken Thomas Haulage Trucks of the 50s and 60s, etc. (7)

The Dave Degens1959 Nor-BSA 350cc Racing MotorcycleRegistration no. WSL 988Frame no. P48Engine no. DB.32.GS.1679.•Built for Dave Degens in 2019•Road licensed, race-specification•3.6 miles recordedNorton's ubiquitous Featherbed frame has long been the special-builder's friend, proving versatile enough to accommodate power units of all kinds ranging from the humble British single up to relatively modern Japanese fours and even the occasional car engine. The Triumph-engined Triton is by far the most common of these hybrids, followed by the BSA-engined Nor-BSA, usually using a twin-cylinder engine.This unique hybrid was built for Dave Degens' personal use in 2019 and is owned by and registered to him. It incorporates a replica Manx lightweight frame, constructed of Accles & Pollock T45 tubing instead of the original Reynolds 531, and is powered by a tuned 350cc BSA Gold Star DB32 engine dating from circa 1959. Harking back to the austere decades of the immediately post-WW2 period, this machine was built for its owner to ride to the track, remove the lights and number plate, race and ride home. Specification highlights include the following: Original Manx twin-leading-shoe magnesium front brake in converted Triumph conical hub Belt primary driveDresda competition swinging arm Balanced crankshaftNew main bearingsNew big-end shells Lightweight valves and springs Lucas M01 mag-dyno Amal Concentric carburettorHagen shock absorbers Alloy fuel and oil tanksFront brake air scoop18' alloy wheel rims (Morad front; XS Performance rear) shod with modern tyresAt time of cataloguing, it is believed only 3.6 miles had been covered since the machine was built. Following a period of inactivity, this motorcycle will require re-commissioning and thus is sold strictly as viewed. Accompanying paperwork includes a (copy) old V5; specification sheets and DVLA SORN. Key not required.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

Hans Namuth (1915-1990) was a German-born American photographer and filmmaker. He is best known for his iconic photographs of artists, particularly his collaboration with the abstract expressionist painter Jackson Pollock. Namuth's work played a significant role in documenting and promoting the abstract expressionist movement. Born on March 17, 1915, in Essen, Germany, Namuth initially studied art history and philosophy before turning to photography. In the 1940s, he immigrated to the United States and settled in New York City. Namuth began working as a photographer and soon developed a reputation for his portraits of artists. Namuth is particularly renowned for his photographs of Jackson Pollock at work in his studio. In 1950, Namuth captured Pollock's unique painting process by photographing him from various angles while he created his drip and pour technique. These photographs provided an intimate and behind-the-scenes look at Pollock's artistic process and became some of the most iconic images in the history of art photography. In addition to his photography, Namuth also ventured into filmmaking. He collaborated with Pollock on the influential documentary "Jackson Pollock 51" (1951), which further enhanced the public's understanding of Pollock's artistic methods and creative process.Throughout his career, Namuth photographed numerous other artists, including Willem de Kooning, Mark Rothko, and Barnett Newman, among others. His photographs captured the essence of the abstract expressionist movement and helped popularize it both within the art world and beyond. Hans Namuth's contributions as a photographer and filmmaker have left a lasting impact on the field of art documentation. His work continues to be celebrated for its intimate portrayal of artists and its role in preserving and promoting the legacy of abstract expressionism. Namuth passed away on October 13, 1990, in East Hampton, New York. Measures 10.26 x 12.98 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Hans Namuth (1915-1990) was a German-born American photographer and filmmaker. He is best known for his iconic photographs of artists, particularly his collaboration with the abstract expressionist painter Jackson Pollock. Namuth's work played a significant role in documenting and promoting the abstract expressionist movement. Born on March 17, 1915, in Essen, Germany, Namuth initially studied art history and philosophy before turning to photography. In the 1940s, he immigrated to the United States and settled in New York City. Namuth began working as a photographer and soon developed a reputation for his portraits of artists. Namuth is particularly renowned for his photographs of Jackson Pollock at work in his studio. In 1950, Namuth captured Pollock's unique painting process by photographing him from various angles while he created his drip and pour technique. These photographs provided an intimate and behind-the-scenes look at Pollock's artistic process and became some of the most iconic images in the history of art photography. In addition to his photography, Namuth also ventured into filmmaking. He collaborated with Pollock on the influential documentary "Jackson Pollock 51" (1951), which further enhanced the public's understanding of Pollock's artistic methods and creative process.Throughout his career, Namuth photographed numerous other artists, including Willem de Kooning, Mark Rothko, and Barnett Newman, among others. His photographs captured the essence of the abstract expressionist movement and helped popularize it both within the art world and beyond. Hans Namuth's contributions as a photographer and filmmaker have left a lasting impact on the field of art documentation. His work continues to be celebrated for its intimate portrayal of artists and its role in preserving and promoting the legacy of abstract expressionism. Namuth passed away on October 13, 1990, in East Hampton, New York. Measures 10.27 x 12.98 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Hans Namuth (1915-1990) was a German-born American photographer and filmmaker. He is best known for his iconic photographs of artists, particularly his collaboration with the abstract expressionist painter Jackson Pollock. Namuth's work played a significant role in documenting and promoting the abstract expressionist movement. Born on March 17, 1915, in Essen, Germany, Namuth initially studied art history and philosophy before turning to photography. In the 1940s, he immigrated to the United States and settled in New York City. Namuth began working as a photographer and soon developed a reputation for his portraits of artists. Namuth is particularly renowned for his photographs of Jackson Pollock at work in his studio. In 1950, Namuth captured Pollock's unique painting process by photographing him from various angles while he created his drip and pour technique. These photographs provided an intimate and behind-the-scenes look at Pollock's artistic process and became some of the most iconic images in the history of art photography. In addition to his photography, Namuth also ventured into filmmaking. He collaborated with Pollock on the influential documentary "Jackson Pollock 51" (1951), which further enhanced the public's understanding of Pollock's artistic methods and creative process.Throughout his career, Namuth photographed numerous other artists, including Willem de Kooning, Mark Rothko, and Barnett Newman, among others. His photographs captured the essence of the abstract expressionist movement and helped popularize it both within the art world and beyond. Hans Namuth's contributions as a photographer and filmmaker have left a lasting impact on the field of art documentation. His work continues to be celebrated for its intimate portrayal of artists and its role in preserving and promoting the legacy of abstract expressionism. Namuth passed away on October 13, 1990, in East Hampton, New York. Measures 10.27 x 12.98 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Hans Namuth (1915-1990) was a German-born American photographer and filmmaker. He is best known for his iconic photographs of artists, particularly his collaboration with the abstract expressionist painter Jackson Pollock. Namuth's work played a significant role in documenting and promoting the abstract expressionist movement. Born on March 17, 1915, in Essen, Germany, Namuth initially studied art history and philosophy before turning to photography. In the 1940s, he immigrated to the United States and settled in New York City. Namuth began working as a photographer and soon developed a reputation for his portraits of artists. Namuth is particularly renowned for his photographs of Jackson Pollock at work in his studio. In 1950, Namuth captured Pollock's unique painting process by photographing him from various angles while he created his drip and pour technique. These photographs provided an intimate and behind-the-scenes look at Pollock's artistic process and became some of the most iconic images in the history of art photography. In addition to his photography, Namuth also ventured into filmmaking. He collaborated with Pollock on the influential documentary "Jackson Pollock 51" (1951), which further enhanced the public's understanding of Pollock's artistic methods and creative process.Throughout his career, Namuth photographed numerous other artists, including Willem de Kooning, Mark Rothko, and Barnett Newman, among others. His photographs captured the essence of the abstract expressionist movement and helped popularize it both within the art world and beyond. Hans Namuth's contributions as a photographer and filmmaker have left a lasting impact on the field of art documentation. His work continues to be celebrated for its intimate portrayal of artists and its role in preserving and promoting the legacy of abstract expressionism. Namuth passed away on October 13, 1990, in East Hampton, New York. Measures 13 x 9.75 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Hans Namuth (1915-1990) was a German-born American photographer and filmmaker. He is best known for his iconic photographs of artists, particularly his collaboration with the abstract expressionist painter Jackson Pollock. Namuth's work played a significant role in documenting and promoting the abstract expressionist movement. Born on March 17, 1915, in Essen, Germany, Namuth initially studied art history and philosophy before turning to photography. In the 1940s, he immigrated to the United States and settled in New York City. Namuth began working as a photographer and soon developed a reputation for his portraits of artists. Namuth is particularly renowned for his photographs of Jackson Pollock at work in his studio. In 1950, Namuth captured Pollock's unique painting process by photographing him from various angles while he created his drip and pour technique. These photographs provided an intimate and behind-the-scenes look at Pollock's artistic process and became some of the most iconic images in the history of art photography. In addition to his photography, Namuth also ventured into filmmaking. He collaborated with Pollock on the influential documentary "Jackson Pollock 51" (1951), which further enhanced the public's understanding of Pollock's artistic methods and creative process.Throughout his career, Namuth photographed numerous other artists, including Willem de Kooning, Mark Rothko, and Barnett Newman, among others. His photographs captured the essence of the abstract expressionist movement and helped popularize it both within the art world and beyond. Hans Namuth's contributions as a photographer and filmmaker have left a lasting impact on the field of art documentation. His work continues to be celebrated for its intimate portrayal of artists and its role in preserving and promoting the legacy of abstract expressionism. Namuth passed away on October 13, 1990, in East Hampton, New York. Measures 10.25 x 12.98 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Hans Namuth (1915-1990) was a German-born American photographer and filmmaker. He is best known for his iconic photographs of artists, particularly his collaboration with the abstract expressionist painter Jackson Pollock. Namuth's work played a significant role in documenting and promoting the abstract expressionist movement. Born on March 17, 1915, in Essen, Germany, Namuth initially studied art history and philosophy before turning to photography. In the 1940s, he immigrated to the United States and settled in New York City. Namuth began working as a photographer and soon developed a reputation for his portraits of artists. Namuth is particularly renowned for his photographs of Jackson Pollock at work in his studio. In 1950, Namuth captured Pollock's unique painting process by photographing him from various angles while he created his drip and pour technique. These photographs provided an intimate and behind-the-scenes look at Pollock's artistic process and became some of the most iconic images in the history of art photography. In addition to his photography, Namuth also ventured into filmmaking. He collaborated with Pollock on the influential documentary "Jackson Pollock 51" (1951), which further enhanced the public's understanding of Pollock's artistic methods and creative process.Throughout his career, Namuth photographed numerous other artists, including Willem de Kooning, Mark Rothko, and Barnett Newman, among others. His photographs captured the essence of the abstract expressionist movement and helped popularize it both within the art world and beyond. Hans Namuth's contributions as a photographer and filmmaker have left a lasting impact on the field of art documentation. His work continues to be celebrated for its intimate portrayal of artists and its role in preserving and promoting the legacy of abstract expressionism. Namuth passed away on October 13, 1990, in East Hampton, New York. Measures 10.26 x 12.99 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Hans Namuth (1915-1990) was a German-born American photographer and filmmaker. He is best known for his iconic photographs of artists, particularly his collaboration with the abstract expressionist painter Jackson Pollock. Namuth's work played a significant role in documenting and promoting the abstract expressionist movement. Born on March 17, 1915, in Essen, Germany, Namuth initially studied art history and philosophy before turning to photography. In the 1940s, he immigrated to the United States and settled in New York City. Namuth began working as a photographer and soon developed a reputation for his portraits of artists. Namuth is particularly renowned for his photographs of Jackson Pollock at work in his studio. In 1950, Namuth captured Pollock's unique painting process by photographing him from various angles while he created his drip and pour technique. These photographs provided an intimate and behind-the-scenes look at Pollock's artistic process and became some of the most iconic images in the history of art photography. In addition to his photography, Namuth also ventured into filmmaking. He collaborated with Pollock on the influential documentary "Jackson Pollock 51" (1951), which further enhanced the public's understanding of Pollock's artistic methods and creative process.Throughout his career, Namuth photographed numerous other artists, including Willem de Kooning, Mark Rothko, and Barnett Newman, among others. His photographs captured the essence of the abstract expressionist movement and helped popularize it both within the art world and beyond. Hans Namuth's contributions as a photographer and filmmaker have left a lasting impact on the field of art documentation. His work continues to be celebrated for its intimate portrayal of artists and its role in preserving and promoting the legacy of abstract expressionism. Namuth passed away on October 13, 1990, in East Hampton, New York. Measures 10.25 x 12.99 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Hans Namuth (1915-1990) was a German-born American photographer and filmmaker. He is best known for his iconic photographs of artists, particularly his collaboration with the abstract expressionist painter Jackson Pollock. Namuth's work played a significant role in documenting and promoting the abstract expressionist movement. Born on March 17, 1915, in Essen, Germany, Namuth initially studied art history and philosophy before turning to photography. In the 1940s, he immigrated to the United States and settled in New York City. Namuth began working as a photographer and soon developed a reputation for his portraits of artists. Namuth is particularly renowned for his photographs of Jackson Pollock at work in his studio. In 1950, Namuth captured Pollock's unique painting process by photographing him from various angles while he created his drip and pour technique. These photographs provided an intimate and behind-the-scenes look at Pollock's artistic process and became some of the most iconic images in the history of art photography. In addition to his photography, Namuth also ventured into filmmaking. He collaborated with Pollock on the influential documentary "Jackson Pollock 51" (1951), which further enhanced the public's understanding of Pollock's artistic methods and creative process.Throughout his career, Namuth photographed numerous other artists, including Willem de Kooning, Mark Rothko, and Barnett Newman, among others. His photographs captured the essence of the abstract expressionist movement and helped popularize it both within the art world and beyond. Hans Namuth's contributions as a photographer and filmmaker have left a lasting impact on the field of art documentation. His work continues to be celebrated for its intimate portrayal of artists and its role in preserving and promoting the legacy of abstract expressionism. Namuth passed away on October 13, 1990, in East Hampton, New York. Measures 10.26 x 12.98 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

An Accles and Pollock Apollo steel rod "The Mull", in two sections, 8' 6" and fitted with agate rings, circa 1950-1955

Pair: Lieutenant R. B. Norton, 35th Bengal Native Infantry, who was wounded at the Tazeane Pass in September 1842 Defence of Jellalabad 1842, Flying Victory (R. B. Norton, 35th Regt. B.L.J.) contemporarily re-engraved naming in upright capitals; Cabul 1842 (R. B. Norton 35th Regt. B.L.J.) contemporarily re-engraved naming in upright capitals, both medals fitted with replacement small rings and silver bar suspension, contact marks, otherwise toned, very fine (2) £600-£800 --- Robert Bruce Norton is confirmed on the list of officers presented with medals for Jellalabad (as Lieutenant in 35th Bengal N.I.) and is also named in a list of officers who were wounded in the action of 13 September 1842, in the Tazeane Pass, two days before Pollock entered Cabul. He was court martialed on 16 July 1849 at Barrackpore for having absented himself from his quarters without leave, amongst other charges, during which time he took himself to Calcutta and did not reappear until the following day. Found guilty, he was sentenced to be ‘publicly and severely reprimanded’. The full detail of this case was reported in Allen’s Indian Mail and can be accessed online. It is possible that Norton forfeited his medals as a result of this court martial and subsequently acquired replacements which he had re-engraved to suit. Norton’s death was reported in the Gentleman’s Magazine for October 1852: ‘15 August 1852 - At St John’s-hill, Wandsworth, aged 30, Robert Bruce Norton, Lieutenant 35th Bengal Light Infantry, third surviving son of the late Sir John Davis Norton, one of the Judges of the Supreme Court at Madras.’ A ‘Typescript journal and letters of Capt (sic) Robert Bruce Norton, 35th Bengal Native Light Infantry at Jellalabad, 8 Oct 1841 to April 1842’, are held by the National Army Museum (Accession No 1968-07-224).

AUTOGRAPH CRICKET Books: 1- Jack Bannister: The Innings of my life, 1st. edn. Signed by Bannister & six others on the endpapers, Plus 25 others signed on their respective photograph, including: Botham, Benaud, Boycott, Broad, D’Oliveira, Gooch, Gower, Hick, Etc; 2- Garry Cotter: The Ashes Captains. 1st. edn. Signed by: Gatting, Border & Greig on their respective photos; 3- Bailey & Trueman: From Larwood to Lillee. 1st. edn. Signed by: Tyson, Willis & Hall; 4- Jack Pollard: The Glovemen. 1st. edn. With a frontis of Ian Healy, Signed by him; 5- Charles Fortune: M.C.C. in South Africa. 1st. edn. Signed by: Pollock, Procter, Richards, Van der Merwe & 2 others; 6- David Lemmon: The Great Wicket-Keepers. 1st. edn. Signed by Bob Taylor (page 143); 7- Jackie McGlew: Cricket for South Africa. 1st. edn. Signed by: Procter, Van der Merwe; Barlow; & 3 others; Plus Another copy, Signed by: McGlew & 8 other S. African Players; 8- Barry Richards: The Barry Richards Story. 1st. edn. Signed by: Richards, Barlow & Procter; Plus another copy, Signed by: Richards (twice), Barlow & Procter; 9- With the West Indies in Australia. 1st. edn. With 10 signatures, including: Richie Benaud, Sonny Ramadhin, Cammie Smith, etc. and three others (11)

A printed card portfolio containing twenty printed images on glossy stock, each page 21 x 29.5cm. Printed sticker affixed to inner portfolio cover is dated December 1978 and details the 'Mixed Media Montages' in the folder as being created by artists Edward Bell, Linder (Sterling), Ian Pollock, Jon Savage and George Snow. Prints show very mild discolouration but are otherwise in excellent condition. Portfolio shows sticker residue, age wear, wear to edges, creasing, some splitting but all generally consummate with age and is intact.

A George II silver sauceboat, with flying scroll handle, John Pollock, London, 1751, length 21cm, 12oz.

Corgi 1/50 diecast model truck issue comprising No. CC14010 Volvo FH Curtainside in the livery of Pollock / Smith Anderson. Appears to be complete with no obvious sign of fault, with original box.

A collection of Vanity Fair Spy Prints including a cartoon of jockey Daniel Aloysius Maher 'Danny' 1903 lithograph, 39.7 by 26.4cm, and The Hon. Sir Charles Edward Pollock 'One in the family', 1890, 38.2 by 26.4cm. (11)

Boxed Corgi Classics model haulage vehicles, to include Connoisseur Collection 22502 MacBraynes Bedford TK Platform Trailer and Container, 97980 ERF Elliptical Tanker Esso, 97334 Atkinson 8 Wheel Rigid with Crates Lucozade, 97162 Atkinson Elliptical Tanker Pollock of Musselburgh, 97318 Scammell Scarab with Barrels Websters etc. Condition Report:Available upon request

A Charles Pollock design for Knoll mid-century executive desk chair. Swivel, open armchair with button back brown leather and chrome trim and base. H79cm

Three limited edition boxed Corgi authentic scale die-cast replica commercial articulated lorries/trucks including Preston's of Potto Scania Curtainside (76404), Pollock (Scotrans) Ltd, Musselburgh ERF EC Series Curtainside (75205) & Ian Craig (Haulage) Ltd Volvo FM Curtainside (CC13512) - All 1:50 scale

Jackson Pollock (1912-1956), Mixed Media on Canvas Image Size: 47 1/8 by 39 1/4 inches (120 by 100 cm) All measurements are approximate. Signed (upper left) Jackson Pollock (1912-1956) was a trailblazing American artist and a driving force behind the Abstract Expressionist movement. Renowned for his innovative "drip painting" technique, Pollock redefined artistic boundaries by pouring and splattering paint onto canvases laid on the floor. His artworks, marked by dynamic swirls of color and intricate rhythms, reflect his inner emotional landscape. Pollock's groundbreaking approach encouraged a new dialogue between artist and canvas, as well as the viewer's interpretation. Pollock's radical departure from traditional methods made him an influential figure, shaping the trajectory of modern art. His legacy remains a testament to the transformative power of artistic experimentation and the ability to evoke emotions through abstract form. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Charles Pollock for Herman Miller - Executive Chair - A retro 1960s swivel office desk chair / armchair. The chair having a cream leather buttoned seat and cushion with chrome frame and shaped black arm rests. Raised a five point star base with black wheeled castors. Measures approx. 80cm x 66cm x 62cm.

* HUGH GERARD BYARS (SCOTTISH b. 1957), THE GLASGOW STREET oil on canvas, signed and dated '13, titled label versoframed image size 92cm x 92cm, overall size 110cm x 110cmHandwritten artist's label versoProvenance: sold The Scottish Contemporary Art Auction 9th November 2014 (lot 1915A) for £850 hammer.Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ''New Glasgow Boys'' school of painters.

Eyre (Lt. Vincent) The Military Operations at Cabul, which ended in the Retreat and Destruction of the British Army...with a Journal of Imprisonment in Afghanistan, fourth edition, folding lithographed plan, with the addition of 15 lithographed portraits and plates from Eyre's 'Portraits of the Cabul Prisoners' bound in, one folding, some on india paper and mounted, light spotting to one or two plates but a good clean copy in original pictorial cloth, gilt, spine rubbed and faded with a couple of small nicks, new endpapers, preserved in modern cloth drop-back box, morocco label, spine faded, [Bobins 240], 8vo, 1843.⁂ Record of part of the debacle of the First Afghan War of 1839-42. Following the murder of Alexander Burnes in 1841 the British force was besieged in Kabul. They were eventually allowed to evacuate and began the retreat back towards India. On the way the Afghans demanded the surrender of the married officers and their families as hostages and they spent nine months in captivity in various forts, the experience being recorded by both Eyre and Lady Sale in diaries, before being rescued by General Sir George Pollock. The rest of the retreating column of 16,500 including women and children perished in the mountains due to the harsh winter and attacks from local tribesmen. Of the contingent only one British soldier, Dr. William Brydon, and a few sepoys managed to reach Jalalabad.Eyre's portfolio of the portraits of the prisoners was issued separately but was intended to be bound up with either Eyre's or Lady's Sale's journal of the ordeal, as here.

Corgi - King of the Road - MAcFarlane - Haulers of Renoun. A selection of Three diecast models appearing in Mint condition in Excellent boxes with minor imperfections. #CC12504 Atkinson Borderer Flatbed Trailer Pollock Kings of The Road. #75602 Renault Premium Curtainside for Macfarlane Transport. #CC12919 Scania Topline Livestock MacTaggart. (This does not constitute a guarantee). (3)

Large Mixed media on canvas abstract impressionism art work in the style of Jackson Pollock 1.8m x 1.2m

A vintage steel Accles and Pollock 'Apollo Merlin' take down bow, 57" long, no arrows. COLLECT ONLY.

Eight boxed Corgi 1/50 scale diecast vehicle models to include 3 Guinness trucks, 97162 Atkinson Elliptical Tanker (Pollock Of Musselburgh), 29102 Guy Invincible 8 Wheel Platform Lorry (Wynn's) etc. Models checked where able (some models never removed from boxes/still taped) and appear at least near mint with unused accessory packs, paperwork etc. Also included some Corgi brochures including a 2000 Corgi Collectables catalogue etc.

Thoelke, Bärbel (geb. 1938 Stralsund) "Korallenschälchen mit Jackson-Pollock-Staffage" in Orange bzw. Schwarz. Atelierserie aus dem Jahr 2008. Schwertermarke Meissen, 2008. 1. Wahl. Je H. 6, D. 10 cm.

Pollock, Charles (1930 Philadelphia - New York 2013) Satz von sechs "Executive Chairs". Weiß lackiertes und verchromtes Metall, Außenschale aus weißemr Kunststoff (1x Risse). Beige Stoffpolsterung (stark fleckig). Weiße Kunststoffgleiter. Best., Kratzer. Hersteller Knoll, 70er Jahre. H. 84 cm.

Cricket. Clive Rice, Graham Pollock, Ali Bacher and Geoff Humpage Signed 3rd Test South Africa Vs SAB English XI March 1982 First Day Cover. South African Stamp with 26/3/82 Postmark. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

Hans Hofmann (1880–1966) was a German-American painter and teacher who played a significant role in the development of abstract expressionism and modern art in the United States. He is known for his innovative use of color and form, as well as his contributions to art education.Hofmann's early work was influenced by Fauvism and Cubism, but he is perhaps best known for his development of a style that combined these influences with his own unique approach. He explored the dynamic interplay between color and form, often creating paintings that seemed to vibrate with energy and movement.One of Hofmann's notable contributions was his role as an influential art teacher. He opened the Hans Hofmann School of Fine Arts in Munich in the early 20th century and later opened schools in New York and Provincetown, Massachusetts. His teaching had a profound impact on many artists who would later become associated with abstract expressionism, such as Jackson Pollock, Lee Krasner, and Helen Frankenthaler.Hofmann's own art often featured bold and vibrant colors, dynamic compositions, and a sense of tension between geometric and organic forms. He believed in the spiritual potential of art and viewed color as a powerful force that could convey emotions and ideas beyond the representational.His work has left a lasting impact on modern art, particularly in terms of his exploration of color theory, the push-pull effects of his compositions, and his influence on a generation of artists. Hans Hofmann's contributions to both art practice and art education have solidified his place in the history of 20th-century art.Measures 20 x 24.

Hans Namuth (1915–1990) was a German-born American photographer known for his iconic portraits of artists and his significant contributions to documenting the abstract expressionist art movement in New York during the mid-20th century. Namuth's photographs captured the personalities of artists and the creative process behind their work, providing valuable insights into the art world of his time.Key points about Hans Namuth and his work:1. **Jackson Pollock:** Namuth is perhaps best known for his photographs of the abstract expressionist painter Jackson Pollock. His images captured Pollock's unique painting techniques, such as his "drip painting" method, and provided a glimpse into his studio environment.2. **Documenting Artists:** Beyond Pollock, Namuth's photographs documented other prominent artists of the abstract expressionist movement, such as Willem de Kooning, Mark Rothko, and Barnett Newman.3. **Studio Portraits:** Namuth's portraits often portrayed artists in their studios, surrounded by their artwork and tools. These images conveyed a sense of the artists' personalities and their connection to their creative spaces.4. **Collaboration with Pollock:** Namuth's collaboration with Pollock extended beyond photography. He also created a short film titled "Jackson Pollock 51" (1951), which documented Pollock's artistic process and interactions with his artwork.5. **Artistic Philosophy:** Namuth's approach to photography was characterized by his desire to capture the essence of his subjects and their creative work. His images often highlighted the intimate relationship between the artist and the artistic process.6. **Cultural Significance:** Namuth's photographs played a role in popularizing abstract expressionism and providing audiences with a deeper understanding of the artists and their work.7. **Documenting New York Art Scene:** Namuth's work also extended to documenting the New York art scene, including exhibitions, gallery openings, and interactions among artists.8. **Photography Legacy:** His photographs continue to be celebrated for their intimate and candid portrayals of artists, offering valuable insights into their lives and creative practices.Hans Namuth's dedication to documenting the artistic process and capturing the personalities of prominent artists has left a lasting impact on the field of photography and art history. His images have become integral to our understanding of the abstract expressionist movement and its key figures.Hans Namuth "Helen Frankenthaler, 1964 " Print. Measures 13 x 10.5.Printed circa 1960's.

A Caroline Pollock silver and turquoise ring, L

Mr Brainwash (French 1966-), 'Blue Pollock', 2009, unique acrylic and screenprint on wove paper, signed, dated, inscribed 'Life Is Wonderful' and numbered 1/1 in pencil verso; sheet: 56 x 76cmARR sheet: 56 x 76cm No creases to the sheet A 3.5 cm tear/hole in the middle of the print Numerous medium to smaller tears across the print, verso and recto Few marks across the sheet recto Extensive signs of mould on the right-hand side of the print, visible recto and verso Area of residue, possibly from a sticker, visible verso Deckled edges are in good condition This work requires restoration It has been stored flat and has not been framed.

Corgi (Kings of the Road Series), CC12504 Atkinson Borderer Flatbed Trailer "Pollock" & CC12503 Atkinson Borderer Fridge Van "Gibbs of Fraserburgh". Also includes 97366 Atkinson 8 Wheel Rigid with Trailer and Load 'Tennant and others. All appear generally Mint within Excellent to Near Mint boxes. (8)

Sam Francis (American, 1923-1994). Monotype on handmade paper titled "Chariot," 1985. This print depicts an abstract composition of amorphous forms in various colors such as red, blue, yellow, black, and green. Signed in pencil along the lower right. Original artist pencil inventory number on the lower edge of the verso "GTW-VF-VB. 03-#2-1985." With detached gallery labels.Provenance: Pamela Auchincloss Gallery, Santa Barbara, California; Flanders, Minneapolis, Minnesota; Private Minnesota Collection.Lot Essay:Sam Francis came to be an artist under unlikely circumstances. After serving the Air Force during World War II, Francis was injured during flight test maneuvers and subsequently hospitalized. It was while he was recovering that he first began to paint. Francis went on to graduate from the University of California, Berkeley in 1950 with a degree in art and began his European travels. His first stop was Paris, where he studied Monet’s “Water Lilies†and developed a relationship with the Matisse family and artists such as Al Held, Joan Mitchell, and Jean-Paul Riopelle. He went on to develop and maintain studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California.Sam Francis was considered a revolutionary master of color, space, and light. His works call to various art movements - New York Abstract Expressionism, Impressionism, Art Informel, and color field painting. They are characterized by bright, vibrant splashes of color against a luminous white background. Francis took great interest in the creative process, but his understanding of the relationship between color and light set him apart from contemporaries such as Jackson Pollock and solidified him as a key player in contemporary art history.Height: 30 in x width: 25 1/2 inCondition: The sheet is in excellent condition with no tears, rips, losses, or restorations. The colors are bold and bright. Along the verso there are two areas of framer's tape along the top left and right edge. There are two rectangular areas of skimming to the sheet along the upper left and right corners of the verso. Each measure 1 inch x 1.5 inches. Purple and red spots along the verso original to the artistic process. It is possible that there is very light wear along the deckled edges. There are natural areas of unevenness to the paper due to the handmade nature of the material. Not framed.

BRITISH HISTORY: Collection of over 130 signed Free Front envelope panels, a few clipped signed pieces etc., by various British politicians, nobility etc., including 4th Earl of Albemarle (Master of the Buckhounds 1806-07, Master of the Horse 1830-34, 1835-41), 4th Earl of Aberdeen (British Prime Minister 1852-55), 1st Earl Amherst (Governor-General of India 1823-28), 8th Viscount of Arbuthnott, 1st Baron Ashburton, 4th Earl Bathurst, 2nd Baron Bagot, 2nd Earl Belmore, Rear Admiral Sir Samuel John Brooke Pechell  & Admiral Maurice Berkeley, 1st Baron FitzHardinge, 3rd Earl of Bessborough, 1st Baron Bexley (2; Chancellor of the Exchequer 1812-23), Thomas Bewes, Admiral of the Fleet Sir William Bowles, 2nd Baron Braybrooke, 3rd Baron Braybrooke (edited The Diary of Samuel Pepys, 1825), 1st Earl Brownlow, Henry Brougham, Admiral George Byron, 7th Baron Byron (cousin of the poet), Admiral George Cadogan, 3rd Earl Cadogan, Viscount Cantelupe, 6th Baron Carbery, 3rd Earl of Carnarvon, 1st Baron Carrington, 3rd Baron Carteret (Vice-Chamberlain of the Household 1804-12), Viscount Castlereagh, 4th Marquess of Londonderry (Vice-Chamberlain of the Household 1834-35), 2nd Earl of Charleville, 2nd Duke of Buckingham and Chandos (Lord Privy Seal 1841-42), 12th Duke of Norfolk (Earl Marshal 1815-42), Sir Frederick Pollock, 2nd Marquess of Anglesey (Lord Chamberlain of the Household 1839-41), 4th Duke of Portland (Lord Privy Seal, 1827), 5th Earl Poulett, Admiral of the Fleet Sir William Parker, 5th Duke of Richmond (Postmaster General 1830-34), George Henry Rose, 2nd Baron Rayleigh, 4th Earl of Rosebery, 2nd Viscount St. Vincent, 6th Earl of Selkirk, The Lord Segrave, 1st Earl FitzHardinge, 7th Earl of Sandwich, 2nd Marquess of Salisbury, 2nd Earl Talbot (Lord Lieutenant of Ireland 1817-21) etc. The majority are dated in the mid to late 1830s and early 1840s and all are loosely contained in two modern display albums. Generally VG, 2 

Oxford Diecast, a boxed group of 1:76 scale Truck/Trailer models (Oxford Haulage Company Series) to include SCA04CS Scania R420 Topline Curtainside ?Stan Robinson?, SCA02CS Scania R420 Topline Curtainside ?Pollock? plus others (see photo). Conditions generally appear Excellent although not checked for completeness in generally Good rigid Perspex cases and generally Fair to Good outer slip cases with some having old price stickers and some slip cases appear torn. (6)

Fur animals and Pollock Theatre, two nodding fur animals —7 1/2in. (19cm.) high (one missing eye); four other fur animals, probably Chinese; a Star Power Astro Sniks; and a wood and plastic paper covered Pollock Theatre (some damage)

Six boxed ltd edn Corgi diecast haulage models to include CC12416 Jefferies of Otley, CC12408 De Boer, CC13205 Visbeen, 75605 Nigel Rice Transport, 75803 Gallacher Bros and 75205 Pollock, with certificates, all ex with boxes vg overall

A collection of limited edition boxed Corgi die-case vehicles, to include: - The Pointer Group: Scammell Contractor - Guinness Tanker - Guy Warrior Platform Trailer BRS - ERF KV 8 Wheel Platform Lorry - Pollock

A carved wood Pollock on wooden stand, by Clive Fredriksson, dated 2023, L71cm

AFTER JACKSON POLLOCK OIL ON BOARD 56 X 41CMS WITH FRAME & GLASS

Hans Namuth was a German-born American photographer known for his portraits of artists, especially those associated with the Abstract Expressionist movement. He was born on March 17, 1915, in Essen, Germany, and passed away on October 13, 1990, in East Hampton, New York, United States.Namuth gained recognition for his close collaborations with artists such as Jackson Pollock and Willem de Kooning. His photographs captured the artists at work in their studios, providing insight into their creative process and shedding light on the Abstract Expressionist movement. Namuth's images often showcased the physicality and gestural nature of the artists' techniques, helping to convey the energy and intensity of their artistic practice. Namuth's most famous photographs are arguably those of Jackson Pollock. In 1950, he photographed Pollock in his studio, capturing the artist in action, engaging with his large-scale canvases. The resulting photographs, which included dramatic shots taken from different angles and perspectives, are considered iconic and have become synonymous with Pollock's artistic persona. Beyond his work with Abstract Expressionist artists, Namuth also photographed other prominent figures in the art world, including Mark Rothko, Barnett Newman, and Jean Tinguely, among others. His photographs have been widely exhibited and published, contributing to the understanding and appreciation of these artists and their contributions to modern art. Hans Namuth's photographs continue to be celebrated for their intimate and insightful portrayal of artists and their creative processes. His work remains an important documentation of a pivotal period in American art history. Measures 10.27 x 12.99 Printed circa 1960sVerso is blank.Mounted to archival quality paper.