10th-11th century AD. A silver flat-section discoid openwork pendant with ribbed border, enmeshed beast within, integral suspension loop with face mask. Cf. Korshun, V.E., Yazcheskye Priveski Drevnei Rusi X-XIV Vekov, volume I, Moscow, 2013, items K-27-34. 4.1 grams, 29mm (1"). From an important central London collection; previously in a European collection in the 1990s; formerly acquired on the German art market in the early 1980s. [No Reserve] Very fine condition.
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9th-11th century AD. A two-part gilt bronze pendant comprising a figure-of-eight loop with a beast-head pendant, the beast with open jaws, holding a suspension loop for a discoid face mask pendant. 7.8 grams, 80mm (3"). From an important central London collection; previously in a European collection in the 1990s; formerly acquired on the German art market in the early 1980s. [No Reserve] Fine condition.
16th century AD. A salt-glazed stoneware jug of bartmannskrug type with bulbous body, narrow base, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and geometric panel below. See Klinge, E., Duits Steengoed, Amsterdam, 1996, item 2 for type. 843 grams, 22.3cm (8 3/4"). From an important English collection; acquired in the 1990s. Fine condition, rim chipped.
16th century AD. A salt-glazed stoneware jug of bartmannskrug type with bulbous body, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and three applied medallions each with janiform male and female bust. Cf. Wright, A., The Bellarmine and Other German Stoneware, Little Dunham, 2009, item 82 for type. 443 grams, 15.5cm (6"). Property of a Hampshire collector; acquired on the UK art market in 2015. Fine condition, chip to one medallion.
16th century AD. A salt-glazed stoneware jug of bartmannskrug type with bulbous body, flared base, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and scrolled tendrils with leaves and flower finials. See Klinge, E., Duits Steengoed, Amsterdam, 1996.701 grams, 15.5cm (6"). Property of a Hampshire collector; acquired on the US art market in 2014; accompanied by a copy of the US auction invoice dated 13 November 2014 (US $952.00).Very fine condition.
16th century AD. A salt-glazed stoneware jug of bartmannskrug type with bulbous body, narrow tiered base, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and rosette panel below. See Klinge, E., Duits Steengoed, Amsterdam, 1996, item 2, for type.723 grams, 21cm (8 1/4''"). From an important English collection; acquired in the 1990s.Fine condition.
Ptolemaic Period, 332-30 BC. A restrung panel of small glazed composition beads in various colours, representing a mummy face mask with false beard; mounted within a custom-made display stand. 576 grams total, 23cm wide including stand (9"). From a private New York collection, acquired in 1985; formerly in the Burton Berry collection, since 1981. Fine condition.
6th century AD. An excessively rare gilt-bronze great square-headed brooch of Hines's Class I comprising a trapezoidal headplate with stamped and chip-carved detailing, broad bow, trefoil footplate with lappets beneath the bow, remains of the ferrous pin to the reverse of the headplate and solder scar where the catchplate was attached. See Hines, J., A New Corpus of Anglo-Saxon Great Square-Headed Brooches, London, 1997; MacGregor, A. and Bolick, E., A Summary Catalogue of the Anglo-Saxon Collections (Non-Ferrous Metals), Oxford, 1993; Mannering, U., Iconic Costumes, Scandinavian Late Iron Age Costume Iconography, Ancient Textiles Series vol. 25, Oxford, 2019. Featured on the front cover of Treasure Hunting magazine, June 2020; along the with story on p.10; accompanied by a copy of the Treasure Hunting Magazine pages. 86.05 grams, 14cm (5 1/2"). From an important English collection; found in Lincolnshire, UK; accompanied by a report by Anglo-Saxon and Viking specialist, S. Pollington. The brooch is in remarkably good condition, thanks in large part to the quality of the mercury gilding which has retained all the ornament to the obverse surface, and to the careful cleaning and conservation which it has undergone. It has no exact parallel in the corpus of known examples of the type, but all the principal features of its design can be found on one or more other brooches in the series. Given that these brooches were relatively rare even when they were in use, and that they were individually created by craftsmen, it is likely that a unique combination of elements was considered desirable. That said, the brooch most closely resembles an example from Fairford, Gloucestershire, England (Hines's plate 8a) in some of its layout and ornament. For example, the two concentric ?-shaped bands of chip-carved Style I decoration appearing on the headplate and the presence of a facing human mask in each upper corner are features shared by both brooches. The broad bow has a shallow curvature with three raised ribs and two plain recesses - features which appear on a brooch from Laceby (Hines's plate 65b) and elsewhere. A midrib with offset punched detailing extends from the lower edge of the headplate across the bow and down the footplate as far as the chin of the lower mask; a similar feature appears also on an example from Luton, Bedfordshire (Hines's plate 23"). The footplate is formed as three radiating lobes, two smaller laterals and a larger one forming the finial; each lobe contains a facing human mask similar to those on the upper corners of the headplate; each mask is piriform and slightly domed, with a vertical midrib flanked by two pellet eyes and segmented bands representing the hair and beard. Above the lateral lobes where the bow connects to the footplate are two lappets, each a stylised profile 'horse-head' with looped lips; within the curve of the lips there is a deliberate small hole. The whole obverse (apart from the lower edge of the headplate) is framed by a continuous raised border bearing stamped decoration, each stamp a grid of four squares; this design is repeated on the midrib. Great square-headed brooches were an Anglian fashion of the early to mid-6th century AD with counterparts in southern Scandinavia and a few examples known from continental Europe - mainly from coastal areas with links to the North Sea (Mannering, 2019, especially a gold foil from Gudme, Denmark with possible brooch at the shoulder, item GU1"). They are associated with high-status females, and occur in graves with other types of brooch as well as beads, girdle-hangers and other items (Hines, 1997"). Due to their large size and impressive decoration, it is assumed that they were used to fasten a mantle or cloak worn over a peplos-style dress fastened by smaller brooches such as annular, button or small-long types worn in pairs at the shoulders or collar. A video of this lot can be viewed on Timeline Auctions website. Very fine condition. A stunning example of early Anglo-Saxon art at its very best.
7th century AD. A gilt-bronze mount depicting a facing human mask with curved horns above the crown terminating in birds' heads, and small lateral spur to one cheek; the hair, horns and spur with ribbed bands, the eyes pellets and mouth lentoid; iron deposits to the reverse. Cf. Hammond, B., British Artefacts - volume 1. Early Anglo-Saxon, Witham, 2010, item 1.4.5-r; Raynor, K., The Rempstone Mount: Anglo Saxon and Viking Horned Man Images & Artefacts, Nottingham, 2010 ; Pollington, S., Kerr, L. and Hammond, B., Wayland's Work: Anglo-Saxon Art, Myth & Material Culture from the 4th to 7th century, Ely, 2010; Pestell, T., Paganism in Early Anglo-Saxon East Anglia in Heslop, T.A., Mellings, E.A. and Thofner, M., Icon? Art and Belief in Norfolk from Prehistory to the Present, Woodbridge, 2012, figs. 6(a,b"). Recorded with the Portable Antiquities Scheme under reference YORYM-FAE4AF. 4.4 grams, 24mm (1"). Found in Bainton, near Beverley, East Yorkshire, UK; accompanied by a copy of the Portable Antiquities Scheme report number YORYM-FAE4AF (It is not possible for this item to be exported outside of the United Kingdom"). The headgear with bird-head terminals is restricted to the 6th-7th centuries in England, although there are parallels from the material culture of both Anglian England and southern Scandinavia at this time. A pair of comparable bird-helmetted human faces can be found on the reconstructed frontal plates on the helmet found in Mound 1 at Sutton Hoo (Suffolk) depicting dancing warriors, and the male face shown on a foil fragment recovered from the barrow at Caenby (Lincolnshire"). Similar also is the figure on one of the dies found at Torslunda (Öland, Sweden) showing a male wearing a helmet with a pair of bird-headed horns. A long, triangular male face is shown on the vandyke designs on the foil horn mounts from the barrow at Taplow (Berkshire"). A male figure wearing a helmet with horns and bird-head terminals is the central design on a long triangular buckle found in grave 95 at Finglesham (Kent), and also from Finglesham (grave 138) is a mount in the form of a long, triangular human head with vertical radiating bands from the top of the head, and two crescentic horns emerging from the crown, terminating in opposed birds’ heads which meet above. A similar mount was found at Rempstone (Nottinghamshire) and privately published in Raynor (2010) while others were found more recently at Attleborough (Norfolk) and Soberton (Hampshire, PAS ref. HAMP2432"). A mount depicting a similar figure, showing the upper body with hands gripping spears, was published in Hammond (2010"). The significance of the headgear has not been fully explored but the coincidence of the birds and the head recall the later myths of Oðinn and his bird messengers, and suggest that these mythic characters were familiar in early Anglo-Saxon England. Fine condition. Rare.
9th-11th century AD. A silver assemblage comprising a Thor's hammer pendant with elaborate filigree decoration, the edges with plaited filigree, the upper face with filigree knots divided by panels of filigree, ropework collar above with S-scrolls, the finial formed as a face mask with applied pellet eyes, hair of applied annulets; the chain tightly plaited with tubular finials, attached to a large loop with coiled finials. Cf. Montelius, O., Sveriges Forntid: Atlas I, Stockholm, 1874, pl.174, item 628.30.8 grams, 21cm (8 1/4"). Property of a professional collector; acquired before 1990.Very fine condition. Rare.
9th century AD. A hollow-formed vesica-shaped silver mount which rattles when shaken, with Urnes style interlaced dragons in low relief surrounding a facing bearded mask with large staring eyes (Thor?). 67 grams, 73mm (3"). From an important central London collection; previously in a European collection in the 1990s; formerly acquired on the German art market in the early 1980s.[No Reserve]Very fine condition.
1st century AD. A silver ring comprising a round-section hoop, inset garnet cabochon with high-relief mask and billeted rim. Cf. Ruseva-Slokoska, L., Roman Jewellery, Sofia, 1991, item 191, for type. 4.35 grams, 24mm overall, 15.40mm internal diameter (approximate size British I 1/2, USA 4 1/2, Europe 8.16, Japan 8) (1"). The Signo collection, the property of a West London businessman, formed in the late 1980s-early 1990s. Fine condition.
1st-3rd century AD. A substantial bronze door or furniture handle comprising a disc appliqué with detailed central raised lion-mask and two holes flanking the mouth, radiating mane and fur texture to the face, ribbed hoop passing through the holes; presented on a custom-made wooden block with bronze stud and mounting holes. Cf. specimens in the collection of the at the Museum of the Order of St John at the University of Birmingham inv. n.5616-5617.774 grams total, 20.5 x 16cm including stand (8 x 6 1/4"). Property of a Durham lady; formerly in the collection of her mother, Mrs Allan; acquired from Sotheby & Co, 34-35 New Bond Street, London, UK, 16 July 1968, lot 195; thence by descent to the current owner; accompanied by collector’s tag, and a copy 1968 catalogue and results sheets showing Mrs Allan as the buyer. There are various examples of appliques used for furniture, carts, ships, which took the form of a lion’s face, finely cast in high relief, holding a ribbed ring its gaping jaws, often incised whiskers and fur, and radiating mane. The most likely possibility is that this specimen is a door knocker, in a shape the Romans copied from the Greeks and spread to the farthest reaches of their empire. Fine condition.
A LATE VICTORIAN OAK WELLINGTON CHEST, fitted five drawers with carved mask handles, 57cm wide x 36cm deep x 101cm high Condition report – Wear and tear of use, the top faded, a split to the top left hand side, on the right side two butted panels a gap in the join, the top of two sections noticeable line, the second drawer down, when pulled out, a piece has broken off, but is in the drawer.
A 19th century French ormolu mantel clock, the movement marked H&F Paris, 4 inch white enamelled dial with Roman numerals and Arabic chapter ring, within an architectural case of domed pediment and cuboid plinth on a stepped base supported on five bracket feet, heavily encrusted and bracketed with foliate scrolls, a shell mask above, surmounted by an urn finial, signed to the dial Dijon, 41cm high
A DUTCH SILVER WINDMILL WAGER CUPLate 19th CenturyThe bell-form cup engraved with a king and figures in boats, three lion-mask ring handles, surmounted by a knop with three further lion-masks with pear-drop rings, all beneath a "clock" with figures on steps and a bird on the roof, stamped marks. 20cm high overall. 7.9 troy ounces.
An exhibition standard model of the steam tug boat 'Imara', built from a Caldercraft kit by Mr R Wood of Gloucestershire and powered by a Clevedon steam engine with horizontal lagged live steam central flue boiler with gas firing probe and having fitted steam pressure gauge. The model with fine detailing to include bridge, railed gantry's, winches, funnel, lifeboats and mask with rigging. The model is fully radio controlled and comes together with instructions, tools and boiler certificate. Length 112cm. Width 29cm. Height to top of mask 60cm. BOILER HISTORY DISCLAIMER Please Note: All boiler history records and references made in this catalogue are made for guidance only and the auctioneers are not able to convey any guarantees or warranties as to the safety of the boilers or their present condition.
A Japanese bronze group, Meiji period (1868-1912), depicting the story of the Chinese historian Sima Guang who rescued his panicking playmate from a vat of water by calmly smashing the pot, the pot with shaped panels of mythical beasts to the shoulder, below a key fret border to the rim, on three mask and tongue feet, stamped mark Shokaken, 35.5cm high
A Chinese jade circular box and cover, carved with a boy and a girl lying on their stomachs, the border with key fret, the stone of greyish-white tone, 7cm diameter, a hardstone box, with a pair of mandarin ducks to the side, 9.5cm long, a hardstone jar with Li Bai holding a wine cup to the side, 8.5cm high, and a hardstone jar and cover on three stud feet, with Buddhist lion mask handles, 6cm high (6)

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100975 item(s)/page