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Lot 2659

10th-11th century AD. A silver flat-section discoid openwork pendant with ribbed border, enmeshed beast within, integral suspension loop with face mask. Cf. Korshun, V.E., Yazcheskye Priveski Drevnei Rusi X-XIV Vekov, volume I, Moscow, 2013, items K-27-34. 4.1 grams, 29mm (1"). From an important central London collection; previously in a European collection in the 1990s; formerly acquired on the German art market in the early 1980s. [No Reserve] Very fine condition.

Lot 2678

9th-11th century AD. A two-part gilt bronze pendant comprising a figure-of-eight loop with a beast-head pendant, the beast with open jaws, holding a suspension loop for a discoid face mask pendant. 7.8 grams, 80mm (3"). From an important central London collection; previously in a European collection in the 1990s; formerly acquired on the German art market in the early 1980s. [No Reserve] Fine condition.

Lot 2682

9th-11th century AD. A bronze buckle with D-shaped loop and twisted tongue, the loop formed of recurving beasts, central human mask. 10.5 grams, 39mm (1 1/2"). Property of a professional collector; acquired before 1990. [No Reserve] Fine condition.

Lot 2864

16th century AD. A salt-glazed stoneware jug of bartmannskrug type with bulbous body, narrow base, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and geometric panel below. See Klinge, E., Duits Steengoed, Amsterdam, 1996, item 2 for type. 843 grams, 22.3cm (8 3/4"). From an important English collection; acquired in the 1990s. Fine condition, rim chipped.

Lot 2874

16th century AD. A salt-glazed stoneware jug of bartmannskrug type with bulbous body, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and three applied medallions each with janiform male and female bust. Cf. Wright, A., The Bellarmine and Other German Stoneware, Little Dunham, 2009, item 82 for type. 443 grams, 15.5cm (6"). Property of a Hampshire collector; acquired on the UK art market in 2015. Fine condition, chip to one medallion.

Lot 634

16th century AD. A salt-glazed stoneware jug of bartmannskrug type with bulbous body, flared base, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and scrolled tendrils with leaves and flower finials. See Klinge, E., Duits Steengoed, Amsterdam, 1996.701 grams, 15.5cm (6"). Property of a Hampshire collector; acquired on the US art market in 2014; accompanied by a copy of the US auction invoice dated 13 November 2014 (US $952.00).Very fine condition.

Lot 635

16th century AD. A salt-glazed stoneware jug of bartmannskrug type with bulbous body, narrow tiered base, ribbed collar and strap handle, applied 'bartmann' bearded mask to the neck and rosette panel below. See Klinge, E., Duits Steengoed, Amsterdam, 1996, item 2, for type.723 grams, 21cm (8 1/4''"). From an important English collection; acquired in the 1990s.Fine condition.

Lot 707

New Kingdom, 1550-1070 BC. An eye from a mummy mask or sarcophagus comprising a blue glass frame, white glass sclera with square socket for the pupil. 70 grams total, 69mm (10 x 10cm display) (2 3/4 (4 x 4)"). Property of a London gentleman; acquired before 1970. Fine condition, repaired.

Lot 714

Late Period, 664-332 BC. A glazed composition amuletic mask of Bes with feather headdress, pierced for suspension. 2.67 grams, 24mm (1"). Property of a London gentleman; acquired in the 1970s. [No Reserve] Fine condition, repaired.

Lot 751

Late Period, 664-332 BC. A green glazed composition bead pendant representing bearded mask of a satyr. 1.76 grams, 19mm (3/4"). Property of a London gentleman; acquired by his father in the 1970s; thence by descent. [No Reserve] Fine condition.

Lot 773

Ptolemaic Period, 332-30 BC. A bronze mummy mask eye applique frame with remains of stone inlay. 14.5 grams, 69mm (2 3/4"). Property of a London gentleman; acquired in the 1970s. [No Reserve] Fair condition.

Lot 807

Ptolemaic Period, 332-30 BC. A restrung panel of small glazed composition beads in various colours, representing a mummy face mask with false beard; mounted within a custom-made display stand. 576 grams total, 23cm wide including stand (9"). From a private New York collection, acquired in 1985; formerly in the Burton Berry collection, since 1981. Fine condition.

Lot 925

1st-2nd century AD. A bronze appliqué mask of a Bacchant (priestess of Bacchus) with flowers and leaves in the hair. 56 grams, 52mm (2"). Property of a Belgian gentleman; formerly the property of a London gentleman; acquired by his father in the 1970s. Very fine condition.

Lot 963

1st-2nd century AD. A bronze mount formed as a comic actor's mask with braided wig and exaggerated scooped mouth, hollow to the reverse. 16.2 grams, 25mm (1"). Property of a North West London gallery; formerly in a 1980s collection. Very fine condition.

Lot 522

6th century AD. An excessively rare gilt-bronze great square-headed brooch of Hines's Class I comprising a trapezoidal headplate with stamped and chip-carved detailing, broad bow, trefoil footplate with lappets beneath the bow, remains of the ferrous pin to the reverse of the headplate and solder scar where the catchplate was attached. See Hines, J., A New Corpus of Anglo-Saxon Great Square-Headed Brooches, London, 1997; MacGregor, A. and Bolick, E., A Summary Catalogue of the Anglo-Saxon Collections (Non-Ferrous Metals), Oxford, 1993; Mannering, U., Iconic Costumes, Scandinavian Late Iron Age Costume Iconography, Ancient Textiles Series vol. 25, Oxford, 2019. Featured on the front cover of Treasure Hunting magazine, June 2020; along the with story on p.10; accompanied by a copy of the Treasure Hunting Magazine pages. 86.05 grams, 14cm (5 1/2"). From an important English collection; found in Lincolnshire, UK; accompanied by a report by Anglo-Saxon and Viking specialist, S. Pollington. The brooch is in remarkably good condition, thanks in large part to the quality of the mercury gilding which has retained all the ornament to the obverse surface, and to the careful cleaning and conservation which it has undergone. It has no exact parallel in the corpus of known examples of the type, but all the principal features of its design can be found on one or more other brooches in the series. Given that these brooches were relatively rare even when they were in use, and that they were individually created by craftsmen, it is likely that a unique combination of elements was considered desirable. That said, the brooch most closely resembles an example from Fairford, Gloucestershire, England (Hines's plate 8a) in some of its layout and ornament. For example, the two concentric ?-shaped bands of chip-carved Style I decoration appearing on the headplate and the presence of a facing human mask in each upper corner are features shared by both brooches. The broad bow has a shallow curvature with three raised ribs and two plain recesses - features which appear on a brooch from Laceby (Hines's plate 65b) and elsewhere. A midrib with offset punched detailing extends from the lower edge of the headplate across the bow and down the footplate as far as the chin of the lower mask; a similar feature appears also on an example from Luton, Bedfordshire (Hines's plate 23"). The footplate is formed as three radiating lobes, two smaller laterals and a larger one forming the finial; each lobe contains a facing human mask similar to those on the upper corners of the headplate; each mask is piriform and slightly domed, with a vertical midrib flanked by two pellet eyes and segmented bands representing the hair and beard. Above the lateral lobes where the bow connects to the footplate are two lappets, each a stylised profile 'horse-head' with looped lips; within the curve of the lips there is a deliberate small hole. The whole obverse (apart from the lower edge of the headplate) is framed by a continuous raised border bearing stamped decoration, each stamp a grid of four squares; this design is repeated on the midrib. Great square-headed brooches were an Anglian fashion of the early to mid-6th century AD with counterparts in southern Scandinavia and a few examples known from continental Europe - mainly from coastal areas with links to the North Sea (Mannering, 2019, especially a gold foil from Gudme, Denmark with possible brooch at the shoulder, item GU1"). They are associated with high-status females, and occur in graves with other types of brooch as well as beads, girdle-hangers and other items (Hines, 1997"). Due to their large size and impressive decoration, it is assumed that they were used to fasten a mantle or cloak worn over a peplos-style dress fastened by smaller brooches such as annular, button or small-long types worn in pairs at the shoulders or collar. A video of this lot can be viewed on Timeline Auctions website. Very fine condition. A stunning example of early Anglo-Saxon art at its very best.

Lot 527

7th century AD. A gilt-bronze mount depicting a facing human mask with curved horns above the crown terminating in birds' heads, and small lateral spur to one cheek; the hair, horns and spur with ribbed bands, the eyes pellets and mouth lentoid; iron deposits to the reverse. Cf. Hammond, B., British Artefacts - volume 1. Early Anglo-Saxon, Witham, 2010, item 1.4.5-r; Raynor, K., The Rempstone Mount: Anglo Saxon and Viking Horned Man Images & Artefacts, Nottingham, 2010 ; Pollington, S., Kerr, L. and Hammond, B., Wayland's Work: Anglo-Saxon Art, Myth & Material Culture from the 4th to 7th century, Ely, 2010; Pestell, T., Paganism in Early Anglo-Saxon East Anglia in Heslop, T.A., Mellings, E.A. and Thofner, M., Icon? Art and Belief in Norfolk from Prehistory to the Present, Woodbridge, 2012, figs. 6(a,b"). Recorded with the Portable Antiquities Scheme under reference YORYM-FAE4AF. 4.4 grams, 24mm (1"). Found in Bainton, near Beverley, East Yorkshire, UK; accompanied by a copy of the Portable Antiquities Scheme report number YORYM-FAE4AF (It is not possible for this item to be exported outside of the United Kingdom"). The headgear with bird-head terminals is restricted to the 6th-7th centuries in England, although there are parallels from the material culture of both Anglian England and southern Scandinavia at this time. A pair of comparable bird-helmetted human faces can be found on the reconstructed frontal plates on the helmet found in Mound 1 at Sutton Hoo (Suffolk) depicting dancing warriors, and the male face shown on a foil fragment recovered from the barrow at Caenby (Lincolnshire"). Similar also is the figure on one of the dies found at Torslunda (Öland, Sweden) showing a male wearing a helmet with a pair of bird-headed horns. A long, triangular male face is shown on the vandyke designs on the foil horn mounts from the barrow at Taplow (Berkshire"). A male figure wearing a helmet with horns and bird-head terminals is the central design on a long triangular buckle found in grave 95 at Finglesham (Kent), and also from Finglesham (grave 138) is a mount in the form of a long, triangular human head with vertical radiating bands from the top of the head, and two crescentic horns emerging from the crown, terminating in opposed birds’ heads which meet above. A similar mount was found at Rempstone (Nottinghamshire) and privately published in Raynor (2010) while others were found more recently at Attleborough (Norfolk) and Soberton (Hampshire, PAS ref. HAMP2432"). A mount depicting a similar figure, showing the upper body with hands gripping spears, was published in Hammond (2010"). The significance of the headgear has not been fully explored but the coincidence of the birds and the head recall the later myths of Oðinn and his bird messengers, and suggest that these mythic characters were familiar in early Anglo-Saxon England. Fine condition. Rare.

Lot 547

9th-11th century AD. A silver assemblage comprising a Thor's hammer pendant with elaborate filigree decoration, the edges with plaited filigree, the upper face with filigree knots divided by panels of filigree, ropework collar above with S-scrolls, the finial formed as a face mask with applied pellet eyes, hair of applied annulets; the chain tightly plaited with tubular finials, attached to a large loop with coiled finials. Cf. Montelius, O., Sveriges Forntid: Atlas I, Stockholm, 1874, pl.174, item 628.30.8 grams, 21cm (8 1/4"). Property of a professional collector; acquired before 1990.Very fine condition. Rare.

Lot 551

9th century AD. A hollow-formed vesica-shaped silver mount which rattles when shaken, with Urnes style interlaced dragons in low relief surrounding a facing bearded mask with large staring eyes (Thor?). 67 grams, 73mm (3"). From an important central London collection; previously in a European collection in the 1990s; formerly acquired on the German art market in the early 1980s.[No Reserve]Very fine condition.

Lot 1100

1st-2nd century AD. A bronze discoid appliqué with ribbed rim, domed centre with facing mask of Medusa. 255 grams, 78mm (3"). Property of a private collector; acquired before 1975. Very fine condition.

Lot 1173

1st-2nd century AD. A bronze mount formed as a comic actor's mask with braided wig and exaggerated scooped mouth, hollow to the reverse. 26 grams, 30mm (1 1/4"). From an old North Country collection; formed between 1970-2000. Fine condition.

Lot 1235

1st century AD. A silver ring comprising a round-section hoop, inset garnet cabochon with high-relief mask and billeted rim. Cf. Ruseva-Slokoska, L., Roman Jewellery, Sofia, 1991, item 191, for type. 4.35 grams, 24mm overall, 15.40mm internal diameter (approximate size British I 1/2, USA 4 1/2, Europe 8.16, Japan 8) (1"). The Signo collection, the property of a West London businessman, formed in the late 1980s-early 1990s. Fine condition.

Lot 1247

2nd-4th century AD or later. A spherical red glass bead with marvered trail decoration, inset facing mask. 3.3 grams, 13mm (1/2"). Property of a London gentleman; acquired by his father in the 1970s; thence by descent. [No Reserve] Fine condition.

Lot 1294

1st century BC-1st century AD. A bronze appliqué with ribbed rim, facing mask of Salus with serpents to the cheeks and temples, diadem with wings above the brow and serpent-head above. 52.6 grams, 60mm (2 1/4"). Found River Thames north foreshore, 1980's. Fine condition.

Lot 150

3rd century AD. A gold pendant with integral ribbed loop, applied granules to the plaque framed by concentric bands of beaded wire, central carnelian cameo mask of a satyr. 4.56 grams, 25mm (1"). From a home counties collection, formed 1970-1980.Very fine condition.

Lot 151

2nd-3rd century AD. A gold plaque pendant with crimped flange rim, beaded wire collar to the cell and ribbed loop with granules; inset agate(?) cameo gorgoneion mask. 7.33 grams, 28mm (1"). Private collection, home counties, UK; acquired before 1980.Very fine condition.

Lot 1628

2nd century BC-2nd century AD. A carved alabaster mask with stern features, deep brow, small nose over a narrow mouth, band of pecked hair to the upper face. 1.6 kg, 16cm (6 1/4"). From an important central London collection formed since the mid 1960s; thence by descent. Fine condition.

Lot 184

1st-3rd century AD. A substantial bronze door or furniture handle comprising a disc appliqué with detailed central raised lion-mask and two holes flanking the mouth, radiating mane and fur texture to the face, ribbed hoop passing through the holes; presented on a custom-made wooden block with bronze stud and mounting holes. Cf. specimens in the collection of the at the Museum of the Order of St John at the University of Birmingham inv. n.5616-5617.774 grams total, 20.5 x 16cm including stand (8 x 6 1/4"). Property of a Durham lady; formerly in the collection of her mother, Mrs Allan; acquired from Sotheby & Co, 34-35 New Bond Street, London, UK, 16 July 1968, lot 195; thence by descent to the current owner; accompanied by collector’s tag, and a copy 1968 catalogue and results sheets showing Mrs Allan as the buyer. There are various examples of appliques used for furniture, carts, ships, which took the form of a lion’s face, finely cast in high relief, holding a ribbed ring its gaping jaws, often incised whiskers and fur, and radiating mane. The most likely possibility is that this specimen is a door knocker, in a shape the Romans copied from the Greeks and spread to the farthest reaches of their empire. Fine condition.

Lot 344

A Meiji period Japanese ivory okimono of a theatrical entertainer, with mask by his feet and dragon shoulder ornament, height 31cm

Lot 118

A Lega ivory mask, Congo, coloured with dark patina, modelled as a face, length 11cm

Lot 125

A Chockwe mask, Angola, length 30cm with an Algerian jimbaya knife (2)

Lot 132

A collection of African masks, to include a Igbo maiden spirit mask, a Kuba mask, Makonde mask, Senufo mask, Senufo figure, fang mask and a Ashanti doll, Sepik mask, Papua New Guinea, an ebony head and a carved coconut (10)

Lot 678

African Carved Hardwood Bust, 16cm high, grotesque mask, trinket boxes, etc:- One Tray

Lot 120A

Two 1920s Newcastle under Lyme Athlectics trophy plaques: together with A collection of African carved wood Tribal figures: Comprising wall mask, large figures, knife, box etc.

Lot 66

Ceramics to include Midwinter fashion shape plate, cruet on stand (chip to glaze on one), Hummel 'chick girl' wall mask (paint chips) and a Fortnum and Mason jar.

Lot 223

An Epns soup tureen in the Regency style with acorn finial and lion ring mask handles to side (h.26cm d. 27cm)

Lot 260

Carolina Valvona, a pottery portrait plaque, Lady with blonde curled hair in an Arbour (26cm x 21cm), and a small Mayan style glazed mask (9cm x 13cm)

Lot 272

After the Antique, a circular bronze mask, a Roman Scene (d. 5cm)

Lot 343

A Tribal Mask from Equatorial Guinea

Lot 344

A Tribal Mask from Equatorial Guinea

Lot 305

A LATE VICTORIAN OAK WELLINGTON CHEST, fitted five drawers with carved mask handles, 57cm wide x 36cm deep x 101cm high Condition report – Wear and tear of use, the top faded, a split to the top left hand side, on the right side two butted panels a gap in the join, the top of two sections noticeable line, the second drawer down, when pulled out, a piece has broken off, but is in the drawer.

Lot 306

A CAST BRASS HALL LANTERN, cast Art Nouveau mask decoration, of hexagonal form, fitted clear star cut glass panels, 46cm high

Lot 32

AN ART NOUVEAU DESIGN CLARET JUG, having cast metal decorative mounts in the WMF jugendstil form, floral and maiden mask in profile decoration to the base, stamped "EP" to one foot, with a flower head motif, the upswept handle with hinged stopper and plain glass body, 39.5cm high

Lot 327

A VICTORIAN CAST IRON BASED GARDEN TABLE, the shaped wooden top over base with mask decoration, all over white painted, 74cm high

Lot 285

A Chinese bronze twin handled vase, Xuande style, baluster form with archaistic relief moulded band and fins, two mask and ring handles, 27cm high

Lot 366

A late 19th Century black slate mantel clock with cicular gilded dial with Roman Numerals, and side lion's mask handles, inscribed Wales & McCulloch, 56 Cheapside London on acanthus scroll and paw feet, 33cm high

Lot 368

A 19th century French ormolu mantel clock, the movement marked H&F Paris, 4 inch white enamelled dial with Roman numerals and Arabic chapter ring, within an architectural case of domed pediment and cuboid plinth on a stepped base supported on five bracket feet, heavily encrusted and bracketed with foliate scrolls, a shell mask above, surmounted by an urn finial, signed to the dial Dijon, 41cm high

Lot 37

An Edwardian Dutch silver tea strainer, Bethold Muller, Chester import 1906, cast and reticulated foliate scroll design with lions mask and crown handle, 12.5cm long, 1.84ozt

Lot 509

A Dresden vase and cover, twin handled pedestal urn form, on cylindrical plinth, decorated with Rococo style fish scale flame borders and floral garlands with gilt laurel wreaths, mask handles, 36cm high

Lot 629

W Powell for Royal Worcester, a stork painted vase, 1911, inverse baluster form, on four dolphin mask feet, decorated with a desert oasis with palm trees and birds, on matte blue ground, signed, green mark, 21.5cm high

Lot 698

A Staffordshire novelty anticatholic stirrup cup, circa 1815, modelled as a mitred pope, inverted to form a horned devils mask, flanked by acanthus leaves, 17cm high

Lot 6079

An RAF C Type flying helmet with headset, G Type oxygen mask, Mk VIII flying goggles with glass display head

Lot 251

A HEAVY GAUGE HALLMARKED SILVER THREE PIECE CRUET SET WITH LION MASK DETAIL TOGETHER WITH SILVER CONDIMENT SPOONS

Lot 155

A DUTCH SILVER WINDMILL WAGER CUPLate 19th CenturyThe bell-form cup engraved with a king and figures in boats, three lion-mask ring handles, surmounted by a knop with three further lion-masks with pear-drop rings, all beneath a "clock" with figures on steps and a bird on the roof, stamped marks. 20cm high overall. 7.9 troy ounces.

Lot 296

A DIAMOND-SET FOX MASK BAR BROOCHThe polished bar centred by a fox mask, with circular-cut ruby eyes and rose-cut diamonds throughout, stamped Pla and 15ct, length 5.0cm, cased.Gross weight approx. 2.7 grams. 

Lot 298

A GROUP OF 19TH AND EARLY 20TH CENTURY JEWELLERYComprising of a turquoise-set polished curb-link bracelet, an enamelled fox mask stick pin, a 9 carat gold owl charm with circular-cut ruby eyes (partially hallmarked), and an opal and ruby clover charm (4). Gross weight approx. 26.1 grams. 

Lot 173

An exhibition standard model of the steam tug boat 'Imara', built from a Caldercraft kit by Mr R Wood of Gloucestershire and powered by a Clevedon steam engine with horizontal lagged live steam central flue boiler with gas firing probe and having fitted steam pressure gauge. The model with fine detailing to include bridge, railed gantry's, winches, funnel, lifeboats and mask with rigging. The model is fully radio controlled and comes together with instructions, tools and boiler certificate. Length 112cm. Width 29cm. Height to top of mask 60cm. BOILER HISTORY DISCLAIMER Please Note: All boiler history records and references made in this catalogue are made for guidance only and the auctioneers are not able to convey any guarantees or warranties as to the safety of the boilers or their present condition.

Lot 189

A collection of four copper ships navigation lamps. Double mask-head meteorite and ships light by W M Harvie of Birmingham.

Lot 127

A Japanese bronze group, Meiji period (1868-1912), depicting the story of the Chinese historian Sima Guang who rescued his panicking playmate from a vat of water by calmly smashing the pot, the pot with shaped panels of mythical beasts to the shoulder, below a key fret border to the rim, on three mask and tongue feet, stamped mark Shokaken, 35.5cm high

Lot 131

Two Japanese bronze vases, 20th century, comprising: one in the shape of a double gourd with a Noh mask tied to the middle, signed Mototake, 24.5cm high, and another, of similar form with ribs to the neck, 28.5cm high (2) Mototake is the alternative name of Futagami Tsunetaro (born 1896).

Lot 191

A Chinese jade circular box and cover, carved with a boy and a girl lying on their stomachs, the border with key fret, the stone of greyish-white tone, 7cm diameter, a hardstone box, with a pair of mandarin ducks to the side, 9.5cm long, a hardstone jar with Li Bai holding a wine cup to the side, 8.5cm high, and a hardstone jar and cover on three stud feet, with Buddhist lion mask handles, 6cm high (6)

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