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Herculaneum (1796-1840); a c1810 plant pot with stand, transfer and painted decoration to either side, a pastoral scene with figures and ruined castle with figures in foreground, lion mask decoration to either side, a c1810 oval-shaped teapot with gilded vine and grape decoration and three c1800 cups and saucers; one pink and gilded with swag and leaf decoration, wishbone handle, marked to base pattern 344, an example with cobalt blue bands and leaf and gilt-heightened decoration and a peach and gilt-heightened example (5). CONDITION REPORT Some restoration to inner teapot lid, old hairline cracks to interior of teapot. Planter has surface scratches and some loss of gilding. Some loss of gilding to all pieces and age-related wear.
A rare WWI tank crew splatter mask - a Medieval-style leather and chainmail mask worn by pioneering British Tank drivers, first deployed at the battle of Cambrai 1917. This mask was found at a battlefield in Flanders. CONDITION REPORT Age-related wear to the leather, some discolouration to the chainmail, lacking straps.
A Chinese bronze bell (Zhong), of elliptical section, with arched rims and flared sides, each side with three rows of high bosses around a panel of calligraphy and above a cast taotie mask, the handle set with a suspension loop and cast with bands of key pattern and stiff leaves, applied paper label to interior printed `Chinese Bell, B.C 431, W.R-S coll', 40.5cm high, later wood stand. Illustrated
A single row necklace formed as a row of amethyst quartz beads alternating with groups of garnet beads, a single row necklace of mottled coral beads, with a shaped circular gold front (as converted from a Victorian brooch), glazed with a locket compartment at the back, a four row necklace of garnet beads, with a shaped oval gold front centred by a garnet bead (as converted from a Victorian brooch), glazed with a locket compartment at the back and a three row necklace of amethyst quartz and other beads, the front with an Oriental carved rock crystal pendant formed as a mask, having tassel drops, (4).
Silver table flatware, comprising; three fiddle pattern dessert spoons, nine fiddle pattern teaspoons, London 1848, four fiddle and shell pattern teaspoons and a Scottish dessert spoon and fork, various dates, also a silver rimmed faceted glass salt, the silver mount from a walking stick and a plated hinge lidded tea caddy, having lion mask and ring handles, combined weight of weighable silver 547 gms.
ROYAL DOULTON 'LUSCIAN WARE' HAND PAINTED POTTERY TWO HANDLED VASE of ovoid form with cherub mask moulded handles to the urn shaped, short, flared neck, well painted with deer in a misty highland landscape, set beneath cream and gilt handles and neck, 9" (22.8cm) high, printed mark, chip to underside of the rim
20th CENTURY LIMOGES, FRENCH PORCELAIN AND GILT BRASS ORNATE TABLE CENTRE PIECE the plate with floral painted centre and green and gilt border (as found), housed in a frame with three high scroll handles above conforming mask capped supports and raised on a concave tri-form base with scroll border and foot, 11 3/4" (29.9cm) high, the plate 11" (28cm) diameter, printed mark
Fine and large pair of Chinese Qing period cloisonné archaic Gu vases, finely decorated with taotie masks and geometric bands, with flanking inverted Phoenix handles and ring and mask handles to each side, raised on four zoomorphic feet, 70cm high, on carved hardwood bases CONDITION REPORT One vase is slightly compressed at base of the square neck, some associated cracks, small losses to cloisonné, some deterioration to cloisonné bottom frieze, otherwise general wear but basically ok
18th century longcase clock with eight day movement, 10 inch brass dial with face mask spandrels, matted centre, silvered chapter ring, subsidiary calendar dial and applied circle, signed - Thomas Davenport, in an oak case with architectural hood, fluted columns and blind fret decoration, 200cm overall height (pendulum, winding key, door key and weights present)
*Photography: Alfred Eisenstaedt (1898 - 1995), 'George Bernard Shaw with a metal mask of his face at his flat 4 Whitehall in London 1932', silver gelatin print, signed, inscribed as titled verso in Eisenstaedt's hand, studio stamp verso, image 29.5cm x 23cm CONDITION REPORT Excellent condition overall
Early 18th century Colchester longcase clock with eight day movement, brass break arch dial with face mask spandrels, wheat-ear border, matted centre and silvered chapter ring, subsidiary seconds dial and calendar aperture, break arch with dolphin spandrels and applied silvered roundel, signed - Smorthwait in Colchester, in a chinoiserie lacquered case, with domed hood, 213cm overall height (weights and pendulum present)
Early 18th century English London Delft blue and white drug jar of cylindrical form, with human mask, floral, shell and angel decoration, title scroll - 'U: CAERUL. M:', 18.5cm high CONDITION REPORT Jar originally would have had a cover, extensive chips to glaze and losses to rim, chips to glaze of body and cracks to glaze running through jar, losses to glaze around foot rim
A Victorian silver urn pattern claret jug with moulded rim and high scroll handle with cast mask terminal, engraved after Bertel Thorvaldsen (1797-1838), with figures in horse drawn chariots and with leaf and scroll ornament, on moulded circular footrim, 12.5ins high, by Edward, John & William Barnard, London 1849 (weight 25ozs)
A good Edo period (19th century) Japanese suit of armour (Nuinobe-Do Gusoku) comprising - heavily constructed black lacquered Kabuto (helmet) and lame neck guard, with matching iron Hanbo (face mask) and gilded copper crest. The body armour is made from large overlapping scales and is lacquered russet brown laced in blue silk, complete with it's black lacquered Gessan (thigh armour) and Sode (shoulder guards) similarly laced in blue silk. The russet iron Kote (sleeves) red lacquered Haidate and Suneate (leg armour) are all matching and backed with yellow silk brockade, the armour is contained within it's original box with an old paper label
A Victorian silver urn pattern water jug with shaped and moulded rim, cane covered handle with mask terminal, the body engraved after Bertel Thorvaldsen (1797-1838), with Greek mythological figures representing day and night and with leaf scroll ornament, on circular footrim, 8ins high, by Edward, John & William Barnard, London 1848 (gross weight 8ozs - dented)
A late 19th Century "Black Oak" longcase clock, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and two dials to arch - Chime/Silent and Cambridge chime/Westminster chime - to the eight day three train movement striking and chiming on eight bells and four gongs, contained in imposing "Black Oak" case, the whole boldly carved with scroll, leaf, floral and ribbon ornament, with carved curved cresting, the trunk front and sides boldly carved with three poses of flowers, the base panel carved with lions mask, on plinth support, 96ins high Note: The gift of William Vansittart Bowater to his wife Eliza Jane Bowater (married 1860)
A FINE 19TH CENTURY FRENCH ROSEWOOD AND MARQUETRY INLAID PORTICO CLOCK, by Japy Freres, the movement with outside count wheel striking on a steel bell, the enamel dial with Roman numerals inside an attractive brass bezel supporting an ornate lyre-shaped and cast brass pendulum with central female mask in relief, 18.5" (47cm) high, 9.75" (25cm). (1)
A VERY ATTRACTIVE 19TH CENTURY GILT CONSOLE TABLE, the white moulded marble top of inverted breakfront outline, above a fluted frieze applied with a classical female mask, issuing leaf sprays and ribbon, above a recessed mirror, fronted by a carved urn, and two tapering fluted columns and flower carved pilasters, on a shaped ebonised base, 36" (91cm) high, 37" (94cm) wide. (1)
A HEAVY THREE -PIECE POLISHED BLACK LIMESTONE AND BRASS MOUNTED MANTEL CLOCK, late 19th century, of architectural design, the arched top with a centre brass panel, depicting classical scene in relief,and a circular two-stage dial with arabic numerals, flanked to either side with classical female mask, each above a double column with Corinthian capital flanking floral swags on rectangular moulded base, 18" (45cm) high, 15" (38cm) wide; together with a pair of two handled urns, each with classical mask on square stepped base, 10" (26cm) high. (3)

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100975 item(s)/page