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ALFRED STEVENS (1817-1875) PAIR OF PAINTED PLASTER CARYATID FIGURES, 1870S modelled as female nudes, raised on ebonised square bases, 26cm high; and also a PAINTED PLASTER FIGURE OF JAEL, 23.5cm high (3) Note: These figures are studies for the right- and left-hand figures on the Dorchester House mantelpiece completed in 1873. Steven's decorations for the dining-room at Dorchester House, London was one of his greatest achievements for which he made countless drawings inspired by the Italian High Renaissance style, and in particular the work of Michelangelo.
JOHN MOYR SMITH (1839-1912) FOR W.B. SIMPSON & SONSFIVE 'NURSERY RHYME' SERIES FRAMED TILES, CIRCA 1875 four bearing inscriptions MISTRESS MARY/ QUITE CONTRARY; GOOSEY GANDER; LYTTELE JACKE HORNER; HEY DIDDLE DIDDLE; and one without inscription, later framed (5)each tile 15.5cm squareLiterature: Stapleton, Annamarie 'John Moyr Smith 1839-1914: A Victorian Designer', Richard Dennis 2002, pp. 44-45, fig. 75 illus.Note: Moyr Smith was employed by W. B. Simpson & Sons in the 1870's, possibly under the auspices of Cox & Son or the Society of Decorative Arts. His first interior for the firm was at 86 Marlborough Street, Boston Massachusetts, built by Sturgis & Brigham in 1872 for Mr Charles H. Joy. It is not clear whether Sturgis & Brigham approached Moyr Smith directly or through Simpsons however he produced a great deal of designs for the house including a set of 12 Nursery Rhyme tiles for a mantelpiece, also produced for the British market.
Massive neoclassical revival painted wooden fire surround with fish-scale carved cushion mantel piece raised on relief carved frieze dated 1888 and projecting squared column supports, 265cm wide by 195cm highProvenance: removed from Ampton Hall, Bury St Edmunds, during a refit in the 1950s CONDITION REPORT internal dimensions 137cm high x 147cm long, maximum depth 61cm (top of mantelpiece) some significant rot and deterioration, will require renovation, however most of carved elements are present and in sound. Condition with the deterioration mostly concentrated to the rear, sides, towards base, some elements detached
A Delabole slate fireplace, 1946, by Naum Gabo (1890-1977), height 102cm, width 137.5cm. Mantle shelf, 137.5 x 20.5cm, depth 3.5cm. The following extract is from 'Constructing Modernity, The Art & Career of Naum Gabo' by Christina Lodder & Martin Hammer, reproduced here by kind permission of the authors: Gabo did see one functional design actually executed while he was in Cornwall. In 1946 he produced two identical fireplaces for the house of Mr Ince in Redruth. Gabo had met Ince, the chief obstetrician for Cornwall, through Jane Lowenstein, a friend of Mrs Ince and Miriam Gabo. The commission seems to have come from Mrs Ince who was interested in art. The fireplaces were produced for the family's new home; grey slate for the drawing room and brown for the dining room. Only the former has survived, although not in its original location. Gabo and Ince visited the Polyphant Quarries at Delabole near Tintagel together to choose the stones. The mantelpiece on the extant fireplace consists of one piece of unpolished polyphant stone, three slabs of which also form the hearth, while the bulk of the structure is built up of small pieces of slate, the selection and cutting of which Gabo apparently supervised. His initial design was for a surround completely flush with the wall, but Mrs Ince insisted on having a mantel shelf. The surround curves inwards towards the opening, which is recessed by approximately 4" at the centre, and in this respect the conception is the opposite of a conventional fireplace structure built out into the room. The design is simple and graceful. The small variations in colour and marking on the slates animate the curved surface, while the darker stone of the shelf and hearth highlights the curve and tonal graduations of the surround. Note: Russian-born Gabo was one of the most important and influential figures in Russia's post-revolution avant-garde, the development of modernism in St Ives and arguably, in twentieth century sculpture. This was one of two fireplaces by Gabo commissioned by the Inces. The other, in brown slate has been destroyed. This remaining piece is an intriguing and unique work and it illustrates the way in which the St Ives artists sought to bring their art into everyday life. Gabo emigrated to the United States in 1946 so this would have been amongst the last of his works created in Cornwall. Condition report: Some smoke discolouration above opening, bottom left and bottom right have slight damage/imperfections, Fireplace has been removed as one piece and is crated. Integrity is good. Mantle shelf is separate piece and crated. Also comes with its 3 original hearth slates.
Late 19th century French gilt and bronzed spelter mantel clock in ornate case with lion attacking an Indian elephant with mahout on howdah on back - the dial with enamelled numerals and French movement striking on a bell, the base with elephant-head supports, 44cm high. An identical clock featured in the popular television drama 'Downton Abbey' and appeared on the Dowager's mantelpiece (key and pendulum present)
CHINESE CARVED SOAPSTONE TOMB, THE FRONT PULL UP PANEL RISING TO RELEASE A SRUNG COFFIN (4.5 cm x 10.5cm), PORCELAIN ROUNDEL PAINTED WITH A FIGURE ON HORSEBACK, ON STAND (H: 13cm), OPIUM SCALES, PAIR OF BAMBOO MANTELPIECE ORNAMENTS, DICE SHAKER WITH DICE, TWO BRASS BOWLS ON STANDS AND SEVEN OTHER ITEMS [A LOT]
A pair of W.A.S Benson copper and brass mantelpiece candlesticks, with brass seedpod counterweight, scroll foot, the scroll stem supporting cylindrical copper sconce unsigned, 31cm. wide (2) Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. Literature Ian Hamerton Arts and Crafts Luminary and Pioneer of Modern Design, Antique Collector's Club, page 121 plate 98 for a comparable pair of candlestick illustrated.
Good Victorian marble fireplace of large size, with expansive mantelpiece on arched frame, with flanking variegated marble column supports, with black and gilt fire surround and iron frame, stamped - 'Wrights patent bivalve', marble base, the mantelpiece 190cm CONDITION REPORT Complete and mostly original. Chip to front of hearth. Two new base front pieces to columns, chip to border of code-stone. Iron grate missing its basket. Breaks down into four pieces and grate, etc. Height 121cm
A VERY FINE WHITE CARVED STATUARY MARBLE MANTELPIECE, in the Adams style. The inverted break-front shelf with a moulded edge, above a central frieze panel, with an oval partrea, crested with a ribbon bow, issuing drapes and rosettes. Each jamb with a turned upward tapering column, with doric capital, on plinth base. 5ft1 (155cm) high x 6ft (183cm) wide. (1)
A PAIR OF CONTINENTAL ORMOLU AND WHITE MARBLE EWER MANTELPIECE ORNAMENTS, the handle cast as cherubs or merboys with the tail fins resting on the top of a horned goat mask trailing with scrolling leaves, the spout of lobed design with female mask to the underside, polished white marble ovoid bodies, on a fluted pedestal with a square base, height approximately 33cm (2)condition: The ormolu is in reasonable condition, some wear especially high point, one of the lips is a little out of shape.
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441 item(s)/page