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A Ricoh XR-I 35mm camera and a Kodak Brownie box camera

Edgerton, Harold -- "Milk Drop Coronet". 1957. Vintage chromogenic print on Kodak paper. 25 x 20,3 cm. EG & G. Inc. (Edgerton, Germeshausen and Grier Inc.) and No. 138265 stamps as well as A Kodak Paper watermark on the verso.A scientist and professor of electrical engineering at M.I.T., Harold Edgerton became interested in photography in 1931. He employed a stroboscope to generate extremely brief bursts of light in his photographic studies. These stop-action pictures made it possible to observe movements that were too fast for the human eye to see. In his milk drop images, Edgerton learned that the shape of the coronet was determined by three factors: the size of the drop, the height from which it fell, and the thickness of the film of milk on the surface from a previous drop. These studies are among Edgerton's most iconic images. The present photograph, printed by Edgerton at M.I.T., is a rare early chromogenic print with a glossy surface and saturated colors. – Buckled, small indentation mark in upper right near edge, small light crease near left edge, a few small nicks in edges, otherwise an early dye transfer print with rich, saturated colors and in good condition.Lit.: Keith Davis. An American Century of Photography: From Dry-Plate to Digital: The Hallmark Photographic Collection, ill. plate 236 (Milk Drop Coronet, variant).

F.S.A. -- Photographer: Walker Evans (1903-1975). "Main Street, Greensboro, Alabama". 1936/printed 1970s by the Library of Congress. Ferrotyped gelatin silver print on Kodak paper. 20,5 x 25,3 cm. Number notations in pencil as well as Reproduced from the collection of the Library of Congress stamp on the verso. Some handling marks/dents, some stronger in left side, otherwise in very good condition.

F.S.A. -- Photographer: Walker Evans (1903-1975). "Frank Tengle Family, Hale County, Alabama". 1936/printed 1970s by the Library of Congress. Ferrotyped gelatin silver print on Kodak paper. 20,5 x 25,3 cm. Annotated and with number notations in pencil as well as Reproduced from the collection of the Library of Congress and other archive stamp on the verso. Some handling marks/dents, creases in upper right corner, otherwise in good condition.Exhibition: "Die USA der dreißiger Jahre in Fotografien", Galerie Taube, Berlin Sept.4-Oct. 2,1976. Provenance: Galerie Taube, Berlin

Meyerowitz, Joel -- "Porch, Provincetown" from the series "Bay/Sky/Porch". 1977/printed 1979. Contact chromogenic print on Kodak paper. 25 x 20 cm. Signed, dated and editioned 49/75 by the photographer in ink on the verso, hinge-mounted in mat.In excellent condition.

Meyerowitz, Joel -- "The Blue Chair" from the series "Bay/Sky/Porch". 1977/printed 1979. Contact chromogenic print on Kodak paper. 25 x 20 cm. Signed, dated and editioned 49/75 by the photographer in ink on the verso, hinge-mounted in mat.In excellent condition.

Witty, Patrick -- New Yorkers, September 11, 2001. Chromogenic print on Kodak Royal paper. 23,4 x 34,5 cm (27,8 x 39,8 cm). Annotated in ink on the verso.With the Municipal building in the background, shocked New Yorkers on a Tuesday morning in Park Row behold the demise of the South tower of the World Trade Center. – Some light handling marks, otherwise in good condition.

A View-master brown mottled case with light box adapter, assorted viewing disc inc Donald Duck Deep Sea Diver; Aladdin, Alice in Wonderland, Thomas the Tank Engine, Cinderella, Wales, St Ives etc; Kodak Borwnie Flash B cream and brown box camera; Cine-eight cine camera etc.

Vintage cameras and lenses to include a Vivitar 24mm wide angle lens, a Minolta lens, a Silette Prontor-SVS camera and a Kodak camera 3:3

WARHOL, ANDY1928 Pittsburgh, PA/USA - 1987 New YorkTitel: Flowers. Datierung: 1970. Technik: Serie von 10 Farbserigrafien auf festem Papier. Maße: Jeweils: 91,5 x 91,5cm.Bezeichnung: Signiert und nummeriert verso.Rahmen/Sockel: Jeweils Rahmen. Provenienz:- Galerie Rudolf Zwirner, KölnAusstellungen:- Kaiser Wilhelm Museum, Krefeld 1983/1984Literatur:- Feldman, Frayda/Schellmann, Jörg: Andy Warhol Prints - A Catalogue Raisonné 1962-1987, Mailand 2003 (4. Auflage), WVZ.-Nr. II.64-73, Abb.- Storck, Gerhard: Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld - Amerikanische und europäische Kunst der sechziger und siebziger Jahre, Krefeld 1983, Nr. 410, S. 241Mit seinen "Flowers" schuf Andy Warhol nicht nur das bekannteste Pop-Motiv der 1960er Jahre, sondern die Ikone der Pop-Art-Bewegung par excellence. Immer wieder bannte er dasselbe Motiv in verschiedenen Formaten und Farbvariationen auf Leinwand, Tapete oder Papier: Vier große unspezifische Blüten auf gras-artigem Grund, die zugleich gegenständlich und abstrakt erscheinen und die durch die leuchtenden und lebendigen Farbklänge mal sonnig oder düster, mal erhaben oder profan wirken. Die Schönheit der Blumenbilder wurde zum Sinnbild der schnellen Veränderungen während der Nachkriegszeit und der Art und Weise, wie sich diese in den sozialen, kulturellen und politischen Bereichen manifestierte. Hinzu kam, dass sich Warhol hier im Gegensatz zu seinen legendären und zum Teil spektakulären Themen dieser Zeit - insbesondere Konsum, Berühmtheit, Tod und Katastrophen - nicht kritisch mit einem narrativen Kontext auseinandersetzte. So verbarg er hinter den Blumen keine Geschichte. Vielmehr lud Warhol mit dem unbestimmten Bildinhalt erstmals den Betrachter zur individuellen und subjektiven Interpretation, Hinterfragung und Reflexion ein. Eher zufällig fand Warhol im Sommer 1964 zu diesem Motiv, als er in der Juni-Ausgabe des Magazins "Modern Photography" den Artikel über ein neues Farbverarbeitungssystem von Kodak entdeckte. Das Layout bestand aus einem Bild mit sieben Hibiskusblüten, das mehrfach nachgedruckt war, um die verschiedenen Effekte des Entwicklungssystems zu illustrieren. Nicht nur das Thema, auch die Serialität des Layouts griff Warhol in seinen Arbeiten auf. Dabei eignete er sich das Bild nicht einfach an. Vielmehr beschnitt er dieses und drehte eine der Blüten, bis er das gewünschte quadratische Format erreicht hatte. Auch steigerte er den Bildkontrast so stark, dass die Hibiskusblüten als solche nicht mehr erkennbar waren. Auf diese Weise erreichte er die einfachen, glatten Formen und lebendigen Umrisse, die die "Flowers" kennzeichnen. Und ganz bewusst entschied er sich für das quadratische Format, nicht nur weil ihm das Arbeiten auf einem Quadrat gefiel, sondern auch weil die regelmäßige Form es erlaubt, die Blumenbilder mit jeder Seite nach oben aufzuhängen.Bewusst wählte Warhol auch die unnatürlich wirkenden Töne brillanter synthetischer Farben für seine Blumen aus, die eindeutig von Menschenhand geschaffenen wurden. Ihre grelle Leuchtkraft wirkt fast wie ein Angriff auf die Natur, als ob das Naturwunder Blume künstlich hervorgebracht wurde.Warhol setzt sich hier mit der Tradition des Stilllebens intensiv auseinander. Dabei interpretierte er das Motiv auf eher banale Weise. So verzichtete er auf eine komplizierte und hierarchische Komposition und nutzte die "Überkopf"-Perspektive, um Horizont und Räumlichkeit zu verwerfen und um die Blüten in vereinfachten und verzerrten Formen darzustellen. Zudem verwendete er anstelle komplexer Farbharmonien eben die unnatürlichen Farben. Doch so farbenprächtig seine "Flowers" auch sind, sie haben immer einen subversiven und unterschwelligen Bezug zur Vergänglichkeit. Ein Thema, das Warhol in seinem Schaffen immer wieder aufgriff. Blumen sind Symbol für die Zerbrechlichkeit der Natur und zeigen somit auch immer die Flüchtigkeit von Schönheit. Auf ganz eigene Weise griff Warhol den Inhalt der altbekannten Blumenstücke auf und erweiterte das Reich der Natur um seine synthetische Version des Universums.Mit dem eindeutigen Erkennen des mechanisch-seriell Hergestellten betonte Warhol in den "Flowers" zudem den massenproduzierbaren Prozess, durch den sie entstanden sind, wie auch ihren kommerziellen Zweck als verkäufliche Ware. Hierfür bediente er sich der in den 1960er Jahren noch revolutionären Technik des Siebdruckes. Von den Konnotationen der Massenproduktion und der Auslöschung der Hand des Künstlers angezogen, beschäftigte er sich als einer der ersten Künstler intensiv mit diesem Verfahren. Leidenschaftlich leistete er Pionierarbeit, verfeinerte es und machte es sich ganz zu eigen. "Bei meinen Kunstwerken würde das Malen von Hand viel zu lange dauern und außerdem ist das nicht das Zeitalter, in dem wir leben. Heute gibt es mechanische Mittel und damit kann ich mehr Kunst zu mehr Menschen bringen. Kunst sollte für alle da sein." (Warhol in einem Interview mit Gretchen Berg 1967) So versteht er den Siebdruck als eine ebensolch ehrliche künstlerische Methode wie jede andere, einschließlich der Handmalerei. Dementsprechend produziert er seine Bilder mit Hilfe seiner Assistenten in der "Factory", wie er seine New Yorker Ateliers nannte.Mit der starken Vereinfachung von Form und Farbe sind die "Flowers" eine der abstraktesten Bildkompositionen in Andy Warhols Schaffen. Nur sehr selten ist es möglich, die 10-teilige Serie von 1970 vollständig anbieten zu können. Erläuterungen zum KatalogAndy Warhol USA Pop Art Fotografie Nachkriegskunst Grafik 1970er WARHOL, ANDY1928 Pittsburgh, PA/USA - 1987 New YorkTitle: Flowers. Date: 1970. Technique: Series of 10 colour silkscreens on strong paper. Measurement: Each: 91,5 x 91,5cm.Notation: Signed and numbered verso.Frame/Pedestal: Each framed. Provenance:- Galerie Rudolf Zwirner, CologneExhibitions:- Kaiser Wilhelm Museum, Krefeld 1983/1984Literature:- Feldman, Frayda/Schellmann, Jörg: Andy Warhol Prints - A Catalogue Raisonné 1962-1987, Milan 2003 (4th ed.), cat. rais. no. II.64-73, ill.- Storck, Gerhard: Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld - Amerikanische und europäische Kunst der sechziger und siebziger Jahre, Krefeld 1983, no. 410, p. 241. Explanations to the Catalogue

An antique Kodak plate camera on stand

A Kodak Inflatable Kangaroo, circa 1980, advertising Kodak Pocket Instamatic Camera, stands approx 150cm, G-VG

Out of Date Kodak Film Stock, including TX 135-36, in metal canasters (3), V-16 Verichrome film (2), V616 Verichrome film (2), Kodak Gold (6), Kodak disk negative reels, and other examples

A Group of Cine Cameras, including a Kodak Eight Model 25, motor runs, body F-G, elements F-G, a Eumig Sound 30 XL, a Minolta 8, a Canon Canosound 514XL-S, A Kodak Model 2 and a Kodak Instamatic M 14, all untested

A Kodak 35mm Stereo Camera, shutter not working, fires but stays open, with 35mm f/3.5 Kodak Anastigmat lenses, elements F, body G,

A Kodak Number 1 100th Anniversary Replica Camera produced in 1988 to mark the 100th anniversary of the first Kodak camera, body G, some minor marks, with The Kodak Manual, a Centenary History of The Kodak booklet, in maker's box, some creasing to lid

An Array of Camera Manuals, including several Hove guides, B Moose Peterson Nikon System Handbook, Kodak, Pentax, Nikon camera manuals and others

A Selction of 35mm film canisters, mostly circa 1930/40's, manufacturs include Kodak, Agfa, Ilford, some with film cassettes, including two 35mm Leica metal film casettes

Folding and Box Cameras, including a folding pocket Kodak model B-4, A No 2 Hawkette, Ensign, Coronet and three box cameras, an Ensign E20, No 2 Kodak Brownie and No 2A model B

A Group of Kodak Folding Cameras, including a Kodak Duo 620, shutter working, body F, wear to leatherette, elements F, a Retina I type 126, shutter lever jammed, body F-G,with 5cm f/3.5 Anastigmat lens, elements F, a Retina IIa, shutter sluggish on slow speeds, body F-G, elements F and two Retina IIc, one with Xenon 50mm f/2 lens, shutter sluggish on slow speeds, body G, elements G, other with Xenon 50mm f/2.8 lens, shutter not working, body G, elements G

Camera Related Items, a Kodak Vest Pocket, No 3 Pocket, Zeiss Ikon Nettar folding cameras, a Linhof tripod, wooden surveyors tripod,light meters, filters, two digital compacts and other items

A Group of Kodak Cameras, A Kodak Retina Reflex III, shutter sluggish, body G, with Xenar 50mm f/2.8 lens, elements G, a 35mm f/2.8 Curtagon lens, 35mm f/4 Curtar lens, 80mm f/4 Xenon lens, elements G, all in maker's bubbles, a Retinette, shutter working, body G, elements G, two Retinette 1A, shutters working, bodies G, elements G and a Retina S1, shutter working, body G, elements G

A Box of Camera Cases, ERC's maker's include Leica, Kodak, Voigtlander, other maker's, some unbranded, F-G

A Tray of Kodak Folding Cameras, including a Six 20 Jiffy Kodak, G, a Kodak Flash Bantam, G, a Jiffy Kodak Vest Pocket, G, a Vigilant Junior, a Vigilant Six 20 and other examples

A Tray of Folding Cameras, including a Kodak Jiffy, a Soho Cadet, a Kodak Autographic Vest Pocket, a Voigtlander Bessa (P), and other examples

A Tray of Box Cameras, including Kodak Model C, SiX-20 Model C, Six-20 D, Six-20 Junior, Brownie Flash II, Portrait Hawkeye, No 2 Brownies and other box cameras

A Tray of Kodak Cameras, including a Brownie Cresta, in maker's box, 127 Brownies, Brownie Reflex, Brownie Vectar, Kodak instamatics, a Kodak Zi6 pocket video camera, a Kodak EasyShare DX4900 and a Kodak Easy Share camera dock II station, both in maker's boxes

Two Kodak Developers, a 3½ Model B-2, with metal tank, spool and turning handel, G, with six developer powders in maker's box, a Brownie Developer, with solution cup, in maker's box, spool and turning handles, with a Correx and Johnsons baklite film tanks

A Kodak No 1 Panoramic Camera, serial no 4175, Pat. Sept, 25, 1894, shutter working, body F-G, scuffs to leatherette, elements G, bellows G

Various Cameras, a Zenit 11, shutter working, body G, withHelios 58mm f/2 lens, barrel G, elements G, a Hanimex MC auto 28mm f/2.8 lens, barrel G, elements G, a Carl Zeiss Jena MC 135mm f/3.5 lens, barrel g, ELEMENTS g-vg, a Canon Sure Shot AF-7 compact camera, untested, G, a Coronet Clipper folding camera, G, a Pair of Mark Scheffel 10 x 50 binoculars, G, Kodak 155x instamatic camera,lot includes some round table memorabilia

A Tray of Kodak Folding Cameras, including a No 3A Model C Autographic, a No 3A pocket Kodak, a 1A Kodak Jr Autographic, a Junior 620, a No 2 Autographic Brownie and other models, overall G

A Tray of Kodak Compact Cameras, a K10, K12, K14, the K14 original battery still has some charge, others untested, a Signet Flash 35, Signet Auto 35, a K9, A Fun Saver 35 disposable, a DC4800 digital compact and two boxed Easy Share camera dock II docking stations

A Tray of Kodak Intamatic and Disc Cameras, an Instamatic X-90, X-30,100, all in maker's boxes, G, A Kodak Etralite 500, Ektramax, Pocket Instamatic 100 outfit, in maker's boxes only containing cameras, G, a Kodak disk 6000, in display case, a disc 4000 with see through back, in maker's box and unboxed 60, 250, supersnap, instamatics, 2000, 4000 (2), 8000 disc cameras

A Tray of Viewfinder Cameras, manufacturers include Agfa, Halina, Kodak, Ilford, Zeiss Ikon, and other examples

Kodak Polaroid Cameras, a Kodak Colorburst 250, EK2, EK8 (2), 970L and a Polaroid Vision, overall G

A Tray of Kodak Folding Cameras, models include Six-20, Sterling II, Six 20 B, Six 20 Junior and other models, F

A Tray of Digital Cameras, including a Fujifilm Finepix S2 Pro body, body G, untested, four Nikon D1x bodies, no battery holders, untested, A/F, for parts, a Minolta Dimage 7, Olympus C-2100, a Fujifilm Super CCD, a Samsung WB100, a Sony MPEGmovieEX, a Kodak DC210 plus, other compact digitals, all untested

A Kodak Inflatable Dinghy, circa 1980, advertising Kodak Film, some fading to Kodak lettering, approx 150cm x 90cm, G

A Kodak K 100 Turret 16mm Cine Camera, motor runs, body G, with Kodak 15mm f/2.7 lens, barrel F-G, elements G, 15mm viewfinder lens, a Kodak 25mm f/1,9 lens, barrel G, elements G, 25mm viewfinder lens and a Kinotel 3in f/2.5 lens, barrel F-G, elements F-G, 75mm viewfinder lens

Three Kodak Cine Ektar Lenses, a 40mm f/1.6 lens, elements G, with front/rear caps, with lens manual, in maker's box, a 50mm f/1.9 lens, barrel G, elements G, with front/rear caps, lens manual, in maker's box, a 102mm f/ 2.7 lens, barrel G, elements G, with front/rear caps, in maker's box and a 152mm f/4 lens, barrel G, elements G, with front/rear caps, in maker's box

A Tray of Various Cameras, including a Kodak Retina Iic, Shutter working, body G, with Schneider Xenon 50mm f/2,8 lens, elements G, an Argus A2, shutter working, body G, with 50mm f/4.5 lens, elements G, a Ziag Contessa LK, shutter working, body G, with 50mm f/2.8 lens, elements G, other viewfinder cameras and an Agfa Isolette, Lumiere, Billy Record folding cameras, overall G

A Group of Kodak Cine Cameras, a Magazine 16mm Cine Kodak, motor runs, body G, with 25mm f/1.9 lens, a Model BB Junior, motor runs, body G, with 25mm f/1.9 lens, a Cine Kodak Eight, motor runs, body G, with f/3.5 lens, a Brownie f/1.9 8mm turret, motor runs, body G, elements G, an Electric 8, XL55, both A/F and a 40mm f/1.6 Kodak Cine Ektar lens, barrel G, elements G

Three Pasport Cameras, a Shackman Rapid Plus, untested, body G, elements G, a Shackman Four x One, shutter not working, body G and a Polaroid Miniportrait, untested, body G, elements G and a Kodak EK2 Instant camera, untested, body G

A Kodak Super Matic 60 P Sound Projector, untested, with 15-30mm f/1.3 lens, self contained in case, with built in flip up screen, with folding mirror projection, body G, swithces move freely

A Kodak Model 1 E Sound 8 Projector, with ¾in f/1.6 Ektar lens, elements G, body G, untested, with Kodak Model A twin speaker unit, G, in manfacturers box, both untested

A Kodak Moviedeck 455 K Projector, for 8 & super 8 film, with integral flip out viewing screen, G-VG, untested, with manual, maker's box & manufacturers outer box, with a salesman's sample Kodak Ektalite 18 x 25in projection screen, in maker's box

A Small Group of Cameras, including a Zenit B, shutter lever not engaging, with Helios 58mm f/2 lens, G, a Canon Sure Shot BF compact camera, G, untested, a Kodak Duoflex, agfa Synchro box cameras, an Agfa Optima I, an Ilford Sporti and a Opton 500mm f/8 lens

A Kodak Ektagraphic MFS 8 8mm Cine Priojector, possably unused, still with protective paper strips in place, slight ageing, G-VG, untested, with remote control unit, in maker's box

A Group of Kodak Cameras, two Retinette, one with schneider 50mm f/2.8 lens, shutter working, body G, elements G, other with Schneider 45mm f/2.8 lens, shutter not working, body VG, elements VG, a Brownie Reflex, Brownie 44a and a Kodak 66, all in makets boxes

A Tray of Folding Cameras, two Zeiss Ikon Nettar, G, one cased, a Kershaw 110, cased, G, a Viotlander Perkeo I, cased, G-VG, a Kodak No 1 Autographic Jr, G and an Agfa folding camera

A Kodak Cavalcade 520 Slide Projector, with 3¾ to 6¼in f/3.5 Kodak projection zoom lens, elements G, some ageing to exterior, G, with Kodak Model 1 Cavalcade programmer, both untested

A Kodak Kodaslide 4X Table Viewer, 1950's, dark brown bakelite body, with 6½ x 6½in screen, some light scratches, with power cable, with original switch, with a Kodak slide and film viewer, white bakelite, G, a Kodaslide 50 slide projector, with manual in maker's box and a quantity of holiday slides

A Kodak Carousel Custom 850 H K Auto Focus Slide Projector, with 102-152mm f/3.5 Ektanar C projection lens, elements G, with remote control cable, some ageing from storage, crack to lid, G, untested, in maker's box & outer manufacturers box, with five Kodak slide carousels

Kodak Folding Cameras, two Vest Pocket Autographic cameras, one cased, a No 1-A Kodak Junior, a No 3 Pocket Kodak Model E-4, in case, a No 3 Autographic Pocket Kodak, overall G, with a Kodak Vest Pocket Film Tank, a Top Watkins Time Tank and other items

A Group of Variuos Cameras, including a Kodak Signet 35, shutter sticking, body G, with 44mm f/3.5 Ektar lens, elements G, with a Kodak Photographic notebook, an Exakta VXII, shutter not engaging, body G, with carl Zeiss Jena 50mm f/2 Pancolar lens, elements G, a Nikon N2020, possabel battery issues, not powering up, body VG, with AF Nikkor 50mm f/1.8 lens, barrel VG, elements VG, a Cosmic 35, Zeiss Ikon Nettar, some filters and other accessories

Two Kodak Umbrellas and Two Kodak Rain Macs, one umbrella with Kodak film box design and wood shaft, some fading, fraying other with broad Kodak lettering, G, one hooded jacket with products by Kodak emblem, by Guerrier Sportswear, other with embroidered Kodak film box design down length of zip, by Louisville Kentucky Sportswear, G-VG

Kodak Recording Media, 33 reels of sound recording tape, various sizes, mainly 7in, many pre recorded, three boxes of 10 CD-R Ultima 80, one box CD-R Gold Ultima recordable CD's, still sealed, three E-30 VHS tapes, two C 120 cassette tapes and a 8mm P6-90 video cassette

Four A4 Folders of Kodak Promotional Material, circa 1980's, including a folder with postcard size images of Kodak free gifts, advertising images, logos, a Kodak Franchise Operations Manual, a Kodak minilab retail strategy and another with images of Kodak lab in Clicks South Africa

Various Cameras, including a Voigtländer Brillant TLR camera, P-F, a Kodak no 2 Folding Autographic Brownie, with manual, boxed, G, a No 2 Pocket Ensign, G, a Ful-Vue, a Brownie Model 1 box camera, a Polaroid 3000 and several compact cameras

Kodak and Voigtlander SLR Cameras, comprising a Retina Reflex S with Retina-Xenar 50mm f/2.8 lens, a Retina Reflex III with Retina-Xenon 50mm f/1.9 lens, a Bessamatic with half case and an Ultramatic, both with Color-Skopar X 50mm f/2.8 lenses