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Myford Wood Turning Lathe, INCA Bandsaw and Babco Vice on Made Up Bench

Inventar eines Inka-Grabes. 1470 - 1532 n. Chr. Das Inventar bestand aus 12 einzelnen Objekten: a) "Gorro" in Stufenmäander-Symbolik (Fruchtbarkeit) mit Schmuck aus roten Federn. Federschmuck etwas auseinandergefallen, sonst intakt. b) Ein Stirnband und zwei Ohrschmuck-Teile aus velourartigem Material (3 Stück!). c) Zwei Silberketten mit dicken Perlen aus dünnem Blech. d) Ein Keru-Becher aus Holz, mit geschnitztem geometrischen Dekor. e) Ein Kalkbehälter, der aus einer Erdfrucht gearbeitet wurde. f) Eine Wurfschlinge. g) Eine größere Tasche, in Streifendekor gewebt. h) Ein großes Tuch in Pink und Braun, möglicherweise Teil eines Ponchos. 12 Stück! Alle Objekte in sehr gutem Erhaltungszustand! Inventory of an Inca tomb comprising 12 objects: a) Gorro with feather decoration. b) Velour-like headband and ear-decoration. c) Two silver necklesses. d) One Keru made from carved wood. e) Small lime vessel made from an earth fruit. f) One casting loop. g) A larger bag. h) Textile fragment of a Poncho. All very well preserved! Circa 1470-1532 AD. 12 pieces! Provenienz: In Deutschland seit den 1960ziger Jahren, Sammlung Klaus Baumann, Hamburg; ab 1982 Sammlung U. C.

Zeremonialporra (Streitaxt). Inka, 1400 - 1532 n. Chr. L 27cm. Streitaxt mit einem sternförmigen Kopf aus massivem Kupfer. Der mit Garn und Velourschmuck umwickelte Stiel mit dem anhängenden Objekt wurde später angebracht, stammt aber auch aus der Zeit. Mit ausführlicher Beschreibung des Sammlers! Intakt. Die sog. Porra war ein der Streitaxt ähnliches Instrument, welches mit einem steinernen oder metallenen Ring ausgestattet war. Seine sternförmige Ausbildung ließ diese Waffe eine noch gefährlichere Wirkung erzielen. Sie wurde von den meisten Kriegern der verschiedenen peruanischen Kulturen getragen. Ceremonial mace with massive head in a star shape. The decorated shaft is not belonging to the original, but comes from the same period and area. Inca; ca. 1400-1532 AD.VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: 1970-1986 im Besitz von Bertrand de Parseval, Südfrankreich, in Deutschland seit 1996, Slg. U. C.

Sammlung von drei praekolumbischen Taschen. a) 29x23,5cm. Fein gewebt, Zickzack-Muster in Rot und Braun auf beigem Grund. Intakt; Inka, ca. 1400 - 1532. b) 17x18cm. Fein gewebt, unten mit zwei Quasten verziert. Intakt, Huari, um 600 n. Chr. c) 19x16,5cm. Feines Gewebe mit rhombenförmigen, beigen Mustern auf tiefblauem Grund, unten mit braunen und roten Fransen verziert. Mehrere kleine Löcher, sonst intakt. Nasca, 450 - 650 n. Chr. 3 Stück! Collection of three very well preserved Precolumbian textile pouches: a) Inca; intact, ca. 1400-1535 AD. b) Huari, intact, about 600 AD. c) Nazca; some small holes in the fabric, otherwise intact, 450-600 AD. 3 pieces!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: 1968-1995 Bertrand der Parseval, Südfrankreich; in Deutschland seit 1995, Slg. U. C.

Sammlung von praekolumbischen Textilien. a) L 1,06m. Kameliden-Wolle gewebt. Stirnband mit Seevögeln im Zackenmotiv in Schwarz auf pinkfarbenem Grund. Intakt; Chancay, ca. 1200 - 1400 n. Chr. b) L 2,36m. Kameliden-Wolle gewebt mit braun-beigen Kordeln und einem Mittelteil in Pink und Beige. Frauengürtel oder Universalband zum Halten von Kleidern. Intakt. Inka, zentrale Küste, 1400 - 1532 n. Chr. c) L ca. 25cm. Gewebe aus Kameliden-Wolle und Baumwollfäden in Grün, Dunkelbraun, Rot und Gelb. Bortenfragment mit langen Fransen; Proto-Nasca, 400 - 200 v. Chr. 3 Stück! Three interesting Precolumbian textile fragments made from woven camelid wool and cotton. a) Headband, intact; Chancay, ca. 1200-1400 AD. b) Woman's belt, intact; Inca, Central Coast area, ca. 1400-1532 AD. c) Border fragment, Proto-Nazca, ca. 400-200 B.C. 3 pieces! VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: In Deutschland seit 1977 (a und b) bzw. 1985 (c), Sammlung U. C.

Sammlung von praekolumbischen Tumbaga-Scheiben. Inca (?), 1400 - 1532 n. Chr. ø 6,6cm. Sammlung von 12 metallenen Scheiben aus Tumbaga (Mischung Kupfer mit Gold) als Applikationen für Kleidungsstücke, jeweils einmal gelocht. 12 Stück! Mit ausführlichem Kommentar des Sammlers. Diese Tumbaga-Scheiben von etwa 6 cm Durchmesser wurden auf einen kräftig gewebten einfarbigen Stoff festgenäht. Die 12 Platten zeigen verschiedene Angriffe der Korrosion. Normalerweise wurden die Platten nach Fertigstellung an ihrer Oberfläche mit Oxalsäure behandelt, welche das Kupfer auswaschen konnte. Es verblieb die oberflächliche Goldstruktur, welche diese Scheiben als golden simulieren sollte. Die Scheiben mögen nicht gleicher Herkunft sein, denn offensichtlich sind die Metallgemische unterschiedlich. Während einige sehr korrodiert sind, zeigen andere noch goldene Partien. Ein Goldschmied könne mit der richtigen Behandlung einen solchen Originalzustand sicher wieder herstellen. Die Scheiben stammen möglicherweise aus der Inkazeit. Collection of 12 circular Tumbaga appliqués, pierced, surface abraded or oxidized; probably Inca, ca. 1400-1532 AD. 12 pieces! With detailed decription of the collector!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: Von 1969 bis 2010 Slg. Leif Sjöberg, ab 2010 in Deutschland, Sammlung U. C.

Drei Porras (Streitkeulen). Inka, 1400 - 1532 n. Chr. a) L ca. 30cm. Holzstiel mit sternförmigem Aufsatz aus dunklem Stein. Gebrauchsspuren, intakt. b) L 31,5cm. Holzstiel mit dickem ringförmigen Aufsatz aus dunklem Stein. Gebrauchsspuren, intakt. c) Leicht gebogener Holzstiel mit ringförmigem, scharfgratigen Aufsatz aus massivem Kupfer. Leicht korrodiert, Gebrauchsspuren, intakt. 3 Stück! Holzstiele nicht original, sondern modern aus dem Holz abgestorbener Bäume gefertigt. Three Porras , with mace heads made from stone and massive copper. The shafts are modern but made from deadwood, an authentical material found in the coastal desert. Intact; Inca, ca. 1400-1532. 3 pieces!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: In Deutschland seit 1980, Privatsammlung U. C.

Drei Tumi. Inka-Zeit, ca. 1470 - 1532 n. Chr. a) L 24cm. Kupfer. Großes, schweres Tumi mit halbrunder Schneidefläche, grüne Patina mit anhaftenden Geweberesten, intakt. b) L 14 cm, Kupfer. Zwei kleine gleichgroße Tumi; grüne Patina mit anhaftenden Geweberesten, intakt (2 Stück!). 3 Stück! Three Tumis, copper with green patina and partly adhering remains of tissue; well preserved. Inca period, ca. 1470-1532 A.D. 3 pieces!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: In Deutschland seit 1978, Privatsammlung U. C.

Kleine Sammlung Bronzen. Inka, ca. 1470 - 1535 n. Chr. Ein Tumi mit Darstellung einer Raubkatze auf dem Griff (H 10,6cm) mit Textilresten, zwei halbkreisförmige und eine figürliche Applikation, sowie Glocken. 5 Stück! Patina, Korrosion, ein Applikationsteil gebrochen. Small collection of Inca bronze appliques, a tumi and bells. Patina and corrosion, one piece broken, about 1470 - 1535 AD. 5 pieces!VERKAUFT WIE BESEHEN, KEINE RÜCKGABE! / SOLD AS VIEWED, NO RETURN! Provenienz: Ex Sammlung Westermann, seit den 60er Jahren. Bei Gorny & Mosch Auktion 272, 2020, 881.

An antique Peruvian or Inca terracotta drinking vessel in the form of a duck, with some original painted decoration, 19cm high, 20cm long.

Brazilian Hardwood Inca Style Tourist Axe: together with similar mask

Offered from the National Motorcycle Museum Collection 2003 FWD Seeley 499cc G50 Mk3 ReplicaRegistration no. not registeredFrame no. none visibleEngine no. FW/25 G50/25W•Built by Fred Walmsley Developments•Ridden by Glen English as part of his 2003 World Championship-winning campaign••Many-times British sidecar champion Colin Seeley bought Associated Motor Cycles' racing department when the company went into receivership in 1966. The previous year he had constructed the first Seeley racing frame to house a Matchless G50 engine, and the AMC purchase enabled him to produce complete Seeley G50 and 7R machines. With their improved frames, the ageing four-stroke singles enjoyed renewed competitiveness, Dave Croxford winning the British 500 Championship on a Seeley G50 in 1968 and '69. The Seeley frame progressed from the duplex cradle Mk1 to the similar but lighter Mk2, before the down-tubes were abandoned with the Mk3, the headstock and swinging arm pivot of which were linked solely by tubes running diagonally above the engine. The Mk4 introduced towards the end of 1970 featured a revised tubing layout and continued in production until 1973. Production of Seeley frames was later licensed to Roger Titchmarsh and there have been countless unauthorised copies made over the years. The 500cc historic racing series run by the International Classic Association (InCA) was granted FIM World Championship status for 2003. Glen English won the title, scoring most of his championship points on this Seeley-G50 replica built by Fred Walmsley Developments. Although outwardly similar to the original Matchless G50 engine used in Seeley machines from 1966 to 1969, this replica unit is modified for enhanced performance and reliability.The cylinder bore is 5mm larger than standard at 95mm and the stroke is reduced from 78mm to 70.46mm. As a result, peak power is at 8,500rpm rather than 7,200rpm. FWD claim a phenomenal 63 brake horsepower. A super-strong titanium connecting rod is used to withstand the increase stress involved. Carburetion is by a Gardner flat-slide instrument, while an electronic CDI ignition unit replaces the original magneto. A toothed rubber belt transmits power to a close-ratio Mick Hemmings gearbox with six-speed internals. Thus, equipped the FWD Seeeley-G50 weighs 238lb (108kg) and has a top speed, depending on gearing, of 150mph. English started the 2003 season on the ex-Barry Sheene FWD Manx Norton but contested several title rounds on the Seeley-G50. The machine's very first track outing in Austria saw him win one race and finish 2nd in the other. Further victories were scored in Holland and at Donington Park's British MotoGP round. English found the Seeley more agile on twisty circuits than the Norton and went on to win the 2004 UK 500cc Classic Championship, breaking the class lap record at every circuit be raced on. The machine's mechanical condition is not known; accordingly, prospective purchasers must satisfy themselves with regard to its condition, completeness, correctness, or otherwise prior to bidding. Footnotes:As with all Lots in the Sale, this Lot is sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness, and originality prior to bidding.For further information on this lot please visit Bonhams.com

A Peruvian style carved stone figure in the form of an Inca, h.37cm

MILLAIS JOHN EVERETT: (1829-1896) English Painter, one of the founders of the Pre-Raphaelite Brotherhood. A.L.S., J E Millais, one page, 8vo, Bowerswell, Perth, 9th September 1893, to J. M. Saul. Millais writes, in full, 'I really forget when I exhibited Pizaro (sic) but you may find out by consulting the RA catalogues either at the Royal Academy or British Museum'. With blank integral leaf (slight traces of former mounting to the verso). Accompanied by the original envelope hand addressed by Millais. VGPizarro Seizing the Inca of Peru was painted by Millais in 1846 and is currently housed in the Victoria and Albert Museum in London. It was the first painting by Millais to be exhibited at the Royal Academy in 1846, six years after he had been admitted to the Royal Academy Schools as their youngest ever student.Bowerswell House, from where the present letter was written, had been the location for the marriage of Effie Gray to John Ruskin in 1848. The marriage was annulled six years later and Gray left Ruskin, without the relationship being consummated. Bowerswell House was again the venue for Gray's subsequent marriage to Millais in 1855.

An 18ct yellow gold bracelet by Arte Orfebre SA, Peru, signed 'Arte Orfebre Made in Peru Reg 7700 18K', the six panelled links with pierced Inca style decoration, clasp a/f.

2nd-6th century AD. A pair of gilded copper-alloy ear spools, each with gold surface and red-brown cinnabar colouration; the spools are discoid with raised bands and a capped and pierced central cylindrical neck to the reverse; the discs present almost identical scenes of a standing warrior wearing a headdress and holding a club and shield; Lambayeque Valley, circa 200-500 AD. See Pillsbury, J. et al., Golden Kingdoms: Luxury Arts in the Ancient Americas, Los Angeles, J. Paul Getty Museum, 2017, no.21; cf. Jones, J., and Heidi, K., Gold of the Americas, The Bulletin of the Metropolitan Museum of Art vol, 59, no.4, Spring 2002, p.16. Exhibited BAAF, Brussels, Belgium, 2015-2016. 173 grams total, 10.7cm each (4 1/4"). From the private collection of Mr. Michael J. Vaupel, Miami, USA; acquired from Gloria Lisset Reyes Garcia, Florida, USA; ex private American collection, circa 1960s; previously in the collection of Mr. Razeto; acquired in the 1950s-1960s; formerly acquired before 1950. The age of the Moche people has been lauded as the 'Mastercraftsman Period' by archaeologists. Alongside other developments and innovations, the Moche excelled at metalwork, such as this pair of earrings, which may have been worn by high status men or women. The pair would likely have been deposited as grave goods. The Moche culture existed between 200-850 AD, before the advent of the Inca. Although they never formed a single centralised political entity, they built thriving cultural regional centres stretching from the Nepeña River Valley in the south to the Piura River, close to the modern border with Ecuador, developing coastal regions into fertile farmlands and exploiting the maritime resources of the Pacific Ocean's Humboldt Current. [2] Fine condition.

INDIE/ ALT/ PUNK/ WAVE - 7" COLLECTION. A super collection around 75 7" singles. Artist/ titles include The Stone Roses - Waterfall, Arctic Monkeys - Crying Lightning, Franz Ferdinand - The Fallen, The Undertones - Jimmy Jimmy, Wazmo Nariz - The EP, Dr Feelgood, The Stranglers, Ramones, Richard Hell & The Voidoids, Orange Juice, Ruts, The B-52's, Sex Pistols, The Autonomists/ FDK, The Inbreds, Vendetta, Penetration, Inca Babies, Salt Solution, Archie Legget, Prince, Fabulous Foodles, Coldplay, Marc Almond, The Police, Kate Bush, Eddie & The Hot Rods, The Damned, The Chesterfields, New Model Army, The Alarm. Condition is generally VG to Ex+.

NONESUCH RECORDS EXPLORER SERIES - WORLD MUSIC LPs - FACTORY SEALED. Wonderful collection of 42 factory sealed LPs on Nonesuch featuring musics of the world. Titles include The Real Mexico - In Music And Song, The Gauguin Years, Songs And Dances Of Tahiti, Los Chiriguanos Of Paraguay, Voices Of Africa, High-Life And Other Popular Music, Kingdom Of The Sun, Peru's Inca Heritage, The Persian Santur, Music Of Iran, Village Music Of Yugoslavia, The African Mbira, Music Of The Shona People Of Rhodesia, Javanese Court Gamelan, P'Ansori, Korea's Epic Vocal Art & Instrumental Music, Turkish Village Music, Pallavi, South Indian Flute Music, Animals Of Africa, Sounds Of The Jungle, Plain & Bush, Kashmir, Traditional Songs & Dances, Master Of The Sarangi, Ladakh, Songs & Dances From The Highlands Of Western Tibet, Africa, Shona Mbira Music, Savannah Rhythms, Reflections Of Romania. All titles are factory sealed and are catalogued as Mint, the sleeves typically Ex+ to archive/Mint. See images for full list.

South America, three Maya and one possibly Inca terracotta objects, two decorated bowls and a cylindrical vase, one black cylindrical vase with engraved decoration, all with defects h. 7,5-22,5 and d. 12,5-20 cm. [4]

VICKI; a Peruvian beaten copper plate with patinated finish and white metal inlay depicting Inca deities, stamped manufacturer's mark to reverse, diameter 24.8cm.Additional InformationSurface scuffs, marks, scratches, rubbing to detail.

THREE LONGINES & ROAMER WRIST WATCHES to include a 14K stamped lady's cocktail watch, the dial marked 'Longines', the strap mounts set with tiny diamonds, a gent's gold plated Roma Inca bloc, the dial set with Arabic quarters and arrow markers with subsidiary seconds dial on a leather strap and a lady's gold plated Roma Inca bloc, the dial set with baton markers on a bracelet strap, both of the Romas appear in working order. ALSO WALTHAM GOLD PLATED GENTLEMAN'S POCKET WATCH & ALBERT CHAIN, open faced manual wind with subsidiary seconds dial and Roman numeral set main dial, appears in working order

"I Am A Marxist" Lee Harvey Oswald LP containing the full recording of the famous "Carte Blance" interview, signed by one of the panelists Edward Scannell Butler the executive vice president of Inca.

An 'Inca' armchair and footstool,designed by Arne Norell for Norell Mobler, with mushroom leather seats, on stained frames, 78cm wide92cm deep90cm high, seat 40cm high,stool 76cm wide47cm deep41cm high (2)Condition report: Some creases to the seats and backs, Otherwise good overall.

A Royal Doulton 'Inca' pattern part tea set, with sandwich plate, length 25cm, cups, saucers and bowl

A MOORCROFT POTTERY SQUAT BALUSTER VASE IN THE INCA PATTERN, on a red ground, circa 1994, impressed and painted marks, height 15.5cm (condition: number of hairlines/crazing to glazing, no other obvious damage)

A large collection of assorted Moto Ware, together with other various ceramics, to include a Sylvac dog no 1295, Royal Doulton Prunus pattern candlesticks, and three vases, J G Meakin Inca pattern tea set, and a silver plated rose bowl, etc. - Condition Report

An Inca votive container canopa Peru stone, modelled as an alpaca, 6.5cm high.

A Pre-columbian silver Inca plaque, 53 x 26.5cmCondition report: Tarnishings and rubbings to silverScratches and knocks/dinks to the board

A pair of Mappin & Webb silver collared cut glass decanters, an early 20th century Indian black lace and white metal shawl, seventeen Indian white metal buttons, a Tang style patinated metal horse and a group of Aztec/Inca archaeological pottery pieces (qty)

Peru. Braun (Georg & Hogenberg Franz), Mexico Regia et Celebris Hispaniae Novae Civitates [on sheet with] Cusco Regni Peru in Novo orbe Caput, Cologne, circa 1580, two hand coloured engraved city plans on one sheet (as published), overall size 270 x 480 mm, Latin text on versoQty: (1)NOTESThe only two cities in the Americas to be illustrated by Braun & Hogenberg show the old Inca and Aztec capitals. It is possible that the man being carried in a litter in the foreground of Cusco is Atahualpa, the Inca king. The crack in the plate to the right of the title 'Mexico' appears in about 1579 and gets larger with each edition.

1960's 73cl bottle Inca Pisco and sixteen old bottles of mixed Italian liqueurs

NO RESERVE South America.- Kauffer (Edward Mcknight) Mexico. Pan American Airlines, lithograph printed in colours, backed on linen, 1050 x 690 mm (41 1/4 x 27 1/4 in), several repaired tears, unframed, The Gugler Lithographic Company, 1949; together with 3 others, including an aviation poster Narciso Machinandiarena, comercio de tejidos ultramarinos, ferreteria y otros varios articulos, by Aoiz, Navarra, Papeles Industrial, Zaragoza, also Springett's poster Peru with the head of an Inca, circa 1930-1950, mounted on linen, and another text-based Peruvian poster by Industrial Grafica, lithographs, all but the last mounted on linen, unframed, [20th century] (4)

A 1970's Aristocrat Kingway Inca Gold One Armed Bandit, taking 5p coins and being electrified CONDITION REPORT Mechanism is working order No plug fitted No key however draw opens

A pair of carved onyx bookends, carved as Inca style figures 12.5cm x 7cm some polished over corner/edge knocks, generally good.

An Aristocrat Inca Sun fruit machine, W.55cm, D.112cm (In working order)CONDITION: The metal work is faded and rusted to the top. The machine fully illuminates and is in working order with coinage and its key

A matched pair of Inca type Kelim rugs, with striped colourful decoration, each 80 x 150cm (2)

A Vintage International Watch Company stainless steel gentleman's wristwatch, with gilt Arabic hour numerals and marked IWC over *AVR* LE**A ** & ANTI-MAGNET and having subsidiary seconds dial marked INCA serial number 1091122 Hermit, on a modern brown leather strap.

Camel Zippo Lighter Postal Card Series, containing nine lighters, dated 05 and 06 - Lightning, Wooden Camel, Camel in Ice, Camel in Sand, Eastern Camel, Camel in Cloud, Camel Planet, Camel Inca Stone and Camel Inca Sand, unused (9)

An 'Inca' pottery bowl, in the form of a bird, incised signature to base and 'Cultura Inca 1400DC -5-' written in ink, 21cm long

A South American silver bracelet, necklace & brooch set with Inca style decor approx. 189g

Universal South American Inca type cabinet with two lower drawers, 45 x 20 x 80 cm. This lot is not available for in-house P&P.

Tim 'Frogman' Cotterill (b.1950) ''Inca'' Signed and numbered 36/175, further signed 'Frogman' in the cast, enamelled bronze, with certificate of authenticity signed by the artist 6.5cm high Provenance: Mulberry Hall Gallery, York, October 2009.

In Inca Made in Switzerland Model No. AFJ53 model of an Injecta SBB/CFF locomotive, finished in red with silver roof

Two early 20th Century Inca tribe type carved marine ivory figures in the form of penguins. Height 12cm. (2)

AN 18CT GOLD INTERNATIONAL WATCH CO SCHAFFHAUSEN WRISTWATCH tear drop lugs, cream dial with gold coloured baton, Arabic numerals and hands, dimensions of the case 4.5cm x 3.5cm, stamped internally 18k 750 with Swiss strike mark, and the numbers 1151868, 149, movement stamped 1113968 inca. Weight including mechanism and brown buffalo calf strap 45gms Condition Report: Winds and is ticking, in very good clean condition.

A gentleman’s Swiss Emperor Inca bloc automatic wristwatch, with date aperture and a gents Seiko watch (2)

Four pairs of tweezers Peru and Bolivia, circa 200 - 1500 AD silver and gold, including Chimu, Inca, and Moche, 2.6cm - 4.5cm long, and three re-strung bead necklaces, shell, turquoise, quartz and silver with a copper tweezer pendant, a jaguar and a human head pendant. (7)

Three South and Central America disc ornament gilt metal, including Chimu with a central figure and a scroll border, 6.5cm diameter, Inca with unfinished pierced decoration, 7.4cm diameter and Ecuador with embossed decoration, 7.3cm diameter, all on wood stands. (6)

Three Inca style knives Peru bronze and brass, 9.7 and 10cm long. (3)

Books and magazines relating to North American Indians. Provenance Dr Alan Black Collection.LiteratureWilliam S. Laughlin. Aleuts: Survivors of the Bering Land Bridge, 1980;G. H. S. Bushnell & Adrian Digby. Ancient American Pottery;William W. Fitzhugh and Valérie Chaussonnet (edited by). Anthropology of the North Pacific Rim, 1994;John Gattuso (edited by). Native America, Insight Guides, 1991;Lar Hothem. North American Indian Artifacts, 1980;Ruth M. Underhill. Red Man’s America, 1971;George Cantor. North American Indian Landmarks, A Travellers guide, 1993;Paula Gunn Allen. The Sacred Hoop, Recovering the Feminine in American Indian Traditions, 1992;William C. Ketchum, Jr. The Art of the Golden West, 1996;Royal B. Hassrick. The Colourful Story of North American Indians, 1975;Josepha Sherman. Indian Tribes of North America, 1996;Dan Lacy. The Lost Colony, 1972;George P. Horse Capture, Anne Vitart, Michel Waldberg, and Richard West, Jr. (contributions by). Robes of Splendor, Native North American Painted Buffalo Hides, 1993;The University of British Columbia. Northwest Coast Indian Artifacts from the H. R. MacMillan Collections, in the Museum of Anthropology, 1975;The University of British Columbia. Indian Masterpieces from the Walter and Marianne Koerner Collection, in the Museum of Anthropology, 1975;Beverly Gordon and Melanie Herzog. American Indian Art, The Collecting Experience (catalogue), 1988;Alan & Gill Bridgewater. Carving Totem Poles and Masks, 1991;Nigel Cawthorne. The Art of Native North America, 1997;David M. Fawcett and Lee A. Callander. Native American Painting, Selections from the Museum of the American Indian, 1982;J. C. H. King. Thunderbird and Lightning, Indian Life in Northeastern North America 1600-1900, 1982;H. P. Mera. Pueblo Designs. 1970;Ellen Woods. American Indian Artifacts, How to identify, evaluate and care for your collection, 1997;Geoffrey Turner. Indians of North America, 1979;Franz Boas. Primitive Art, 1955;Jason Hook and Martin Pegler. To Live and Die in the West, The American Indian Wars, 1999;Eagle/Walking Turtle. Indian America, A Traveler’s Companion, 1989;Marz and Nono Minor. The American Indian Craft Book, 1978;Heritage House. White Slaves of the Nootka, Narrative of the Adventures and Sufferings of John R. Jewitt while a Captive of the Nootka Indians on Vancouver Island – 1803-05, 1987;John G. Neihardt. Black Elk Speaks, the Life story of a Holy Man of the Oglala Sioux as told to John G. Neihardt (Flaming Rainbow), 1961;Charles S. Rhyne. Expanding the Circle, the Art of guud san glans, Robert Davidson, 1998;Josepha Sherman. The First Americans, Spirit of the Land and the People, 1996;American Heritage Publishing, Alvin M. Josephy, Jr. (editor in charge). The American Heritage book of Indians, Introduction by John F. Kennedy, President of the United States, 1961;Rayna Green with Melanie Fernandez. The British Museum Encyclopaedia of Native North America, 1999;David M. Jones and Brian L. Molyneaux. Mythology of the American Nations, An Illustrated encyclopaedia of the gods, heroes, spirits, sacred places, rituals and ancient beliefs of the North American Indian, Inuit, Aztec, Inca and Maya nations, 2004;Virginia Vidler. American Indian Antiques, Art and Artifacts of the Northeast, 1760 – 1900, 1976;Wilson Duff. Images stone b.c. Thirty Centuries of Northwest Coast Indian Sculpture, 1975;Joseph P. Donnelly, S.J. (translated and introduced by). Indian Life in the Rocky Mountains, 1840 – 1847, Wilderness Kingdom, The journals and paintings of Father Nicholas Point, 1968;Herman J. Viola. The Indian Legacy of Charles Bird King, 1976;Museum of Anthropology and Ethnography. Text by T. Ganiushkina, R. Razumovskaya, I. Shavrina, an album presenting a variety of objects providing an insight into the history, home life, religious beliefs and applied art of various peoples i.e. Tlingit, Aleutians, Eskimos, Papuans and others. 1973;Norman Feder. American Indian Art (2);National Geographic. Vol. 185, No.6 June 1994;National Geographic. Vol. 180, No.4 October 1991;Gilbert T. Vincent (text by). Masterpieces of American Indian Art from the Eugene and Clare Thaw collection, 1995;The Studio (magazine) February 1941;Richard Conn. Native American Art, in the Denver Art Museum, 1979;Time-Life Books (editors of) and Benjamin Capps (text by). The Old West, The Indians, 1973;Davis Thomas and Karin Ronnefeldt. People of the First Man, Life among the Plains Indians in their final days of glory, 1976;M Gidley. With One Sky Above Us, Life on an Indian Reservation at the Turn of the Century, 1979;Douglas Congdon-Martin (text by and photography with). Lelooska The Traditional Art of the Mask, Carving a Transformation Mask, 1996;Susan Bradley (edited by). A Guide to the Storage, Exhibition and Handling of Antiquities, Ethnographia and Pictorial Art, British Museum Occasional Paper No. 66, 1990;(50)

A Pre-Columbian, South Coast Peru, Inca Chimu black ware pottery / ceramic whistling figure in the form of a deity / god in a kneeling position. The whistle having a conical spout to the back. Measures; 11cm. 

A collection of assorted 10x Pre Columbian, South Coast Peru, Nazca Inca clay pottery / ceramic relic heads / faces having usual designs along with a portion of a much lager figure. Largest head measures; 7cm. 

A Pre-Columbian, South Coast Peru, Nazca Inca red clay pottery / ceramic whistling vessel in the form of a fish / whale being decorated with painted fish to the body and face in orange, black, red and white hues. The whistling vessel having a handle and conical spout. In restored condition. Measures; 23cm in length. 

In Inca Made in Switzerland Model No. AFJ53 model of an Injecta SBB/CFF locomotive, finished in red with silver roof

Moorcroft Inca Sunflower vase: Height 15cm ( seconds) together with a Carousel patterned vase. Height 23cm (2)

Moorcroft Inca pattern bowl, circa 1997, marked to base, 26 cms in diameterIn good condition 

A boxed Sears Craftsman router crafter, further boxed Sears Craftsmen drawer and door panel decorator kit, a Inca Jug Ultra 16 inch range, a Sears Craftsman edge Crafter and a three dimensional deluxe Route-a-Form pantograph

ROBIN MASON (British b.1958) 'Inca Tray', 1988, charcoal on paper, 61cm x 76cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

A circular Inca Mailman leather top occasional table raised on turned supports.

Moorcroft Inca Sunflower pin dish: together with a Panache M.C.C pin dish (boxed)