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Debra N. Mancoff - Fashion in Impressionist Paris, single hardback volume; sundry art related ephemera; and two reproduction still life oils

Michail Skansi (1885-1979) - a mid century oil on canvas painting. The painting in a European Impressionist style, featuring a continental street scene with mountainous backdrop. Signed lower left hand corner. Framed.Measures approx. 52cm x 45cm.

Impressionist School, an oil on canvas, cottages on Iona, 64cm x 74cm overall, framed

A vintage 20th-century oil on canvas street painting in the impressionist style with an impasto technique of applied paint. The scene depicts a rainy Parisian or London street scene with five-story buildings, trees next to the pavement, and some figures walking. Signed by the artist 'Martin'. Unframed, measuring approx. 51cm x 61cm.

LYNN STURMAN (British b.?) Winter Garden (In the Style of Rousseau) England, 21st century Acrylic on canvas, the vertical view depicting an eclectic range of figures, including an oboist, reclining female nude and a golden retriever, hidden amongst tropical flora in a greenhouse, evoking Henri Rousseau’s recognisable post-impressionist style, and preoccupation with tropical views, unframed. 102cm x 76cm total

A small signed Impressionist style watercolour on board of a Yorkshire landscape dated 1994, in a conservation grade frame under UV and non-reflective glass with an inscription and indistinct signature to the reverse. H.32 W.36cm.

EMILIJA PASAGIC (SERBIAN/CANADIAN CONTEMPORARY) 'GRACE AND BEAUTY I', a signed limited edition print on canvas depicting impressionist style flowers, 52/95 with certificate, approximate size 46cm x 46cm, frame size 53cm x 53cm, Condition Report: small chip to underside of the frame

This oil on canvas is an exemplary work by the renowned Russian-Israeli contemporary Impressionist artist Leonid Afremov (1955€“2019), whose masterful use of palette knives and vibrant color palettes has garnered acclaim worldwide. Afremov's distinctive style is characterized by his ability to evoke emotion through texture, light, and dynamic compositions. Born in Belarus, Afremov trained at the prestigious Vitebsk Art School, an institution founded by Marc Chagall, whose influence is evident in Afremov's expressive and luminous works. The artwork depicts a serene white horse juxtaposed against an old-world cityscape. Architectural details, such as church spires and rustic buildings, serve as a backdrop to the horse's reflective pose, evoking a sense of tranquility amidst urban bustle. Afremov's signature palette of soft pinks, burnt oranges, and light browns is accentuated by bright whites and subtle highlights, lending depth and vibrancy to the composition. The artist's mastery of thick and thin paint applications creates a tactile, almost sculptural quality to the work. His signature appears on the lower right. The painting is housed in an elaborate gilded wooden frame with intricately carved grape vine motifs and an ecru linen border, providing an elegant presentation that enhances its visual impact. About the Artist: Leonid Afremov was a prolific artist whose works have been celebrated for their ability to convey nostalgia, warmth, and a dreamlike quality. Over his career, Afremov created an extensive body of work that includes cityscapes, landscapes, and intimate portraits. His use of the palette knife to apply bold swathes of color became his signature technique, allowing him to achieve unparalleled texture and depth. Despite initial challenges in his career, including political oppression in the Soviet Union, Afremov found success after immigrating to Israel and later the United States. His paintings are now held in private collections and galleries worldwide, and his legacy continues to inspire collectors and art enthusiasts alike. Dimensions: Artwork: 30" L x 40" H Frame: 43" L x 53" H x 2" WArtist: Leonid Afremov (Russian-Israeli b. 1955)Issued: c. 1990Dimensions: See DescriptionCountry of Origin: Russia-IsraelCondition: Age related wear.

An original Impressionist oil painting on board by French artist T.E. Pencke, renowned for his captivating Parisian cityscapes and Mediterranean seascapes. Pencke portrays a bustling corner of Le Boulevard de la Madeleine, alive with vibrant flower vendors and leisurely strollers, capturing the charm and energy of this lovely scene with a splendid range of colors. Housed in an imposing gilded carved wood frame. Artwork dimensions: 9.50"L x 7.50"H. Frame dimensions: 20.25"L x 18.25"H x 3"W. Artist: T.E. Pencke (French, b. 1929)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

A large and vibrant post-impressionist oil painting on canvas by renowned French artist Jean Lamouroux (1933€“2008). This captivating artwork showcases a close-up view of a lush shrub adorned with yellow, trumpet-like flowers and sharp green leaves set against a subtle, gradated gray background. The composition highlights Lamouroux's signature style of blending realism with expressive color tones. The painting is signed by the artist in the lower right corner and is part of a series of four floral works, emphasizing its significance within Lamouroux's oeuvre. Presented in a white frame with a gloss finish, this piece is ready to enhance any contemporary or traditional interior. Jean Lamouroux was an influential figure in the postwar French art scene, celebrated for his ability to merge classical techniques with modernist themes. Known primarily for his floral and landscape compositions, Lamouroux's work was deeply inspired by the natural world and the vibrant colors of the French countryside. His career spanned several decades, during which he exhibited widely in France and Europe, earning acclaim for his distinct post-impressionist style. Today, his works are held in private collections and galleries, reflecting his enduring legacy as a master of contemporary French art. Medium: Oil on canvas Sight Size: 59"H x 23.5"W Frame Size: 60.5"H x 25"W x 1.5"DArtist: Jean LamourouxIssued: 1993Country of Origin: FranceCondition: Age related wear.

K Meethan (Contemporary) 'Dream of Lourdes' impressionist oil on board showing the famous holy site of Lourdes in France, signed and dated lower right, within an ornate cream frame. 48cm x 89.5cm, 55.5cm x 97.5cm overall.

Extensive Impressionist Victorian busy beach scene with figures gathered and bathing machines, oil on canvas, 15.5 x 45.5cm, gilt framed

Impressionist busy city and river view with shipping, oil painting, 35 x 50cm, framed and glazed

Impressionist beach scene with girls paddling, oil on canvas, 31 x 40cm, gilt framed

An impressionist oil on canvas of Port Isaac, inscription to verso with note "painted by Mrs. Moody", image size 330mm x 230mm

Early 20th century English school - an Impressionist style woodland scene, oil on board, 47 by 70cms, in a Rowley type silvered frame.

Large Impressionist original oil on canvas by French painter J. Colletti who depicts a group of strollers and cafe goers leisurely enjoying an afternoon in an open wooded park. Signature on lower right: J. Colletti. Written on verso: Garden Scene by Colletti. Housed in an imposing gilded frame with a linen border. Artwork dimensions: 35.50"L x 39.75"H. Frame dimensions: 48"L x 52"H x 2"W. Artist: J. Colletti (French 20th-21st century)Issued: c. 1980Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Antique etching on laid paper entitled Portrait de Guillaumin after French Post-Impressionist artist Paul Cezanne. Etched for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Sketch in the upper left corner which depicts a tiny gallows with a hanged man. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Paul Cezanne (French, 1839-1906)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

Antique engraving on Japan paper after French Impressionist artist Camille Pissarro. This unpublished work was pulled from the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Includes protective cover sheet. Artist: After Camille Pissarro (Danish/French, 1830-1903)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

An original lithograph on paper entitled Portraits de Manet after French Impressionist artist Edgar Degas. Pulled from the limited edition portfolio Degas, Volume I by Paul Lafond published in 1918 by H. Floury, Paris. Artists name in plate on lower right: Degas. Edition number in graphite on lower left: X/LX. Includes protective sheet with title of work and Collection de M. Ernest Rouart. Artist: After Edgar Degas (French, 1832-1883)Issued: 1918Dimensions: 7.75"L x 10"HCondition: Age related wear. Time stained.

An antique engraving on Japan paper after French Impressionist artist Berthe Morisot. This unpublished work was for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Berthe Morisot (French, 1841-1895)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear. Foxing on cover sheet.

Antique engraving on Japan paper entitled Les Peupliers (Poplars) after French Impressionist landscape painter Claude Monets original painting. Pulled from the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Claude Monet (French, 1840-1926)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

Antique lithograph on Marais wove paper after French Impressionist artist Jean Louis Forain for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower left: 307/575. Artists signature in stone: Forain. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Jean Louis Forain (French, 1852-1931)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.

Antique engraving on Japan paper after French Impressionist artist Alfred Sisley. This unpublished work was for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Artists signature in plate on lower left side: Sisley. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Alfred Sisley (French, 1839-1899)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

Antique original engraving on Japan paper entitled Les terres rouges (The Red Lands) after French Post-Impressionist artist Paul Cezannes original painting. Pulled from the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Paul Cezanne (French, 1839-1906)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

Antique original lithograph on Marais wove paper entitled Windmills on the Schie (Moulins sur la Schie) after French Impressionist landscape painter Albert Lebourg for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Edition number in graphite on lower right: 307/575. Artists signature in stone: A Lebourg. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Albert Lebourg (French, 1849-1928)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.

Antique engraving on Japan paper after French Impressionist artist Pierre-Auguste Renoir. This unpublished work was for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Artists signature in plate on lower left side: Renoir. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Pierre-Auguste Renoir (French, 1841-1919)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

Antique original color etching on wove paper entitled Vue prise de Saardam (View taken from Saardam) after French Post-Impressionist artist Paul Cezanne. Etched for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Artists signature in plate on lower right: A G. Includes protective cover sheet. Artist: After Armand Guillaumin (French, 1841-1927)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

An original photogravure on paper entitled Le Pont d'Argenteuil after French Impressionist Claude Monets painting. Printed by Georges Petit in Paris. Outside text with title, artist, and printers name. Artist: After Claude Monet (French, 1840-1926)Dimensions: 7.75"L x 10"HCondition: Age related wear. Time stained.

Antique double engravings on paper after French Impressionist artist Armand Guillaumin. This unpublished work was for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Artists signature in plate on lower right side: A G. Edition number in graphite on lower left: 68/100. Includes protective cover sheet. Artist: After Armand Guillaumin (French, 1841-1927)Issued: 1906Dimensions: 8.25"L x 10.75"HCondition: Age related wear.

Antique engraving on Japan paper entitled Le Boulevard Montmarte, after Danish-French Impressionist artist Camille Pissarros original painting, for the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Artists signature in plate on lower left side: C. Pissarro. Edition number in graphite on lower left: 68/100. Artist: After Camille Pissarro (Danish/French, 1830-1903)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

Antique engraving on Japanese paper entitled Les Meules after French Impressionist artist Alfred Sisleys original painting. Pulled from the limited edition portfolio Histoire des peintres impressionnistes by Theodore Duret, published by H. Floury, Paris 1906. Artists signature in plate on right left side: Sisley. Includes protective cover sheet. Artist: After Alfred Sisley (French, 1839-1899)Issued: 1906Dimensions: 8.25"L x 10.5"HCondition: Age related wear.

Impressionist School, a coastal scene, acrylic, 19.5 x 24.5cm.

BOOKS; a large collection of art books, mostly impressionist artists, to include; Renoir, Monet, Rouault, Kandinsky, (A Lot). 

Impressionist School (20th century, British) 'Remembrance Sunday',  still life observation, acrylic, graphite and pastel on paper

A vintage 20th-century oil on canvas, impasto impressionist painting of a harbour landscape. Depicting tall buildings, boats on the river, and figures standing on a harbour. Unframed and unknown artist. Measuring approx. 46cm x 61cm.

R. Thornton - Two late 19th century watercolours, of countryside landscapes, depicting a cottage, a figure, and rows of flowers. With impressionist influence. Mounted, framed and glazed. Both measuring approx. 37.5cm x 43cm, including the frame.

Caroline C. Burnett (1877-1950) - An early 20th-century oil on canvas painting of a Parisian street landscape. Depicting several figures walking in front of tall, Parisian buildings. Framed, and signed to the bottom right corner by the artist. Measuring approx. 63.5cm x 89cm. Caroline C. Burnett (1877 - 1950) was a British-American artist, mainly known for her impressionist paintings of Paris street scenes. Burnett was a member of the Société de Beaux-Arts in Paris and exhibited her work in the late 1890s and early 1900s.

A signed Impressionist style oil on board, a continental landscape view of cliffs and sea, in a gilt frame. Indistinctly signed to the lower left. H.71 W.45cm

A signed Impressionist style oil on canvas, figures dancing at dusk on a veranda overlooking a grand garden. Signed Robb. Framed and glazed. H.53.5 L.64cm

WATERCOLOUR IMPRESSIONIST MEDITERRANEAN SCENE SIGNED BY ARTIST 56.5CMS (H) X 38 CMS (W) PIC ONLY APPROX A/F

Contemporary impressionist study of a riverside scene with figures, oil on board, gilt framed, apparently unsigned

French impressionist, oil on board, Market sellers, unsigned, 31 x 33cm, ornate gilt framed. Condition - good

Barbara Robinson, impressionist oil, ‘Aujargues’, signed and dated 1963 verso, 49 x 76cm. Condition - good

Framed Impressionist painting of a woman indistinctly signed to bottom right

Contemporary, Post Impressionist, harbour / port study, watercolour, unsigned, 72x50cm, framed and glazed.Note : Line running to left of composition is on the glaze not on the watercolour itself.

Contemporary Post Impressionist, A study of of two artists at work with easels on a coastline, oil on canvas, unsigned, 30.5x23cm, unframed.

Impressionist school. ( 20th century) A continental hillside villa. oil on board. 54 x 45 cm

INDISTINCTLY SIGNED IMPRESSIONIST NORTHERN INDUSTRIAL SCHOOL STUDY OF A NEWSPAPER SELLER, signed and dated 1989 lower right, pastel on paper, framed and glazed, 59 x 38 cm

20th Century French SchoolReading in a Meadow: French Impressionist style view,acrylic on canvas,60 x 49cms, in frame.

* ERNA HOPPE-KINROSS (GERMAN/BRITISH 1875 - 1964), HARVEST oil on canvas laid on board, signed, titled label versoframed and under glassimage size 22cm x 26cm, overall size 26cm x 29cm Note: Erna Hoppe Kinross was born 17 September 1878, daughter of Louise Adele (nee Vogler) and Karl Theodore Hoppe and grew up in Hamburg. She specialised in figurative works and townscapes, exhibiting her work throughout the decade 1910-20, being recorded in Paris from 1906-1914. There she met Charles Kinross and they were married in 1906. By then she was an established artist who had exhibited at the Salon, Societe Nationale des Beaux Arts. At their holiday home in Giverny they met and became friends with the Impressionist painter Claude Monet. Some of the pictures that Erna painted before marrying were later amended and “Kinross” added – so the date of the paintings might be correct despite having “Erna Hoppe-Kinross” as the signature. The Kinross’s moved to England in 1915 where Charles’s business was based. One of her paintings was published in English Colour Magazine 1919 Vol II No. 4, but the subject (“Orchard Girl”) was clearly based on a French scene. An exhibition was held in Hastings sometime in the late 50’s or early 60’s at which a number of her remaining paintings were sold. She died on 31 March 1964.

* ERNA HOPPE-KINROSS (GERMAN/BRITISH 1875 - 1964), HORNSEY oil on board, signed, titled and dated 1910 versoframedimage size 31cm x 21cm, overall size 42cm x 33cm Note: Erna Hoppe Kinross was born 17 September 1878, daughter of Louise Adele (nee Vogler) and Karl Theodore Hoppe and grew up in Hamburg. She specialised in figurative works and townscapes, exhibiting her work throughout the decade 1910-20, being recorded in Paris from 1906-1914. There she met Charles Kinross and they were married in 1906. By then she was an established artist who had exhibited at the Salon, Societe Nationale des Beaux Arts. At their holiday home in Giverny they met and became friends with the Impressionist painter Claude Monet. Some of the pictures that Erna painted before marrying were later amended and “Kinross” added – so the date of the paintings might be correct despite having “Erna Hoppe-Kinross” as the signature. The Kinross’s moved to England in 1915 where Charles’s business was based. One of her paintings was published in English Colour Magazine 1919 Vol II No. 4, but the subject (“Orchard Girl”) was clearly based on a French scene. An exhibition was held in Hastings sometime in the late 50’s or early 60’s at which a number of her remaining paintings were sold. She died on 31 March 1964.

* ERNA HOPPE-KINROSS (GERMAN/BRITISH 1875 - 1964), NANCY oil on board, signed, titled verso framed and under glassimage size 27cm x 22cm, overall size 32cm x 25cm Note: Erna Hoppe Kinross was born 17 September 1878, daughter of Louise Adele (nee Vogler) and Karl Theodore Hoppe and grew up in Hamburg. She specialised in figurative works and townscapes, exhibiting her work throughout the decade 1910-20, being recorded in Paris from 1906-1914. There she met Charles Kinross and they were married in 1906. By then she was an established artist who had exhibited at the Salon, Societe Nationale des Beaux Arts. At their holiday home in Giverny they met and became friends with the Impressionist painter Claude Monet. Some of the pictures that Erna painted before marrying were later amended and “Kinross” added – so the date of the paintings might be correct despite having “Erna Hoppe-Kinross” as the signature. The Kinross’s moved to England in 1915 where Charles’s business was based. One of her paintings was published in English Colour Magazine 1919 Vol II No. 4, but the subject (“Orchard Girl”) was clearly based on a French scene. An exhibition was held in Hastings sometime in the late 50’s or early 60’s at which a number of her remaining paintings were sold. She died on 31 March 1964.

JOHN PETER RUSSELL (AUSTRALIAN 1858-1930) LA SEINE A NEUILLYsigned, dated and titled JOHN RUSSELL 04. SEINE A NEUILLY lower right watercolour over pencil on paper22.5 x 30.5cm; 8 3/4 x 12in47 x 54.5cm; 18 1/2 x 21 1/2in (framed)ProvenanceSale, Aponem Auctions, Paris, Mobilier, Objets d'Art, Tableaux, Bijoux, Armes, 12 March 2011, lot 139Purchased from the above by the present ownerThe present lot is a view of the Pont de Neuilly that spans the Seine to the north-east of Paris and connects the neighbourhood of Neuilly to La Défense. Painted sparingly with ultramarine blues and delicate shades of violet, the artist combines topographical accuracy with an Impressionist palette to capture the shifting light as the day draws to a close.Born in Sydney, Russell emigrated to London in 1880 where he studied at the Slade School of Art before moving to Paris. In France he witnessed at first hand the development of Impressionism, befriending a number of leading artists of the day, including Auguste Rodin (1840-1917) and Claude Monet (1840-1926), and viewing exhibitions hosted by the Ecole des Beaux-Arts and at the gallery of Paul Durand-Ruel.Working in the studio of the Fernand Cormon, 1845-1924 (see lot 23), Russell befriended Vincent van Gogh, resulting in the artist's first ever portrait executed by Russell in 1886, now in the Van Gogh Museum, Amsterdam. The two artists remained close and corresponded right up until Van Gogh’s death in 1890. Although strikingly different personalities, they perhaps shared the same self-doubt in terms of artistic acumen: Russell was notoriously shy about exhibiting his work and his comfortable financial position exempted him from having to expose himself to criticism.Russell eventually returned to Sydney in 1920 where he died in relative obscurity. His cousin, Australian artist Thea Proctor, did much to posthumously promote Russell's art and by the late twentieth century, a number of biographies and exhibitions had helped restore his reputation as a significant artist. Today, Russell's works are held in major galleries in his Australia and across Europe, including the Musée d'Orsay and the Musée Rodin in Paris.

ARTHUR BAKER-CLACK (AUSTRALIAN 1877-1955) ⊕ LE CHAUMINEsigned A Baker Clack lower right; signed, titled, inscribed TREPIED, ETAPLES, P.D.C. / FRANCE and priced on the artist's label on the reverseoil on board 38.5 x 46cm; 15 1/4 x 18in46.5 x 54.5cm; 18 1/4 x 21 1/2in (framed)Arthur Baker-Clack was an Australian-born landscape painter who studied at the art colony in Étaples, Pas-de-Calais, France in 1910. He remained in the region through the upheaval of the First World War and its aftermath, deepening his connection to the area’s artistic community. Baker-Clack showcased his work at prestigious exhibitions including the Salon des Indépendants, and joined the London Group led by Walter Sickert. The collective embraced the Post-Impressionist style and captured scenes of everyday life, with subjects ranging from idyllic landscapes to still-life studies.TRÉPIED, ÉTAPLES, PAS-DE-CALAIS, FRANCE

A gilt framed impressionist style oil on canvas of haystacks bearing the signature C. Pissarro. '85. Frame size 77cm x 68cm. Prov. Gifted by a prominent London family in 1984 to two sisters who had served them for decades, on their retirement. The painting is now coming to sale following the death of the second sister.

JACK LAWRENCE MILLER (1916-1987) - an Impressionist oil on canvas - signed and dated 1983 - 188cm x 78cm

A signed impressionist style oil on board, 'Tyrolean Water Mill', by Vivian Bewick in a pine frame. H.54 W.68cm

A monogrammed Impressionist style oil on board titled 'Un March, France' by Helda M. Pearson, in a gilt frame with notes to the reverse. H.46 W.51.5cm

An oil on canvas, an Impressionist style portrait of a lady, in a painted frame with indistinct notes to the reverse; possibly a signature. H.62 W.53cm.