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Click here to subscribeYORUBA WOODEN IBEJI losses to arms and legs, blue pigment to coiffe, very old used and worn fine patina, 19th century, 26cm high; and another similar with dark old used patina, 24cm high (2) Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA
PAIR OF YORUBA WOODEN IBEJI TWINS one male, one female, both with bent arms to their sides, good dark brown used patina, 19th century, 21cm high Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA
WOODEN KENYAN KAMBA NECKREST 20cm high; and a tall white painted wooden Igbo figure, 85cm high (2) Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA
•TOM PHILLIPS CBE RA (B.1937) 'OH MISS SOUTH AFRICA' colour offset lithograph, the image 33cm x 24cm (page 38cm x 29cm), with a pencil dedication to Ian Auld Tom Phillips collected Tribal Art and wrote the R.A. Catalogue 'Africa: The Art of a Continent' in 1995 Provenance: From the Collection of Ian Auld, the eminent world renowned collector of Yoruba Tribal Art, who's pieces were exhibited in the 1995 Exhibition 'Africa: The Art of a Continent" at the RA
WOODEN MINIATURE DOGON LADDER, a treasured spiritual artefact, 45cm high Provenance: Ian Auld (1926-2000) Full-sized Dogon ladders are used for access to homes and granaries. Miniature Dogon ladders are treasured spiritual artefacts kept in the home to help the soul of the owner to climb upwards to join his/ her ancestors. Broadly based on information published in African Forms by Mark Ginzberg.
A Plains pouch, possibly Potawatomi buckskin, coloured glass beads and wool, one side with a Maple leaf, the other with a floral design, beaded edging and with a serrated rim, the drawstring with wool clusters and chequer bead tassels, 20.5cm long, and an Assiniboine pouch, buckskin with a beaded panel front with a white ground and a series of triangles and two crosses, with open beaded edging and a scalloped rim, with a drawstring and a base fringe, 28.5cm long. (2) Provenance Potawatomi pouch - Ian Auld, London, UK, 1981. The Ian West Collection.
IAN AULD (1926-2000); a tapered stoneware vase with incised decoration, painted IA mark, height 14cm (D). CONDITION REPORT: Small chip to rim, otherwise appears good with no further obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
A Narino vessel Columbia, circa 200-1100AD earthenware with polychrome strip decoration, 17cm high, a Veracruz pottery head, on a stand, a Mimbres black on white clay bowl, a Colima pottery jaguar head, on a stand and a Maya clay head, on a stand. (8) Provenance The David Morris Collection. Narino vessel - Bonhams, London, March 1991. Veracruz head - Ian Auld, London, December 1995.
Three Kirdi aprons Cameroon beadwork, fibre, beads and buttons, 46cm the longest, a Samburu / Turkana hide apron with metal beads, a Himba metal studded neckpiece, two Hausa leather pouches, a Nigerian horse hair, cloth and bead neckpiece and a Kirdi cloth shirt with embroidered panels with buttons and beads. (11) Provenance The David Morris Collection. Kirdi aprons - Jean-Michel Huguenin, Paris, May 1994. Samburu / Turkana apron - African Escape, Portobello, May 1994. Himba neckpiece - Ian Auld, London, September 1994.
A Kirdi cache-sex Cameroon iron, fibre and coconut disks, 17cm wide, two North Nigerian ritual adzes, with copper wire and with traces of decoration, and a Dogon knife with a carved wood Janus figure handle, on a stand. (5) Provenance The David Morris Collection. Cache-sex - Jean-Pierre Laprunge, Paris, April 1991. North Nigerian adzes - Ian Auld, London, December 1985 / February 1990. Dogon knife - Robichez, Paris, May 1994.
A Frafra anklet Ghana bronze, with crescent, chevron and bead decoration, 8cm high, two bronze / brass currency bangles, a brass wire arm band, a Burkina Faso crescent pendant and a shield shape ring, an Ethiopian ring pendant, a ring with a blade, another with a bell, five brass wire bangles and a necklace, three bells and a small bust. (21) Provenance The David Morris Collection. Frafra anklet - Ian Auld, London, November 1995.
FOLK ROCK - Smart collection of around 85 x LPs. Artists/titles include Pentangle - Cruel Sister and Basket Of Light, Fairport/Sandy Denny, Strawbs inc. Burning For You, Finbar & Eddie Furey, Alex Campbell, John Martyn, Slim Dusty, Joan Baez, Eric Bogle, Brian Protheroe, The Ian Campbell Group, Bo Hansson, The Auld Triangle, The Kerries, Dave Swarbrick with Martin Carthy and Diz Disley (236 514), Martin Carthy - S/T, Arlo Guthrie, Ar Skifahren and Noel Murphy. Condition is generally VG to Ex.
An Igbo standing female figure Nigeria wood with a high crested coiffure, facial and body scarifications, 37.5cm high, on a stand, and a Mumuye pole figure, Nigeria, with a crested coiffure applied gum and hair, and with pigment decoration to the abdomen, 43.5cm high, on a stand. (4) Provenance Igbo figure - Ian Auld, London.
A Byanzi figural gourd stopper Democratic Republic of Congo wood, with a crested and diced coiffure and skirt, 13.5cm high, on a stand, a Teke fetish, with bound skeletal matter, on stand and a Lobi figure, on a stand. (6) Provenance The David Morris Collection. Byanzi stopper - Ian Auld, 1985. Teke fetish - Old Belgian Collection, Galerie Noir d'Ivoire, Paris, 1993.
A Yoruba kneeling maternity figure Nigeria wood, with various items in her head band and with a child, 22.5cm high, a Bambara Marka dance crest, with aluminium mounts and a Yoruba doll. (3) Provenance The David Morris Collection. Yoruba maternity figure - Ian Auld, London, March 1997. Yoruba doll - Ian Auld, London, 1985 / 86. Bambara crest - Sotheby's, London, c.1985. .
A Fang gunpowder flask Gabon wood, sheet brass, reptile skin and brass studs, of ovoid form with remains of linear decoration and with a wide circular cover, 18.5cm long, and a Jarawa headboard, with incised decoration, used for balancing and carrying objects on the head, 47cm long. (3) Provenance The David Morris Collection. Flask - Jean-Michel Huguenin, Paris, March 2000. Headboard - Ian Auld, London, March 1988.
A Kuba spice mortar Democratic Republic of Congo wood, with a carved geometric band, 7.8cm high, a Yoruba Janus Shango staff and a small Kamba stool. (3) Provenance The David Morris Collection. Kuba mortar - Jo De Buck, Brussels, November 2005. Yoruba staff - Ian Auld, London, February 1989. Kamba stool - Phillips, London, 1989.
Four Yoruba Ibeji figures Nigeria wood, including a female with carved zig-zags on her breasts and wearing beads, another with a washed face and with glass and coconut beads and brass bangles, another female and a male wearing a cloth gown, 24.5cm the highest. (4) Provenance The David Morris Collection. Female with beads - Christie's, London, 1986 Worn face - Tunbridge Wells, 1993 Other two - Ian Auld, 1985 / 86.
An Akan doll Ghana wood, the carved torso and head with a triple ringed neck, 14.5cm high, on a stand, a Bambara chameleon with thick encrusted patina, 12.5cm long and a Dan passport mask, 8.5cm high. (4) Provenance The doll - Ian Auld, London. The chameleon - Ex Joseph Herman Monika Wengraf, London. The mask - Hemmingway, New York. Pendarell (Pen) Kent collection.
An Ian Botham signed photograph and a further card with a picture of Ian Botham, also signed, plus a quantity of concert programmes, pamphlets and prospectus from the early 20th century, some signed by musicians such as Horowitz, Kreisler, Richard Tauber etc, and a signed book of poetry by TM Auld.
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