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Arthur Henry Knighton-Hammond (British, 1875-1970) Concarneau Fishing Boats, watercolour, signed, 45cm x 45cm.

Milne (A.A.) . Winnie -The -Pooh, 2nd edition, 1926, When We Were Very Young, 12th edition, 1925, black & white illustrations by E.H. Shepard, minor toning, both in original gilt decorated cloth, boards & spines lightly rubbed, 8vo, together with Austen (Jane) , Sense and Sensibility, 1899, black & white illustrations by Chris Hammond, minor marginal toning, publisher's original gilt decorated green cloth, boards & spine slightly damp damaged & rubbed to head & foot, 8vo, and Lang (Andrew) , The Book of Romance, New impression, 1903, numerous black & white illustrations by Henry Ford, minor toning, all edges gilt, publisher's original gilt decorated blue cloth, spine lightly rubbed to head & foot, 8vo, plus other 19th century juvenile & illustrated fiction, including Stories from The Arabian Nights, illustrated by Edmund Dulac, circa 1910, all original cloth, many decorative, condition is generally good/very good, 8vo/4to. (Qty: 3 shelves)Approximately 100 volumes

Val Barry [1937-2018]Born into a Barnsley mining family, Val Barry aspired to become a fashion designer, but became a nurse instead. However, at the age of 29, she left nursing and moved to Crouch End in London with her husband where a passion for studio pottery was realised. In spite of a period of ill health and rejections from the Craftsman Potters Association (CPA) and the Crafts Council, recognition came in 1971 with a solo exhibition in Gallery 273, Queen Mary's College. Throughout the 1970s and 80s her work was well received and taken into collections by a number of international museums including the Victoria & Albert. In addition she was awarded a Gold Medal in the 1975 Florence International Ceramics Competition. As well as solo exhibitions, she exhibited in Hong Kong with Bernard, David and Janet Leach, Katherine Playdell-Bouverie, Michael Cardew, Colin Pearson, Henry Hammond and John Maltby amongst others. The greatest influence on Val Barry's work was a Craftsman Potters Association sponsored trip to China in 1978 where she drew inspiration from the Oriental aesthetic. An exhibition of Chinese jades inspired sword-form narrow pieces with dynamically cut rims and a blade-like appearance that looked as if they had received a precision strike from steel. From this came a series of flattened geometric forms, often with a discrete curve, primarily in muted colours, sparse brushwork or wax resist decoration. Produced in varying sizes and forms they were intended to be seen in groups, the spaces between them being equally important as the objects.*Val Barry (1937-2018) three stoneware 'spheres' and two 'compressed spheres': of thrown form with narrow circular aperture, the former with wax resist bands of green, grey and cream, the latter with light banding and a textured grey finish, impressed personal seals, 11 - 6 cm high. (5)*Notes See attached illustration from the artist's note book where similar vessels were designed for inclusion in her first solo exhibition at Gallery 273, Queen Mary College, London, 1971.

Peterborough - 1892 A hand written Notice from the Town Clark and Clark and to the said urban sanitary authority served on Me Abraham Palson Giving him notice of the expenses incurred in sewering to a certain street Church Walk. Requiring payment of twenty five pounds six shilling and 8 pence within seven days. Another of the same date served on Mrs Abraham Palston and Henry 'Hammond New Road and Padholme Road Peterborough.

Henry Hammond, watercolour, study of trees, 20ins x 14ins

Arthur Henry Knighton-Hammond (1875 - 1970)"Market Day," watercolour, Busy Street Scene with Figures, approx. 62cms x 46cms (24 1/2" x 18"), signed lower left. (1)

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) WEST BAY, NOVEMBER Signed and inscribed West Bay Nov, watercolour study 25.5 x 35.5cm. ++ Paper slightly browned

Arthur Henry Knighton Hammond (1875-1970), "Evening Sketch at Brecon", signed 'Arthur Hammond' and dated 1909, watercolour, 26.5 x 36.5cm, 10.5 x 14.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot. For condition reports please go to www.peterwilson.co.uk

[§] HENRY HAMMOND (BRITISH, 1914-1989)BOWL impressed artist's mark, painted decoration in brown on grey glaze22cm diameter, 10.8cm high (8.67in diameter, 4.25in high)

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) Fishermen drying their nets in front of a whitewashed building, signed lower right, watercolour, 46.5cm x 61cm   Condition Report: some spots of discolouration, mount very stained and dirty

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) 'Menton' Fishermen sorting their nets, signed and titled lower right, watercolour, 33cm x 48cm   Condition Report: some areas of discolouration, most noticeably upper left and a large spot upper right

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) 'San Remo, 1924' signed and titled lower left, watercolour, 31cm x 44cm  Condition Report: Work appears to be in good order with no obvious signs of damage or restoration

HENRY HAMMOND (1914-1989); a large stoneware bowl with iron brushwork decoration on a speckled grey ground, impressed HH mark, diameter 28cm. (D) Additional InformationTight hairline extending from rim (5cm to interior and 3cm to exterior) resulting in dull sound when tapped, otherwise appears good with no further signs of faults, damage or restorations. 

Henry Hammond, watercolour, study of trees, 20ins x 14ins

AUTOGRAPH ALBUM: A slim 4to autograph album containing over 60 signatures by various stage and screen actors and actresses etc., including Noel Coward, Tallulah Bankhead, Marie Burke, Sydney Fairbrother, Kay Hammond, Sacha Guitry, Yvonne Printemps, Yvonne Arnaud, Fay Compton, Phyllis Neilson-Terry, Sybil Thorndike, Margaret Bannerman, Basil Dean, Ruth Draper, Evelyn Laye, Binnie Hale, Phyllis Dare, Zena Dare,  Ursula Jeans, Dorothy Dickson, Peggy O'Neil, Henry Ainley, Jean Forbes-Robertson, Athene Seyler, Flora Robson, Gertrude Lawrence, Marie Tempest, Katharine Cornell, Mary Ellis, Lynn Fontanne, Alfred Lunt, Ann Harding, Helen Chandler (scarce), Sophie Tucker, Heather Thatcher, Ellaline Terriss, Diana Wynyard, Julia Neilson, Clemence Dane, George Alexander, Charles Hawtrey etc. Most of the pages are multiple signed and the majority of signatures are good fountain pen ink examples. Four are on cards neatly laid down to the inside back cover and one page is loose. Generally VG

Verstegan (Richard). A Restitution of Decayed Intelligence: In Antiquities. Concerning the most noble and renowned English Nation, John Bill, 1628, title printed in red and black with engraved vignette, few engraved illustrations, early manuscript inscription to lower blank margin of final leaf, dust and finger soiling, 19th century calf, rebacked preserving original gilt decorated spine with contrasting morocco labels, a little rubbed, small 4to (STC 21362), together with Hammond (Henry), An Account of Mr. Cawdry's Triplex Diatribe concerning Superstition, Wil-worship, and Christmas Festivall, 1655, later endpapers, 20th century cloth with contemporary calf covers and spine relaid, 4to (Wing H510) The first work contains the first account in English of the Pied Piper story (page 85), originally published in the first edition of 1605. (2)

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) THE MARRIED COUPLE Signed, watercolour 60 x 41cm. ++ Good condition

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) NORMA VESTY, SMOKING Signed, watercolour 59.5 x 41.5cm. ++ Good condition

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) PORTRAIT OF A LADY Signed, watercolour 62.5 x 48.5cm. ++ Good condition

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) SCENE IN CONCARNEAU Signed, watercolour 44 x 47cm. ++ A few pale spots

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) QUAY IN CONCARNEAU Signed, watercolour 43.5 x 59.5cm. ++ Very slight fading and minor foxing

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) FIGURES ON A QUAY, POSSIBLY IN NORTHERN ITALY Signed, watercolour 43 x 59cm. ++ Good condition

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) STILL LIFE WITH BOTTLES AND FRUIT Oil on ply panel 62 x 74.5cm. * Authenticated by the artist's daughter on a label verso ++ Good condition; needs a light clean

‡ Henry Hammond (1914-1989) a rare stoneware tile, painted with a snail amongst grass and stylised daisy flowers in iron and blue on a cream ground, incised SW - 25 1273/1 to reverse, minor rim chips, 15cm. square Provenance The studio pottery collection of Sara Pearch Literature Henry Hammond (1914-1989), Bonhams, 5th April 1990, contents of Hammond's studio auction, lot 162 illustrated page 162 for a comparable tile decorated with a snail.

Henry Hammond (1914-1989) Bowl painted with fish impressed potter's seal 12cm high, 22cm diameter. 

Henry Hammond (1914-1989) Footed bowl brushwork circles impressed potter's seal 11.5cm high, 14.5cm diameter.

Henry Hammond (1914-1989) Two bowls and a vase with brushwork decoration impressed potter's seals vase 9cm high (3).

Henry Hammond (1914-1989) Bowl painted with Mary and Jesus to interior, motifs to exterior impressed potter's seal 11.7cm high, 25cm diameter.

Henry Hammond (1914-1989) Vase painted brushwork foliate design incised monogram 34.5cm high.

Arthur Henry Knighton Hammond, black and white etching, Haddon Hall Derbyshire, 11.5ins x 11.5ins (D)

Peterborough - 1892 A hand written Notice from the Town Clark and Clark and to the said urban sanitary authority served on Me Abraham Palson Giving him notice of the expenses incurred in sewering to a certain street Church Walk. Requiring payment of twenty five pounds six shilling and 8 pence within seven days. Another of the same date served on Mrs Abraham Palston and Henry 'Hammond New Road and Padholme Road Peterborough.

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) PORTRAIT OF A GIRL IN A BLUE DRESS, POSSIBLY THE ARTIST'S DAUGHTER Signed, watercolour and gouache 47.5 x 40cm. ++ Good condition

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) THE DAIRYMAN Signed, oil on board 75 x 62cm. Some craquelure

HENRY HAMMOND (1914-1989); a stoneware vase decorated with arrows, impressed HH mark, height 10cm (af). (D) CONDITION REPORT: Re-glued rim chip, otherwise appears good with no further obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

English Civil War. Of Idolatry, [by Henry Hammond], Oxford [i.e. London]: Printed by Henry Hall, Printer to the Universitie, 1646, [2],36,[2]pp., includes final blank, few marks and fraying, disbound 4to (Madan, II, 1875; Wing H555A. "A London counterfeit" - Madan. This edition has two rules below the Oxford arms on title page), together with [Bowles, Edward], Manifest Truths, or an Inversion of Truths Manifest. Containing a Narration of the Proceedings of the Scottish Army, and a Vindication of the Parliament and Kingdome of England from the false and injurious aspersions cast on them by the author of the said manifest. Published by Authoritie, London: M.S. for Henry Overton and Giles Calvert, 1646, [8],74,[2]pp., title with early signature to lower margin of R. Griffith (title soiled), leaf B1 torn to upper outer blank corner and repaired, final leaf 'Postscript' torn with text loss and repaired, disbound 4to (Wing B3874), with [Wilbee, Amon], Prima pars. De Comparatis Comparandis: seu iustificationis Regis Caroli, comparatŠ, contra Parliamentum. Or the first part of things compared: or of the iustification of King Charles comparitively against the Parliament. Wherein is manifested, that by the cunning contrivance of a wicked party in the House of Commons, who by their fraud, and subtilty, deceive and seduce the major part of the House for their own ambitious ends our oppressions have been made far more grievous..., Oxford [i.e. London: s.n.]: 1647, [2],40,[6]pp., some leaves cropped mostly at head (mainly affecting last few leaves at rear of volume), toning and few marks, disbound 4to (Wing W2113; Madan, II, 1938, "A London counterfeit" -Madan), with English Civil War, The Four Bills sent to the King to the Isle of Wight to be passed. Together with the propositions sent unto him at the same time, which upon the passing of those bills were to be treated upon. And also the Articles of the Church of England; with the rules and directions concerning suspension from the sacrament of the Lords Supper in cases of ignorance. Unto all which doth refer, the late declaration of both Houses of the fourth of March, 1647. concerning the papers of the Scots Commissioners, upon occasion of the last address to the King in the Isle of Wight, London: Edward Husband, March 20, 1647, 3-46,[2]pp., lacking A1 (initial order-to-print leaf), final blank present, some fraying to initial leaves, toning and few marks, disbound 4to (Wing E1541), plus six other similar mid-late 17th century pamphlets, all disbound (10)

AUTOGRAPH BOOK 1930'S Large book with 52 signatures of entertainers, radio stars and sportsmen including Leonard Henry, Harry Hemsley, Claude Dampier, Arthur Askey and Norman Long radio stars, Henry Hall bandleader, Sandman, 10 X Kent CCC, Walter Hammond, Bill Edrich and Jack Hobbs cricketers, Len Harvey and Dave Crowley boxers. Generally good

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) Figures seated below a tree in a parkland setting, with buildings beyond, signed in pencil to the margin, Artist's proof no. 6 etching, 15cm x 19.5cm; together with another work depicting fisherman, Artist's proof no.4 etching, 15cm x 20cm (2)Provenance: The Estate of the late Sir Edward du Cann KBE (1924-2017)

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) Gentleman seated around a table in an interior, signed in pencil to the margin, Artist's proof etching, 20cm x 25cm; together with another similar etching, 17cm x 25cm (2)Provenance: The Estate of the late Sir Edward du Cann KBE (1924-2017)

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) 'THE AUCTION' a sale taking place at Christie's, signed in pencil to the margin, Artist proof no.1 etching, 17cm x 25cmProvenance: The Estate of the late Sir Edward du Cann KBE (1924-2017)

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) Figures on a country path in the rain, signed lower right, watercolour, 53.5cm x 75cm; together with the companion view of trees, signed lower left, watercolour, 54.5 x 75cm; and a further view of cows grazing beneath a tree, signed lower right, watercolour, 58cm x 78.5cm (unframed) (3)Provenance: The Estate of the late Sir Edward du Cann KBE (1924-2017)

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) Figures working the field with a horse and cart, signed lower right, watercolour, 53cm x 75cm; together with the companion study of a shepherd and his flock, signed lower left, watercolour, 53cm x 75cm (2)Provenance: The Estate of the late Sir Edward du Cann KBE (1924-2017)

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) 'LONDON BRIDGE' a view of boats with the bridge to the distance, signed lower left, watercolour, 49.5 x 63cm; together with another similar study 'Battersea Power Station' signed twice lower right, pastel, 31cm x 46cm (2)Provenance: The Estate of the late Sir Edward du Cann KBE (1924-2017)

Various volumes, mainly First Editions, including Henry Miller, Dennis Wheatley and Hammond Innes

Peterborough - 1892 A hand written Notice from the Town Clark and Clark and to the said urban sanitary authority served on Me Abraham Palson Giving him notice of the expenses incurred in sewering to a certain street Church Walk. Requiring payment of twenty five pounds six shilling and 8 pence within seven days. Another of the same date served on Mrs Abraham Palston and Henry 'Hammond New Road and Padholme Road Peterborough.

ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) A continental summer landscape with village, signed, watercolour, 33 x 44cm

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) 'Mapledurham', signed and titled, watercolour, 34 x 48cm

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) An arched river bridge in summer time, signed, watercolour, 46 x 49cm

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) A building with portico, signed, watercolour, 45 x 60cm

HAMMOND HENRY. The Works of the Reverend & Learned Henry Hammond DD., The First Volume. Folio, 728pp. Old calf, top brd. det. but present. 1684; also Gilbert Burnet, The History of the Reformation of the Church of England, folio, old qtr. calf, 1737. (2).

Daniell (Thomas & William). Oriental Scenery, One Hundred and Fifty Views of the Architecture, Antiquities and Landscape Scenery of Hindoostan, 6 parts in 3 volumes, published by the authors, 1816 [but Henry G. Bohn, 1841], 6 aquatint title pages, additional letterpress title, 40 pages of letterpress description, 144 aquatint plates, bound without the 8 plans (as usual for this issue), interleaved throughout, spotting, generally light and concentrated in margins and on versos, occasionally heavier, mainly towards front and rear of volumes, volume 1 aquatint title page loose, volume 3 title partially loose, gift inscription 'Presented to Miss Helena Geraldine Therry, with the best wishes of her friend J. W. Lees, Sydney, 5th November 1869' to initial blanks, gilt edges, contemporary green half morocco by Hammond, gilt spines, rubbed overall, partial loss to spine labels, folio (36.5 x 27 cm) Abbey Travel 432 (note). (3)

Camden (William). The History of the Most Renowned and Victorious Princess Elizabeth, late Queen of England..., Fourth Edition, printed by M. Flesher, for R. Bentley, 1688, engraved frontispiece by R. White, title printed in red and black, some light spotting, contemporary mottled full calf, gilt decorated spine, joints partly cracked with minor wear to head and foot of spine, folio (attractive copy), together with Rushworth (John), Historical Collections, of Private Passages of State, Weighty Matters in Law, Remarkable Proceedings in Five Parliaments..., 2 volumes, 1682/1686, occasional minor marks, and small circular ink stamps of the Royal Historical Society, contemporary full calf, rubbed and some wear, later rebacks, joints cracked and upper cover to second volume detached, folio, together with another edition of the same work in 8 volumes, published in 1721, all contemporary calf, with similar rebacks, joints cracked, folio, plus Burnet (Gilbert), The History of the Reformation of the Church of England, 3 volumes, 1681-1751, half-title and additional engraved title to first and second volumes, contemporary calf, with old rebacks, folio, plus other similar folio history: Edward Coke, The First Part of the Institute's of the Laws of England, 7th edition, carefully corrected, 1670, Henry Hammond, Works, 4 volumes, mixed editions, 1681-84, a worn and slightly defective copy of Dryden's Works of Virgil, 1697, with numerous engraved plates by Lombart and Hollar, and History of the Government of France, under the administration of the great Armand Du Plessis, Cardinall and Duke of Richlieu, 1657, all (except the final title) bound in leather, folio (21)

Arthur Henry Knighton-Hammond framed and glazed watercolour of a harbour scene, signed bottom right, 43.5 x 60cm

HAMMOND, HENRY - A PARAPHRASE AND ANNOTATIONS UPON ALL THE BOOKS OF THE NEW TESTAMENT London, Richard Royston, 1681. Fifth edition, folio, engraved frontispiece (loose), title with large engraving, calf, joints cracked, worn, with areas of calf missing to upper board, housed in a solander box; TILLOTSON, JOHN & HENRY, D - TWENTY DISCOURSES on the most important subjects; carefully abridged, from the works of Archbishop Tillotson... by D. Henry. London, D Henry and R Cave, 1763. Second edition, 8vo, rebound in brown cloth; BEDFORD, HILKIAH - A VINDICATION OF THE CHURCH OF ENGLAND London, W.B. for R Wilkin, 1710. First edition, 8vo, brown cloth; and 6 other Theology works, 17th-19th century. Provenance: St John's College, Nottingham (9)++sold as seen, with all faults

Follower of Arthur Henry Knighton Hammond (British, 1875-1970), Portrait of a nude man, bears signature 'Knighton Hammond' (lower right), oil on canvas, 76 x 50.5cm. May be subject to ARR

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) COUNTRY HORSES Signed, watercolour and charcoal 53 x 76.5cm. ++ Good condition

•ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) CATTLE: PASSING SHOWER Signed, watercolour and charcoal 54.5 x 76.5cm. ++ Good condition

•ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) "Le Puy", titled lower right, watercolour, 23.25" x 17.5"

STUDIO POTTERY including two goblets by Alan Caiger Smith (one damaged), a vase by David Jones with metallic effect glaze, a Tycwmmwd Pottery vase by Janet & Berwyn Jones, two jugs by Jane Hamlyn, and a tankard and jug by Henry Hammond. (8)

Five W.T. Copeland Musicians tiles the design attributed to Henry Stacey Marks or Edward Hammond, printed in blue on a cream ground with medieval musicians, impressed Copeland 15.5cm. square, (5) Provenance The Tile collection of Carolyn Wraight. Literature Fired Earth 1000 Years of Tiles in Europe, TACS/Richard Dennis Publications, page 119 catalogue number 312 for one of these tiles illustrated.

‡ Henry Hammond (1914-1989) a small stoneware vase, compressed ovoid form with collar rim, covered to the foot in an ash glaze, painted with spiralling column and dot motif in rust, unsigned, small chip to top rim, 9.5cm. high Provenance Contemporary Ceramics, Christie's, London 20th June 1988 lot 112.