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Five Studio pottery bowls, with Henry Hammond Potter's stamp to base

Two autograph albums (19th and early 20th century), mainly to the same person/family with 100s of signed letters and some drawings and watercolours. These are some of the highlights: AUTHORS: Anderson, Sir Robert; Arnold, Sir Edwin; Austin, Alfred; Benson, A C; Besant, Sir Walter; Clarke, J Erskine; Dalton, W; Dods, Marcus; Drummond, Henry; Frankau, Gilbert; Lubbock, Sir John; Lyall, Edna; Newbolt, Sir Henry; Payn, James; Whiting, Lilian; ETC. ARTISTS: Myles Birket Foster (Signed Photograph loosely inserted); Alma Tadema, Miss A; Armitage, Edward; Barber, C B; Boehm, Sir J E; Boughton, G H; Calderon P H; Dicksee, Sir Frank; Gilbert, Sir John; Hammond, C M; McMurdie, G D; Morby, W J; Murray, David; Poynter, Sir E J; Reed, E T; Stone, Marcus; Villiers, F; George Frederic Watts; ETC. SCIENCE: Ball, Sir R S; Boys, Sir C V; Fowler; R H; Huxley, T H; Stokes, G G; Thomson, W (Lord Kelvin); ETC. MUSIC: Bridge, Sir F; Cummings, W H; Pfeiffer, G J; Coleridge-Taylor, S; ETC. USA: Barnum, P T; Blaine, J G; Sheldon, C M; Whittier, J G; POLITICS, ETC: Beaufort, L P; Brooke, Rajah; Gordon, Sir J C; Primrose, Archibald; Aubrey Smith, Sir Charles; Gypsy Smith; Sackville, Lord; Plus Many Bishops and Clergy, ETC. One album is 4to. and bound in full leather with silver hallmarked corners to upper cover, silver lettering, gilt inner dentelles, silk endpapers and aeg; the other is folio, in plain boards (2)

1843 (June 24) Cover to Ireland, with enclosed letter from Henry Bruce written on H.M.S "Agincourt", bearing an unusually fine strike of the red oval "HONG KONG POST OFFICE" arms handstamp, endorsed "Overland" and "Agincourt June 23/43" with red oval "INDIA". Backstamped at Bombay with the rare "POSTAGE / Inward Bearing Ans (3) / Outward do (2)" (Hammond Giles SR5, only 3 examples recorded, all in 1843) and at London (Oct 23) and Bombay, charged 2/3. Minor opening tears at the edges, otherwise fine, a very clear example of this attractive and very scarce Hong Kong handstamp (recorded 1842-44). Photo on Page 84.

A set of four W.T. Copeland pottery tiles Medieval Musician series, attributed to Henry Stacey Marks or Edward Hammond,15.5cm wide (4)Condition ReportSlight nibbles and imperfections to all, one with chip to underside.

Teesdale, Edmund B., Gunfounding in the Weald in the sixteenth century (Monograph 2), 1991; Bartlett Wells, H. (trans.), European Crossbows: A Survey by Josef Alm (Monograph 3), 1994; Liebel, Jean, Springalds and Great Crossbows (Monograph 5), 1998; Bailey, Sarah Barter, Prince Rupert's Patent Guns (Monograph 6), 2000; Blackmore, Howard L., English Pistols, 1985; Civil War: a Royal Armouries Exhibition, 1992; Royal Armouries Official Guide, 1996; Royal Armouries Museum, 1996 & 2000 editions; Royal Armouries Yearbook, Volume 3 1998 & Volume 4 1999; Blackmore, David, Arms & Armour of the English Civil Wars, 1990; Torture and Punishment, 1997; Royal Armouries: Fort Nelson, 2000; Rimer, Graeme, Wheellock Firearms of the Royal Armouries, 2001; An Introduction to Japanese Armour, 2002; Richardson, Thom, The Armour & Arms of Henry VIII, 2002; together with Norman, A.V.B. & Wilson, G.M., Treasures from the Tower of London, Norwich, 1982; and Hammond, Peter, The Tower of London, Department of the Environment, 1989 (19 volumes)

Arthur Henry Knighton Hammond, R.I., R.S.W. (British 1875-1970), children crafting, pencil signed engraving, 26x21cm, framed & glazed

Hammond (Henry). A Paraphrase, and Annotations upon all the Books of the New Testament: Briefly explaining all the difficult places thereof, London: Printed by J. Flesher for Richard Royston, 1653, title with etched illustration, also with 18th-century ownership inscription 'Samuel Taylor M.A. Vicr. of Quinton in Gloucestershire: and late Rector of Saint Clement in Worcester, 1738', advert leaf present at rear, light worming to upper and lower margins of initial few leaves and damp-stain at head of last few leaves, front endpapers with 18th and 19th-century ownership inscriptions of Robert Etherington and Samuel Taylor Etherington of Tutbury and Sudbury, contemporary calf, torn at head with loss, leather to boards also torn with some loss, worn, folio, together with:Book of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church..., together with the Psalter or Psalms of David..., London: Printed by Charles Bill, and the Executrix of Thomas Newcomb, deceas'd, 1706, engraved frontispiece, title in red and black, margins ruled in red throughout, sewing weak at front of volume and some leaves loose/detached and frayed at edges, all edges gilt, contemporary gilt panelled and decorated red morocco, folio, plus two others Burkitt (William). Expository Notes, with Practical Observations, on the New Testament..., 13th edition, carefully corrected, London: R. Ware, J. and P. Knapton, S. Birt [et al.], 1752, engraved portrait frontispiece, title in red and black, numerous engraved plates (one folding) and folding engraved map at rear, contemporary calf, morocco title label to spine, joints cracked, extremities worn, folio, and Hooker (Richard). Of the Lawes of Ecclesiastical Politie, London: Andrew Crooke, 1666, engraved portrait frontispiece and engraved title, frontispiece detached and initial leaves frayed, damp staining and mottling throughout volume to lower margins with consequent damp-fraying particularly to lower inner corners, contemporary calf, spine torn with loss, worn, folioQTY: (4)

Henry Hammond - pen & chalk sketch North African buildings, 17 x 21cm and a Venetian etching boathouse and canoe

Arthur Henry Knighton-Hammond, Ditchling Beacon, watercolour, signed, 48cm x 61cm, framedGood condition, no foxing or paper damage

† HENRY HAMMOND (1914-1989); a pair of stoneware pin dishes covered in grey glaze with iron and porcelain slip decoration, impressed HH marks, largest diameter 9cm (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† HENRY HAMMOND (1914-1989); a globular stoneware jar covered in oatmeal glaze with iron decoration, impressed HH mark, height 10cm.Provenance: Purchased from the Paul Rice Gallery, London.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Φ Henry Hammond (1914-1989)a stoneware vase, shouldered form, painted with simple foliate stems in iron on a cream ground,impressed seal mark, 16.5cm. high

Henry Hammond (1914-1989)an earthenware footed bowl, painted with a frieze of large scaly fish under a streaked green and ochre glazeimpressed seal mark18.5cm. diam. LiteratureHenry Hammond 1914-1989, Bonhams 5th April 1990, lot 139 for an identical bowl.

Arthur Henry Hammond Knighton (British, 1875-1970), 'Epsom Downs' watercolour, signed, unframed.

Golf, humorous – Marshall (Robert), The Haunted Major, Edinburgh, Moray Press, new edition, 1951, 16mo, 192pp, 10 line dwgs., green boards, gilt titles; Hammerton (A.) ed., Mr. Punch on the Links, London, Educational Book Co., n.d. (1935). 8vo, 240opp, colour frontis by H. M. Bateman, 260 monochrome illus., bound embossed blue boards, gilt spine titles; Anon. (J. A. Hammerton), Mr. Punch’s Golf Stories told by his Merry Men, London, Punch, n. d. (1909) , 12mo, 192pp, 196 monochrome illus., marbled endpapers, bound red leather over red boards, gilt spine titles, slight tear to top of spine; Mutson (Mervyn J.), illus. Graham Pilsworth, Golf and Murphy’s Law, Edmonton (Canada), Hurtig, 1981, 8vo, 157pp, illus., green boards, gilt spine titles, d. w. (some minor tears); Houghton (George, 1905-1993), Believe it or not, that’s Golf! London, William Luscombe, 1974, 8vo, 199pp, illustrated by the author, blue boards, gilt spine titles d.w.; Houghton (George), Golf on my Pillow: Midnight Letters to a Son in foreign Parts, London, Stanley Paul, 1st edn., 1958 8vo, 146pp, illustrations by the author, black boards, white vignette to front board, white spine titles, d. w.,; another copy of the same, also d.w. (slightly torn); Armour (Richard), illus. Leo Hershfield, Golf is a Four-Letter Word: the intimate Confessions of a of a hooked Slicer, London, Hammond, 1962 8vo, 123pp, monochrome illus., green boards, black spine titles, d. w.; another copy, similar, but yellow boards, d. w.; Morton (Brig. Cecil), illus., John Cooper, Golf!!! The Confessions of a Club Secretary, foreword by Henry Longhurst, London, Hammond, 1963, small 4to, 93pp, monochrome illus., bound green boards, red printed vignette and spine titles, d. w., mint; Cole (C. W.) & Ralston (W.), Messrs. Kamdene, Barnesburie and d’Alston’s Tour in the North, horizontal 4to, Edinburgh, Andrew Elliott & London, Simpkin, Marshall, n. d. (1890), 25pp, decorated card covers, inner hinges strengthened with archival linen tape; Ralston (W.), Sport for Limited Purses – and the probable Cost, Glasgow, David Bryce, n. d., horizontal 4to, 32pp, 4pp period advertisements, coloured title page, monochrome frontis. and other illus., decorated coloured card covers. (12)

Qty of Artist Sculptures Artwork Art by J Hammond (ex-Art Teacher and amateur artist) all with a 1960s feel, with inspiration taken from Henry Moore A Barbara Hepworth, naturalistic abstract carved figures, bones, in media if wood stone plaster polystyrene, 2 Sculpture books. The carved stone has damage to her head. Collection recommended one heavy stone lot included (2 boxes)

Essex (Robert, third Earl of, 1591-1646). Broadsides on the Death of Robert 3rd Earl of Essex. 1646 [so titled on spine], London: various printers, 1646, a bound volume of five broadside elegies, comprising: 1) A Funerall Elegy upon the most Honored upon Earth ... of Essex and Ewe ..., Written by him who doth with much grief here Speak of brave Essex, Englands Phenix Peere, Josiah Ricraft of London Merchant, illustrated with engraved portrait; 2) An Elligie upon the death of the Right Honourable Robert Devereux, late Earle of Essex, Lord Generall of the Parliaments Forces ..., illustrated with engraved skeletal effigy on tomb; 3) A Funerall Elegy upon the most Honored upon Earth .. of Essex and Ewe ..., by Henry Mill; 4) The Life and Death of the right Honourable, Robert, Earl of Essex ..., illustrated with woodcut tomb bearing armorials; 5) A Funerall Monument: or the manner of the Herse of the most Renowned Robert Devereux, Earl of Essex and Ewe ..., illustrated with engraving of the imagined funeral hearse, plus a woodcut of the horse-drawn catafalque (taken from another title), and one other partial broadside (upper portion only): An Elegie Offered Up to the Memory of his Excellencie Robert Earle of Essex and Ewe (with engraved portrait), the first five listed each with black mourning border, all laid or tipped onto 19th century backing paper and bound together, some wear to each broadside (no.s 4 & 5 previously repaired), 3 blanks leaves at front, and 8 at rear (including flyleaves), woodcut bookplate of Evelyn Philip Shirley and burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, early 19th century red half morocco, rubbed, some skinning to lower rear corner, gilt-lettered spine, slim folio, (binding size 45 31 cm)QTY: (1)NOTE:Provenance: Evelyn Philip Shirley (1812-1882) was a British politician, antiquary and genealogist and a descendant of Robert Shirley, 14th Baron Ferrers of Chartley, a title previously held by Robert Devereux until his death in 1646 (bookplate); W.A. Foyle, Beeleigh Abbey (bookplate). The full titles (and their imprints) included are: 1) A Funerall Elegy upon the most Honored upon Earth, and now glorious in Heaven, His Excellency Robert Devereux Earl of Essex and Ewe, Viscount Hereford, Lord Ferrers of Chartly Bourchier and Lovaine, late Generall of England / London Printed in the year one thousand six hundred forty and six In which, Septembers fourteenth day deceased noble Essex. Are to be sold by John Hancock, in Popes head Ally neer the Royall Exchange. 2) An Elligie upon the death of the Right Honourable Robert Devereux, late Earle of Essex, Lord Generall of the Parliaments Forces, who deceased the thirteene day of Sept. 1646 / London, Printed by John Hammond. 3) A Funerall Elegy upon the most Honored upon Earth, and now glorious in Heaven, His Excellency Robert Devereux Earl of Essex and Ewe, Viscount Hereford, Lord Ferrers of Chartly Bourchier and Lovaine, late Generall of England / London Printed by John Macock for William Ley, and are to be sold at his shop at Pauls Chaine. 1646. 4) The Life and Death of the right Honourable, Robert, Earl of Essex, the Noble Branch of his thrice Noble Father / London, Printed for J. Pots in the great Old-Baily, neer the Sessions-House. 1646. 5) A Funerall Monument: or the manner of the Herse of the most Renowned Robert Devereux, Earl of Essex and Ewe, Viscount Hereford, l. Ferrers of Chartley, Bourchier and Lovaine, Englands late Lord Generall, who deceased Septemb.14.1646. With a briefe Recitement of his valour and fidelity in the Kingdomes just Cause against the Enemies of Religion, Parliament and Kingdome, whose Funerall is to be solemnized on Tuesday the 13. of October, 1646 / Printed for J. Hancock in Popes-head Alley, 1646. Woodcut taken from: The True Mannor and Forme of the Proceeding to the Funerall of the Right Honourable Robert Earle of Essex and Ewe, London: printed for Henry Seale, 1646. Part broadside: An Elegie Offered Up to the Memory of his Excellencie Robert Earle of Essex and Ewe, Viscount Hereford, Lord Ferrers of Chartley, Bourchier and Lovaine, late Generall of the Parliaments Forces. Thomason Tracts: 1] 669:f.10.(81.), 2] 669:f.10.(83.), 3] 669:f.10.(95.) (but 'His Excellency" missing from their title), 4] probably 669:f.10.(93.), 5] 669:f.10.(89.), plus: 6] taken from E:360.(1.), 7] possibly 669:f.10.(82.) by Thomas Philipot.Wing: 1] R1429, 2] E475, 3] M2056, 4] L2018, 5] F2537, plus: 6] T2758A, 7] P1995?

HENRY HAMMOND. An unmarked sake cup & a small, 6cm high cut-sided pot with impressed Henry Hammond mark. Provenance: Gifted to his nephew from the residue of his uncle Henry Hammond's studio auction held by Bonhams, London in May 2003.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

HENRY HAMMOND. Three shallow dishes by Henry Hammond, two with his mark (one with worn rim) & one unmarked. Largest diameter 17cm. Provenance: Gifted to his nephew from the residue of his uncle Henry Hammond's studio auction held by Bonhams, London in May 2003.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

HENRY HAMMOND. A slipware jar by Henry Hammond. Impressed mark. Height 8cm. Provenance: Gifted to his nephew from the residue of his uncle Henry Hammond's studio auction held by Bonhams, London in May 2003.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

HENRY HAMMOND. A Henry Hammond yunomi. Impressed mark Height 10.5 cm. Provenance: Gifted to his nephew from the residue of his uncle Henry Hammond's studio auction held by Bonhams, London in May 2003.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Henry Hammond (1914-1989), studio pottery stoneware tankard with tree design, makers mark HH, 15cm high; together with a tea bowl, probably Helen Pincombe, unmarked, 10cm high

Φ Arthur Henry Knighton-Hammond (1875-1970)In the Parson's Orchard, Youlgreave, Derbyshire; Evening in Spring, Lathkill Dale, DerbyshireA pair, the former signed Arthur Hammond (lower right), and further signed, inscribed and dated In the parson's orchard-Youlgreave - Derbyshire/Spring 1908. Arthur Hammond (to reverse); the latter signed Arthur Hammond (lower right) and further signed, inscribed and dated Evening in Spring - Lathkill Dale - Derbyshire/1908 - Arthur Hammond (to reverse)Both oil on canvasboardEach 24.5 x 34.5cm (2)

Φ Arthur Henry Knighton-Hammond (1875-1970)A Spring Morning, Middleton, DerbyshireSigned Arthur H Hammond (lower right) and further signed with initials, inscribed and dated A SPRING MORNING/MIDDLETON/DERBYSHIRE/AH 1908 (to reverse)Oil on canvas45.8 x 76.3cm

Henry Hammond (1914-1989)a stoneware vase, ovoid, painted with a scaly fish in rust on a mottled ground,impressed seal mark, 10cm. high

Henry Hammond (1914-1989)a stoneware footed bowl, painted with a geometric pattern in iron on an ash ground,impressed seal mark, 21.5cm, diam.

Henry Hammond (1914-1989)a stoneware footed tea bowl, flaring conical form covered to the foot in tenmoku, with brushed panel decoration,impressed seal mark,8.5cm. high

A collection of 18th - early 19th century heraldic bookplates, each removed from original book and pasted to a loose leaf. The lot to include the bookplates of Francis Eyre Esq., Robert Duckle, Thomas Story Spalding, George Sowerby, William Parker Hammond, John Conacher, Valentine Cary Elwes, Rev. Chas. Stebbing Elvin M.A., Alfred J. Elkington, Francis Drake (likely a descendent of the explorer), Thomas John Elmore, Edward Fiennes Elton, Robert Duncan, Edward Duke, Culling E. Eardley, Richard Dyott, Frederic W. Earle, Gulielmi A. Drury, Andrew Mortimer Drummond, John Henry Ellis, Francis Percival Eliot Esq., Henry Earl of Shannon, William Blood, Rev. Chatwood Eustace, Arthur Cavendish Onslow Boddington, Captain Furneaux, Frederick Seymour Clarke, Philip Earl Stanhope, Viscount Gage, Cresswell Pigot, Sir Thomas Gage, Lord Gardner, etc. Along with some leaves and plates from 1785 Introduction to Heraldry on their identification. Along with a framed collection of three for Edward Bensley Gardner, the Hon. Herbert Gardner, and Samuel Gardner. A large collection.

Arthur Henry Knighton-Hammond (1875-1970) watercolour of Hardington church, signed lower right, 20" x 25 including frame

† HENRY HAMMOND (1914-1989); a small stoneware bowl covered in grey glaze with cobalt decoration to the well, impressed HH mark, diameter 14cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

* Inwood (Derek, 1925-2012). Henry Ramey Upcher Lifeboat, Sheringham, Norfolk, 1999, oil pastel on paper, signed lower right, 23.5 x 17.5 cm (9 1/4 x 6 3/4 ins), framed and glazed, with two handwriiten postcards attached to verso (one of which reproduces the present work) from Derek Inwood to Michael and Megan Dawson, dated 11 January 2002 and 21 February 2002, the first providing details of accomodation nearby, and the second thanking the Dawsons for their visit and purchase of pictures (overall frame size 39.5 x 32 cm), together withSutton (Philip, 1928-). Self Portrait, 1965, coloured ink and pencil, showing the artist wearing a ladies hat, 14 x 9.5 cm (5 1/2 x 3 3/4 ins), note to verso 'Dear Sam and Cissi, Here is a little drawing of the Artist wearing a womans hat to cheer you both up Love from Heather The Artist Philip Sutton', framed and glazed (32.5 x 26 cm), together with 9 other original artworks including: Evening Between the Hillsides by David Blackburn, Soliders and Owners by B Lewis, Above Wokingham by John Byrom, View of Wilson's Pool...by Peter Bishop, Landscape by P Hammond, The Gazebo by Karl Torok, etc., various sizes, largest 86 x 61 cm (33 7/8 x 24 ins), all framed and glazedQTY: (13)NOTE:Provenance: Collection of Michael and Megan Dawson.

Substantial archive of letters, ephemera and research relating to the Hammond family, the tree accompanying the papers including William Hammond (1727-1793) Hull interest, John Hammond (1790-1869) Rector of Priston, Somerset, Henry Edward Denison Hammond (1866-1910) footballer and folk music historian. Includes many 19thC letters, lists of research conducted including dates going back as far as the 17thC

A CARVED GILTWOOD MIRROR 18TH CENTURY AND LATER The architectural pediment and frame carved with a pierced shell, foliate scrolls and a trellis ground, the bevelled plate re-silvered and possibly original, the gilding revealing a yellow and red bole ground 274cm high, 142cm wide, 20cm deepProvenance:Gerald Tyrwhitt-Wilson, 14th Baron Berners (1883-1950), Faringdon House, Oxfordshire; and by descent from Lord Berners's companion Robert Heber-Percy toSofka Zinovieff (b. 1961), by whom sold; Christie's, London, 12 April 2018, lot 50, where described as George IV, with a subsequent saleroom notice analysing the two layers of gilding strataWith Jamb, London, (who undertook the removal of the late 19th century gilding by dry-stripping to reveal the 18th century gilding), where purchased by Robert Kime, 2022. It is difficult to attribute the mirror to a particular carver / gilder, though it is likely that the maker was London-based, and probably well-established as the scale, complexity and quality suggests that it was probably part of a major commission for a large house from an established maker. The British and Irish Furniture Makers Online lists ten carvers and gilders active in London in the second quarter of the 18th century, any of whom may be candidates for the manufacture of this mirror: of the group, perhaps the most likely is William Walters or Waters (fl. 1732-42), who supplied giltwood furniture and mirrors for Benjamin Mildmay, Earl Fitzwalter at Moulsham Hall, Essex, for Charles Wyndham at Petworth House, and for the Earl of Leicester's London house; also to be considered is Henry Joris (fl. 1739), who worked with Paul Petit on the magnificent frame for Frederick the Great of Prussia; the other makers' reputations are less prominent, although Robert Johnson (fl. 1737-49) who was recorded at the Golden Head, Frith St, St Ann's, made frames for Petworth House; Charles Groves, fl. 1750, 'at the Golden Head, the further End of Brownlow Street from Drury Lane'; Robert Pulsford (fl. 1749), of Knightsbridge; Thomas King, carver and gilder of Long Acre (his stock-in-trade sold in October 1742); Christopher Mason, carver and gilder of Charles Court (fl. 1749); Stephen Maren, carver and gilder of New Compton St, Soho (fl. 1749); Christopher Hammond, frame maker and gilder of Phoenix Court, Long Acre (fl. 1732); Godwin Prince, who advertised 'all sorts of cabinet & Upholsterers work in General, Likewise Carving & Gilding ... near Durham Yard, in the Strand' (fl. c. 1749) (British Museum, Heal 28.181).The rectangular 'tabernacle' design of mirror frame is derived from designs of the 1720s by the architect James Gibbs (1682-1754). These depend on overmantel designs by Inigo Jones which were published in Isaac Ware's Some Designs of Mr Inigo Jones and others (1731) - notably pl.31. Ware's book was highly influential in the development of English architecture and interiors in the 18th century. It brought together a collection of designs by two of the most important architects of the 17th and 18th centuries: Inigo Jones and William Kent. Jones was a leading figure in the introduction of Italian Renaissance architecture to England, while Kent was a leading exponent of the Palladian style, as promoted by his patron, the influential Italophile Lord Burlington: many of the books' designs were taken from interior schemes devised by Kent at Burlington House.FOR THE FULL DESCRIPTON AND PROVENANCE, PLEASE CLICK HERE.SALEROOM NOTICE:The catalogue entry is now 'A CARVED GILTWOOD MIRROR, 18TH CENTURY AND LATER' Condition Report:Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:Holes to the back from previous wall fixings and some other vacant holes, with later modern hooks.The mirror plate is later and is backed with paper.There are some repairs including a later strut support to the back of the crest.There is evidence of old worm. There are some chips and knocks, for example to the tips of leaves, some with restoration.The overall patina has vestiges of the stripped gilding, bole, gesso and underlying wood.The not inconsiderable process of dry stripping means that some old repairs have restricted the extent of removal of the gesso so that the level of carved detail revealed has slight variances (for example the left side of the architectural pediment, compared to the right side).  Some inaccessible areas of carving retain a little more gilding than other more accessible areas.The upper ledge is later ebonised with vacant holes and marks to the centre suggesting that there was previously a carved element corresponding to the carving directly below this area.As per the provenance note, the surface was dry stripped of gilding circa 2018-2021.   Please see the condition report additional images for the document of analysis dated April 2021.Please see the additional condition report photographs as a visual reference of condition.Condition Report Disclaimer

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) “Evening, Grimaldi Church, 1926”, signed & inscribed, watercolour: 45cm x 31.5cm, framed & glazed (51 x 65).

Arthur Henry Knighton-Hammond (British, 1875-1970),A lake scene with town beyond,Watercolour on paper,Signed lower left,52.5cm x 45cm,Framed and glazed

Arthur Henry Hammond Knighton (British, 1875-1970), 'Epsom Downs' watercolour, signed, unframed.

Arthur Henry Knighton-Hammond (British 1875-1970), a cottage interior, watercolour, signed bottom right, framed, glazed and mounted frame size 47cm x 60cm

Arthur Henry Hammond Knighton (British, 1875-1970), 'Epsom Downs' watercolour, signed, unframed.

A Victorian silver plated Walker & Hall sardine dish, the cover chased & engraved with fern leaves & foliage, shell finial (missing liner); a Hammond, Creake & Co. sardine dish, the cover chased & engraved with foliage, fish finial, original Wiltshire & Robinson Carlton Ware liner decorted with lilies; an EPNS sweet meat dish; a Walker & Hall sweet meat pedestal dish, swing handle; a cased set of  six silver hafted butter knives, Henry Greaves, Sheffield, 1904; another five etc.

Manuscript Maps. Thompson (Henry), Palestine, circa 1850, pen, ink and watercolour map, inset map of Jerusalem, slight dust soiling, pinholes to each corner, laid on later card, 510 x 400 mm, together with Rolfe (T.). South America, circa 1850, large pen, ink and watercolour map, some marginal fraying and short closed tears, some dust soiling, 760 x 630 mm, with Hammond (John). The Western Hemisphere, 1857, pen. ink and watercolour map of the Americas on card, set with a gilt printed border, slight spotting, 365 x 290 mm, plus an album (dated 1898) containing four naive manuscript maps (East Indies, The Americas, West Indies & Africa) contemporary half morocco with a manuscript label to the upper cover, binding size 340 x 215 mmQTY: (4)

Attributed to Henry Hammond (1914-1989)Footed bowloatmeal glaze with iron brushwork11cm high, 21cm diameter.Appears in good condition, no damage or restoration. Lots of small brown firing spots are visible.

Arthur Henry Knighton-Hammond (British 1875-1970) Boats in a Harbour, signed lower right, watercolour, measurements 33.5 x 49 cm, frame 52 x 68 cm Condition:The painting is a watercolour, framed under glazing. The sheet has some minor cockling and also some ageing (yellowing) to the paper in parts. The paint surface appears stable and the colours well preserved. Frame has general wear and tear.

Arthur Henry Knighton-Hammond (British 1875-1970) Hayricks, signed lower left, watercolour, measurements 33.5 x 48.5 cm, frame 53 x 68 cm Condition:The painting is a watercolour, framed under glazing- not examined external to the frame. The paper appears in generally good condition, no obvious evidence for damage or deterioration, the colours are good and the paint surface appears stable. Frame has general wear and tear, the joints are sound.

Arthur Henry Knighton-Hammond (British 1875-1970) Continental Street Scene, signed lower right, watercolour, measurements 32 x 44 cm, frame 50.5 x 63 cmCondition:The painting is a watercolour on paper, framed under glazing- not examined external to the frame. The paper appears in good general condition no obvious evidence for tears, losses or deterioration. The paint condition is good- no obvious paint loss, colours have minor fade. Frame has solid joints, general wear and tear

English School, Arthur Henry Knighton Hammond, etching on paper; another, Autumn Cottage; W.H.Potter, Woodlands, etching on paper, framed (3)

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). A RURAL CHURCH. (d) Signed, inscribed `IRIS [deleted] MUMMY/ AUGUST 29.1948/ MANY HAPPY RETURNS/ FROM JOHN' verso, watercolour and pencil 43 x 55cm. *CR Needs only a light clean.

Arthur Henry Knighton-Hammond (1875-1970) watercolour Venice boats alongside a quay, signed lower right, 31.5 x 44cm, in white painted and gilt frame

ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970), a large watercolour of cattle grazing in a field, framed and glazed. Signed to the bottom right hand corner.Along with a book on the artist by Peter Norris. 100cm x 78cm

† HENRY HAMMOND (1914-1989); a deep stoneware bowl covered in mottled iron and oatmeal glaze with iron floral decoration to the exterior and iron and cobalt lattice decoration to the well, impressed HH mark, diameter 20cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† HENRY HAMMOND (1914-1989); a small globular stoneware vase covered in grey glaze with iron decoration, impressed HH mark, height 9cm, a small shallow dish with cobalt decoration to the well, diameter 13cm, and a small bowl decorated with fish, diameter 10.5cm (3).Condition Report: Professional restoration to one side of small bowl, otherwise appears good with no further signs of faults, damage or restorations.

Arthur Henry Knighton-Hammond (British 1875-1970) watercolour 'The Old Oak Tree, Shropshire', signed lower right, details verso suggest this was painted around 1940/1945, mounted and framed 81 x 63cm

Arthur Henry Knighton Hammond (1876-1970), harbour scene, possibly in the Gulf of Genoa, Italy, watercolour, signed lower left, bears stamp to verso for The Rowley Gallery, London, 44x32cmProvenance: the Peto Family, formerly of Chedington Court, Dorset

ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) Buildings in a Rural Landscape Watercolour Signed in pencil lower right 55cm x 78cm Condition Report : some foxing in the sky Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

17th Century Tokens, HAMPSHIRE, Christchurch, John Welchman, Farthing, 1.02g/6h (N 1851; BW. 54), Havant, Thomas Young, Farthing, 1653, 1.09g/6h (N 1879; BW. 82); LONDON (Metropolitan Middlesex), Mile End, George Smith, Farthing, 1658, 0.76g/6h (N 8308; BW. 1895); SURREY, Farnham, J[ames] D[errick], Farthing, 1658, 1.07g/12h (E 81; N 4575; BW. 73), John Holloway, Farthing, 1658, 1.00g/6h (E 86; N 4579; BW. 77), James Hunt, Farthing, 1.12g/6h (E 88; N 4581; BW. 79), Henry Morris, Farthing, 0.97g/6h (E 94; N 4586 rev., different [earlier] obv.; BW. 94), Godalming, Henerie Chittin, Farthing, 0.97g/12h (E 99; N 4590; BW. 86), Guildford, Borough Farthings, 1668 (2), 0.68g/12h, 0.64g/6h (both E 105; N 4594; BW. 98), Nicholas Lintott, Farthing, 1656, 1.50g/12h (E 114; N 4601; BW. 110), John Smallpeece, Farthing, 1.01g/12h (E 128; N 4613; BW. 123), Shalford, Thomas Wilmot, Farthing, 0.99g/6h (E 137; N 4619; BW. 127); SUSSEX, Arundel, Joseph Rusell, Halfpenny, 1.45g/6h (KR. 11; N 5180; BW. 16); WILTSHIRE, Devizes, John Hammond, Farthing, 0.68g/3h (N 5457; BW. 70) [15]. N 1851, 1879, 4613, 5180 and 5457 fine, others in varied state £120-£150 --- Provenance: N 1851, 1879, 5180 and 5457 D.B. Griffiths Collection, Part II, DNW Auction T11, 11 April 2012, lots 131, 139, 181, 183, additionally: N 1851 and 1879 T.G. Anstiss Collection, DNW Auction T6, 19 March 2009, lots 6, 14], N 5180 DW Auction 24, 26 June 1996, lot 664 (part)

Imperial Service Medal (4), G.V.R., Circular issue, 2nd ‘Coronation robes’ issue (2) (Benjamin Harland; Albert Henry Parr); G.VI.R. (2), 1st issue (Charles Edward Ramsden.); 2nd issue (Thomas Hammond) all in cases of issue, nearly extremely fine and better (4) £80-£100

EASTENDERS - TV Soap - Stars - Autographed / Signed publicity postcard size pictures. Approx 170 including : Nina Wadia, Jamie Borthwick, Stuart Laing, Diane Parish, Stephen Lord, Larry Lamb, Jake Wood, Amanda Drew, Madeline Duggan, Belinda Owusu, Lorna Fitzgerald, Linda Henry, Natasha Beaumont, Charlie Jones, Elaine Tan, Sophie Thompson, Cheryl Fergison, Martin Kemp, Gillian Wright, Race Davies, Thomas Law, Roberta Taylor , Gavin Richards, Daniela Denby-Ashe, Andrew Lynford, Ricky Groves, Derek Martin, Mark Homer, lila Morse,Michelle Ryan, Elaine Lordan, Lacey Turner, Jessie Wallace, Alex Ferns, Rudolph Walker, Angela Wynter, Gary Beadle, Tracy-Ann Oberman, Joseph Kpobie, Mohammed George, Nigel Harman, Phil Daniels, Anita Dobson, Leslie Grantham, Letitia Dean, Matt Di Angelo Kellie Shirley, Robyn Moore, Dave Hill, Paul Bradley, Tom Ellis, Colm O` Manlaf, Hannah Waterman, Dudley Sutton, Janet Dibley, Edna, Ian Lavender, Michael Higgs, Troy, Petra, Asvin, Jimi, Sean Gleeson, Craig Fairbrass, Cliff Parisi, Dorreen Taylor, Joe Absolom, Jane Slaughter, Tommy Eytle, Susan George, Brooke Kinsella, Joel Beckett, Shane Richie, Hilda Braid, Kim Medcalf, Christopher Parker, Steve McFadden, Danniella Westbrook, Sophie Lawrence, Barbara Windsor, Kara Tointon, Martine McCutcheon, Megan Jossa, Gillian Taylforth, Gerry Cowper, Joe Swash, David Spinx, Shana Swash, Joan Hooley, Krystle Williams, Natalie Cassidy, Tamzin Outhwaite, Tiana Benjamin, Dean Gaffney, Anna Wig, Mona Hammond, Elizabeth Kelly, Leslie Schofield, Dalip Tahil, Ameet Chana, Raji James , Pooja Shah, Bill Treacher, Wendy Richards, James Alexandrou, Pam St.Clement, Tony Caunter, Todd Carty, Emma Barton, Lucy Speed, Shaun Willamson, Nicky Henson, Louise Jameson, Clark Wilkie, Michael Greco, Jake Kyprianou, Carly Hillman, Leon Lissek, Leila Birch, Melissa Suffield, Adam Woodyatt, Laurie Brett, Gretchen Franklin, Jo Joyner, June Brown, John Bardon, Barbara Keogh, Charlie Brooks, Patsy Palmer, Mike Reid, SId Owen, Charlotte Avery .... etc - some mulitples 

Arthur Henry Knighton-Hammond (1875-1970)Bridge of Sighs, Venicesigned in pencil (lower right)watercolour41 x 30cm. Provenance:The collection of Robert Sadler.

AUCTION CATALOGUES: CHRISTIE, MANSON, & WOODS, comprising: Fine Armour Removed from the Armoury of a Russian Prince, June 29, 1926, priced and named; The Claes Collection of Arms and Armour, May 8, 1929; The Collection of Arms and Armour of Sir Henry Farnham Burke, Garter King of Arms, May 5, 1931, priced and named; Arms and Armour, including the properties of Capt. G. H. Pitt Rivers, and C. Leicester Warren, July 14, 1931; The Important Collection of Arms and Armour, the property of The Rt. Hon. Lord Brougham & Vaux, and Fine Arms and Armour including the properties of Lindsay Hammond, and Gerald C. Griffiths, June 29, 1933, priced and named; Arms and Armour, the property of Mrs. A. A. Watney Weguelin, July 8, 1938, priced and named; The Choice Collection of Objects of Art and Furniture formed by George A. Lockett, June 11, 1942; The Ledger Collection of Arms and Armour, May 15, 1947; Porcelain, Glass and Objects of Art, etc, including an Italian Halfsuit Armour sold by direction of The Rt. Hon. The Earl of Pembroke and Montgomery and The Lord Herbert, July 19, 1951; The Important Collection of Arms and Armour, the property of S. E. Lucas, May 14, 1956, priced; Renaissance Jewels, Arms and Armour, and Works of Art, including the properties of Colonel J. E. Snow, Major J. M. Griffin, and H. Wareham Harding, November 12, 1957, the Arms and Armour priced; Important Guns and Pistols and English and Oriental Weapons, the property of The Duke of Richmond and Gordon, March 31, 1958, priced; Arms and Armour and Objects of Vertu, the properties of The Most Hon. the Marquess of Sligo, Richard K. Walton, and Mrs. P. Caroll, December 8, 1958; and Arms and Armour, including the collection of Director Folke Ellioth, June 2, 1959, priced and named

BIBLE : An Illustration of the Holy Bible, containing the sacred text of the Old Testament, and the New; together with the Apocrypha .. (etc). eng. plates, cont. reverse calf worn, stout folio, Birmingham printed at the Verulam Press, Nicholas Boden, 1771. With - The Holy Bible, with a complete Commentary Entirely Selected from the Writings of Poole, Henry, Doddridge, Brown, Coke,engraved plates, staining to first few pages, reverse calf worn on hinges, stout folio, blank preliminary carelessly creased, Russell & Allen, Manchester, no date c1810. With - Hammond, H. A Paraphrase, and Annotations upon all the books of the New Testament, briefly explaining all the Difficult places thereof : full calf worn, folio, seventh edition, folio, 1702.(3)

To be sold without reserve A Collection of Thirty-eight Books: Edward Vaughan Kenealy, Poems and Translations, 1864 H. Rider Haggard, Heart of the World, 1896 Henry Kirke White, Poetical and Prose Works William Ernest Henley, Poems, 1909 Thomas Hood, The Serious Poems J. G Edgar, Runnymede and Lincoln Fair, A Story of the Great Chapter Hammond Innes, Maddon's Rock, 1950 Giovanni Guareschi, The Don Camillo Omnibus John Steinbeck, Sweet Thursday, 1954 Robert Burns, The Works of Robert Burns, 1853 W. Somerset Maugham, Then and Now, 1946 Diane Giguère, Innocence, 1962 Jeffery Farnol, The Broad Highway Arthur Mee, Salute the King, George the Sixth and his Far-Flung Realms, 1937 Thomas Moore, Poetical Works, 1860 B. Disraeli, Sybil, 1853 Jules Sandeau, Mlle. de la Seigliere, 1902 Edmund Clarence Stedman, Genius and Other Essays, 1922 George Saintsbury, A Short History of French Literature, 1897 Professor Wilson, Noctes Ambrosianae, 1864 Ogden Nash, Many Long Years Ago, 1945 Ogden Nash, Good Intentions, 1942 Rev. William Bengo Collyer, Lectures, 1813 D. G. Rossetti, Poems, 1895 George Wharton Edwards, Old English Ballads Frances Parkinson Keyes, All That Glitters, 1941 Frederic W. Farrar, Life of Christ in Art, 1894 Anthony Rich, Roman and Greek Antiquities, 1890 M. A. Rondelet, L'Art de Parler, 1879 John Keats, Poetical Works, 1929 Elizabeth Barrett Browning, Poems, 1844 Edmund Spenser, Poetical Works, 1921 John Greenleaf Whittier, Poetical Works Percy Bysshe Shelley, Poetical Works, 1912 Pisistratus Carton, My Novel Emily Brontë, Wuthering Heights George Eliot, Romola C. Bayet, Historie de L'Art