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A TURKISH COTTON VELVET CUSHION WITH RAISED METAL THREAD WORK EMBROIDERY CIRCA 1800 86cm length, 40cm high Together with a Venetian silk velvet cushion in the Baroque taste, with raised couch work embroidery including metal threads and border, fringed to each end, 54cm x 38cm; A French Aubusson tapestry cushion, with heavy cotton fringing, 45cm x 45cm; A 1920's cotton velvet cushion set a tapestry band with fringed border, 47cm x 55cm; A cotton velvet cushion applied earlier silk brocade and metal panel, with metal thread banding and silk fringing, 60cm x 50cm.  Condition Report: The Turkish cushion rebacked in 20th century, old stitching lines have small rips and repairs to each end, the raised metal work has small losses overallThe Venetian cushion has losses, wear and splits to ground and embroidery, backing is very rubbedAubusson has splits and losses to tapestry.1920's cushion is good for age but backing silk has a stain and small rip to groundThe silk brocade cushion has heavy wear to brocade area. Condition Report Disclaimer

A VENETIAN VELVET SHAPED PANEL INCORPORATING TURKISH EMBROIDERED ELEMENTS CIRCA 1700 AND LATER The ground and side elements made up from sections of earlier embroidery and metal braiding, backed in linen. 252cm high, 180cm wide Condition Report: Wear overall and losses to velvet ground, some rips and elements of embroidery detached from ground, signs of restoration, backing has repairs, water stain and small holes. Please see additional images for visual reference to condition Condition Report Disclaimer

AN INDIGO COTTON CANVAS CHAPAN CENTRAL ASIAN With repetitive hand stitched zigzag red border, with handmade picot edging, inset one pocket. 122cm long  Together with: A Turkmen purple quilted velvet coat with inset-coloured sections, worked pocket and red machined border appliques, lined with red floral print, 103cm long; An Uzbek silk Ikat quilted chapan, with floral printed lining, hand stitched border, 127cm long; An early 20th century Turkish Ucetek Entari robe with long side slits and overlong open sleeves, woven in silk on cotton ground, with hand couched cord embroidery and edging to body, 151cm long, and a pair of similar pantaloons with corded embroidery with goat skin backing to pocket, corded gathering to waist, 93cm long; A silk brocade kaftan with red cord and gilt metal braiding, with long slit to each side and an Uzbek Ikat woven kaftan with losses to trimming; and a kimono shape in Uzbek style pattern organza type fabric. Condition Report: Central Asian Indigo cotton canvas chapan: A shortening tuck of 5cm to body, spots of colour loss to canvas in pocket area and repair to pocket opening, replaced sections under arms, Lining in good order bar some colour staining to pocket area.Turkmen coat: Repairs to the pocket.Uzbek chapan: Splits and losses to silk, see photos for details.Brochade Kaftan: Small seam repairs under armholes, a few small areas of detached cording. Some cording detached to leg holes and small tear in fabric, see pictures for details.Uzbek Kaftan: appears in good order, Ikat kaftan has lost trimmings and been partly unstitched, the kimono has colour run from another garment to front. Condition Report Disclaimer

TWO VENETIAN CRIMSON SILK AND METALLIC THREAD EMBROIDERED CUSHION PADS 18TH CENTURY Centred with a lady and goat, and the other with a man. Subject within ribbon and floral surround. 40cm high,50cm wide Together with: A pair of late 17th century Italian crimson silk and metal bullion work cushions centred differing armorials within bullion work shields, the ground worked with strap work, floral set vases and sprays, with later damask backing, 65cm square. Condition Report: Splits, small holes and old repairs to silk ground, some losses and loose threads to embroidery;  Italian cushions, the ground splitting, one more than the other, embroidery lost to armorials, wear to tops of bullion work in parts, detached metal threads to both, see photos for extent. Condition Report Disclaimer

AN EMBROIDERY MOUNTED SMALL TABLE COFFER LATE 17TH CENTURY/EARLY 18TH CENTURY The lid decorated with a coat-of-arms, upper frieze with text 24cm high, 35cm wide, 26cm deep Provenance: Acquired from Axel Vervoordt at TEFAF Maastricht

PW Miller (20th century), watercolour, 'Park' scene and an embroidery. The first signed lower left and dated 1991. 24cm x 17cm. Framed and glazed, the second an embroidery by Mary Jane Brown. Framed and glazed. (2).

IONA - A SET OF FOUR SCOTTISH PROVINCIAL 'NUNNERY PATTERN' PICKLE FORKS ALEXANDER RITCHIE/ IONA CELTIC ARTS, BIRMINGHAM 1937 The stem set with a mask and abstract lozenge detail, with bud finial and three prongs; together with a pair of two-pronged pickle forks, stamped IONA, Gilmour & Watson (of Glasgow), Birmingham, the terminal set with a long boat (6) 15cm, 11.2cm long, 92g (combined) Born in Tobermory on Mull, Alexander Ritchie had his roots firmly in the Scottish islands, surrounded by the sea. Originally training as a marine engineer, the first twenty years of his adult life took him across the world with the British India Steam Shipping Company. Even at this time, it is recounted that Ritchie was a keen woodworker and took inspiration from his marine environment.It would be fair to assume that the Celtic wares produced in Iona at the turn of the 20th century were made to capitalise on the passing tourist trade, but the legacy Alexander Ritchie and his wife Euphemia Catherine Ritchie left is far beyond that of tourist souvenirs.  A Creative PartnershipBoth makers were at the heart of the Arts & Crafts movement in Scotland. They were influenced by the Glasgow School of Art and at the forefront of the Celtic Revival movement. This melting pot and the history and art of Iona, combined with the skill of these two individuals created a legacy unique to this Scottish Island.It was not until he was in his 40s in the mid-1890s that he decided to take a break and enrol at the Glasgow School of Art. It was at the School that he met his future wife Euphemia Catherine Thomson. Both were immersed in the Glasgow Style, with contemporaries such as Jessie M. King, Charles Rennie Mackintosh and Francis Newbery.An Island of InfluenceCatherine and Alec moved to Iona shortly after they married in Glasgow. Their home at Shuna Cottage welcomed all those who visited the island. The Scottish Colourist Francis Campbell Boileau Cadell was a frequent visitor to their home and took inspiration from the island for some of his most seminal works. Ritchie was immersed in all artistic aspects; their shop Iona Celtic Art offered jewellery and other metalwork, leather tooling and embroidery, along with engraving and enamelling learnt at Glasgow. The earliest examples are in wood, a medium in which Ritchie felt most confident in the early days.Contemporary images of the shop show delight for the eyes in all corners; mirrors with zoomorphic corners, Celtic crosses hanging from all four walls, galleon ship pendants and penannular brooches covering door frames. As their business grew, the requirement to outsource is seen with the range of punches and hallmarks on the reverse of their wares. Various Assay centres such as Glasgow, Birmingham, and Chester appear on jewellery, and this reflects the popular enthusiasm for the Arts and Crafts movement.The Celtic RevivalThe Celtic Revival helped re-invigorate the Celtic identity, looking to the early Medieval Celtic culture in art, music, poetry and literature. In Ireland, the Book of Kells and the Tara brooch were key objects for this identity. Similarly in Scotland items of National significance such as the Hunterston brooch, housed within the National Museums Scotland collection, helped to illuminate the past and inspire artists and craftsmen who had been subjected to the mass industrialisation of the Victorian era.For the Ritchies, the Celtic Revival was more than a dissemination of history. Along with individuals such as Lady Victoria Campbell, the daughter of the 8th Duke of Argyll, they also sought to encourage Celtic Christianity. Alexander or Alec, as he was known, was made custodian of Iona Abbey in 1900.Later LifeThe Ritchie’s were part of a larger artistic community with an interest in Celtic art. John McGilvray, also of Iona, had for example been selling silver items from at least 1887 and was regarded as a local rival, but it is the skill of the Ritchie’s work and their understanding of Celtic culture that has created a particular appreciation for their works of art 100 years later. Individuals such as Robert Allison continued to produce their designs 50 years later in the mid-20th century, and their legacy is still apparent in Iona as the Iona Heritage Centre houses a permanent display of their work.Alexander Ritchie died in 1941, two days after his wife Euphemia. They were both buried together on the same day in the nearby Reilig Odhrain, the burial grounds of the Kings. These forks take inspiration from archaeological excavations at the Iona nunnery in 1922 and 1923. 

A 20th century hand embroidered on silk picture depicting a scene of a peacock amidst bamboo grove. The picture embroidered Hanoi Du Shunchang, renzi nian on right top corner, framed and glazed.Measures approx. 92cm tall x 68cm long including the frame.The embroidery is good, slight discolouration of the thread. No damage to the silk.

An early 20th century Chinese silk embroidered panel. The embroidery has a beige ground colour depicts a scene of butterfiles admist flowers with blue border decorated with floral design. Framed and glazed.

An Antique framed embroidery, some tears and fading 45x37cm

Masonic regalia set in original case includes ceremonial sashes, aprons, and medals with gold embroidery. Includes documents and insignia associated with Freemasonry and Royal Arch Chapters.

Three framed 20th century Maw & Co majolica style tiles along with a framed embroidery.

A Japanese silk embroidery depicting flowers and exotic birds, 64 x 42cm.

FOUR BOXES AND LOOSE SEWING, EMBROIDERY, AND CHRISTMAS SUPPLIES to include a box of packaged and loose wool of various kinds to include Mohair, Acrylic-Cotton blends in a variety of colours, various reels of ribbons, assorted knitting needles and vintage designs, a suitcase containing assorted textiles, a hat box, two boxes of Christmas decorations to include tinsel, decorations, and artificial flowers, etc (4 boxes and loose) (s.d)

William Morris (1834-1896) for Morris & Co., The Appple Tree, An Embroidered Panel, circa 1890, coloured silk threads, in a gilt frame firescreen,58cm square, frame 115cm high Literature: Parry L. William Morris Textiles, 1983, page 28 where a similar design for embroidery is illustrated.

After Robert Morden, map of Durham and a Nottingham embroidery, framed

Antique leather cased sewing kit, embroidery and sewing scissors, John James & Sons needle packets, etc

Embroidery and applique fabric picture of a stylised Restoration gentleman in doublet and hose

Two vibrant, whimsical and playful hand-embroidered pictures, respectively portraying two figures gardening and a couple dancing, embroidery on cotton, initialled WR, uniformly framed under glass, circa 1930s / 1940s, 30 cm x 38 cm

A large Chinese embroidery study 

A framed silk embroidery showing a seated Grecian or Roman lady - overall size 28cm x 35cm

A COLLECTION OF 19TH CENTURY TEXTILESincluding two Indian shawls, one in ecru embroidered with paisley boteh design throughout, 99cm wide x 190cm long, another on camel coloured wool with embroidery to the edges, 170cm square, a linen runner with red embroidery to the edges, 35cm wide x 222cm long, and another ikat style textile (moth damage throughout each item) (4)

A large quantity of needlepoint, embroidery & tapestry related books

A Victorian beadwork tray, of shaped oblong from, the central floral beadwork embroidery within a glazed inlaid walnut frame, raised on four bun feet, 61 x 30.5cms wide; together with a Victorian glazed beadwork twin-handled tray; and a Victorian floral beadwork tray, within a gilt and black lacquered frame, unglazed. (3)

An Indian Toran door hanging, embellished with shisha mirrors and phulkari embroidery, 134cm wide, 72cm drop, late 19th/early 20th century

Set of three vintage Indian patchwork pouffes, each featuring intricate embroidery in vibrant colours with decorative tassels and shell accentsDimensions: Height: 32cm  Depth/Diameter: 60cm

2 abgeliebte Teddys, Räderhund und Ziehharmonika. Mitte 1920er Jahre. L max. 49 cm. Weißer Steiff-Teddy (eventuell handelt es sich um einen Teddy Clown) mit dunkler Bestickung, Vorderpfoten mit Stoff übernäht, Stopfung locker, karierte Stoffschleife, Knopf mit langem "F", L 45 cm. / Hochwertiger Thüringer? Teddy mit sehr spitzer Schnauze, blond, Glasaugen, schwarze Bestickung, eine der Filzpfoten übernäht, L 49 cm. / Räderhund mit hochwertigem Gestell, Schuhknopfaugen, roten Filz-Innenohren, Nasengarnierung und 3 Krallen, verkahlte Fellflecken, 34 x 40 cm. Als Zugabe alte Kinder-Ziehharmonika, auf altem Etikett bezeichnet "Victorian Squeeze Box". Alle Tiere mit starken Altersspuren und Reparaturstellen, verkahlt. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 10:58 Uhr (CET)2 worn teddy bears, wheeled dog and accordion. Mid-1920s. L max. 49 cm. White Steiff teddy (possibly a teddy clown) with dark embroidery, front paws sewn over with fabric, loose stuffing, checkered fabric bow, button with long "F", L 45 cm. / High quality Thuringian? Teddy with very pointed muzzle, blond, glass eyes, black embroidery, one of the felt paws overstitched, l 49 cm. / Wheeled dog with high-quality frame, shoe button eyes, red felt inner ears, nose garnish and 3 claws, bald patches of fur, 34 x 40 cm. Comes with an old children's accordion, marked "Victorian Squeeze Box". All animals with strong signs of age and repairs, bald patches. Call time 27 | Feb. 2025 | probably 10:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Konvolut 4 Perlentäschchen und 1 Geldkatze. 19. Jh. Glasperlen- und Metallperlenstickerei auf Stoff, opake schwarze Glassteine, Stoff-Geldkatze mit 2 Messingringen. Maximal 17 x 11 cm (ohne Abhängung). Beuteltasche mit Blumenmuster, Pampel und Kordelschnürung am gehäkelten Rand. Beutel mit Girlanden-Ornament und Glassteinen. Rundes kleines Perlentäschchen mit Abhängung. Buchförmiges Etui mit Samt-Innenfutter und Stoff als Nadelbehälter. Dazu 1 lose Pampel. 2x geringe Fehlstellen, Innenstoff teils zerschlissen. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 17:33 Uhr (CET)A collection of 4 bead pouches and 1 coin purse. 19th century Glass bead and metal bead embroidery on fabric, opaque black glass stones, fabric coin purse with 2 brass rings. Maximum 17 x 11 cm (without suspension). Pouch bag with floral pattern, pompom and cord lacing on the crocheted edge. Bag with garland ornament and glass stones. Small round beaded bag with suspension. Book-shaped case with velvet lining and fabric needle holder. Comes with 1 loose pampel. 2x minor flaws, inner fabric partly torn. Call time 26 | Feb. 2025 | probably 17:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Charakterbaby mit weißem Kleid. Kopfmarke: 23 Germany 12. Um 1920.Biskuitporzellan, Masse. L 63 cm. Kurbelkopf, blaue Schlafaugen mit Wimpern, blonde Echthaarperücke mit kurzen Zöpfen. 5-teiliger Stehpuppenkörper mit intakter Stimme. Langes Kleid, Umhang mit Lochstickerei. Winzige Chips an der Halskurbel, Arme lose gespannt.Aufrufzeit 27. | Feb. 2025 | voraussichtlich 10:13 Uhr (CET) Character baby with white dress. Head mark: 23 Germany 12. c. 1920.Biscuit porcelain, mass. L 63 cm.Swivel head, blue sleeping eyes with eyelashes, blonde real hair wig with short plaits. 5-part standing doll body with intact voice. Long dress, cape with perforated embroidery. Tiny chips on the neck crank, arms loosely stretched.Call time 27 | Feb. 2025 | probably 10:13 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Alter Steiff-Teddy mit Schürze. Knopf im Ohr, mit rotem Fähnchenrest. Um 1920.Mohairplüsch. L 32 cm. Weißblonder Bär mit hellbraun nachgestickter Nase, kleinem Buckel, langen Armen und je 4 hellbraunen Krallen. Lachsfarbene Schürze mit Stickerei. Kleine Kahlstellen, Druckstimme verstummt.Aufrufzeit 27. | Feb. 2025 | voraussichtlich 10:57 Uhr (CET) Old Steiff teddy bear with apron. Button in ear, with red flag remnant. Circa 1920.Mohair plush. L 32 cm.White-blonde bear with light brown embroidered nose, small hump, long arms and 4 light brown claws. Salmon-colored apron with embroidery. Small bald patches, printed voice muted.Call time 27 | Feb. 2025 | probably 10:57 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A group of pictures, prints and embroidery to include a Crewell embroidery depicting 'Tree of Life' with various animals, a woodland scene print and othersLocation:If there is no condition report shown, please request

Collectables to include studio pottery modern satsuma style ceramics, Chinese embroidery and picture, a holly water an African carved soapstone figure and other itemsLocation:If there is no condition report, please request.

A EMBROIDERY DEPICTING AN ARABIC DANCER IN THE STREETWith gilt wood frame 100cm x 76cm

A NEEDLEPOINT EMBROIDERY DEPICTING A GARDEN WITH FLOWERS36cm x 28cmFramed and glazed 50cm x 42cm

A Gucci Marmont 'Loved' crossbody bagwith quilted black velvet and brass 'GG' monogram to flap, slotted lock closure with push release, two internal pockets and one with zip fastening bearing 'Gucci, made in Italy' embossed into leather label, serial number: 443496-213317width 30cm height 20cm (excluding strap)Condition: Embroidery and beading in very good condition, as is the monogram hardware and function of brass clasp. Minimal signs of wear to quilted velvet and internal leather flap.

A small quantity of framed artwork, to include mixed medias, watercolours of coastal scenes, and a 20th Century still life embroidery

A COLLECTION OF ARTWORKS  To include an oil by Eleanor Watt and another by M. McLellan, various print multiples, a peacock embroidery (10)   Condition Report:Available upon request

Victorian Sampler by Elizabeth Bozley, aged 12, Framed Embroidery, dated 20 November 1846 (31cm x 31cm) together with a 20th-century embroidery of flowers in a circular mount, framed and glazed (36cm x 36cm).  (2)

Jasmin Collection wedding dress with embroidery detail plus veil, size 16, boxed

Alexia Design wedding dress with pink beads and embroidery, size 12

A 1st Battalion King's Shropshire Light Infantry (KSLI) silk and bullion wire embroidery, circa 1919, embroidered with the regimental title above two flags listing battle honours from Egypt 1882 to Jerusalem, with red poppy and floral ribbon wreath below, framed and glazed, 67cm x 62cm overall (some water staining to lower left-hand corner)

EMBROIDERY, a framed embroidered panel "The Cottage Garden", 73cm x 53cm

ORIENTAL EMBROIDERY, pair of framed coloured silk panels, "Fish and Flowers" design, 58cm height

EASTERN EMBROIDERY, 3 framed coloured silk Chinese panels, garden and bird design

A 19thC small embroidery, Forget me Not (Sic) My Love, ED, 5cm wide.

A Mahogany Oval Easel Back Frame Containing Silk and Felt Floral Embroidery, 36 x 47cm

Victorian embroidery alphabet sampler, dated for 1838. By Harriet Holmes, Aged 7 Years, 1838. Framed and glazed. 39.5cm x 29cm.

A 20th century Chinese one hundred boys embroidery in silk, 36 x 66 cm, framed

A group of Asian art to include: A framed Chinese silk embroidery of two figures in a garden, Qing period or later, 28 x 35 cm; together with six 20th century Japanese gilt embellished ink landscapes and three Indian Mughal style figurative paintings on silk (10)

A Qing Dynasty Chinese silk embroidery panel. The textile featuring hand embroidered central panel with floral & foliate detail, stork and duck scene, decorative border & machine sewn decorative frame. Framed & glazed.Measures approx. 47.5cm x 19.5cm to include frame.

Two boxes of mainly unused embroidery silks, rings books etc.

A 1920s black satin duster coat with seamed kimono sleeves and tie neck plus a collection of textiles including and Indian table covering or wall hanging with mirrored embroidery, some ecclesiastical style cloths with flock grapes and vine leaves, a small piece of 1930s cutwork lace,, a 1930s table cloth etc (qty)  coat has some scuffs and nicks plus a couple of small holes in shoulder, one of the ties is missing at the neck

A BERNINA SEWING MACHINE,  'Artista' 180 electric sewing and embroidery machine, together with manual and various attachments, treadle and charger (1 + accessories) (Condition Report: appears complete, untested)

A BROTHER SEWING MACHINE MODEL VX-1200, with operation manual and charger, together with a framed embroidery depicting a vase of pansies, and a framed lace doily with a lace border (1 small box + loose)

A GOLDWORK EMBROIDERED SILK ALTAR FRONT Square table cover decorated in gold thread embroidery, large central pheasant among other birds, butterflies and peonies 95 x 92cm Condition Information: There are some occasional loose threads near to the borders Ownership Statement: This item is offered for sale in the name of the owner, Philip Ng. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Large rare Lladro figure of two nuns sewing embroidery measures approximately Height 7.5 inches, Width 11 inches, Depth 9 inches

A 19th century stump work picture of a girl standing in a landscape playing with a yo-yo, oval, 22x15.5cm, and a floral decorated composite picture frameStumpwork is very discoloured. Frame is complete and has only little wear.Embroidery is modern and in good condition.

A leather-topped box, 31 x 52 x 36cm, together with a stool and an embroidery (3)

Konvolut bestehend aus diversen Antiquitäten und Deko-Objekten: Glocke mit Stickband aus Kirche, 4 Herrentaschenuhren (Funktionen nicht geprüft), Petschaften mit Siegelwachs, Meerschaumpfeife in Etui, Wecker, Weihrauchgefäß, Gewichte, Dolche, Spazierstock und kleine Holzdeckeldose / Mixed lot consisting of various antiques and decorative objects: Bell with embroidery ribbon from church, 4 men's pocket watches (functions not tested), seals with sealing wax, meerschaum pipe in case, alarm clock, incense burner, weights, daggers, walking stick and small wooden lidded box

A 19th century artillery regiment Royal coat of arms in applique and embroidery work. The embroidery featuring stumpwork thread and pearl-like beads, unicorn & lion crest central, cannon and motto Qu fas et Gloria Ducunt. Framed in wooden frame.Measures approx. 66cm tall x 59 cm wide including the frame.