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Lot 697

Pierre Charles Baquoy 1759-1829- "Ceremonie Religieuse, "; engraving after Le Barbier Laine, 34x50cm; "Chapelle Sepulchrale"; engraving, by the same hand, 43x52cm: Gottfried Engelmann I 1788-1839- "Interieur d`un Jardin a Constantinople"; soft ground etching, after Constant Bourgeois 1767-1841, Note: Pierre Charles Baquoy, French painter and engraver, known mainly for his depictions of famous historical characters. Baquoy was born and died in Paris. he was considered an eminent artist-engraver and among other things professor of drawing and an employee of the Musee Royal. He was the illustrator of the Kehl edition of Voltaire.

Lot 751

Heinrich J Jancryl, American, mid-late 20th century- "Paris, au de Seine"; pen and brown ink and watercolour, signed, inscribed and dated April 1980, 20x28cm: together with one other pen and ink and watercolour drawing by the same hand titled "S Maria della Salute", signed, inscribed and dated 24 May 1985, 20x26cm. Provenance: with St Luke`s Gallery, New York, USA according to labels attached to the reverse of each: Barbara Crowe b.1942- "Autumn Season", 1980; gouache on grey paper, signed, 51.5x55.5cm: Alain Renoux b.1944- Canal scene; lithographs in colours, signed and numbered 181/250 in pencil: Paul Bison b.1938- "Nude"; aquatint printed in colours, signed, titled and numbered XXXIV/XL: Late 20th Century- "Porlock, Somerset"; watercolour, signed: Samuel Sangster 1804-1872- "A Syrian Maid", after H W Pickersgill; engraving, (7) (may be subject to Droit de Suite)

Lot 969

A Louis Mountbatten signed card, Supreme Allied Commander South East Asia, signed in green ink, together with a large quantity of ephemera to include early 20th century photographs, school reports, sketch books, letters, postcards and The School of Art drawing books, (a lot).

Lot 1160

A Chinese famille rose snuff bottle, decorated with stylized foliage, stopper, height 7 cm, a Russian paper mache box and cover, decorated with a winter scene, length 10 cm, a collection of pens, to include Parker, Waterman`s and Yardioiled, drawing equipment, together with a quantity of miscellaneous items, (a lot).

Lot 39

Pen & ink drawing of Rodborough Fort & six other pictures

Lot 20

J Gerdssimo - a framed and glazed pastel drawing of an oriental boating scene, together with a photograph portrait and oriental framed banner,

Lot 198

A collection of unframed watercolours and drawings and one framed pencil drawing of an oriental mother and child, all by Kate Blackmoor,

Lot 829

Cecil Hodgkinson (1895-1979). Evening Glow, study of geese in flight, water colour drawing, signed 55cm x 33cm.

Lot 831

Early 19thC English School. Study of a steam ship, watercolour drawing, 30cm x 45cm.

Lot 368

A Georgian shagreen drawing set, of tapered form, retailed by P. Hill, Optician, 7 Union PLace, Edinburgh, containing four brass and steel instruments (incomplete)

Lot 552

Helen Monro Turner (1901-1997) Ex Libris Maureen Weinstock, woodcut Small Fall, ink woodcut, boxer, sanguine and female nude sanguine drawing (4)

Lot 553

Helen Monro Turner (1901-1997) Female nude, sanguine drawing Four Seasons glass design, and village scene (3)

Lot 301

Edith Matthews, a late 19th century pencil drawing on opaline glass depicting a society beauty, signed and dated 1898, 33 x 23 cm

Lot 83

E. COEDES. Signed and dated 1838. Pencil drawing on paper, French School oval portrait study of a gentleman, see label verso. 9 3-4" x 7 3-4".

Lot 174

MANUEL ROBBE. Unframed, signed pencil drawing on paper, study of an elegant Edwardian lady wearing a hat. 13" x 8 1-2".

Lot 213

H.L. Signed with initials and dated April 24th 1848, pencil drawing on paper in a maple frame, study of a King Charles Spaniel on a cushion `His Royal Highness, Prince`, inscribed on mount, also inscribed verso. 4" x 5.3-4"

Lot 88

JULIAN DYSON Well Hello. A cat and mouse drawing. Signed. Together with a second cat drawing by the same.

Lot 154

EDWARD BOUVERIE-HOYTON Spanish landscape. Charcoal. Signed. 19 1/2 x 27 1/2ins. Together with a second drawing by the same.

Lot 174

CHARLES WALTER SIMPSON Mischievous foxes. Ink drawing. 22 1/2 x 17 1/2ins.

Lot 175

CHARLES WALTER SIMPSON A roadside incident. Ink drawing. 22 x 17 1/2ins. (See Illustration)

Lot 188

ALEXANDER MACKENZIE Spoure stone. Mixed media drawing. Signed, inscribed and dated August 68, to the reverse. 22 x 18 1/2ins. (See illustration)

Lot 265

HENRY BIRD Woman with a mermaid. Mixed media. Signed. 21 x 22 1/2ins. Together with a second similar drawing, a third, Head of a child by the same hand, and a nude study by Eric Ward.

Lot 341

CLAUDE ROWBOTHAM Etching aquatint. Morning, Rising Mist, Lelant. Signed and inscribed. Together with an abstract drawing, indistinctly signed.

Lot 396

St. Jerome. A drawing, in Old Masters style. Together with a print.

Lot 81

Bigland (John). The Beauties of England and Wales: Or, Original Delineations, Topographical, Historical and Descriptive, of Each County, vol. XVI, Yorkshire, one vol. in four, 1812, additional engraved title, steel-engraved plates, EXTRA-ILLUSTRATED with at least 300 engraved maps, plates and plans, some coloured and folding, including five folding engraved aerial views after Kip: Acklam in Cleveland, Ingleby Manor, Constable Burton, Newby and Temple Newsam, two original pencil drawings of Helmsley House and The Old Keep, Helmsley, both signed with monogram “W.R.”, and dated 1844, one original pen, ink and watercolour double-page drawing of interior and bay window of Howsham Hall, signed “T.M. Richardson” and dated 1841, scattered light spotting, t.e.g., contemporary navy half morocco, joints and edges rubbed, 8vo (4)

Lot 145

Dayes (Edward). The Works of the Late Edward Dayes: Containing an Excursion through the Principal Parts of Derbyshire and Yorkshire, With Illustrative Notes by E.W. Brayley, one vol. in 2, 1805, title with engraved vignette, engraved portrait frontispiece, eight engraved plates (without the two drawing exercise plates), EXTRA-ILLUSTRATED with at least 300 engraved, aquatinted and lithographed plates, portraits and maps, after J. Griffith, S. Hooper, M. Rooker, T. Rowlandson etc., some coloured and folding, a few plates cropped, portrait frontispiece detaching, some light spotting, vol. I front hinge broken, contemporary red morocco, rubbed and scuffed, 4to (2)

Lot 259

Nicholson (Francis). The Practice of Drawing and Painting Landscape From Nature, 1st ed., 1820, five engraved and aquatinted plates, including one folding hand-coloured, bookplate, original boards, spine worn, some stains, 4to. The artist Sir Francis Nicholson (14 November 1753 - 6 March 1844) was born in Pickering, North Yorkshire. He worked in watercolour and oil, and is mainly known as a landscape artist. He studied with a local artist in Scarborough, before beginning his career in his native Pickering, producing sporting pictures and portraits for a variety of Yorkshire patrons. By the mid-1780s he was also making paintings of country houses, leading him to concentrate on landscapes in watercolour. From 1789, he contributed views of both Yorkshire and Scotland to exhibitions at the Royal Academy. He also supplied topographical views for the Copper Plate Magazine. Although his market increasingly became London-based, Nicholson continued to live in Yorkshire - at Whitby, Knaresborough and Ripon. He did not move to London until about 1803. In 1804, he became a founder-member of the Society of Painters in Watercolours, and was a regular and prolific contributor to its exhibitions. Nicholson died in London and is buried there in Brompton Cemetery.. Abbey, Life, 162 (1)

Lot 319

Storer (J. & H.S.). Delineations, Graphical and Descriptive, of Fountains’ Abbey, in the West Riding of the County of York, with Historical Notices, [1830?], half-title, eng. frontis. and fifteen eng. plts. on india paper (inc. double-page eng. plan with side sewing to gutter affecting image), two eng. illusts. printed india paper, title and text printed in gold, Extra-Illustrated with an orig. pen & ink drawing by H. Storer entitled “In the Leasow’s Salop, 1814” (dimensions 218 x 160mm), 11pp. of manuscript entitled “Historical Notices of Fountains Abbey” signed ‘J. Storer’ to final leaf, some dampstaining troughout and minor burn mark & slight damage to upper inner corner of final six leaves (note affecting text), a.e.g., 20th c. cloth gilt, 4to. Boyne 200. (1)

Lot 345

Walker (George). The Costume of Yorkshire, 1814, forty-one fine hand-col. aquatint proof plts. and duplicate set of the plates in etched outline (with image for plt. 5 provided as pen & ink drawing/tracing), occ. minor spotting to few plts., a.e.g., near contemp. red half morocco, gilt title to upper board, slight wear to joints and extrems., folio. Includes the first English representation of a steam engine. Abbey, Life 433; Tooley 498. (1)

Lot 175

A part cased set of drawing instruments, and other similar items

Lot 619

FEARDON, Daniel, Spink`s Catalogue of British Commemorative Medals, Shire Album, Victorian Souvenir Medals, Drawing Instruments, Irish Coins and Medals as Christie`s Collectors Guide to Woodworking Tools (6)

Lot 506

Two mahogany Boxes containing Drawing Instruments, compasses, protractors, etc

Lot 507

A metal Drawing Instrument Case with divisions, containing protractors, compasses, measures, etc, and wooden box containing two measures and set square named Elliott Bros, London

Lot 508

A steel Protractor by J.J.T. & Son Ltd, in case, The Electronic Pencil, by Electromedica Co Ltd, Chinese Pens in case, box pencil leads and small box drawing instruments

Lot 689

John Davies, impressionist pastel drawing, old olive trees, signed, 28 1/2" x 22 1/2". Best Bid

Lot 935

A LOVELY GEORGE V SILVER SHOOTING MARKER CASE the top rising to reveal eight numbered drawing sticks. Chester 1911, Maker GY & Co.

Lot 93

JOHN E BUCKLEY watercolour - two ladies drawing water on a mountain ledge, signed and dated 1852, 5.25 x 7

Lot 629

Hassall, watercolour drawing for a postcard, a souvenir from Africa,bears signature, inscribed verso.

Lot 736

A collection of twenty advertising cards for Hudson`s soap Painting lesson and eight accompanying drawing cards (28)

Lot 632

Benjamin John Ottwell D. 1937: Watercolour drawing, figures on a lane with mountain in the distance, signed and dated 1900 lower right. 16.5 by 23 cms, . Provenance of Balmoral Estates.

Lot 660

A 20c. School watercolour drawing of a figure (head only), hand-touched with acrylics, annotations lower right, 50.5 cms. x 36 cms.

Lot 2085

A Well executed original pencil drawing by John Meacham of `Castle Class Locomotion No 7037, Swindon` (artist was associate member of Guild of Railway Artists).

Lot 2171

A colourful Abstract Oil on canvas depicting the Devil in black with Demons Drawing Souls into the fires of Hell, appearing to bear the signature of Wilfredo Lam and dated 1965 and possibly is a work by this highly regarded artist. Image size 31`` x 23``.

Lot 2194

A framed Pencil Drawing of `The Admiral`s Pine` The Mount Gibraltar monogrammed L.R. 2 - XI - 34 and a print of a little girl.

Lot 231

A Chinese Export Watercolour Drawing, early 19th century, of figures in a punt on a lotus covered lake as part of a summer palace complex, black line borders, 33cm by 45.5cm overall, in a later frame

Lot 681

Jessie M. McGeehan (1872-c.1962) Mother and her Children Playing with a Toy Boat on a Beach Signed, inscribed on a later label verso, pastel drawing, 50.5cm by 65cm Provenance: Walker Gallery, Harrogate

Lot 706

Sir Stanley Spencer (1891-1959) "Christ in the Wilderness 1938; the Good Shepherd" Inscribed with the title and artist`s name verso, pencil drawing, 8.5cm by 8cm

Lot 708

Mackenzie Thorpe (b.1956) "Left Holding the Baby" Signed with the artist`s monogram, inscribed with the copyright symbol, pastel drawing, 56.5cm by 82.5cm

Lot 719

Sir William Russell Flint RA, PRWS, RSW, ROI, RE, NS (1880-1969) "The Forbidden Book" Signed, inscribed on various labels verso, red chalk drawing "sanguine", 19cm by 15cm Provenance: Frost & Reed, and Graves Gallery, Birmingham

Lot 891

A Pair of Victorian Mahogany Drawing Room Side Chairs, with pierced carved shaped backs above stuffover seats, raised upon cabriole legs

Lot 922

A Victorian Mahogany Drawing Room Armchair, the button upholstered back and stuffover seat flanked by carved scroll arms and knees, raised upon cabriole legs with scroll feet

Lot 948

A Victorian Mahogany Drawing Room Armchair, the button upholstered back above a stuffover seat, raised upon turned fluted legs

Lot 980

A Victorian Mahogany Drawing Room Armchair, the button upholstered back above stuffover seat, raised upon carved cabriole legs with scroll feet

Lot 533

THOMAS CECIL HOWITT (1889-1968) ARCHITECT RECEPTION HALL OF THE EXCHANGE BUILDINGS NOTTINGHAM drawn by Cyril Arthur Farey (1888-1954), signed by Howitt and dated 1924, also inscribed on the mount with a title and T Cecil Howitt FRIBA, DSO, Chevalier de la Legion d` Honneur Architecte Angleterre, pen, pencil, ink and watercolour, 51 x 74.cm The inscription and curious title on the mount, "The Salle des Fetes Hotel de Ville Bucharest" was added (by Howitt`s senior assistant, F E Woolley) shortly after the drawing was received from Farey, because Howitt had, through a well placed contact in the diplomatic service, been recommended to the Romanian authorities. It is not known whether, in fact, the drawing was ever sent to Romania. ++In fine condition with on the backboard Rowley Frames 140 Church Street Kensington pictorial label

Lot 558

JOHN GENDALL (1789-1865) ST MARTIN`S CHURCH AND MOL`S COFFEE HOUSE EXETER pencil and gouache, 38.5 x 58cm The focus of the present drawing of the group of buildings in the northern corner of Exeter`s historic Cathedral Close is the famous timber framed Mol`s Coffee House of 1596, said to have been frequented by Drake, Raleigh and others. It was named after the proprietor, Thomas Mol and in the 19th century was occupied by the Exeter artist and drawing master, John Gendall. Of the church of St Martin, fragments of the original building on the site, consecrated in 1065 survive in the present largely 15th century structure. Provenance: with Frank T Sabin, London.++In fine condition, mounted and framed when with the Sabin Gallery, c1960

Lot 103

Rudolf Sauter Study of a Pollard Willow, signed and inscribed Oxford 1924, chalk on paper, 37cm x 25.5cm (14.5" x 10") and another drawing by the same

Lot 375

Douglas (Bert) An autograph notebook containing instructions for a large number of tricks, illustrated with drawings, some attributed to Charles Waller or B. Carton, the remainder apparently original concepts by Bert Douglas, original cloth, [c.1930]; with two early photographs; his ink drawing with a self-portrait performing at a table; an early Christmas card; and two copies of Club Magic, 1930.(7)

Lot 487

Dame Laura Knight. Birmingham Rep study for the watercolour `Chinese Acrobats`, pencil drawing, 270 x 200mm., signed with initials, L.K., lower right, inscribed below, c.1930. ***This drawing has been authenticated by R. John Croft FCA, great-nephew of the artist, and is to be included in his forthcoming Catalogue Raisonné of her work.

Lot 12

Bryan de Grineau. Original WW2 artwork original artwork depicting a requisitioned French farmhouse, for a Daily Mail illustration during WW2, pencil drawing, 400 x 325mm., signed, inscribed and dated, France 1940, lower right, first inscribed below, inkstamp of the Field Press Censor of the British Expeditionary Force on verso. ***John Bryan de Grineau (1883-1957) served as a captain during the Second World War, and was appointed an official war artist. He was known as an architectural artist and regularly contributed to the Illustrated London News and other publications.

Lot 19

Cox (Palmer) The Barrel of Axes original pen and ink drawing,initialled in lower righthand corner, matted, n.d. [c.1890].

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