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Nikon D200 digital camera body, Nikon camera pouch, Nikon 24-120mm F315 -5.6 zoom lens, Nikon SB800 autofocus Speedlight flash unit, Nikon Picture Protect 1.6 CD-ROMs software, Nikon HB-25 lens hood, Nikon UC-E4 usb cable, Nikon MH-18a battery charger, Nikon Lion battery packs x 2, Lowe-pro Magnum 35 Camera gadget bag, Nikon NC Neutral colour filter, various instruction books
ONE BOX AND LOOSE ELECTRICAL ITEMS, to include a Bose 'Soundlink Mini' an Amazon 'Echo' 1st/2nd generation, an Amazon 'Echo' 2nd generation smart speaker, a 'Gadget' digital microscope, a boxed LG mouse scanner LSM-100, a boxed Ashton vocal microphone, all untested, etc. (s.d/a.f) (1 box + loose)
Yamaha CLP-270 Clavinova Digital Piano. In a cherry wood finish, the original upholstered stool and instruction manuals are also included along with an educational book. **Please Note: This lot is located at our Scorrier site. Viewings for this lot are by appointment only, please give our enquiries team a call on 01736 361414 to arrange an appointment.**
A collection of laser disc films and vinyl to include, Capricorn One, Independence Day, Twister, Jurassic Park, Die Hard With A Vengeance and The Rock, two sealed Dolby Digital laser disc films to include, Star Wars Trilogy - Special Edition box set and The Hunt For Red October and a collection of vinyl LP'S from the 1960's - 1970's to include, Slade Live, Michael Jackson, Motown Chartbusters, Osmonds, Elvis box set and a Sensational 70's box set.
Brownie, JVC, Fujifilm, OLympus. A mixed lot to include cameras, video cameras and binoculars to include: A Brownie 127, a boxed FujiFilm Finepix S2980, JVC GR DVX video camera, JVC digital video docking station, Olympus Trip AF S-2, Tasco and Pathescope. binoculars. Items untested and not checked for completeness. (This does not constitute a guarantee) [L]
O'Neill (Terry) Bond and Beyond, one of 1000 copies signed by Terry O'Neill, additionally signed by Honor Blackman on limitation f., black and white photographic illustrations by O'Neill, small patch of light soiling to head of title, original boards, upper cover with inset digital screen, some bumping and slight rubbing to extremities, mainly to head of spine and upper cover, folio (binding 422 x 340mm.), Ransom Publishing, 2015. *** Originally set under a glass panel inside a bespoke coffee table, created to coincide with the world premiere of the Bond film Spectre. The digital screen is fully functioning, the book accompanied by a charging cable.
Digital Boxed Track Control Equipment, comprising a Ref R8213 Hornby Select, Ref R8230 Digital Booster; a EZ Command Ref 36507 hand set, and five Lenz items (two Ref TR150, a Ref TR100, a Ref LZV200 and a LH101 hand set), plus two unboxed components of a EZ command station (9), all untested, sold as spares/repair only.
A sealed copy of Invader, a vinyl album by Andrew Sharpley, released under Test Recordings 08. Sharpley, a British composer, has a background in electronic music, and "Invader" reflects his interest in blending different genres, including ambient, experimental, and electronic music. The album draws on themes of technology, invasion, and digital culture, which are common threads in his work. The sound of "Invader" features intricate layers of synthesizers, glitchy beats, and atmospheric textures, which together evoke a sense of unease and contemplation. The title "Invader" can be interpreted in various ways, possibly referencing the idea of external forces invading a space—whether that be physical, digital, or psychological—and the ways in which technology can shape our experiences of the world. Sharpley’s work on "Invader" is noted for its cinematic quality, making it well-suited for listeners who enjoy music that engages with contemporary concerns surrounding technology, space, and the digital age. The album artwork features a striking urban nightscape with illuminated windows designed in the signature pixelated style reminiscent of the work of street artist Invader. This vinyl is an excellent addition for collectors of avant-garde music and urban-inspired album art.Artist: Andrew SharpleyIssued: 2021Dimensions: 12.5"HCountry of Origin: United StatesCondition: Age related wear.
Vibrant and dynamic mixed-media artwork with acrylic paint, diamond dust, and oil pen on canvas by internationally renowned Brazilian artist Romero Britto, titled Mother. Created in 2023, this piece showcases Britto's signature bold colors, graphic patterns, and joyful imagery, emphasizing themes of love and happiness. Featuring a stylized mother and child in a warm embrace, the composition is accentuated with gold and glitter detailing, adding texture and depth. The work incorporates acrylic paint, digital print, diamond dust, and oil pen on canvas, exemplifying Britto's signature Pop Art and Cubist-inspired aesthetic. Hand-signed by the artist in the upper left corner, the piece is accompanied by a certificate of authenticity from Britto Studios. Britto's art has been exhibited worldwide and remains highly sought after for its uplifting and contemporary appeal. Certificate of Authenticity included.Artist: Romero Britto (Brazilian, b. 1963)Issued: 2023Dimensions: 47"L x 37"HCountry of Origin: BrazilProvenance: RD/P Condition: Age related wear.
This signed and numbered limited edition digital print by Romero Britto, titled Tiffany's, is a stunning example of his signature bold lines, playful abstraction, and vibrant contemporary aesthetic. Britto, a pioneer of the Happy Art Movement, blends cubism, pop art, and graffiti-inspired elements to create visually striking compositions. This piece features a monochromatic design against a Tiffany blue background, with hand-embellished diamond dust on the lips, adding a shimmering, luxurious effect. Hand-signed by Britto in the lower right and numbered 5/90, this print is professionally framed in a sleek white frame with glass. Accompanied by a Certificate of Authenticity from Britto Studios, this collectible is a must-have for Britto enthusiasts and contemporary art collectors.Artist: Romero Britto (Brazilian, b. 1963)Issued: 2023Dimensions: 30"L x 36"HCountry of Origin: Brazil/United StatesCondition: Age related wear.
Vibrant and expressive, this limited edition digital print on canvas by celebrated Brazilian artist Romero Britto reimagines Rene Magritte's The Son of Man through the lens of Britto's signature pop art and neo-cubist style. Titled Mr. Magritte, this 2020 work captures the surrealist theme of the hidden self while infusing the composition with bold geometric patterns, swirling lines, and glittering embellishments. The apple-faced figure, clad in a vivid mosaic-like suit and hat, is surrounded by a whimsical, color-rich background featuring expressive hearts, clouds, and playful curvilinear forms. Executed in a limited edition of 100, this piece is hand-signed by the artist and numbered 34/100. Accompanied by a certificate of authenticity from Britto Studios, this work exemplifies Britto's signature visual language of joy, hope, and optimism. Romero Britto is a Brazilian artist known for his distinctive fusion of pop art, cubism, and graffiti-inspired aesthetics. Born in 1963 in Recife, Brazil, Britto displayed an early passion for art, drawing inspiration from the vibrant culture and colorful energy of his homeland. He later moved to Miami, where he gained international recognition for his bold, cheerful works that often depict themes of love, happiness, and hope. His instantly recognizable style, characterized by bright colors, dynamic patterns, and thick black outlines, has earned him worldwide acclaim, leading to collaborations with major brands, corporations, and charitable organizations. Britto's works have been exhibited in prestigious museums and galleries around the globe, and he is regarded as one of the most licensed artists in history. Through his Happy Art Movement, Britto seeks to inspire positivity and social good, reinforcing his belief that art is too important not to share.Artist: Romero Britto (Brazilian/American b. 1963)Issued: 2020Dimensions: 39.50"L x 49.50"HCountry of Origin: Brazil/United StatesCondition: Age related wear.
A striking giclee screenprint by renowned street artist and designer Tristan Eaton, known for his dynamic fusion of pop culture, comic book aesthetics, and surrealist collage. This unique version from Women of Marvel: The Portrait Collection, in partnership with the comic industry titans Marvel Entertainment. is 1 of a kind from a series of 1,500 original fine-art prints consisting of 26 original hand-painted portraits and hundreds of layered design elements, making it a unique collectible series like no other. Handcrafted by the artist over months using spray paint on canvas, pen and ink, digital design, and custom print making, Eaton then used a custom algorithmic software to create 1500 surprising and beautiful works of art. The results rendering each piece totally unique and one of a kind.This limited edition of 1500 is a reinterpretation of Marvel's X-Men imagery, featuring a fragmented female portrait seamlessly integrated with bold comic-style illustrations, vivid color blocking, and layered typography. The work captures Eaton's signature technique of juxtaposing realism with abstract design elements, paying homage to both classic comic book artistry and contemporary street art. The composition is enhanced with a torn-edge presentation, a gold embossed seal, and a PSA authentication sticker. Eaton's distinct use of textures, halftones, and high-contrast black-and-white portraiture against vibrant pop-art hues makes this a compelling collector's piece for fans of both fine art and graphic illustration. On lower left: 1/1 # 1009. Artist: Tristan Eaton (American b. 1978)Issued: 2024Dimensions: 18"L x 23"HCountry of Origin: USACondition: Age related wear.
A BROCADED SOGDIAN-REVIVAL SILK HANGING WITH AVIARY MOTIF Possibly Uzbekistan, Central Asia or Caucasus, 19th centuryThe rectangular hanging of cream-coloured silk, heavily brocaded in green and magenta silks, and gold and silver threads with supplementary wefts, the full length with a repeating motif in line with Sasanian-revival textiles produced in Sogdiana (modern-day Uzbekistan and Central Asia), featuring a haloed bird, possibly a mythical senmurv, in alternating rows within beaded roundels, interspersed with stylised floral grids, edged with woven metallic thread band, the panel a likely modern revival example harking back at models from the great past of the populations roaming along the trade routes of the Silk Road.255cm x 104cm For further reference and comparables of original 7th - 9th century Sogdian textiles: Mariachiara Gasparini, Sogdian Textiles Along the Silk Road, essay for the digital exhibition The Sogdians: Influencers on the Silk Roads at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington D.C. (last accessed: 21st March 2025). 255cm x 104cm Qty: 1
Registration No: TUW 677S Chassis No: GAGFTP03934 MOT: ExemptFinished in Onyx Green with a Black velour interiorSingle-family ownership and only 31,208 miles from newRecently recommissioned and fully servicedA rare findLaunched in March 1972, the Granada succeeded the British Ford Zephyr, and the German P7-series as Ford's European executive car offering, and completed the integration of Ford's British and German model ranges. Mechanically, the European Granada conformed to Ford convention, the initial range using the Ford Essex V4 unit in 2.0 L displacement, and the Essex V6 engine in 2.5 and 3.0 L capacities. The V4 was later replaced by the Pinto unit. The Granada was available as a four-door saloon, a five-door estate, and a two-door fastback coupé. The model soon became popular for private hire, fleet, and police use. It was also converted into limousine and hearse versions by the British companies Coleman Milne and Woodall Nicholson. In 1973, Ford introduced an upmarket Ghia model, with a unique grille. This would be joined for 1974 by a Coupe - for the UK, this would be a Ghia-only model, but in mainland Europe it would be available across all specifications.The MkI Granada Ghia essentially offered one package. Metallic paint was standard, with Black paint a special order. An array of vinyl roof colours were available to complement a customer's paint choice along with the Ghia's velour upholstery. The Ghia trim also included a tachometer, oil pressure and ammeter gauges, dual horns, leather covered steering wheel, a rear centre armrest, inertia reel seatbelts, tinted glass, halogen headlights, a digital clock in a centre console, a push button radio with twin speakers, a manual tilt sunshine roof, a manual remote adjust driver's door mirror wood veneer surfaces and cappings and a cloth headliner. Early MkI Ghias came with steel hubcaps similar to normal cars but colour matched to the car, but from 1976 facelift cars came with Ronal alloy wheels. 3.0 litre Ghia models received power steering as as standard.Offered here is a facelifted 1977 Granada in Ghia trim and with an automatic transmission that was first registered on 1st August 1977. The envy of the company car park in the 1970s, wearing a distinctive grille, finished in Onyx Green with a Black velour interior it is in fantastic original condition, in fact we have never seen better. A rare site on the roads today, this beautiful example is theoretically a one owner car, the two owners on the V5 attest to the ownership of the Ghia moving to a very close family member following a bereavement. The Ghia has been the subject of a speedo change that is documented from 2010 and at 26,563 miles, with the current mileage displayed as 4,645, equating to a total of 31,208 miles. Recently recommissioned, 'TUW' has been fully serviced, the power steering rack has been fully overhauled and it has undergone a full health check and deemed 'ready for it next custodian'. For more information, please contact: James McWilliam james.mcwilliam@handh.co.uk 07943 584760
Registration No: C18 SCB Chassis No: SCC085912LHD13657 MOT: March 2026Just 54,682 recorded miles1 of just 1,562 Lotus Esprit (X180) cars understood to have been made from 1987-1991Extensive maintenance work carried out at 53,780 milesOwned by a discerning collector and always garagedDesirable and collectable modern Lotus PLEASE NOTE: the odometer on this lot has recently stopped working, the vendor has documented the exact mileage covered and is also supplying a digital speedometer with the car and he informs us its an inexpensive repair.Revamped for 1987, the Esprit was restyled by Peter Stevens (later of McLaren F1 fame) who gave the model a more rounded, softer look, coincident with which Lotus introduced a new, more automated body manufacture process called VARI (Vacuum Assisted Resin Injection). Complete with Kevlar reinforcement to the roof and sides, this made the new model (codenamed X180) twenty-two percent stiffer than its predecessor. Underneath little had changed, the two-seater being based on a galvanised steel backbone chassis powered by the company's four-cylinder 2174cc engine that offered 172bhp in normally aspirated form. The unit was mated to a five-speed manual gearbox. Suspension was fully independent by wishbones and coil springs at the front and unequal length transverse links, radius arms and coil springs at the rear. Braking was by discs all round and steering by rack and pinion. The normally aspirated cars could be readily distinguished from the Turbo examples by the lack of a glass shield between the flying buttresses. The manufacturer's quoted performance figures were in line with expectations, 0-60mph coming up in 6.5 seconds and 138mph being achievable flat out. First registered to White Dove Garages of Cardiff as ‘WDG 75’ on 28th June 1990, this rare, normally aspirated X180 Esprit was part of a private collection belonging to a dear friend of the vendor for many years. Accompanying paperwork includes a stamped service book and numerous invoices which attest to prior maintenance by Lotus dealers and marque specialists. As well as servicing, the two-seater has had past attention paid to its engine belts, gearbox, brakes and coolant system. Inside, the Esprit has previously benefitted from the smartening of its seats, dash pod, steering wheel, carpets and door cards. The headliner was retrimmed and the window channel rubbers, door seals, and sunroof seal renewed. A new gearstick decal and new Lotus Esprit badges to the original spec were fitted too. Said to have 'been garaged and never taken out in the rain', a lack of use has prompted the vendor's wish for someone else to enjoy driving the Lotus. Showing less than 55,000 miles to its odometer, ‘C18 SCB’ is offered for sale with V5C Registration Document, MOT certificate valid until March 2026 and the aforementioned history. For more information, please contact: Baljit Atwal baljit.atwal@handh.co.uk 07943 584762
Registration No: APL114H Chassis No: 4E66C297094Peter Knight Racing V8 engineHTP FIA Appendix K papers until 2026All metalwork was subject of a "bare metal" restorationFIA-approved fuel storage and a plumbed-in FIA-approved fire extinguisherFIA-legal ventilated front disc brakes with 4-pot callipersAmong the most dramatic race cars to ever take the chequered flag, Ford Galaxies have been thrilling drivers and spectators alike since the 1960s when Holman & Moody prepared examples ruled NASCAR. More recently the full-sized Ford has been a consistent crowd pleaser and winner at the Goodwood Revival.Granted a FIA Historic Technical Passport in 2016 which remains valid until next year, ‘APL 114H’ boasts an impressive (and expensive) specification. The steel bodywork was treated to a ‘bare metal’ restoration and is augmented with GRP boot, bonnet, doors, front wings and bumpers. Designed, fabricated and installed by Harry Hockley using T45 to FIA requirements, the roll cage dominates a ‘bare bones’ interior which also features race seats, associated harnesses and Stack digital instruments. Built by Peter Knight Racing, the 427ci (7-litre) V8 engine sports ‘Police Interceptor’ heads with big valves and breathes via a Tony Law manifold. Developing an estimated c.517bhp, it is allied to a ‘Super T10’ gearbox. The rear axle was (a) fitted with a new 3.5:1 ‘locker’ differential and racing half shafts and (b) altered to permit speedier tyre changes. The propshaft was renewed and the suspension uprated with stiffer springs, nylon bushes and adjustable dampers. A FIA-compliant fuel cell and plumbed-in fire extinguisher were added. The upgraded braking system comprises ventilated discs gripped by 4-pot callipers at the front and drums with ventilated backplates and competition linings to the rear. The front windscreen is laminated glass with all other windows utilising 4mm polycarbonate. This very exciting lightweight proposition has been in storage of late. As such, the vendor is unsure whether the fire extinguisher, seats and belts are still in date. Offered for sale at a fraction of its build cost, moulds for the Ford’s lightweight panels plus a set of spare wheels will be made available for collection. For more information, please contact: James McWilliam james.mcwilliam@handh.co.uk 07943 584760

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25748 item(s)/page