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Richard Dean: a stoneware jug with carved decoration, 10" high, and five other studio jugs

§ WILLIAM CROSBIE R.S.A. (SCOTTISH 1915-1999) A PRIOR'S DEAN, HAMPSHIRE Signed and dated LXXXI lower right, oil on board(37cm x 64cm (14.5in x 25.25in))

MAX LUDBY; watercolour, 'Great Marlow from Quarry Woods', signed and dated lower left and titled verso, 51.5 x 73.5cm, framed and glazed.Additional InformationThe watercolour with some foxing spots here and there and perhaps a little browning. The frame with general age wear at corners and some light chips and cracks. The name plate to the bottom is dated 1882 and has an alternative title ;The Village Cookham Dean'.

Carrying case of single records and EP's including Tommy Tucker, Fats Domino, Buddy Holly, Casillacs, Chimes, Jan and Dean, Jimmy Justice, Eddie Cochran, Bo Diddley, Bill Haley and Marty Wilde together with singles on the Brunswick label in red carrying case, approx. 90 discs in total, conditions vary from good to ex.

° Britannia: Or A Chorographical Description Of Great Britain And Ireland, Together with the Adjacent Islands. Written in Latin By William Camden, Clarenceux, King at Arms: And Translated into English, with Additions and Improvements. The Second Edition. Revised, Digested, and Published, with large Additions, By Edmund Gibson, D. D. Rector of Lambeth; and now Bishop of Lincoln, and Dean of His Majesty's Chapel-Royal. Vol. I.worm damage

BOX OF VARIOUS RECORDS INCLUDING DUDLEY MOORE, DEAN MARTIN, CARPENTERS ETC

Four vintage assorted measuring tapes - Chesterman, Dean Bedington, Rabone Chesterman

Framed James Dean poster with working LED lights. Size: 97 x 67 cm. Condition: Very good.

Framed Hollywood Side Show poster with lights. Artwork by Michael Grant. Showing actors like Michael Jackson, James Dean, Humphrey Bogart. Size: 97 x 67 cm. Condition: Very good.

A framed print of the Forest of Dean Dancing Bear - 39 x 49cm, enlarged from a postcard

GROUP OF POSTER PRINTS, including James Dean, Marilyn Monroe and Laurel and Hardy

BOLTON WANDERERS 1956 / AUTOGRAPHS Home programme v Sunderland 5/9/1956 signed on the front cover by 20 Bolton players including Lofthouse, Barrass, Banks, Stevens, Holden, Allcock, Edwards, Hennin, Hopkinson, Dean, Gubbins, Bell and Parry. Good

George Blacklock Abraxas, 2021 Acrylic on Paper Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) George Blacklock (b1952) was born in County Durham, England and studied at Sunderland Polytechnic for one year before going on to study painting at Stourbridge College of Art in the early seventies. He graduated from his Masters at Reading University in 1976. George has exhibited extensively in Europe and North America throughout his career and has been represented by Flowers since 1996. He has received awards from the Welsh Arts Council, the Greater London Arts Association and was a prize winner at the John Moores contemporary painting competition in the nineties. George Blacklock has work in major public collections including the Arts Council of Great Britain. The British painter has also been the Dean of Chelsea College of Art and Design, London since 2011. "A lot of my paintings have shapes and gestures that converse, or are compromised, or can be seen to co-exist, or dominate, or retreat, or expand, or to re-iterate, in other words exist in a visual narrative. This narrative is complex both in formal terms and in its associations and metaphors. I often equate my abstract forms to the metaphysical realms of religious art. I value 'touch' as an expressive function of painting as well as a major contribution to non-linguistic, non-linear narrative." Despite the abstract output of the artist's work, Blacklock doesn't see himself completely as an abstract painter. By looking closely at the curvilinear shapes that dominate his paintings, we could almost interpret these as narratives for the complex relationships that exist in his main source of inspiration: life. Not only a painter but a musician and art teacher too, George Blacklock finds his inspiration in various fields such as music, religion or simply in the observation of his peers from the Renaissance to Willem de Kooning. In 2015 Colour and Abstraction was published, in which Blacklock has comprehensively described his methods and reasoning, relating his work to the tradition of abstract painting. In 2016 George Blacklock collaborated with Gary Oldman on a two-person exhibition of paintings and photographs, exploring the mutual creative threads connecting their distinct artistic practices, following on from their joint exhibition at the Museo De Las Artes, Guadalajara.    

George Blacklock Apparition, 2021 Acrylic on Paper Signed on front and verso 10 x 15cm (3¾ x 5¾ in.) George Blacklock (b1952) was born in County Durham, England and studied at Sunderland Polytechnic for one year before going on to study painting at Stourbridge College of Art in the early seventies. He graduated from his Masters at Reading University in 1976. George has exhibited extensively in Europe and North America throughout his career and has been represented by Flowers since 1996. He has received awards from the Welsh Arts Council, the Greater London Arts Association and was a prize winner at the John Moores contemporary painting competition in the nineties. George Blacklock has work in major public collections including the Arts Council of Great Britain. The British painter has also been the Dean of Chelsea College of Art and Design, London since 2011. "A lot of my paintings have shapes and gestures that converse, or are compromised, or can be seen to co-exist, or dominate, or retreat, or expand, or to re-iterate, in other words exist in a visual narrative. This narrative is complex both in formal terms and in its associations and metaphors. I often equate my abstract forms to the metaphysical realms of religious art. I value 'touch' as an expressive function of painting as well as a major contribution to non-linguistic, non-linear narrative." Despite the abstract output of the artist's work, Blacklock doesn't see himself completely as an abstract painter. By looking closely at the curvilinear shapes that dominate his paintings, we could almost interpret these as narratives for the complex relationships that exist in his main source of inspiration: life. Not only a painter but a musician and art teacher too, George Blacklock finds his inspiration in various fields such as music, religion or simply in the observation of his peers from the Renaissance to Willem de Kooning. In 2015 Colour and Abstraction was published, in which Blacklock has comprehensively described his methods and reasoning, relating his work to the tradition of abstract painting. In 2016 George Blacklock collaborated with Gary Oldman on a two-person exhibition of paintings and photographs, exploring the mutual creative threads connecting their distinct artistic practices, following on from their joint exhibition at the Museo De Las Artes, Guadalajara.  

NO RESERVE Jonson (Ben) The Workes..., [vol.1 only (of 3)], 2 parts in 1 vol., engraved portrait by Robert Vaughan and architectural title by William Hole, woodcut head-pieces and initials, portrait and title soiled and rather crudely partly coloured with red crayon, both laid down (portrait trimmed, title torn and missing small portion from lower margin), damp-stained causing fraying to fore-margins (most leaves reinforced), some spotting towards end, ex-library copy with a few ink stamps, modern calf ruled in blind, new endpapers preserving engraved armorial bookplate of George Stanhope D.D., Dean of Canterbury, [Greg 1073; STC 14753], folio, Richard Bishop [and Robert Young], and are to be sold by Andrew Crooke, 1640; sold not subject to return⁂ The first volume of Jonson's works, first published in 1616; the second and third volumes followed later in 1641.

Regency Dance.- Music.- Campbell (William ) Campbell's eighth collection, of the newest & most favorite country dances and reels : for the violin, harp, harpsichord or Gern. flute, with their proper figures, as dance'd at Court, Carleton House, Bath, & all public assemblys, Printed & sold by Wm. Campbell, No. 8 Dean Street Soho, [c.1795] bound after Agus (Giuseppe) A second book of opera dances for 1776, including the favourite ballet La fete du village, as danced at the Kings Theatre in the Haymarket, by Monsr. & Madame Vallouis, first page left blank by printer, Printed & sold by Welcker, [c.1776] and Millico (Giuseppe) A third sett of six canzonets, with an accompanyment for the pedal or small harp, forte piano, or harpsichord...humbly dedicated to Lady Clarges, first page left blank by printer, Longman & Broderip, [1786], together 3 works in 1 vol., engraved throughout, trimmed at head, affecting pagination mostly in last work, some spotting and staining, lightly browned, upper joint split, contemporary limp mottled calf, worn, oblong small 4to ⁂ All rare with Library Hub recording one copy (NLS) of the first mentioned and two copies for each of the other two (BL and Oxford). Campbell was active at Dean Street c.1793- c.1803.

Planetron VX-10 Eight Track Stereo Cassette & Radio Player by Jones, in cream 'egg' shape, with four boxes of 8 track cassettes comprising easy listening music including Andy Williams, Tony Bennett, Neil Diamond, Glen Campbell, etc. Along with A Collection of Cassettes ( 4 Cases ) to Include The Best of the Seekers, David Essex, Andy Williams, Judy Collins, Tony Bennett, Neil Diamond, Dean Martin, Glen Campbell, Frank Sinatra, Elvis Presley etc. Together with a Panasonic digital clock radio with alarm facility, in a ball shaped cream case.

Royal Crown Derby small vase: Hand painted with war ships and yachts by J E Dean, height 9.75cm.

Yellow metal brooch with portrait of a terrier by J E Dean, tested to be 15ct gold,11.1g. J E Dean was a Minton artist from 1882-1925.

Eighteen mixed LPs, artists to include: Queen; The Police; Kershaw; Dean Friedman; Bellamy Brothers; Kiki Dee; Airwaves; Rita Coolidge; Cliff Richard; and others. (18)

A George III mourning ring, the broad band ring with a white enamelled band and black enamelled borders inscribed John. Jackson. Died 18. Apr. 1801. Aged 19 Years., London 1801 hallmark, maker's mark BS, finger size M 1/2, 5g grossOn a stone wall panel in St Bride's Church, Fleet Street, London, is the following inscription: In the Vault of this Church are deposited theremains of JOSEPH JACKSON of HattonGarden, Gent. who died on the 9th day ofAugust 1799, Aged 62 years Also ofSARAH JACKSON his wife, who died on the23rd day of January 1832 Aged 77 years.Also of JOHN JACKSON, third son of theabove Joseph and Sarah who died onthe 18th day of April 1801 Aged 19 years.Also of JOSEPH JACKSON Second Son of the above Josephand Sarah who died on the 30th day of August 1817Aged 37 years Also of LYDIA JACKSON who died on the7th day of December 1810 Aged 23 years The Belovedwife of James Edward Jackson, M.A., Dean of Armagh,Eldest and only surviving child of the above Joseph andSarah Jackson, who places this Tablet in memory ofthose whom he held most dear in this life Trusting,thro' Christ, to be re-united to them in that whichis to come. In the same Vault also lieth the bodyof the above, Very Reverend James Edward Jackson,M.A., Dean and Rector of Armagh, who died atParis, August 19th 1841 in the 64th year of his age.Condition Report: On a stone wall panel in St Bride's Church, Fleet Street, London is the following inscription: In the Vault of this Church are deposited theremains of JOSEPH JACKSON of HattonGarden, Gent. who died on the 9th day ofAugust 1799, Aged 62 years Also ofSARAH JACKSON his wife, who died on the23rd day of January 1832 Aged 77 years.Also of JOHN JACKSON, third son of theabove Joseph and Sarah who died onthe 18th day of April 1801 Aged 19 years.Also of JOSEPH JACKSON Second Son of the above Josephand Sarah who died on the 30th day of August 1817Aged 37 years Also of LYDIA JACKSON who died on the7th day of December 1810 Aged 23 years The Belovedwife of James Edward Jackson, M.A., Dean of Armagh,Eldest and only surviving child of the above Joseph andSarah Jackson, who places this Tablet in memory ofthose whom he held most dear in this life Trusting,thro' Christ, to be re-united to them in that whichis to come. In the same Vault also lieth the bodyof the above, Very Reverend James Edward Jackson,M.A., Dean and Rector of Armagh, who died atParis, August 19th 1841 in the 64th year of his age.Condition Report Disclaimer

A pair of Royal Crown Derby fluted plates, 1930's, painted by W E J Dean, one signed, with a Derbyshire landscape, 22.5 diam, printed mark, painted title TISSINGTON SPIRES DOVEDALE or LOVER'S LEAP BUXTON

Antique advertising bottles including Godsells Brewery Stroud, Halley Slough, Haywards Embryonic for Horses, Jacksons Burton on Trent, Bishop's Granular Citrate for Gout, Dean and Co Newport, poison bottle etc 

Two vintage roller maps for Bishops Castle / Kidderminster and Gloucester, Forest of Dean, River Severn and Estuary, Bristol etc, width approximately 155cm

A collection of drumsticks including Cozy Powell and Dean Markley branded examples and a pair signed by Lee Kerslake of Uriah Heep

Howard Dean Signed 10x8 Colour Photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Dean Cain signed 10x8 Superman colour photo. Dean George Cain (ne Tanaka; born July 31, 1966) is an American actor, producer, television presenter and former football player. He is best known for playing the role of Clark Kent/Superman in the TV series Lois and Clark: The New Adventures of Superman. Cain was the host of Ripley's Believe It or Not! and appeared in the sports drama series Hit the Floor. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Three leaves from a finely illuminated English Sacramentary, Use of Sarum, in Latin, decorated manuscript on parchment [England, c. 1220] Three single leaves, each with at least one single slender gold initial with coloured penwork picking out acanthus leaves in its infill and surround, smaller initial variegated in red and green with similar penwork, or simple red or green with contrasting penwork (some with baubles mounted within the thinnest parts of their strokes), red rubrics, important text ruled through in red, capitals touched in red, single column of 16 lines of a formal and visually appealing English early gothic hand, written above top line, one leaf (that numbered 'I') cut down at margins (most notable at top and inner with losses to edges of initials there), small flaking from gold in places, some cockling and small spots and stains, else good condition and on fine and supple parchment, complete leaves: 330 by 220mm., the cut down leaf: 300 by 200mm. Provenance:1. Written, decorated and finely illuminated in England in the early thirteenth century, doubtless for an important individual or ecclesiastical institution.2. Apparently already fragmentary by the early twentieth century: these three leaves most probably in a German collection together at that date (acquired in two batches in Germany over a decade apart, but with 'I', 'II' and 'III' at their upper outer corners in single hand of that date). Two further leaves appeared in Quaritch, cat. 1147, Bookhands of the Middle Ages V (1991), no. 55 (one marked up 'IV' in same hand: see photograph there).3. First two leaves here acquired in German trade in 2007 (leaves numbered 'II' and 'III'), the third in Hargesheimer Kunstauktionen, Düsseldorf, 19 September 2018, lot 2855 (numbered 'I'). Text:From an opulent Sarum Sacramentary, the precursor to the expanded Missal. These leaves containing Votive Masses from the Common of Saints followed by Votive Masses for the days of the week. Those in Quaritch were identified as probably for the week of Ash Wednesday, and the present leaves include part of masses for Monday, Tuesday, Wednesday and Thursday, and prayers for the Common of the Vigil of Many Martyrs, a Confessor, Many Confessors, and for Many Virgins. Only one Sarum Sacramentary was recorded by W.H. Frere (also thirteenth-century and modified for Exeter: Dean and Chapter Library, Exeter, MS 3510: see Bibliotheca Musico-Liturgica: A Descriptive Hand List of the Musical and Latin-Liturgical MSS., 1932, II:12, no. 597).

Leaf from a gargantuan copy of Petrus Comestor, Historia Scholastica, in Latin, decorated manuscript on parchment [Switzerland (perhaps Gams), or Germany, fourteenth century] Single very large leaf, with double column of 30 lines in a tall gothic bookhand (with text for I Maccabees 1, on Alexander the Great and Ptolomy I Sotor), with notable lateral compression, capitals touched in red, bright red rubrics, running titles in red or blue capitals at head of each page, three initials in red or blue with ornate contrasting penwork decoration, this reaching far into margins, prickings for lines visible at outer edge and thus leaf not cut down, some folds with these causing discolouration on verso, a few small holes, somewhat cockled overall, spots and stains, else in fair and presentable condition with wide and clean margins, 435 by 338mm. Provenance:1. The parent codex was most probably written for lectern reading in an ecclesiastical centre, in the fourteenth century. Inscriptions on its verso record that it was reused in 1567 as the binding of a 'Registrum frumentorum', an account of revenues (lit. 'of wheat'), for an Antonius Freissen, who is named as a 'Canonico Commissenis(?)', perhaps indicating Comesianorum conventus, a name recorded for Gams, Switzerland.2. This leaf acquired from a European private collector in 2018. Text:Petrus Comestor (d. 1178) studied at Troyes Cathedral School, where he may have come into contact with the grand scholar Peter Abelard, before travelling to Paris to study there under the celebrated theologian, Peter Lombard. He returned to Troyes as its dean in 1147 and served as the chancellor of Notre Dame from 1168. His teaching was acclaimed in his own time, and his Historia Scholastica carried on his fame after his death. It is a study of early Biblical history from the Creation to the Ascension, supplementing the narrative of the Bible with the works of Church Fathers and other sources. It was completed by 1173.

A REGENCY EBONISED AND PARCEL GILT OCCASIONAL TABLE EARLY 19TH CENTURY the octagonal mottled marble top with a gilt brass pierced Gothic style gallery, on a lappet carved stem and triform base, with ribbed scroll feet 71.5cm high, 49cm wide Provenance Christie's, The Edwards James Collection, West Dean Park, 2nd, 3rd and 6th June 1986, lot 393.

An Art Nouveau earthenware vase signed R. Dean, probably Thomas Forester, with tube lined and incised decoration of water lilies on a dark brown glazed ground, incised signature, the base with moulded number 5077 and incised No. 122, 22.5cms high.

AFC Bournemouth - Dean Court, Made circa 1986 by John Le Maitre using traditional modelling techniques and materials including cork and hardboard with a felt pitch. All the models featured on Blue peter on the 8th May 1986 and provide a unique snapshot of how the English football league grounds looked during the 1980’s. 38 of the 93 grounds featured are no longer in existance. Condition: Good. Base size approximately 45 x 38cm.

Wedgwood Blue and White Rectangular Dish, XIX Century peacock plate, rose painted plate by T. Dean etc:- One Tray.

American Muscle - James Dean 1949 Mercury Coupe from Rebel Without A Cause in 1:18 scale. The car appears Mint and the box is Very Good with only light storage marks.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Rebel without a cause (James Dean). 1985.Farbserigrafie. 131/190. Unten rechts mit Bleistift signiert: Andy Warhol. Verso mit dem Copyright-Stempel: © ANDY WARHOL 1984, sowie dem Stempel: This interpretation created and copyrighted by Andy Warhol is derived from an original version of a JAMES DEAN poster copyrighted by Warner Bros., Inc. Blattmass 96,5 × 96,5 cm auf Lenox Museum Board. Erschienen bei Ronald Feldman Fine Arts, New York (mit dem Blindstempel, sowie verso mit dem Stempel). Gedruckt bei Rupert Jasen Smith, New York (mit dem Blindstempel).Aus dem 10-teiligen Portfolio "Ads"."He is not our hero because he was perfect, but because he perfectly represented the damaged but beautiful soul of our time." Andy WarholProvenienz:- Barrington Gallery of London, New York.- Bei obiger Galerie 1998 vom heutigen Besitzer erworben, seitdem Privatsammlung Schweiz.Werkverzeichnis: Feldman/Schellmann, Nr. II.355.

O'BRIAN (PATRICK), AUBREY-MATHURIN, SET OF 20 VOLUMES,, Folio Society, 2008 - 2013, all with blue card cases; and KING (DEAN), A Sea of Words, Henry Holt & Co., New York, 1995

Two boxed OO gauge locomotives to include Mainline 54156 2301 Class (Dean Goods) 0-6-0 Locomotive GWR green and Lima 205120MWG2-6-0 loco with tender plus Lima Western Gladiator, Lima 2-6-2 GWR loco and Hornby 0-6-0 BR in green livery (5 items)

An ash and beech smokers bow armchair, stamped Drake & Dean 1940, M8' with ministry crows foot, height 77.5cm, width 68cm.

Christian Slater signed 10x8 colour photo. Christian Michael Leonard Slater (born August 18, 1969) is an American actor and producer. He made his film debut with a leading role in The Legend of Billie Jean (1985) and gained wider recognition for his breakthrough role as Jason "J. D. " Dean, a sociopathic high school student, in the satire Heathers (1989). He has received critical acclaim for his title-role in the USA Network television series Mr. Robot (2015-2019), for which he earned the Golden Globe Award for Best Supporting Actor - Series, Miniseries or Television Film in 2016, with additional nominations in 2017 and 2018. Good condition Est.

Walter Richard Sickert A.R.A. (British, 1860-1942)Rue de la Boucherie with St Jacques signed, inscribed and dated 'To Dot Middleton/W. Sickert - 1900' (lower left); further inscribed 'Dieppe' (lower right)oil on canvas45.5 x 56 cm. (18 x 22 in.)Footnotes:ProvenanceThe Artist, by whom gifted to Dorothy (Dot) Middleton, thence by family descentPrivate Collection, U.K.This previously unpublished Sickert oil dating from 1900, depicting Rue de la Boucherie with St Jacques in Dieppe, is one of eight known similar compositions the artist painted in oils between 1900 and circa 1907. It relates most closely to the circa 1902 canvas bearing the same title, which was exhibited at Pallant House Gallery's Sickert in Dieppe exhibition during 2015 (cat.no.37). These two versions are the only ones without the young trees included in the foreground, which prior to this newly discovered painting Wendy Baron suggested was 'circumstantial evidence' of the early date for the known oil. The present lot is rare in that it is dated by Sickert and therefore proves Baron's supposition is correct. Inscribed 'To Dot Middleton' (lower left) this picture can safely be assumed as the first example from the series. The oil on panel which belonged to the Dean of York was bequeathed to York Art Gallery in 1963.The motivation for Sickert leaving London and settling permanently in Dieppe during 1898 was the painful separation from his wife, Ellen. Letters from the artist at the time suggest it also invigorated his creativity and presented ample opportunity to explore new subject matter; by which he meant landscapes as opposed to predominantly portraiture. Between 1898 and 1905 Sickert obsessively recorded the town, both its landmarks as well as the ordinary streets. The Gothic structure of St Jacques received much attention, with a fine example dating from circa 1899-1900 now in the collection of Whitworth Art Gallery, University of Manchester. Although, as Katy Norris remarks in her Pallant House Gallery catalogue, 'He also represented the colourful little houses on the Rue de la Boucherie behind an open space, which is bordered on the left by the north elevation of St Jacques.' (Katy Norris, Sickert in Dieppe, Pallant House Gallery, Chichester, 2015, p.53).The same year as Sickert painted Rue de la Boucherie with St Jacques (1900), a solo exhibition of his work was presented at the legendry Parisian dealer, Durand-Ruel's gallery in Auteuil, alongside an exhibition of Monet's Water-Lilies series.For further information on this lot please visit Bonhams.com

Ⓦ A RARE 18 BORE OVER-AND-UNDER FLINTLOCK OFFICER'S PISTOL WITH SHOULDER STOCK BY TATHAM AND EGG^ NO. 1009^ CIRCA 1810^ INSCRIBED TO BRIGADIER SIR DENIS PACK^ K.C.B. (1772-1823)¦with browned twist octagonal barrels^ the upper rifled with eight grooves^ (fore-sight missing)^ fitted on the right with sliding bayonet and on the left with iron ramrod with pineapple chequered finial^ the breeches with platinum lines and platinum-lined barrelsmith~s stamp^ the lower breech rounded^ engraved breech tang decorated with border ornament and a Brittania trophy^ signed stepped locks engraved with bouquets on the tails^ fitted with ~French~ cocks^ semi-rainproof pans and bolt safeties (mechanisms worn)^ the left steel spring with roller and the right humped^ chequered angular butt with shoulder stock escutcheon^ the pommel encircled by an engraved iron band^ inlaid with a central oval inscribed ~Tatham & Egg Improvement 1009~^ engraved spurred trigger-guard^ and silver escutcheon engraved ~Denis Pack~ (the iron parts with areas of pitting)^ complete with skeleton shoulder stock engraved ~Tatham & Egg^ London~ on the top and with spring catch operated by a lever beneath: in mahogany case^ perhaps the original^ relined in green baize^ the lid with brass escutcheon on the outside engraved ~Brigadier Denis Pack~^ and complete with bullet mould and powder-flask¦20.0 cm; 7 7/8 in barrels¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection¦¦Sir Denis Pack (c. 1772-1823) was appointed cornet in the 14th light dragoons on 30 November 1791 and served with a squadron that formed the advance guard of Lord Moira~s force in Flanders in 1794. Pack volunteered to carry an important dispatch into Nieuwpoort and had much difficulty in escaping when the French invested it. Later he was engaged at Boxtel and in the winter retreat to Bremen. Following that retreat the 14th squadron was transferred to the 8th light dragoons after being attached to it. When Pack came home he obtained his lieutenancy in the 14th on 12 March 1795. He commanded a small party of dragoons in the Quiberon expedition^ and in this period did duty for some months as a field-officer on Isle Dieu. He received his troop in the 5th dragoon guards on 27 February 1796^ and while serving with them in Ireland in 1798 he led a patrol near Prosperous against a party of rebels^ who lost twenty men and eight horses.¦¦Pack commanded the escort which conducted General Humbert and other French officers to Dublin after their surrender at Ballinamuck. On 25 August 1798 he was promoted major in the 4th Royal Irish dragoon guards and on 6 December 1800 he was appointed lieutenant-colonel in the 71st highlanders. He commanded the 71st at the recapture of the Cape of Good Hope in 1806^ where he was wounded at the landing in Lospard~s Bay. During the ill-fated operation in South America in 1806-7 he was taken prisoner^ but he managed to escape. He then commanded the light troops of the army in two successful actions against the enemy and in Whitelocke~s disastrous attack on Buenos Aires^ in which he received three wounds.¦¦In 1808 the 71st was ordered to Portugal^ and he commanded it at the battles of Roliça and Vimeiro. He marched with Sir John Moore~s army into Spain and in the retreat to Corunna. After returning to England he took part in the Walcheren expedition in 1809^ in which he bravely stormed one of the enemy~s batteries during the siege of Flushing. He became aide-de-camp to the king with the rank of colonel on 25 July 1810. He was then appointed with local rank to a Portuguese brigade under Marshal Beresford and commanded it at Busaco in 1810^ and in front of Almeida in May 1811. When the French garrison escaped Pack pursued them to Barba del Puerco^ and upon orders of Sir Brent Spencer blew up the defences of Almeida. At the capture of Ciudad Rodrigo^ Pack^ who had been appointed a British brigadier-general^ led his Portuguese brigade to make a feint attack on the outwork of the Santiago gate^ which was converted into a real attack.¦¦Pack distinguished himself at the battle of Salamanca and was honourably mentioned for his services in the operations against Burgos. He became a major-general on 4 June 1813 and was present with his brigade at Vitoria. Wellington placed him in temporary command of the 6th division in the Pyrenées^ and he was wounded again at Soraven. He commanded a division at the battles of Nivelle^ the Nive^ Orthez^ and Toulouse^ where he received yet another wound and was honourably mentioned. For his Peninsular services^ in which he was eight times wounded^ he received the Peninsular gold cross and seven clasps. He was offered a brigade in the expedition to America but instead was appointed to command at Ramsgate. He was made KCB on 2 January 1815.¦¦In June 1815 Pack commanded a brigade of Picton~s division at Quatre-Bras and Waterloo^ where he was again wounded. That was his last foreign service. He married^ on 10 July 1816^ Lady Elizabeth Louisa Beresford (d. Jan 1856)^ fourth daughter of the second earl of Waterford^ and sister of the first marquess. Pack held the orders of the Tower and Sword in Portugal^ Maria Theresa in Austria^ and St Vladimir in Russia. He was appointed colonel of the York chasseurs in 1816^ lieutenant-governor of Plymouth on 12 August 1819^ and colonel of the 84th foot on 9 September 1822. Pack died at Lord Beresford~s house in Upper Wimpole Street^ London^ on 24 July 1823. In 1828 his widow erected a monument to him^ surmounted by a marble bust by Chantrey^ in the cathedral church of St Canice^ Kilkenny^ of which his father had been dean. (Taken from the Oxford Dictionary of National Biography^ accessed 29th March 2021.)¦¦Joseph Egg and Henry Tatham were in partnership circa 1801-14.

Ⓦ A SKIRT IN THE WESTERN EUROPEAN LATE 15TH CENTURY STYLE^ 19TH CENTURY¦formed of four upward-lapping medially-ridged lames of old metal^ each rising to a cusp at its centre and at each side^ the lowest lame drawn-out to a short pucker^ articulated with small flower-headed domed brass rivets^ fitted with four leather straps retained by fluted copper washers for suspending a pair of tassets and a further small strap at each side for the culet¦16.5 cm; 6 1/2 in high¦¦Part proceeds to benefit The Wallace Collection¦¦Provenance¦Bashford Dean^ New York ¦French & Co.^ Inc.¦

Ⓦ A PAIR OF TASSETS IN THE WESTERN EUROPEAN LATE 15TH CENTURY STYLE¦each formed of a single pendant scutiform plate^ embossed with a large M-shaped design incorporating a medial ridge^ cut away in a gentle curve at the inner edge and fitted with a pair of buckles for suspension¦26.8 cm; 10 1/2 in high¦(2)¦¦Part proceeds to benefit The Wallace Collection¦¦Provenance¦Bashford Dean^ New York ¦French & Co.^ Inc.

‡Ⓦ A FINE PAIR OF 16 BORE DUTCH FLINTLOCK HOLSTER PISTOLS BY BAREND PENTERMAN A UTRECHT^ CIRCA 1720¦with tapering barrels formed in three stages^ brass fore-sights enclosed by an engraved frame^ the median borders with a pair of raised bands framing a gilt panel top and bottom^ the former with an additional band of silver dentil and with a central band of silver pellets^ the breeches chiselled with scrolls on a gilt fishroe ground and signed on a silver band above^ the undersides faceted and struck with a small crowned heart mark^ engraved tangs decorated with classical profiles and border ornament^ stepped bevelled locks^ chiselled and engraved with foliage beneath the pans^ signed on the tails and encrusted with brass festoons^ fitted with faceted pans^ engraved steels and chiselled cocks^ the latter encrusted with brass scrolls issuant with profile masks^ highly figured full stocks (the fore-ends repaired ahead of the forward ramrod-pipe^ small filled repairs)^ carved with elaborate foliage and monsterhead scrolls about the rear ramrod-pipes and about the tangs^ steel mounts chiselled with foliage and enriched with encrusted brass^ comprising openwork side-plates involving issuant masks and a central brass portrait profiles^ spurred pommels encircled with brass foliage and fitted with demon mask caps^ trigger-guards with acanthus terminals and with brass masks on the bows^ a pair of ramrod-pips^ and vacant silver escutcheons^ and wooden ramrods^ one perhaps the original (the steel parts with small areas of light pitting)¦30.5 cm; 12 in barrels¦(2)¦¦Part proceeds to benefit The Wallace Collection¦¦Provenance¦Henk Visser (1923-2006)^ inv. nos. HV1044^ 1045 ¦Thence by descent¦¦Literature¦G. de Vries and B. J. Martens^ Arms of the Netherlands in the Collection of H. L. Visser^ volume I^ part 4^ Arnhem^ 2007^ pp. 446-7^ cat. no. 875¦¦Barend Penterman became a citizen in Utrecht in 1679/80^ and is recorded as a locksmith and later a firelock-maker. In 1714 he was Dean of the Utrecht Blacksmiths guild and died on 19th January 1723^ after which his widow continued the business. His work is recorded in a number of dynastic collections outside the Netherlands^ reflecting the international renown he must have enjoyed. See Haartman 2006^ pp. 69-71.¦¦The crowned heart mark is encountered beneath the breeches of a number of Utrecht made firearms of this period.

A Mintons two handled slender ovoid vase and cover, painted by J. E Dean, signed, with continuous band of sailing boats, 17.5cm high, printed mark, c.1900

A pair of Royal Crown Derby rectangular plaques, painted by WEJ Dean, signed, High Tor Matlock and Lion Rock Dovedale, 12cm x 9cm

A Royal Crown Derby oval pedestal vase and cover, painted in the manner of W.J. Dean en camaïeu blue with fishing boats and schooners on a calm sea, urnular finial, scroll twin-handles, cartouche-shaped foot, 21.5cm high, green printed marks, numbered 1133, date cypher for 1898

A Royal Crown Derby shaped circular plate, painted by W.E.J. Dean, signed, with High Torr, Matlock, on a pink ground, vine border, 26.5cm diam, printed mark; another, smaller, wavy edge, 22cm diam, printed mark in green; Stepping Stones, Dovedale, 22.5cm diam (3)

A Royal Crown Derby two handled urnular vase, painted by W. E. J. Dean, signed with sailing boat off the coast, within beaded gilt oval cartouche, the ground with alternating cobalt blue and white vertical bands, scroll handles, 12cm high, printed mark in red, date code for 1911

10 OTC/CCF cadet cap badges. Churchers College OTC ... Brighton College ... Cranbrook School OTC ... Brentwood School OTC ... Ardingly OTC ... Dean Close School OTC ... Dulwich College ... Bristol Grammar School OTC ... Cranleigh CCF ... Alleyn School. All complete with fixings. (10 items)

Three boxes of LPs, including Dean Martin, Cole Porter etc.

This lot will be auctioned on Wednesday, June 30th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or July 1st. Clapperboard and flintlock pistol from John Lee Hancock's historical drama The Alamo. Texas citizens defended their fort from Mexican forces commanded by Santa Ana (Emilio Echevarria). This black-and-white acrylic and wood clapperboard is slated for the "A" camera. It is labeled for director Hancock and director of photography Dean Semler and features the film's title with spaces for roll, scene, take and date. Included is a brown and metal-color foam rubber flintlock style pistol with copper-color accents. It shows wear due to production and age, but remains in excellent overall condition. Dimensions: 22" x 11" x 5" (56 cm x 28 cm x 12.75 cm) Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide. Estimate: $600 - 800

This lot will be auctioned on Tuesday, June 29th. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 30th or July 1st. A Thermian uniform with a stunt phaser and appearance generator from Dean Parisot's sci-fi comedy adventure Galaxy Quest. Thermian aliens wore their uniforms with appearance-altering devices while under the command of actors who they thought were space explorers. This costume consists of a gray zip-up polyester and elastane jumpsuit with plastic shoulder details and a rubber insignia, a pair of gray leather and rubber boots, a black faux hair wig complete with a Polaroid photo of an actor in the wig, a gray resin phaser with a resin and rubber holster, and a plastic circular device with a holographic decal. It shows wear due to production and age, including some distressing on the front of the jumpsuit, but remains in good overall condition. Ownership may be restricted in some countries; see replica firearm notice in Buyer's Guide. Estimate: $2,000 - 3,000

This lot will be auctioned on Thursday, July 1st. The auction will begin at 9:00am PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on June 29th or June 30th. A Commando cigarette box and shooting script from Alex Cox's dark sci-fi comedy Repo Man. Duke (Dick Rude) and Debbi (Jennifer Balgobin) attacked "repo men" Bud (Harry Dean Stanton) and Otto (Emilio Estevez) at a liquor store that sold Commando cigarettes. This lot consists of a blue and white striped cardboard box labeled "Commando" and a red leatherette-bound shooting script labeled "Repo Man" with tape. It is in good overall condition with faded markings and some crunched paper from production. Dimensions (box): 4" x 2" x 2" (10.25 cm x 5 cm x 5 cm); (script): 9" x 11.5" x 1.5" (23 cm x 29.25 cm x 4 cm) Estimate: $600 - 800

AN EDWARDIAN ART NOUVEAU JARDINIERE AND STAND signed, 'R Dean', 84cm high (overall)

English School, 18th century, oil on canvas - portrait of Robert Henson, Dean of Stamford, 77cm x 63cm, in gilt frame

A box containing a quantity of assorted pictures and prints to include framed needlework's, Japanese prints, geishas, a signed Donnelly print, Tyne Bridge from Dean Street Newcastle.

A 1930’s Dean Rag Book “Mickey Mouse” soft toy, 12” tall.

Mickey Mouse Annual hardback book 124 pages Published Dean and Son Ltd. Showing signs of age has torn spine with tape corner dings and scuffed edges with discolouration. Sold on behalf of the Michael Sobell Cancer Charity. Shipping at cost from £4. 99 in UK, we can ship a 30kg box for £10 so up to 10 books. Overseas shipping at cost from £7. 99

Lee, Laurie, The Firstborn, 1963 first edition, and I Cant Stay Long (paperback) both signed by the author, The Wind in the Willows by Kenneth Grahame, illustrations by Arthur Rackham published by Methuen & Co Ltd London, a number of Beatrix Potter titles, etc, together with a small quantity of topographical books including a Pevsner Guide to Gloucestershire: The Vale and the Forest of Dean, etc (28)