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Lot 199
A collection of Kevin Francis character jugs and covers - limited editions, all artists or potters comprising 'Ralph Wood', 'Bernard Leach', 'Hannah Barlow', 'Charlotte Rhead', 'William Moorcroft', 'George Tinworth', 'Sir Henry Doulton', Clarice Cliff', 'David Winter', 'Peggy Davies', 'Josiah Wedgwood', 'Susie Cooper' and 'Lucie Rie' - each boxed (13)
Lot 3
NO RESERVE Architecture.- Swarbrick (John) Robert Adam & his Brothers, bound in half tan morocco, 1915 § Bolton (Arthur T.) The Architecture of Robert & James Adam (1758-1794), 2 vol., reprint, 1984 § Jourdain (M.) The Work of William Kent, bound in scarlet morocco, 1948 § Atterbury (P.) & Clive Wainwright. Pugin: A Gothic Passion, bound in half crimson morocco, New Haven & London, 1994 § Leach (Peter) James Paine, 1988 § Watkin (David) The Life and Work of C.R.Cockerell, signed by the author, 1974, plates and illustrations, some colour, one or two folding, the first, third & fourth all bound by Sangorski & Sutcliffe, spines gilt, the rest original cloth or boards with dust-jackets; and c.15 others on architecture and architects, 4to & 8vo (c.20)Provenance: The Partridge Fine Arts Research Library
Lot 8
DAVID LEACH (1911-2005) for Lowerdown Pottery; a stoneware pot covered in sage green glaze with copper red decoration, impressed DL and pottery marks, height 15cm, and a stoneware jug covered in hare's fur glaze by another hand (2). (D).Additional InformationMarks to pot inked over and chips to base of jug, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 121
David Leach (1911-2005), a fine porcelain bottle vase c.1973, impressed seal and label to base A fine porcelain bottle vase of bulbous form with a narrow chimney neck glazed white with a very fine crackle coming through in the glaze 20cm high (ARR) Provenance: Bonhams Bath, Contemporary Ceramics, 24 October 2005, Lot 246, The Godden CollectionGood condition. The fine crackle glaze on the top of the rim has some very minor discolouration to it but there are no chips, cracks or restoration at all.
Lot 12
Artists collections of letters, photos and unsigned postcards of paintings, plus couple of original sketches. About 18 signed items inc Patricia Machin, Lesley Armitage, Helen Segal, Richard Deacon, Jim Malone, David Leach, Charlotte Bingham, John Makespeace. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 214
A Lowerdown pottery foxglove pattern coffee set, designed by David Andrew Leach, on a mottled ground, comprising coffee pot and cover, eight mugs, cream jug and sugar bowl, butter dish and preserve jar and cover, impressed Lowerdown seals, preserve jar also with painted David Leach seal, coffee pot 22cm (13) (unused)
Lot 375
David Leach OBE (1911-2005) a Lowerdown Pottery porcelain box and cover, circular, shallow domed form, painted to the top with a willow tree, in iron oxide, tenmoku and blue, a David Leach canister and cover and a stoneware canister and cover by Richard Batterham, impressed seal mark, 10.5cm diam. (6)
Lot 48
Impressed artist's seal, salt glazed (Dimensions: 50cm high (19.5in high))(50cm high (19.5in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Lot 49
Each impressed artist's seal, salt glazed, one with barrel spout (Dimensions: 13cm and 23.5cm across (5.12in and 9.25in across) (2))(13cm and 23.5cm across (5.12in and 9.25in across) (2))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramics appear sound. Overall they appear in good condition with no obvious signs of damage or restoration.
Lot 66
Signed and titled (Dimensions: 20cm across (8in across))(20cm across (8in across))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Lot 69
Impressed artist's seal, signed, titled and dated (Dimensions: 44.5cm high (17.3in high))(44.5cm high (17.3in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Possibly a very slight chip to the right hand edge of the nose (half way down), however, given the material it is difficult to be completely sure on this. Subject to the above, overall it appears in good condition with no obvious signs of damage or restoration.
Lot 40
Impressed artist's seal, commemorating Barbara Ling and The Candover Gallery, inscribed ‘Candover Gallery 1984-2007, Barbara Ling twenty-three Glorious Years!’ (Dimensions: 14cm high (5.5in high), together with a vase in a similar grey glaze, 19cm high (7.5in high) (2))(14cm high (5.5in high), together with a vase in a similar grey glaze, 19cm high (7.5in high) (2))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramics appears sound. Overall the appear in good condition with no obvious signs of damage or restoration.
Lot 50
Impressed artist's seal, salt glazed (Dimensions: 24.5cm high, 32cm across (9.57in high, 12.6in across))(24.5cm high, 32cm across (9.57in high, 12.6in across))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Some original firing cracks to base. Subject to the above, overall it appears in good condition with no obvious signs of damage or restoration.
Lot 77
Painted artist's mark, stoneware, mixed clays (Dimensions: 17.5cm high (6.8 high))(17.5cm high (6.8 high))Footnote: Provenance: Galerie Besson, London; Collection of Barbara Ling. We are grateful to Jennifer Lee for her kind assitance in cataloguing this lot. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall in good condition with no signs of damage or restoration. Inspected under ultraviolet light.
Lot 67
Impressed artist's seal, signed, titled and dated (Dimensions: Overall 29.5cm high (11.6in high))(Overall 29.5cm high (11.6in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Lot 57
Stoneware (Dimensions: 148cm high (58.25in high))(148cm high (58.25in high))Footnote: Literature: Lesley Jackson, 'Sources of Inspiration: Potter Monica Young Discusses her Life and Work with Lesley Jackson,' Crafts: Decorative and Applied Arts Magazine , no. 159, July/August 1999, pp. 44-47 for similar examples. Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.
Lot 76
Stoneware, mixed clays (Dimensions: 24.5cm high (9.67in high))(24.5cm high (9.67in high))Footnote: Provenance: Collection of Barbara Ling. We are grateful to Jennifer Lee for her kind assitance in cataloguing this lot. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall in good condition with no signs of damage or restoration. Inspected under ultraviolet light.
Lot 46
Impressed artist's seal, salt glazed (Dimensions: 22.8cm high, 43cm across (9in high, 17in across))(22.8cm high, 43cm across (9in high, 17in across))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Small firing crack to handle. Subject to the above, overall it appears in good condition with no obvious signs of damage or restoration.
Lot 54
Impressed artist's seal (Dimensions: 18.5cm high (7.25in high))(18.5cm high (7.25in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Lot 47
Impressed artist's seal, salt glazed (Dimensions: 30cm high (11.8in high))(30cm high (11.8in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Lot 64
Signed and titled (Dimensions: 24cm x 37cm (9.5in x 14.5in))(24cm x 37cm (9.5in x 14.5in))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The work appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Lot 71
Signed, decorated with tower in a landscape (Dimensions: 41cm high (16.12in high))(41cm high (16.12in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Lot 74
Impressed artist's seal, pitted grey and white glaze (Dimensions: 16.25cm high (6.5in high))(16.25cm high (6.5in high))Footnote: Provenance: Collection of George and Nelly Wingfield Digby; Collection of Barbara Ling. Literature: See Tony Birks, Lucie Rie , Stenlake Publishing Ltd, 2009, p.92, illustrated. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: Structually sound with no obvious signs of damage or restoration. One very small blemish to the rim where the glaze does not appear to have fully covered. The work appears in good overall condition. Inspected under ultraviolet light.
Lot 60
The latter signed (Dimensions: 29.5cm high (11.67in high) and 17.5cm high (6.87in high), respectively (2))(29.5cm high (11.67in high) and 17.5cm high (6.87in high), respectively (2))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramics appears sound. Overall they appear in good condition with no obvious signs of damage or restoration.
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