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Lot 1249
λ RAYMOND MORETTI (FRENCH 1931-2005) UNTITLED (THE MUSICIANS) Coloured crayon Signed and dated 60 (lower left) 44 x 59cm (17¼ x 23 in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of the glazed frame. Light discolouration to the sheet throughout. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
Lot 31
▲ Roger Hilton (1911-1975) Untitled (Two figures)black crayon30 x 42cm, unframedProvenance: With Jonathan Clark & Co. Fine Art, London;the property of a private collector.Condition ReportFoxing with a little time staining and faint dirty marks. Light creasing. Pinholes to top corners. A tiny fold in the extreme upper left corner and a 5mm tear to the upper edge, centre left.
Lot 340
▲ John Piper CH (1903-1992) 'Death in Venice VIII' (Levinson 232)screenprint in colours, signed 'John Piper' in crayon l.r. and numbered '48/70'sheet 78 x 68cmCondition ReportFramed: 97 x 86cmSheet: 78 x 68.5cm.Presents well overall. The sheet has been stuck down with small squares of tape around the edges verso. There ia a small crescent shaped crease mark/ very fine crack to the centre of the right edge, please see additional condition images. In our opinion the print is crisp and the colours are bright.
Lot 274
† ATTRIBUTED TO LEON UNDERWOOD; a crayon and wash drawing, reclining nude, 21 x 25cm, framed and glazed, a crayon and wash drawing, seated nude, 27 x 19cm, framed and glazed, a crayon and wash drawing, seated nude, 33.5 x 23cm, framed and glazed, a crayon and wash drawing, seated nude, 33.5 x 23.5cm, framed and glazed, a crayon and wash drawing, standing nude, 33.5 x 23.5cm, framed and glazed, a crayon and wash drawing, nude figure, 27 x 21cm, framed and glazed, a crayon and wash drawing, seated nude, 26 x 20cm, framed and glazed, a crayon and wash drawing, seated nude, 26 x 20cm, framed and glazed, a crayon and wash drawing, seated nude, 33.5 x 23.5cm, framed and glazed, a crayon and wash drawing, kneeling nude, 26.5 x 19.5cm, framed and glazed and a further charcoal drawing of a lady attributed to Frank McFadden,38.5 x 28.5cm, and a further charcoal drawing of a lady, 47 x 33cm, both framed and glazed (12).
Lot 224
Welsh School (late 19th century), Llanfachreth Show 1893 (a fact), a humorous four-scene cartoon about Pig Judging; ‘At the sight of the Judges the pig fainted – Restored by a pint of Gin – Consequences of the Gin – ‘First Prize’ All right, at last!', ink and crayon, 8½in x 7in, framed and glazed, together with six other cartoons depicting pigs contained in two frames (3)
Lot 114
Alfred WALLIS (1855-1942) Steamships, St Ives, 1941/2 Graphite on paper, 26 x 40cm, framed 42 x 55.5cmExhibited - Arts Council Touring Exhibition, 1968, part of exhibit no. 170 ' Derwent Scrapbook - Scrapbook in soft covers 16 x 11 (inches) - Ex collection Sven Berlin - There are 34 pencil and blue crayon drawings. - Executed in Madron Workhouse, 1941-2 - (lent by) Denis Mitchell. Esq.' (the original catalogue for this exhibition is included in the sale of this lot)Provenance -Ben Nicholson gifted the sketchbook to Alfred Wallis;acquired by Sven Berlin;Denis Mitchell (lent to the Arts Council, 1968);with 'Gillie' Wills Lane Gallery, St Ives, where acquired by the present owner in 1998 This important drawing has all the characteristics of a classic Alfred Wallis. The condition is far from perfect, it has browned paper and foxing. In the extreme lower left there is a tear.
Lot 38
After David Roberts RA 29 lithographs of travel subjects, with text and hand-colouring, various sizes, unframed;together with two volumes of 'David Roberts, The Holy Land, 123 Coloured Facsimile Lithographs & The Journal from his visit to the Holy Land', with original slipcasestaken from a large volume, printed with the words 'Published F G Moon 20 Threadneedle Street, June 1st 1844' underneath each plate.The colour of the prints is even and varies from cream in colour, to a darker shade. There are some adhesive marks and residue from masking tape used to mount these when framed, and pencil or crayon marks to the back and sides. Mount shadows to a few - all have been photographed please see images for condition
Lot 35
Gerhard RICHTER (Né en 1932 à Dresde)"Victoria I", 2003.Impression offset couleur sur papier.Signé à la main au crayon et daté 2003 en bas au milieu. D'après le tableau du même nom de 1986. Achenbach Art Edition.80 x 60 cm (la planche), 60 x 40 cm (l'image). Bibliographie : Hubertus Butin, Gerhard Richter, Éditionen 1965-2004, Catalogue Raisonné, Hatje Cantz Verlag, Ostfildern-Ruit, 2004, reproduites pages 283 & 284
Lot 66
Paul Cadmus (American, 1904-1999). Crayon on paper drawing of a nude seated man. Signed and inscribed "NM269A" along the upper left corner.Provenance: Estate of Paul Cadmus; The Collection of Jon Anderson; Private Minnesota Collection.Height: 25 1/4 in x width: 19 in.Condition: The colors are bold and bright. There are two tears along the lower right corner. There are two creases along the lower left corner. There is a small crease along the upper-right corner. There are light handling marks along all of the edges. Very light soiling along the verso, likely original to the artistic process.
Lot 1A
Cameron Booth (American, 1892-1980). Crayon or oil pastel on paper drawing depicting large trees, one bathed in the bright orange of fall, 1968. Signed and dated October 15, 1968 along the lower right.Sight; height: 8 1/2 in x width: 11 3/4 in. Framed; height: 15 1/4 in x width: 18 in x depth: 3/4 in.Condition: The colors are bold and deep. The sheet is toned. There is some undulation to the sheet. No visible tears, losses, or restorations. Housed under a non-acidic mat. Framed under glass; there are several small pieces of broken glass in the frame; there is a small break to the glass in the upper left corner. Light wear to the frame. Not inspected out of frame.
Lot 896
ABRAHAM SOLOMON (BRITISH 1824 - 1862), MOTHER AND DAUGHTER oil on board, signed and dated 1854framedimage size 36cm x 31cm, overall size 46cm x 41cm Note: Abraham Solomon (London 7 May 1823 – 19 December 1862 Biarritz) was a British painter. The second son of eight children born to Meyer Solomon, a Leghorn hat manufacturer and his wife Catherine (Kate) Levy. His father was one of the first Jews to be admitted to the freedom of the city of London, and the family resided in Sandys Street, Bishopsgate in east London. Two of Abraham's siblings were also artists: his sister, Rebecca Solomon (1832–1886), and his youngest brother, Simeon Solomon (1840–1905), who acquired much acclaim as an associate of the Pre-Raphaelites and exhibited at the Royal Academy from 1858 to 1872; his later crayon drawings of idealized heads are still popular. At the age of thirteen Abraham became a pupil in Sass's school of art in Bloomsbury, and in 1838 gained the Isis silver medal at the Society of Arts for a drawing from a statue. In 1839 he was admitted as a student of the Royal Academy, where he received in the same year a silver medal for drawing from the antique, and in 1843 another for drawing from the life. Solomon died in Biarritz in France, of heart disease, on 19 December 1862, the same day on which he was elected an Associate of the Royal Academy. He married, on 10 May 1860, Ella, sister of Dr. Ernest Hart; she survived her husband.
Lot 196
Blanchetière (Henri, binder).- Baudelaire (Charles) Les Fleurs du Mal, one of 12 copies on Japon Impérial, from a deluxe edition limited to 24 for Librairie Blaizot, with an original signed drawing in pen & ink and crayon, etched portrait of the author in 2 states and 41 etched plates by Lobel-Riche, one in 6 states and the rest in 4 states (2 with remarques), 2 plates with an additional original ink sketch, one with an original watercolour drawing, and one unused plate in 2 states, bound in dark purple-brown goatskin with coloured inlays, by Henri Blanchetière, upper cover with naked figure outlined in silver with inlaid snake in green goatskin and large climbing floral spray in various colours, lower cover with cat in profile outlined in silver above a smaller inlaid floral spray in coloured goatskins, spine lettered in gilt with 4 raised bands, the larger centre compartment with inlaid lyre and flowers in coloured goatskin and tooled in silver, dark red goatskin doublures edged with inlaid floral border in colours, signed at foot of front turn-in dated 1923, dark red silk moiré linings, marbled flyleaves, original wrappers bound in, g.e., very slight rubbing to spine, board slip-case (rubbed), 4to (binding c.380 x 285mm.), Paris, 1917 [but 1921].*** A sumptuous work issued in celebration of the fiftieth anniversary of Baudelaire's death. In addition to these 24 deluxe copies, 200 were issued on papier vélin for members of the Cercle Grolier.Henri Blanchetière (1881-1933), was a follower of Marius-Michel, at first using Art Nouveau floral designs but later developing a more modern geometrical style.
Lot 101
Max Beerbohm (1872-1956)Portrait of Marc-André Raffalovich (1864-1934), holding opera glasses and looking up to the starsPen and black ink, grey wash, coloured crayon, signed in the lower centre, image 310 x 187 mm (12 1/4 x 7 3/8 in), under glass, some toning and minor surface dirt, Provenance:Michael MacLagan (British historian and herald, 1914-2003)Literature:Hart-Davis, Rupert, A Catalogue of the Caricatures of Max Beerbohm, 1972, no. 1206*** By family repute, Barry's acquisition of Beerbohm's portrait of Marc-André Raffalovich was the result of many years hard effort pursuing a deal, the result of a previous owner being reluctant to part with it, and was one of his favourite Beerbohm drawings. Marc-André Raffalovich was a French poet and author who wrote extensively on homosexuality. He is most remembered for his support of the arts and his enduring lifelong partnership with the English poet John Gray.
Lot 160
Edmund Blampied RBA, RE (Jersey, 1886-1966), "To Relieve Natal's Beleaguered City: The Last Crossing of the Tugela. Hart's Irish Brigade crossing a pontoon bridge under a heavy fire", ink, pencil and crayon, signed and dated in ink lower right "E. Blampied. 1900", titled beneath, unframed, 41 x 59cm. together with "Battle of Waterloo", ink, pencil and crayon, signed and dated in ink lower right "Drawn by E. Blampied February 6th 1900", unframed, 42 x 59.8cm. *Edmund Blampied was aged thirteen when he executed these drawings. (2)
Lot 320
Maurice Cockrill RA, British 1936-2013 - Ash, 1995; oil and pencil crayon on silicon carbide finishing paper, signed with initials and dated lower right 'MC 95', also signed and dated on the reverse 'Maurice Cockrill 95', 22.7 x 28 cm: together with a similar work by the same artist of the same size (2) (unframed) (ARR)
Lot 32
Mary Swanzy HRHA, Irish 1882-1978 - Clock by the Sea; pencil crayon on paper, 20.8 x 12.5 cm: together with another work on paper by the same artist of a similar size 'Palm Tree, Honolulu' (2) (ARR)Provenance: Mary Tullo, the artist's niece; Pyms Gallery, London, stock nos. K872 (92/2010) and K830(53/2010) (labels attached to the reverse) Note: Swanzy travelled widely in the early 20th century, working through various styles of Modern painting and becoming one of the first Irish artist to create abstract paintings. She exhibited alongside the other major figures in early Modern Irish painting and had a solo exhibition at the celebrated Galerie Bernheim Jeune in 1925 which drew praise from Gertrude Stein. Promoting her life and work was central to the ethos of Pyms Gallery and most recently she was subject to a major retrospective at the Irish Museum of Modern Art 'Mary Swanzy Voyages' in 2019.
Lot 84
Mary Swanzy HRHA, Irish 1882-1978 - Street scene with figures and car; pencil crayon on paper, 25 x 19 cm (ARR) Provenance: with Pyms Gallery, London, stock no.26 (according to the label attached to the reverse of the frame); John Russell Taylor (by repute); private collection Note: Swanzy travelled widely in the early 20th century, working through various styles of Modern painting and becoming one of the first Irish artist to create abstract paintings. She exhibited alongside the other major figures in early Modern Irish painting and had a solo exhibition at the celebrated Galerie Bernheim Jeune in 1925 which drew praise from Gertrude Stein. Promoting her life and work was central to the ethos of Pyms Gallery and most recently she was subject to a major retrospective at the Irish Museum of Modern Art 'Mary Swanzy Voyages' in 2019.
Lot 252
George Henry Edwards (British, 1859-1918), Cleopatra, crayon, signed, 30x22cm. Provenance:With The Maas Gallery, acquired 2005. Condition report:Some spots of foxing, to lower footer, right edge and top right quarter, left edge, these are the most noticeable, no tears, holes or creases evident to the paper.Additional images have been uploaded to th elot page on our website for you to view.
Lot 64
Laura Anning Bell (British, 1867-1950) - Portrait of a man in profile - Pencil and white crayon on paper - 35 x 22cm - 62 x 46cm framed - Signed, inscribed 'E. Richard Troncy' and dated 1915 lower right - Together with a pencil portrait of a woman by C. J. Gentry, 33 x 23cm (2) - Provenance: By descent from James (Jim) O'Connor, Edward Wolfe's partner
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10939 item(s)/page