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Boris RIABOUCHINE dit RIAB (1898-1975), L`Envol des colverts, Lithographie signée au crayon dans la marge, 37 x 61 cm

Attribué à Thierry BELLANGE, Alexandre Farnèse, duc de Parme, Jean d`Autriche, fils de Charles V, Aquarelle et crayon sur vélin, Hauteur : 12,5 cm - Largeur : 10 cm

Tony O`Malley HRHA 1913-2003 WEXFORD COAST/ COURTOWN WINTER, 1951 Oil and crayon, 7 1/2" x 20" (19cm x 51cm), signed initials and date. Provenance: Jorgensen Fine Art (label verso)

William Conor OBE RHA RUA ROI (1881-1968) HOMEWARDS wax crayon on card signed lower left; inscribed with title in another hand on reverse; with Oriel Gallery label also on reverse 18 by 14in., 45.72 by 35.56cm. Oriel Gallery, Dublin; Private collection `One Hundred Years of Irish Art`, Oriel Gallery, Dublin, April 1994, (an exhibition to coincide with the launch of the book of the same name), illustrated on exhibition invitation Nulty, Oliver (Ed.), 100 Years of Irish Art, The Oriel Gallery Silver Jubilee (1968-1993), Nicholson & Bass, Dublin, 1993 (illustrated on dust jacket) A copy of the exhibition invitation preserved on reverse.

A pastel and crayon portrait of a young lady signed F. Bellanger 1920. 27 cm x 35 cm - in a gilt frame

GUSTAVE FLASSCHOEN (1868-1940) MARCHÉ À KAIROUAN MARKET IN KAIROUAN Dessin au crayon et à l’aquarelle, signé et daté en bas à droite. DIM. À VUE : 31 X 44 cm (12.2 X 17.3 in.)

Edouard DETAILLE (1848-1912) « Officier et son Etat major. » « Bataille de Solferino. » Deux esquisses au crayon noir marouflées sur un support en carton. 10 x 14 cm et 11 x 17cm. A.B.E. (Petites rousseurs).

O.MENDEZ (XXe), Joséphine Baker, Gouache et crayon sur papier, Signé O.Mendez, daté et situé Rio-929 et annoté PARA JOSEPHINE BAKER en bas à gauche, 99 x 70 cm, Provenance : Château des Milandes, Périgord, collection de Joséphine Baker, acheté lors de la vente des collections de Joséphine Baker en 1968, (Légère déchirure dans le bas et trous de punaise sur les bords)

A German Painted Porcelain Plaque, Holy Family, after Del Sarto, 3rd quarter 19th century, 32cm by 26.5cm, inscribed verso in crayon Holy Family by Del Sarto Old Pinakothek, Munich, copied F A Thallmaier, Munich with impressed number 317, in a decorative gilt and gesso frame See illustration Artist probably Xaver Thallmaier Franz

Alfred Wallis (1855-1942) Three yachts passing a lighthouse and dolphins (and Ship with five crew entering harbour with two lighthouses, verso) (double sided) Both signed, pencil and crayon on paper, 25.5cm by 36.5cm It is believed that Wallis started to paint `for company` following the death of his wife, Susan, in 1922. Born into poverty he taught himself to draw and paint from memory on whatever surface he could find and sometimes using old boat paint he would depict mostly his knowledge of St. Ives and life at sea. The artists Ben Nicholson and Christopher Wood first saw Wallis` work in 1928 when he had been painting for just a few years. In 1943 Ben Nicholson said ``using the materials nearest to hand is the motive and method of the first creative artist. Certainly his vision is a remarkable thing with an intensity and depth of experience which makes it much more than merely child-like``. Wallis died in 1942, having spent the last few years of his life in the workhouse in Madron but living as a celebrity with his work exhibited in London. see illustration

WWII Luftwaffe Pilot`s Flying-Logbook. For Obergfr.Sperl, commencing 28th November 1940, training on Fw-58 and flights on He-111, recorded joining 2K6.1 Hindenburg Squadron, with further training on Ju-88 & He-111, combat missions based at Handdorf and Barth dated 1941 and further ops with 9K.G.H Hindenburg based at Saborowvka flying Ju-88s on the Eastern Front, giving brief report details of attacks on railways and airfield at Leningrad, as well as shipping etc, final entry dated 1/11/41 with handwritten red + cross marked in crayon, with Luftwaffe stamp and station-officers signature, implies possibly killed in action (1)

*Jaguar D-Type. An original artwork study of `KSF 301` the Ecurie Ecosse team car and Le Mans winner in 1957, pastel & crayon, signed by the artist (undeciphered) dated 1995, together with a monotone study of a racing sports car (possibly Tojeiro) in the manner of George Lane, inscribed `Motor` verso, both matted in mounts, 7 x 9in (18 x 23cm) (2)

A set of three female nude scenes in crayon and watercolour wash on paper by Pauline Filose, each mounted on wooden frames measuring (53cms x 36cms)

PABLO PICASSO(Spanish 1881-1973)Vallauris Peinture et Lumiere Xth Anniversaire- 1964Color linoleum cut on Arches paperSigned in crayon lower right, numbered 163/185 lower leftPrinted by Hidalgo Arnera and published by Arnera, VallaurisBloch 1850, Czwiklitzer 51, MMA 146, Geiser/Baer 1353 II B.aImage size 27 inches x 22 inches (68.6 x 55.9 cm), with full marginsContained in an attractive glazed frame with a linen mat

Linda Kitson (official war artist for the Falklands War); pen, ink and crayon sketch "L.F.F.I. Ops Room On Board QEII May 28th" (landing forces Falkland Islands), signed, 39.5 x 49cm.

HITCHCOCK ALFRED: (1899-1980) British Film Director. Signed 8 x 10 photograph of Hitchcock in a head and shoulders pose. Signed, in later years, in white crayon to a dark area at the base of the image. The signature is a little light although legible. About EX

Pencil and crayon drawing, head study of a boy, stamped signature 'Lamb', 9ins x 12ins

André MARCHAND (Paris 1877 - 1951)Cheval gris pommelé, esquisseCheval alezan, esquissePaire de panneaux26,5 x 35,5 cm Le premier, inscription au crayon en haut à gauche : Pris du Roi à Bruxelles le mai 1933 / à mon vieil ami Jacques RoyIntitulé, dédicacé, localisé, daté et signé en haut à droite :Sylver Cloud / à l’ami Murat / Neuilly / 29 avril 1933 / André MarchandLe second dédicacé, daté, signé en haut à droite : Colette Bandoche / Lamorlaye / 6 juillet 1931 / André Marchand

L** ORCHARD A study of a youngster in sailor attire with central parted dark hair, Crayon and Watercolour on Paper, 13cm x 9.5cm oval in acorn tipped ebonised frame, and a SILHOUETTE ON GLASS of a young man 12cm x 10cm also in ebonised frame

ROS** *** Two dinghies, one name Katie, each with a sailor, rowing hard in the distance and singing sloop, Crayon, signed indistinctly in pencil, 32cm x 45cm, in canvas and moulded glazed frame

AFTER PETER ILSTED (1861-1933) "A windswept Autumnal wooded landscape", limited edition dry point etching No'd. 23/125, signed in pencil in the margin, image size 27 cm x 40 cm and PATSY FARR (1955-) "Nude study of a seated lady", crayon, signed, 49.5 cm x 37 cm (2) (ONE ILLUSTRATED) CONDITION REPORTS Small white spots top edge and into top right hand corner. Slight brown mark into margin adjacent with mount bottom edge. Otherwise generally sound

LUCY DAWSON ( -1954) "Bob", study of a short haired terrier lying upon a couch, crayon and watercolour, signed lower right, 22 cm x 32 cm (ILLUSTRATED) (ARR)

SUITE DE TROIS PEINTURES aux crayon, encre et aquarelle sur papier, représentant trois paysages ruraux et fluviaux, construits de pavillons et animés de personnages. Cachets et signatures en bas à droite. Signées Hideyuki. (Quelques rousseurs). Japon, période Taisho, vers 1920. Dans des encadrements. (Manque un verre et petits éclats aux cadres). Dim. (à vue) 28 x 14,4 cm

ROBIN WEBSTER ABERDEEN HARBOUR watercolour and crayon on paper, signed 38cm x 29cm

Mary Swanzy HRHA FEAST DAY-CZECHOSLOVAKIA Crayon, 10" x 7 3/4" (25.5 x 20cm) Provenance: Jorgensen Fine Art (Label verso).

Stuart Scott Sommerville, British 1908-1983 exh 1925-1936- "Abstract Nude"; coloured crayon, signed in pencil, 43x27cm (may be subject to Droit de Suite)

Graham Snow, British b.1948- "Specimen Kakimono" 1991; conte crayon and gouache, a pair, ea. 95.5x28cm: together with two further similar works by the same artist, entitled, "Washed Stretch", 28x95.5cm, and "Study for Shadows & Evolution XII", 43x58cm, (4), (may be subject to Droit de Suite) Provenance: with Grob Gallery, 20 Dering St, London, according to the labels attached to the reverse

South East Asian School, mid 20th century- Study of a boy in a straw hat; black chalk and pastel on brown paper, signed and dated 54, bears label for Wah Cheong no 50 Wellington Street Hong Kong attached ot the reverse of the frame, 61.5x45cm: Late 20th Century, possibly Indian School- Female figure and zebra; pastel, signed, 58.5x40.5cm: West African School, late 20th century- Seated female nude; black crayon, signed and dated 1974, 43.5x46.5cm., (3)

DEAN HIRREL - PERSONAGES DANS LE CIRQUE AND SIMILAR COMPOSITION, BOTH SIGNED AND INSCRIBED CRAYON (2)

A mid 20th century pencil portrait of a man signed "H. Raiburn Dobson, Eindhoven - 45" and a coloured crayon caricature of two smartly dressed photographers at the races inscribed "Horse Photographers And Their Owners, Edward and Frank" and signed Poli 1950.

Louis-Ferdinand CÉLINE. Manuscrit autographe pour Mea culpa, [1936] ; 2 pages in-4 à l`encre noire avec quelques ajouts au crayon, paginées 1-2 (trous de classeur). , Esquisse pour un début de pamphlet, qui sera reprise dans la conclusion de Mea culpa (De

[CÉLINE]. GEN PAUL. Portrait de Céline. Gravure sur cuivre contrecollée sur carton, 25 x 32 cm, marges de 28,5 x 38 cm., Beau portrait, en buste, de Céline assis, de face, les mains croisées., Épreuve signée au crayon dans la marge, marquée ep.[reuve] d`e

Paul MORAND (1888-1976). Manuscrit autographe signé, Hamlet, acte VI, [1936] ; 2 pages grand in-fol. 50 x 32,5 cm (marques au crayon rouge ou bleu de l`imprimeur)., Amusant pastiche de Shakespeare, publié dans la revue Marianne du 16 septembre 1936 (no 20

Crayon M. Taylor Lester Piggott - half length portrait of the champion jockey, wearing emerald green silks, on horseback, signed by Lester Piggott and signed and dated by the artist, 1976, 65 x 46cm also Colourprint of Lester Piggott after the painting by Roy Miller, signed by Lester Piggott and also by the artist, No 571/1000 (2)

A quantity of assorted pictures and prints to include a set of five Baxter Le Blond prints, a crystoleum depicting a gentleman seated with fur lined coat wearing a chain of office around his neck, 19th CENTURY ENGLISH SCHOOL "Miss Jakig", a portrait study, seated on an elbow chair with bonnet and bow, watercolour, heightened in white, ENGLISH SCHOOL "Three masted ship passing a lighthouse" crayon heightened with white, unsigned, etc

*CIRCLE OF SIR GEORGE CLAUSEN, R.A. Field -Worker: Field-Worker holding a Stave: Field-Worker leaning forward, charcoal and red crayon, irregular edges (trimmed) 49 x 15 1/4 in, and slightly smaller, all unframed; three (3)

* WORKS FROM THE STUDIO OF JOY BARNES. Joy Barnes (b.1912) Mediterranean and Middle Eastern topographical views comprising: Stormy Day off Marseille; Chateau d`If, Marseille Harbour; Spanish Coast approaching Gibralter; Cape St. Vincent; Corsica; Suez Harbour, entrance to canal; Reefs in Gulf of Aqaba; Aqaba Jordan; Midday Elath Israel; Egyptian Coast, Gulf of Suez; and Cape Guardafui (11) Pen and crayon The largest 8 1/4 x 13 1/4 in. (21 x 33.5 cm.).

* Joy Barnes (b.1912) A group of Oriental topographical views comprising: Fishing Boats, China Sea; Singapore Dock North; Early Morning, Siam Peninsula; Japanese Islands off Nagoya; Manila Harbour; and Penang (6) Pen and crayon The largest 8 x 13 1/2 in. (20.3 x 34.2 cm.).

* Joy Barnes (b.1912) A group of topographical views circa 1965, to include: Hong Kong; Tripoli; Luzon, Philippines; Kobe Harbour; Aden; Ceylon; Manila; Marseilles etc. (23) Pen and crayon Mostly titled and signed with monogram, some dated, all mounted but unframed The largest 11 x 15 in. (28 x 38 cm.).

Peter Lanyon, British 1918-1964- "Gannet"; black conté crayon, signed and dated `58 in pencil, titled, 54.5x73cm, (may be subject to Droit de Suite)

Samuel Gillespie Prout, British 1822-1911- Houses on the coast at Dieppe; black crayon and watercolour heightened with white on buff paper, signed and inscribed, 34x24cm Provenance: Sotheby`s sale 3rd April 1997, lot 127, where purchased by the current owner

George Dixon Aked, British 1907-1989- Standing female nude; charcoal, signed and dated 56, 46.5x31.5cm Provenance: with Sally Hunter Fine Art, London, according to label attached to the reverse: William Strang RA RE RP, British 1859-1921- Balloon seller; pencil, signed in pencil, 32x26cm: together with one other drawing by the same hand of a standing female nude, signed, 48x32cm: Marcel Lemar, French 1892-1941- Standing and seated female nudes; pencil, pencil and watercolour, a suite of five, each signed, in matching silver gilt frames, 32x25cm., ea: Génot, French, mid 20th century- Deux Nues; black and red chalk, signed and dated 62, 42x51cm: Francois Xavier Josse, French 1910-1991- Seated female nude; pencil, black crayon, watercolour and gouache, signed 65x48cm., (10) (may be subject to Droit de Suite)

Dame Ethel Walker NRA ARA RBA RP LG, British 1861/67-1951- Reclining nude; charcoal on mauve paper, bears stamped initials, 17x31cm: Thomas Stuart Milner, British 1909-1969- "Interior at Windsor, my Flat"; watercolour, signed and dated 40, 27.5x38cm: Ernest Fedarb NS, British b.1905- "The Fountain, Lalley"; pen and black ink and watercolour, signed, 22x31cm Exhibited: Daphne & Ernest Fedarb, Sally Hunter Fine Art, London, February 1986, No 3, according to label attached to the reverse of the frame: Adrian Keith Graham Hill RBA RI ROI, British 1895/96-1977 exh 1924-1940- "Bedroom"; watercolour over charcoal, signed, 34x50.5cm Exhibited: Adrian Hill Exhibition, William Darby, London, 1977, No 34, according to label attached to the reverse of the frame: Stephen Bone, British 1904-1958- "Path by the Field"; pencil and coloured crayon, 25x25cm. Exhibited: Stephen Bone, Sally Hunter & Patrick Seale Fine Art, London, October 1986, No 80, according to label attached to the reverse of the frame: Mary Audsley, British b.1919- "Head of a Girl with Flowers"/drawing for a majolica panel; pastel, signed, 38x50cm: Exhibited: Mary Audlsey, Sally Hunter Fine Art, London, May 1990, No 5, according to label attached to the reverse of the frame: Adrian Maurice Daintrey, British 1902-1988- "Interior, Shute House"; pen and brown ink and watercolour, 33x24.5cm. Provenance: with Sally Hunter Fine Art Limited, London, according to label attached to the reverse of the frame: Adrian Maurice Daintrey, British 1902-1988- "The Perambulator"; pen and black ink, signed and dated 1967, 24x33.5cm Provenance: with Sally Hunter Fine Art Limited, London, according to label attached to the reverse of the frame: Elizabeth Jane Lloyd, British 1928-1995- Floral still life; watercolour, signed and dated 1985, 37x56.5cm: Philippa Bowley, British b.1948- "77, Recliffe Gardens, SW10"; pen and black ink and wash, signed, titled and dated 85, 19.5x28cm Provenance: This work was commissioned by the current owner from the artist: (10) (may be subject to Droit de Suite)

Reginald F Goodfellow, British 1894-1985 exh 1939- Still life with flowers and books; pen and black ink and watercolour, signed with monogram, 45.5x32cm: together with a collection of works on paper by the same hand, to include: still life study in pen and brown ink and watercolour, inscribed, a nude study in red chalk, signed with initials, a head study in pen and black ink and watercolour wash, signed and dated 40, a draped female nude reading in pen and brown ink and coloured crayon, signed and dated 1925, view of Harnham Court, watercolour, signed, inscribed and dated 3 Aug 1944 and figure in an ornamental garden, red crayon and watercolour, signed, inscribed and dated 1939, all by the same hand, 24x23, 10.5x22 and 25.5x20, 25x40.5, 21.5x28 and 30x22cm: Reginald F Goodfellow, British 1894-1985- "Model with Crossed Legs"; brown ink, 26x18.5cm: Exhibited: Twenties Veterans, Sally Hunter Fine Art Limited, London, July 1988, No 51, according to label attached to the reverse of the frame:Reginald F Goodfellow, British 1894-1985 exh 1939- The bridge at Tarascon; pen and brown ink and watercolour, signed, signed with monogram, inscribed and dated July 1926, 26x37c: Reginald F Goodfellow, British 1894-1985 exh 1939- "Eglise St Jacques, Dieppe"; pen and red brown ink and watercolour, signed, inscribed and dated 1939, 18x25.7cm., (10) (may be subject to Droit de Suite) Provenance: Acquired directly from the artist`s estate by the current owner

AN ERTE EMBOSSED LITHOGRAPH `ART DECO LADY` An Erte Romain de Tirtoff (FRANCE, 1892-1990) embossed lithograph titled `Art Deco Lady`. Crayon signed to lower right and numbered 254/300 to lower left. Measures 39" height x 28" width + 7" mat & frame (99cm x 71.1cm + 17.8cm).

20th CENTURY ENGLISH SCHOOL "Study of a young ballerina reclining on a couch", crayon, monogrammed "GH" lower right

John Melville, crayon and wash, baby in high chair, signed and framed. (7.75in x 8.5in)

Keith Henderson, crayon and pencil, sketches of goats and figures, unsigned, mounted and framed. (9.5in x 13.75in)

Ed Smith, pencil/crayon, Old door, La Bastide, France, signed and dated 1980. (11.5in x 15.25in)

Patrick Procktor, lithograph in crayon and tusche on zinc plate, Bow Wow, picture of a spaniel, dedicated `for Terry`, signed and titled in pencil to recto. (22in x 25in, image - 16in x 22.5in)

Robert Sargent Austin R.A. (1895-1973), Hunter in a stable, signed and dated 1/33, crayon, 26.5 x 29cm.; 10.5 x 11.5in. * He studied at Leicester School of Art and at Royal College of Art, 1914-16 and 1919-22. Showed with the Royal Watercolour Society of which he was a member and president; Royal Society of Painter-Printmakers of which he was a member and president; and the Royal Academy to which he was elected in 1949. An exhibition of Austin`s prints and drawings was held at Ashmolean Museum, Oxford and Leicester Museum and Art Gallery in 1980. Artists` Resale Right ("droit de suite") may apply to this lot.

John Frederick Pettinger. A town scene with figures, possibly Cornwall, crayon with wash, 29cm x 39cm.

T Brodrick: a conte crayon study of School's Building, Old Court, King's College, Cambridge, signed and titled lower right, 50 by 35cm.

Juliana, Italian charcoal and crayon drawing of a lady in a bonnet, half length, signed and dated 1856, 35cm by 24.5cm and another by the same hand, lady with basket of flowers, pen and ink dated 1860, 20cm by 12.5cm (2)

ITZCHAK TARKAY [1935-], ACRYLIC ON SERIGRAPH, 1997, 31 1/2" X 41 3/8", `MODEL POSING`: Acrylic over serigraph in color on linen, signed lower right in white crayon, framed. Itzchak Tarkay, Israeli, born 1935.

ITZCHAK TARKAY [1935-], ACRYLIC ON SERIGRAPH, 39" X 27", SEATED WOMAN AND FLOWER VASE: Acrylic over serigraph in color on linen, signed lower right in black crayon, number 78/150, framed. Itzchak Tarkay, Israeli, born 1935.

Nicholas Garland, British b.1935- "Ice to the Monarchy and its Future", 1969; pen and black ink and wash, blue crayon and white; signed, 18x28.5cm: Luther, mid-late 20th century- Venetian canal scene; pen and black ink and watercolour, signed, 37x55cm: together with a colour digital reproduction print/production test proof of The X Men, signed in felt tipped pen, two sheets in common frame, 28.5x20.5 and 25x17cm., (3) (may be subject to Droit de Suite)

British School, 19th century- Fisherfolk unloading the day`s catch; pen and brown ink and watercolour, 5.7x8.5cm: British School, 20th century- Stone bridge stream and woodland; black chalk watercolour and gouache, signed, 35.5x28cm: Late 20th century- Portrait of a man seated full-length; black chalk, signed, inscribed and dated 1965, 27.5x17.5cm: Late 20th Century- Figure studies; black crayon and brown felt-tipped pen, signed with monogram, dedicated, 62x42cm: Oriental School, mid-late 20th century- Figures on a horde drawn carriage; woodblock print, 56x80cm., (5)

Coleridge, late 20/early 21st century- `Hammersmith`; watercolour, coloured crayon and pencil, signed, dated `9/87`, 58.5x82.5cm: together with two others by the same artists entitled, `Capel y fin [sic]` & `Muck`, Argyllshire; watercolour, coloured crayon & pencil, both signed and dated `87, 58.5x82.5cm, (in matching frames) (3) (may be subject to Droit de Suite)

A framed crayon sketch of a young man dozing signed and over written G.J. Tuky? 34cm x 26cm