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Cartier Quadrant travel clock, chapter ring with Roman numerals, blue decoration above and below, battery operated quartz movement, 5cm wide, in an associated Cartier gilt decorated red Morocco case Condition:We do not guarantee the movement or accuracy of clocks and watches. Currently this timepiece does not work and we have not replaced the battery. There is an area of blue enamel missing to the base hinge (please see image). The enamel to the face is in good order. There is light scratching to the surfaces, with some heavier scratches to the external face. Light scuffing to the box. General condition consistent with age and use
A sapphire and citrine set stick pin by Cartier, designed perhaps as a stylised sport mallet or club with calibré cut and shaped light blue sapphires and golden citrines channel set to form the three dimensional mallet head, the shaft of the pin stamped 'Deposé' and 'Cartier' with the maker's lozenge between, cased in a period faux shagreen box by Harrods
A mystery set sapphire and diamond brooch, designed as a long oval of mystery set calibré cut sapphires in a scallop edge border of round brilliant cut diamonds, unmarked yellow precious metal, clasp with safety catch, length 2.8cm, cased Other Notes: The setting of gems without visible support or metalwork - the 'serti mystérieux' - was a technique developed by several companies in the early 20th century, patents being taken out by Chaumet in 1904, and in 1933 by both Cartier and Van Cleef & Arpels - the latter company coining the term 'mystery set'. It involves reciprocating grooves and ridges in the girdles of flat-edged (usually square cut) stones so that they interlock , in much the same way as those children's puzzles with a frame within which movable squares must be slid around one space at a time to make a picture. The technique is difficult and expensive, so tends to be used only for valuable stones suiting especially sapphires and rubies - emeralds being too brittle and diamonds too hard. At first only flat settings were attempted, but Van Cleef & Arpels patented a method of setting curved pieces (such as this brooch) in 1938. Despite the popularity of platinum at that period, the precious metal used most often for the trellis backing and setting is 18ct gold, being more malleable and with a lower melting point . Mystery set jewels were at their zenith in the mid years of the last century, but are still being produced, and still most closely associated with Van Cleef & Arpels.
A lady's Cartier Santos steel and yellow gold bracelet watch, ivory dial, black Roman numerals, yellow gold bezel surround to brush steel head, 23mm diameter, to a steel and yellow gold 5 row bracelet with concealed fastener. Quartz battery movement, watch back engraved with serial/reference numbers 166921 and 059319. Condition Report: Overall good, minor wear and tear only to case and bracelet. Quartz battery movement currently working. Condition report: see terms and conditions
A 1970s Cartier France 'Tutti Frutti' brooch, set brilliant cut and baguette diamonds, carved sapphires, rubies and emeralds in foliate forms, with further cabochons, mounted in 18ct yellow gold, with marks to clasp, serial number 3306, 2" x 1 5/8" approx, 24.4g, in fitted tooled and gilt morocco leather silk lined box
Cartier, Panthere, a lady's two colour bracelet wristwatch, quartz movement, 4 jewels, cal. 157, silvered dial, Roman numerals, blued steel sword hands, screwed down back with eight screws, case, dial and movement signed , on a Cartier two colour block link bracelet with concealed clasp, width 22mm
Cartier, Chronoscaph 21, ref. 2424, a stainless steel and aftermarket diamond set wristwatch, no. 7221PL, quartz chronograph movement, 22 jewels, cal. 272 ETA 251272, monogram dial, luminous pointed baton markers, luminous sword hands, centre chronograph hand, date aperture at 4 o'clock, subsidiary dials for constant seconds, 30 minute and 12 hour recording, aftermarket diamond set bezel, screwed down back with seven screws, case, dial and movement signed , on a Cartier rubber and aftermarket diamond set strap with deployant clasp, accompanied by a Cartier pouch, diameter 35mm Please see the condition report on our website for details of third party intervention
* Cartier, Santos, a lady's two colour bracelet wristwatch, no. 090267335, automatic movement, 17 jewels, cal. ETA 2670, aftermarket white dial, Roman numerals, blued steel sword hands, centre seconds hand, screwed down bezel, screwed down back with eight screws, case, dial and movement signed , on a Cartier two colour block link bracelet with fold over clasp, accompanied by a Cartier box, width 24mm Please see the condition report on our website for details of third party intervention* This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer's premium at a rate of 20% . IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer's premium at a rate of 20%
Cartier, Tank Francaise, ref. 2384, a lady's stainless steel bracelet wristwatch, no. 844700CD, circa 2002, quartz movement, 4 jewels, cal. 057, silvered dial, Roman numerals, blued steel sword hands, screwed down back with four screws, case, dial and movement signed , on a Cartier stainless steel block link bracelet with concealed clasp, width 20mm
A small selection of collectables, including Victorian Ambrotype of Chapel Allerton Hall, Leeds, a miniature painting of a bulldog, inscribed 'Jasmine 1912', an ornamental novelty 'mouse trap' with jadeite mouse, gemstone set gilt metal noose trap and pink onyx base, black patinated bronze bull, Cartier gilt metal alarm clock and various uncirculated 1968 French 10 francs coins (box)
A gift from Her Majesty Queen Elizabeth II, Cartier, Paris: a 9ct. yellow gold circular pendant, with Royal cipher within beadwork, British hallmarks to reverse, London 1956, 2.2cms wide; on an associated 9ct. yellow gold circular and oval link bracelet, by B & S., Birmingham 1959, 18.5cms (7 1/4in.) long, 13.6grms; in original Cartier box embossed in gilt with Royal cipher to cover.PROVENANCENora Smith was a member of first the Household of King George VI and Queen Elizabeth, The Queen Mother, later working for Her Majesty Queen Elizabeth II.
An Art Deco lady's Cartier gold and enamel pendant watch with attached jade rings. The gold case with red and black enamel, original white and black enamel crown, the back cover with a fixed gold and enamel hoop with two attached jade rings. The silvered dial signed Cartier and Bte S.G.D.E with blued steel Breguet moon hands, surrounded by a black enamel and machined gold bezel. The movement signed European Clock and Watch Company, 15 jewels, adjusted to three positions, 24mm diameter
A ladies 18ct yellow gold quartz Panthère de Cartier wristwatch, reference: '128 000 M.' The square white dial with Roman numerals denoting hours, a gold bezel and lugs factory pavé-set with 62 round brilliant cut diamonds, on an 18ct gold bracelet, with butterfly clasp, with two spare bracelet links and red leather Cartier box
A lady's Cartier Baignoire quartz 18ct gold bracelet wristwatch, the signed oval curved dial with black Roman numerals and with blued steel hands, the case back detailed Cartier Paris Quartz 18K 8057912 3123, the bracelet with a signed folding clasp detailed 18K Cartier 750, gross weight 82.5g. Illustrated
Cartier, must de Cartier, 'Tank', a lady's vermeuil quartz wristwatch, the cream dial with black Roman numerals, secret signature at 7 o'clock, blued steel hands, and blue cabochon crown, on a brown leather strap CONDITION: movement functioning, gilding worn a little, light scuffs and scratches commensurate with age
Van Cleef & Arpels, a pair of 18 carat gold and sapphire cufflinks by Georges L'Enfant, circa 1960, each square link with a rope work border and a pyramid cut sapphire to the centre, the larger link 12mm wide, the hinged bar connections signed 'VAN CLEEF & ARPELS' to one, 'V.C.A' to the other, both bearing L'Enfant's mark, numbered 94813, and twice stamped with French poincons, 17.2gms gross. Georges L'Enfant was an important mid 20th century goldsmith, creating pieces for such auspicious names as Van Cleef & Arpels, Tiffany, Boivin, Hermes, Gubelin and, most notably, Cartier, where he worked as a Master jeweller. CONDITION: very good, marks clear, sapphires a little dark in tone but a vivid blue
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20115 item(s)/page